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Thriller Conventions




                       By Olivia Kelly
General Narrative Features
Often within a thriller, the general narrative features
  allow the audience to follow one certain character
  throughout and the concept of the storyline is usually
  seen through the eyes of them. The audience can
  relate to the protagonist, as they too have little
  knowledge on the events unfolding within the film and
  as these particular events begin to unfold, they also do
  with the audience as well. However, an enigma
  narrative may be used in order to present the audience
  with many different fragments in which there are to
  piece together to follow the protagonist as they
  uncover further steps within the narrative.
Enigma Narrative
An enigma narrative involves fragments of the
  narrative are eventually presented to the
  audience, they are then left, usually, to piece
  together the actions of the protagonist,
  connecting as the protagonist also uncovers
  further steps within the narrative.
Openings
The role of the main character, often the villain, is established within
   the opening of a thriller. Different roles may be uncovered, for
   instance a murderer was established in the opening scene of Lucky
   Number Slevin or within the thriller Leon, a criminal.
Often, the opening helps institute any key facets within the main
   characters own personal traits, which only later on in the thriller
   become important. There are many personal traits which are
   frequently used to convey the conventions of a thriller within a film,
   take for example the use of child like features contained in a
   character in the thriller Leon, or psychological issues expressed in
   Seven. Drug abusers is another trait which can once again be found
   in Leon and LA Confidential expresses a dire attitude towards
   woman, leading to domestic abuse.
These facets may seem irrelevant to the audience during the opening,
   however later on they become seemingly important to building the
   audiences own understanding of a character.
Trigger Events within an Opening
An opening of a thriller focuses on one key event which then
  triggers a series of events which are later shown, an air of
  intrigue or mystery is usually sensed surrounding this
  particular event. The audience are often left in the dark as
  to knowing any details of the said event, for instance, they
  may know someone has been murdered, however they
  don’t yet know who was the murderer, why they murdered
  someone or how they may of done it.
Never within a opening of a film is the opening the main event
  of the entire thriller, often it is seen as a build up to the rest
  of the film and a warm up to the events to yet occur, this is
  seen in films such as Hunted and Lucky Number Slevin. In
  some ways it acts as a inducement to entice the audience
  to follow the film throughout.
Importance of Enigma Codes
One of the most commonly used narrative
 structures in the thriller genre is an enigma
 code, it acts as a intriguing way of enticing the
 audience to follow the narrative, as slowly as
 they progress through the film they are left to
 feel as if they are discovering things as the
 thriller progresses, as well as also building a
 sense of suspense and drama for the duration
 of the rest of the film.
Technical Features of a Thriller
              (openings)
Long or wide shots help to depict a normal situation or
  location in a opening of a thriller, seemingly unusual
  events within a normal environment are shown to the
  audience to help develop a sense of mystery almost as
  soon as the thriller begins, this can be seen throughout
  the thriller Leon, as the main character is established
  within a some what ‘normalised’ setting of a hotel
  suite. An opening of a thriller doesn’t just have to
  include a mysterious situation or location, as a
  character can be placed within the ‘real world’, take the
  thriller Seven for example, the main characters, in this
  case detectives, can be seen at a crime scene.
Lighting
The entire lighting is highly dependant on the nature of
  the film, as thrillers often tend to follow a set structure
  of conventions. The point of view of the protagonist,
  usually the villain, follows a dark, confined and close
  lighting which track the sight of the individual, if not
  follow their actions, seen in Blair Witch.
To launch a series events within a thriller opening, a main
  use of lighting highlights the actions of the protagonist.
  Therefore the key component is to establish a chain of
  or key events without revealing too many details to the
  audience, this is used often in this particular type of
  genre as something always needs to be hidden to the
  audience.
Shots
Often within a thriller, the shots depend highly on the narrative or
   nature of the plot line of the film, an example of this being long,
   establishing shots of a particular location, it may seem a harmless
   location as it may be a house for example however the use of the
   camera shots on this location for instance an extremely slow
   tracking shot instantly informs the audience that something bad is
   going to happen in what seems to be a an ordinary situation, this
   builds the audiences pre-supposition of the thriller genre.
Key facial features, in particular the eyes of a character, are seen to the
   audience through either a close up or medium close up shots. If the
   character notices the trigger, and slowly reacts to the events
   occurring, this is the reason as to why the eyes are crucial in
   emphasising the expression of the character as they may be left
   with very little or no clue as to what is happening or what is about
   to happen.
Editing
Editing is a combination or separation of either very long or
   very short edits.
Directors tend to hold long edits as this creates a sense of
   tension, therefore panning and tracking shots are used on
   the locations and this helps builds the audiences
   knowledge that something is going to happen however
   they are unsure what it is.
The audience are often left confused by short, violent cuts as
   key details are always hidden which would reveal the entire
   plot to the narrative however glimpses of events which may
   spark the story are left untold, for instance the audience
   may be left unsure as to who it was holding the knife.

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Thriller conventions

  • 1. Thriller Conventions By Olivia Kelly
  • 2. General Narrative Features Often within a thriller, the general narrative features allow the audience to follow one certain character throughout and the concept of the storyline is usually seen through the eyes of them. The audience can relate to the protagonist, as they too have little knowledge on the events unfolding within the film and as these particular events begin to unfold, they also do with the audience as well. However, an enigma narrative may be used in order to present the audience with many different fragments in which there are to piece together to follow the protagonist as they uncover further steps within the narrative.
  • 3. Enigma Narrative An enigma narrative involves fragments of the narrative are eventually presented to the audience, they are then left, usually, to piece together the actions of the protagonist, connecting as the protagonist also uncovers further steps within the narrative.
  • 4. Openings The role of the main character, often the villain, is established within the opening of a thriller. Different roles may be uncovered, for instance a murderer was established in the opening scene of Lucky Number Slevin or within the thriller Leon, a criminal. Often, the opening helps institute any key facets within the main characters own personal traits, which only later on in the thriller become important. There are many personal traits which are frequently used to convey the conventions of a thriller within a film, take for example the use of child like features contained in a character in the thriller Leon, or psychological issues expressed in Seven. Drug abusers is another trait which can once again be found in Leon and LA Confidential expresses a dire attitude towards woman, leading to domestic abuse. These facets may seem irrelevant to the audience during the opening, however later on they become seemingly important to building the audiences own understanding of a character.
  • 5. Trigger Events within an Opening An opening of a thriller focuses on one key event which then triggers a series of events which are later shown, an air of intrigue or mystery is usually sensed surrounding this particular event. The audience are often left in the dark as to knowing any details of the said event, for instance, they may know someone has been murdered, however they don’t yet know who was the murderer, why they murdered someone or how they may of done it. Never within a opening of a film is the opening the main event of the entire thriller, often it is seen as a build up to the rest of the film and a warm up to the events to yet occur, this is seen in films such as Hunted and Lucky Number Slevin. In some ways it acts as a inducement to entice the audience to follow the film throughout.
  • 6. Importance of Enigma Codes One of the most commonly used narrative structures in the thriller genre is an enigma code, it acts as a intriguing way of enticing the audience to follow the narrative, as slowly as they progress through the film they are left to feel as if they are discovering things as the thriller progresses, as well as also building a sense of suspense and drama for the duration of the rest of the film.
  • 7. Technical Features of a Thriller (openings) Long or wide shots help to depict a normal situation or location in a opening of a thriller, seemingly unusual events within a normal environment are shown to the audience to help develop a sense of mystery almost as soon as the thriller begins, this can be seen throughout the thriller Leon, as the main character is established within a some what ‘normalised’ setting of a hotel suite. An opening of a thriller doesn’t just have to include a mysterious situation or location, as a character can be placed within the ‘real world’, take the thriller Seven for example, the main characters, in this case detectives, can be seen at a crime scene.
  • 8. Lighting The entire lighting is highly dependant on the nature of the film, as thrillers often tend to follow a set structure of conventions. The point of view of the protagonist, usually the villain, follows a dark, confined and close lighting which track the sight of the individual, if not follow their actions, seen in Blair Witch. To launch a series events within a thriller opening, a main use of lighting highlights the actions of the protagonist. Therefore the key component is to establish a chain of or key events without revealing too many details to the audience, this is used often in this particular type of genre as something always needs to be hidden to the audience.
  • 9. Shots Often within a thriller, the shots depend highly on the narrative or nature of the plot line of the film, an example of this being long, establishing shots of a particular location, it may seem a harmless location as it may be a house for example however the use of the camera shots on this location for instance an extremely slow tracking shot instantly informs the audience that something bad is going to happen in what seems to be a an ordinary situation, this builds the audiences pre-supposition of the thriller genre. Key facial features, in particular the eyes of a character, are seen to the audience through either a close up or medium close up shots. If the character notices the trigger, and slowly reacts to the events occurring, this is the reason as to why the eyes are crucial in emphasising the expression of the character as they may be left with very little or no clue as to what is happening or what is about to happen.
  • 10. Editing Editing is a combination or separation of either very long or very short edits. Directors tend to hold long edits as this creates a sense of tension, therefore panning and tracking shots are used on the locations and this helps builds the audiences knowledge that something is going to happen however they are unsure what it is. The audience are often left confused by short, violent cuts as key details are always hidden which would reveal the entire plot to the narrative however glimpses of events which may spark the story are left untold, for instance the audience may be left unsure as to who it was holding the knife.