Link : http://www.ephotozine.com/article/Samsung-WB500-11800
Samsung WB500 Digital Camera Review
Samsung WB500 Review - No-one knows what the WB stands for in the Samsung WB500. Matt Grayson thinks it
stands for Wide Body. It's a match made in Heaven.
The largest electronics company in the world brings us a camera with a lens from one of the oldest lens makers in the
world.
Samsung WB500: Specification
 Zoom: 10x optical
 Resolution: 10.2Mp
 Sensor size: 1/2.33in
 Sensor type: CCD
 Max. image size: 3648x2736
 File type: JPEG
 Sensitivity: ISO80-1600
 Storage: Internal, SD, SDHC
 Focus types: Centre, multi, selection, manual, face detection
 Normal focusing: 50cm-infinity
 Close focusing: 5cm-50cm
 Metering types: Multi, spot, centre-weighted, face detection
 Exposure compensation: +/- 2EV in 1/3 step increments
 Shutter speed: 16sec-1/1500sec
 Flash: Built-in, Wide: 0.3-4.7m, Tele: 0.5-2.7m (ISO auto)
 Monitor: 2.7in TFT LCD screen
 Interface: USB 2.0
 Power: Li-Ion battery
 Size: 105x61.4x36.5mm
 Weight: 219g (excl. battery and card)
For £197, you get a 10Mp sensor, 10x optical zoom, 2.7in LCD screen and the backing of the largest electronics
company in the world. For £2 more, the Canon Powershot A2100 offers a higher 12.1Mp sensor, only a 6x optical zoom,
a 3in LCD screen and takes AA batteries.
Alternatively, the Olympus Mju 7000 is £209 and has the same resolution as the Canon, a 7x optical zoom and 3in LCD
screen. The Samsung also offers the widest field of view at 24mm.

Samsung WB500: Features
There are a few cameras out there that have massive zoom barrels
on and for the most part they look good. The Samsung WB500
doesn't fall outside this area as I think it suits the camera's shape
more. It's worth noting that with a 10x optical zoom built in to a
relatively small body, the lens will need to be bigger. Some
companies have the lens poking out more while some think up
innovative ways of packing it into a barrel that sits flush. These types
of lenses generally tend to sit at around 5x optical.
The lens is made by Schneider who have been providing lenses for
anything from medium format to cinematic cameras since 1913. The
Varioplan lens is a higher grade than Kreuznach. I've seen reviews
that specify the lens as HD but Samsung have confirmed to
ePHOTOzine that while HD lenses are usually found on digital
camcorders, the lenses on digital cameras are better.
It has a wide angle of 24mm in 35mm terms which means it can
telescope out to 240mm. A tripod will be likely at this top end but it
sort of defeats the object of a pocket camera if you need to take a
The lens pops out quite far thanks to the large
massive Manfrotto job strapped to your back. Luckily smaller tripods
zoom.
are available that sit on a table top or wall and are small enough to
slide into a camera pouch.
A relatively small 10Mp resolution compared to other cameras available sits inside but a small 1/2.33in sensor has been
used and the higher resolution cameras tend to suffer noise so this could be Samsung's way of showing them jumping
out of a pixel race.
On the outside, it's pretty big for a compact but then at the same time, it's not oversized. We've been bombarded so
much with tiny cameras recently, it's refreshing to see a camera that doesn't mind being that bit different.
A small command dial sits next to the shutter
release which could get in the way if you're
inexperienced.
The back boasts a large LCD screen and a
simple layout.

The top plate houses a command dial, shutter release and power
button with the zoom rocker wrapped around the shutter release for
easier use. On the back is a small switch that Samsung call the
Command lever. It's a dedicated rocker switch that can be reset to
command different features such as white balance, ISO and
exposure compensation. Below that is a function button and the
navigation pad for moving around the menu. This also doubles as
access to features such as flash, self timer, macro and display
options.
At the bottom are two buttons for playback and special effects such
as vivid, soft, forest, retro, cool, calm and classic. These are the
same effects as found on the ultra-cool Samsung NV-9 but with
Rear controls are firm and responsive. some expanded options.
In Normal, you can expand your options and choose colour tones such as red, green and blue or add sharpness,
contrast and saturation.
There are a few innovations on the WB500 such as the Smart Album and Frame guide. The Smart Album is designed to
help you find the photographs you want quickly and easily and is banded into four individual segments including time,
colour, content or theme.
One of the features I think interesting is the frame guide. On the surface I thought it was a tool for compositing an image
of yourself over a previously taken background. In actual fact, it's used as a template and the idea is to take a picture of
the background that you want which then stays on the screen, but the camera drops the opacity so it's semi-transparent.
You then give the camera to a friend or partner to take a picture of you and they align the background to the level you
want so you can do all those quirky “leaning against the Tower of Pisa” shots when you're holidaying alone. It means
that if you want a certain amount of ground or sky in the shot then you'll get it. Of course you can't compensate for if you
crop your own head off because you don't know how tall you are in the frame.
The Samsung WB500 has high definition recording although this is at the 720p so isn't full HD but still has enough detail
to be regarded as HD. Samsung have developed a method of compression for video which means the higher quality of
HD can be compacted down and they say it doubles the efficiency of the camera.
Samsung have integrated two types of image stabilisation into the camera to ensure sharp images. Optical image
stabilisation and digital image stabilisation which uses complex algorithms to ensure a sharp image work in conjunction
with each other so if one fails, the other can back it up.
Samsung WB500: Build and handling
There's a degree of weight to the camera which could put some people off but I think those same people will also have
issues with the larger lens barrel. Schneider have been making lenses for around 90 years and also provide glass for
Kodak.
I like the curve of the front allowing fingers to get purchase for single handed shooting and while there's space for a
thumb rest, some of it is taken up by the function rocker switch. Buttons are firm and positive and although the
command dial is a little small indenting into the body making it
harder to turn, it's not resistant.
One area I always pick cameras up on, especially large zoom
cameras such as this one, is the tripod bush. With a large zoom,
you're going to use the tripod quite a lot and some cameras in the
past have been fitted with plastic bushes meaning they won't have
as long a life span.
I'm happy to report that the Samsung WB500 has a metal tripod
bush which means a longer lasting camera that won't need new
parts fitting.
Samsung WB500: Performance
Shutter lag is relatively slow compared to other compact cameras of
this classification. It sits at around 0.15sec which is roughly double Saints alive! The tripod bush is metal!
the 0.08sec found on other cameras.
The Samsung WB500 has two burst modes, one for continuous shooting which will keep taking pictures until you run
out of card space and a hi-speed which performs a short burst of images before having to download from the buffer to
the memory card. In continuous mode it only managed a meagre total of six which translates to around 0.6fps (frames
per second). In the hi-speed mode, the camera took 16 high resolution images in ten seconds. There's no apparent
reasoning from Samsung to include both options other than the hi-speed version won't work in manual mode or if the

shutter speed is lower than 1/4sec.
Looking at the colour test chart, the usual boosts to primary colours have been applied by the processor with blue
bursting out of the image making orange look comparably pale.
Red and yellow look nice and bright though and I like the colour of the skin tone tile. Earth brown and forest green are
rich while the mono tones are balanced. I like the fact that it's brought some colour out in the pastel tiles down the left
side of brown, orange and blue.
No Chromatic Aberration is present on the white
Lovely colour rendition with bright primaries and bars and only a mild amount on the leaves which
good mono tones makes for a successful result. is excellent.
I also noticed that on the writing seen on the colour test chart, there's no chromatic aberration so I looked for it on the
landscape image. Usually, the contrast between the white bars and the dark of the lock will throw up some
inconsistency, but this camera has none.
Instead, I looked at the leaves in the top left corner to see if there was any and it is noticeable mildly but the control is
very good.
I took a close up shot of the vintage camera to get the detail and see how the
Samsung manages with close focusing. The specification lists the camera as
having a minimum focusing of 5cm but I think I managed to get closer. Not by
much but definitely closer.
The problem is that I could close in and get focus, so I'd then move the camera in
a millimetre closer and get focus. If I went too far and lost focus, I'd move the
camera back to its previous position but it still wouldn't catch focus even though it
had done before. It's unusual but not alien to me as I've seen it on other cameras
too. Normally, macro work wouldn't really use a wide angle lens but I like the
effect it's given the camera and there's no way of measuring the focal length on
the camera.
I took three photographs of the tasty bananas using the normal shooting mode,
vivid and cool modes in the effects menu found when pressing the button marked
'E'. There's a definite difference in colour saturation between the three and if I
was to use these options, it wouldn't be on bananas as I don't think it helps them.
For the purposes of the review, it illustrates the effect nicely, though.
Focusing had issues if I got too
close but I'm sure I was closer than
5cm here.

Colour effects taken in Normal setting. The same image taken in Vivid setting.
And again in Cool setting which desaturates
mildly.
Portrait mode gives a good image with balanced In contrast, the flash is bright and too harsh. It
skin tones and detail in the hair and shadow highlights well but leaves a reflection on the
areas. forehead.
I really like the portrait without the flash, I don't think it's too dark and there's a bunch of detail in the hair. The skin tone
is spot on and there's detail in shadow areas. In stark contrast, the flash portrait is way too bright, adding reflection to
the forehead and taking any warmth out of the skin. The shadow created on the wall isn't too harsh which is good and
there's nice catchlights in the eyes.

A wide 24mm lens gets lots of information into
While the 10x zoom can pick out certain subjects.
the image.
Samsung WB500: Noise test
The noise results are a bit disappointing but I think it's worth noting the market that the camera is aimed at. The 10Mp
on a sensor of this size should be controlled better than it has been which suggests that a tweak in the software is
necessary but it's not overly unpleasant at the lower ISO settings.
From ISO400 and above is where the problems begin with noise becoming more aggressive with each step. Detail in
the petal starts to peter out at ISO400 and ISO1600 has purple blotches appearing sporadically. In a bid to reduce noise,
the resolution is dropped for ISO3200 but bright blue spots still invade the image which look nasty. Still if you're on a
night out, they'll probably not be out of place with all the lights in a club.
The ISO80 test. The ISO3200 test.
Samsung WB500: Verdict
Despite its obvious flaws, in the right conditions this camera gives some seriously good images. They're
sharp, well exposed and have a good colour rendition. What lets it down is the noise which is present at all
levels but becomes a problem at mid to high settings which is no good for low light photography. There's
also the slow response of the continuous shutter which means this camera is no good for fast moving
objects in the dark.
If you're in the market for a compact that has a decent resolution, good zoom and above all gives excellent image
quality, then get this camera. Just don't go to a night time rally.