The Logic of Participation in Museum Learning Designs

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    Notes on slide 1

    Leading to a subsequent move by museums to networks 'where the publics are', with Apps for facebook fpr example. Here, people can develop their online identities using artworks from museum collections. At the same time, the museum is marketing itself through a presence in a virtual space outside of the museum's domain.

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    The Logic of Participation in Museum Learning Designs - Presentation Transcript

    1. The Logic of Participation in Museum Learning Designs Palmyre Pierroux conference, September 22, 2009 National Portrait Gallery, London, June 2008
    2. Overview
      • Participatory trends and user-led communication
      • GIDDER - learning designs, cell phones and social media
      • Dilemmas and disconnects
      • CONTACT - design and transformation
    3. 'Participating in networks' 3,085,384 photos 80,600 videos ...visitors document museum encounters 'Participating in networks'
    4. 'Where the publics are' ...branding and marketing
    5. 'Soliciting participation' ...museum blog entries
    6. 'A network for us and the museum' ...chat rooms and forums with curators and other visitors
    7. 'Networks for building collective memory' ...commenting and tagging collection items
    8. Interactions & interfaces ...multi-touch tables, phones
    9. Content - knowledge representations ... walls, mini-projectors, augmented reality
    10. GIDDER: Groups in digital dialogues ...mediating role of artefacts, interactions, technologies, and institutional practices
    11. Gidder: Groups in digital dialogues Pre-visit : log in, explore art and information in wiki Museum visit : discuss art, blog information Post-visit : reflect, write
    12. Xue Tao, Rope Coil , 2006 Courtesy of the artist and Contrasts Gallery, Beijing Blog entry sent by mobile phone during museum visit
    13. Version 8 Version 9 Wikis show history of collaboration
    14.  
    15. General findings and 'dilemmas'
      • mobile blogging motivates reflection and engages students with art works in situ
      • blog texts are relevant resources in post-visit activities
      • wikis harness participation and can scaffold collaboration on shared tasks
      • But learning is intertwined with...
      • teacher/curator, the task, and the institutional setting
    16. Dilemmas in user-led communication: the disconnect
      • Nina Simone: Museum 2.0 blog
      • Monday, April 20, 2009
          • Avoiding the Participatory Ghetto: Are Museums Evolving with their Innovative Web Strategies ?
      • ...stereotypes flying in many directions—that curators won’t give up authority, that technologists don’t respect traditional museum practice, that educators are too preachy, that marketers just want to get more live bodies in the door.
      • http://museumtwo.blogspot.com/2009/04/avoiding-participatory-ghetto-are.html
    17. CONTACT: Communicating Organizations in Networks of Art and Cultural Heritage Technologies
      • ...exploring how technologies create new dialogical spaces in museums and cultural heritage organizations.
    18. EXHIBNET: Exhibition Communication and Information Networks The National Museum of Art, Architecture and Design Lead Researcher: Dr. Palmyre Pierroux ARCHAEONET : Open Archaeology Networks Historical Museum, UiO Lead Researcher: PhD student Ingvild S. Andreassen TRANGO: Transformation in Cultural Heritage NGOs Norwegian Cultural Heritage Association Lead Researcher: Dr. Dagny Stuedahl
    19. CONTACT
      • Transformation
      • Knowledge practices
      • Communication practices
      • Organizational change
      • Design
      • interventions, methods
      • experiments, prototypes
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