Poetry And Verse Ch4

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    Poetry And Verse Ch4 - Presentation Transcript

    1. Poetry and Verse Chapter 4
    2. Defining Poetry
      • Poetry is a poet’s intuition of truth
      • Deals with the essence of life
      • “ the opposite of hypocrisy” (Corso)
       “ Poetry has a beat that repeats, words that chime, and images we have not imagined before.”  “ Poetry is rainbow writing” Eve Merriam
    3.  
    4. Values of Poetry
      • 1. share feelings, experiences, and visions
      • 2. discover the power of words
      • 3. expand vocabulary
      • 4. look at details of the world in new way
      • 5. can find a poem to match every mood
      • 6. succinct - less intimidating than books
    5. Criteria for Evaluating Poetry p. 94
      • Language is innovative and surprising
      • Astonishes readers with careful word choices and original comparisons
      • Sounds are combined in ways that make words sing
      • Rhyme, rhythm, repetition, and other sound elements are used purposefully to convey meaning
      • Form helps the reader understand more about the subject or mood
      • Subjects speaks to reader and are highly engaging
    6. Children’s Poetry Preferences
    7. Characteristics of Poems children Prefer
      • Grades 1 – 3 (Primary)
        • narrative, limericks, about strange and fantastic events, alliteration, onomatopoeia, rhyming
      • Grades 4 – 6 (Upper Elementary)
        • humorous, rhythmic, contemporary, narrative, limericks, poems related to their experiences
      • Grades 7 – 9
        • humorous narratives, rhyme, familiar experiences
    8. Research Findings page 97
      • Like
      • Narratives and limericks popular with all ages
      • Prefer rhyme, rhythm, and sound
      • Prefer contemporary poems
      • Poems they can understand
      • Poems that relate to personal experience
      • Dislike
      • Free verse and haiku most disliked
      • Dislike imagery or figurative language
      • Highly abstract poems
      • Haiku poems consistently disliked
    9. Research Findings (McClure, 1985)
      • Classroom experiences change children’s responses to poetry
      • Children like serious poetry, blank verse, and extended imagery
      • Possible reasons for difference between this and other research findings:
        • poetry was on required classroom list
        • books included visual aspects of poetry
        • teaching methods emphasize both study and structure of poetry responses
    10. Poets Use Language in Interesting Ways
    11. Figurative Language
      • Similes
      • Metaphors
      • Serve as models and expand methods of expression
      • Personification
      Metaphor By Eve Merriam Morning is a new sheet of paper for you to write on. Whatever you want to say, all day, until night folds it up and files it away. The bright words and the dark words are gone until dawn and a new day to write on.
    12. Rhythm, Rhyme, and Repetition
      • Rhythm
        • the movement of words in the poem; the stress; number and pattern of syllables; pronounced beats
    13. Uses of Rhythm
      • Highlight or emphasize specific words
      • Enjoyment (initiate joining in orally)
      • Dramatic effect
      • Establish mood
      • Reinforce content
    14. Rhyme and Other Sound Patterns
      • Can be at the end of a line or within a line
        • Consonance: repetition of consonant sounds
        • Assonance: repetition of vowel sounds
    15. Repetition
      • Enriches or emphasizes words or phrases
    16. Alliteration: repetition of initial consonants
      • The Meal
      • Timothy Tompkins had turnips and tea.
      • The turnips were tiny.
      • He ate at least three.
      • And the, for dessert,
      • He had onions and ice.
      • He liked that so much
      • That he ordered it twice.
      • He had two cups of ketchup,
      • A prune, a pickle.
      • “ Delicious.” said Timothy.
      • “ Well worth a nickel.”
      • He folded his napkin
      • And hastened to add,
      • “ It’s one of the loveliest breakfasts I’ve had.”
      • … .Karla Kuskin
    17. Onomatopoeia: words sound like what they mean
      • Galoshes
      • Susie’s galoshes
      • Make splishes and splashes
      • And slooshes and sloshes.
      • As Susie steps slowly
      • Along in the slush.
      • They stamp and they tramp
      • On the ice and concrete,
      • They get stuck in the muck and the mud;
      • But Susie likes much best to hear
      • The slippery slush
      • As it slooshes and sloshes,
      • And splishes and sploshes,
      • All around her galoshes?
      • … Rhoda Bacmeister
    18. Imagery
      • Use of sensory images of sight, sound, touch, smell and taste
      • words which help us see, hear, feel, taste, smell and touch
    19. Shape
      • Shape and space increases impact of words
        • word division
        • line division
        • punctuation
        • capitalization
        • stanzas
        • white space
        • arrangement of poem
    20. Poetry Comes in a Variety of Forms
      • Tell Stories
      • Rapid action and typically chronological order
      Narrative Poems
      • Ballad
        • narrative folk songs
        • usually focus is heroism or tragedy
        • dramatic and fast-paced incidents and dialogue
    21. Lyric Poems
      • musical, sing a song
      • usually brief, descriptive, and focus on personal moment
      • emphasize sound and picture
      • imagery rather than narrative or drama
    22. Limerick
      • short, witty, poem
      • Lines 1, 2, and 5 rhyme with 3 beats
      • Lines 3 and 4 rhyme with 2 beats
    23. Concrete
        • shape and content match
    24. Haiku
        • lines 1 and 3 = 5 syllables
        • lines 2 = 7 syllables
      A tanka is a poetic form in which two –seven-syllable lines are added to a haiku . Spring : A Haiku Story by G. Shannon & M. Zeldis
    25. Free Verse
      • Generally unrhymed
        • line 1 = 1 noun
        • line 2 = 2 words describing the title
        • line 3 = 3 action words related to title
        • line 4 = 4 words about feelings about title
        • line 5 = 1 word related to title
      Cinquain Because of complexity, cinquain and haiku not recommended for beginning poet
    26. Using Poetry in the Classroom
      • 1. Share poetry frequently.
      • Adults rarely share poetry with children. Over 75% of middle school teachers said they read poetry to children less than once a month.
      • 2. Use in context, not isolation.
      • Anthologies discourage enjoyment.
      • Share at appropriate times and in total curriculum, not just literature .
      • 3. Provide many and frequent experiences with poetry.
      • 4. Read aloud.
      • Allow interaction and time for the poem to be internalized.
      • Don’t introduce by having children read silently.
      • 5. Discuss it. Don’t “worksheet” it to death
      • Sometimes what is left unsaid is more important than what is said.
      • 6. Memorizing poems does not enhance their enjoyment.
      • 7. Understanding poetry is a continual process that builds on experience.
    27. Criteria for Selecting Poetry
      • 1. Can children understand it? With adult help?
      • 2. Does it stir emotion (delight, sadness)?
      • 3. Does it play with the sounds of language?
      • 4. Is it age appropriate?
      • 5. Does it allow the the reader to be interactive with poem?
      • 6. Is the subject matter appealing, appropriate?
      • 7. Will it be able to stand up under repeated readings?
      • 8. Will it accompany you through life?
    28. Anthologies vs. Single Volumes
      • Anthologies
        • -Textbooks and anthologizers often include well-known poems that are public domain
        • -May offer more use because of multiple topics, themes included and indexed
        • -Can be found in general indexes
      • Single Volumes
        • - More costly to build a collection of individual titles
        • - May be utilized more by individual students
    29. Types of Poetry
    30. Nursery Rhymes
    31. Appeal of Mother Goose
      • Rhythm - like a song without notes
        • develop language, auditory, and listening skills
      • repetition - alliteration (consonant sounds)
      • hyperbole - exaggeration
      • good and bad characters
    32. Types of Mother Goose Books collections Individual titles
    33. Nonsense and Humorous
      • Lewis Carroll
      • Shel Silverstein
      • Jack Prelutsky
      • William Jay Smith
      • John Ciardi
      • N. M. Bodecker
      • Lear
      • Laura Richards
    34. Nature Poems
      • Robert Frost
      • Aileen Fisher
      • Byrd Baylor
      • Paul Fleischman
    35. Characters, Situations, and Locations
      • Myra Cohn Livingston
      • Valerie Worth
      • David McCord
    36. Moods and Feelings
      • Langston Hughes
      • Cynthia Rylant
    37. Sports Growing Up
    38. On the Road of Stars : Native American Night Poems and Sleep Charms by John Bierhorst , Judy Pedersen fifty-one poems and sleep charms in a large-format picture book
    39. Animals
    40. Witches and Ghosts
    41. Methods of Sharing Poetry
      • Listen to poetry
      • Move to poetry
      • Dramatize poetry
      • Choral speaking
      • Write poetry
      • Share poetry
        • read aloud, post it, accordion- pleated book
      • “Choose Your Own Poetry Award Winner”.
      • Read a poem every day
      • Choose a poet of the week month
      • Use poems across the curriculum
      • Use poems around a theme
    42. Good Resource Books
      • Dunning & Stafford (1992). Getting the Knack: 20 Poetry Writing Exercises .
      • McCord. One Day at a Time: Collected Poems for the Young
      • Larick, N. (1991). Let’s Do a Poem
    43. Web Sites of Note
      • http://www.poets.org/ (see p. 118 of text)
      • http://www.surfnetkids.com/games/pubpoem-ws.htm [try the virtual poetry]
      • http://www.poetryzone.ndirect.co.uk/index2.htm

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