Your SlideShare is downloading. ×
Medieval 2
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×
Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Medieval 2

496

Published on

Second presentation about chant in the Medieval period, with links to YouTube videos.

Second presentation about chant in the Medieval period, with links to YouTube videos.

Published in: Spiritual, Technology
0 Comments
0 Likes
Statistics
Notes
  • Be the first to comment

  • Be the first to like this

No Downloads
Views
Total Views
496
On Slideshare
0
From Embeds
0
Number of Embeds
0
Actions
Shares
0
Downloads
4
Comments
0
Likes
0
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
No notes for slide
  • \n
  • \n
  • \n
  • \n
  • \n
  • \n
  • \n
  • \n
  • \n
  • \n
  • Transcript

    • 1. Medieval era Presentation II
    • 2. Non-liturgical compositions• lauda - composed for use in private devotional• mainly simple syllabic change set in verse/refrain format to Italian texts• good example: Gloria in cielo e pace in terra
    • 3. Gloria in cielo e pace in terra http://www.youtube.com/watch?v=yRBkXnZoBOg
    • 4. church dramas• often called liturgical dramas because of association ith liturgical feasts• biblical stories set to monophonic melodies for soloists and chorus
    • 5. Monophonic compositions• Divided into four separate periods: • St. Martial 1100-1180 • Notre Dame (1180-1260) • Ars Antiqua (1260-1320) • Ars Nova (1320-1500)
    • 6. St. Martial• St. Martial: characterized by monophonic tropes and sequences and two-voced compositions in discant and organum styles -• the organum style was especially important to development of polyphony.• Lower part was a portion of chant melody with original latin text set to very slow-moving rhythms while upper part had a different latin text and a freely composed and faster moving rhythm.
    • 7. Notre Dame• Known for a large body of repertoire that was written for liturgical services at Notre Dame in Paris.• Two composers: Léonin 1180-1190 and Pérotin, active around 1200
    • 8. Pérotin’s Viderunt omneshttp://www.youtube.com/watch?v=wOgLiD-NKPk
    • 9. Ars Antiqua• continued with rhythmically active upper parts set to their own text over a slower moving chant based lower part.• upper parts often set to French texts - each part had individual rhythmic characteristics (one faster than the other)

    ×