No Typical Love Story

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No Typical Love Story

  1. 1. No Typical Love Story<br />…Where love can come as a complete surprise<br />
  2. 2. Animatic<br />
  3. 3. Shots/Editing<br />Camera Shots:<br />Long Shot<br />Medium Shot<br />Close – Up<br />Camera Shots:<br />Long Shot<br />Medium Shot<br />Close – Up<br />Point-of-View<br />Over-the-Shoulder<br />Wide Angle Shot<br />Editing:<br />Fast Cut/Cut<br />Zoom<br />Slow Motion<br />Fade/Dissolve<br />
  4. 4. Shots Analysis continued<br />Long shots would used in the teaser to place the subject so they take up almost the full frame height or to place the subjects in their environment.<br />
  5. 5. Shots Analysis<br />Medium shots would be used in the teaser to show part of the subject in more detail whilst still giving an impression of the whole subject.<br />
  6. 6. Shots Analysis continued<br />Close up shots would be used in the teaser to show facial expression, emotion and reactions. <br />
  7. 7. Shots Analysis continued<br />Point-of-View shots would be used in the teaser to show a view from the subject's perspective.<br />
  8. 8. Shots Analysis continued<br />OTS would be used in the teaser as it helps to establish the positions of each person, and get the feel of looking at one person from the other's point of view. <br />
  9. 9. Shots Analysis continued<br />Wide angle shots would be used in the teaser to show a broad field of action taken.<br />
  10. 10. Editing Analysis<br />A slow fade-in would be used as a quiet introduction; and a slow fade-out for a peaceful ending. Also used to suggest time lapses through the use of a slow fade-out and fade-in. <br />Dissolve would be used in the teaser to give the impression of differences in time and place.<br />Fast cuts would be used in the teaser to deliberately make a scene more dramatic.<br />Slow motion is used to emphasise a dramatic moment and can have a romantic quality. <br />Zoom is used to focus on the subject, and attention is concentrated on details previously invisible as the shot comes into focus.<br />
  11. 11. The End<br />

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