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Digital storytelling 30nov

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  • Today you can call it microstorytelling because we know do it through facebook updatesm textmessages etc. Stories are powerfull as a communication form. We respond to this form very well because its dates way back from the old indians and their campfire tradition Today you can call it microstorytelling because we know do it through facebook updatesm textmessages etc. Stories are powerfull as a communication form. We respond to this form very well because its dates way back from the old indians and their campfire tradition Today you can call it microstorytelling because we know do it through facebook updatesm textmessages etc. Stories are powerfull as a communication form. We respond to this form very well because its dates way back from the old indians and their campfire tradition Today you can call it microstorytelling because we know do it through facebook updatesm textmessages etc. Stories are powerfull as a communication form. We respond to this form very well because its dates way back from the old indians and their campfire tradition
  • Successen får Joe og Dana til at udvikle deres metode, digital storytelling, og åbner i samme åndedrag en café i San Francisco, som de kalder Joe’s Digital Diner. The Diner bliver for mange kunstnere det første sted, hvor de lærer om den senest udvikling indenfor New Media, fx. interaktive spil, software og teknologi. Året efter - i 1994, starter de The San Francisco Digital Media Center , det første offentlige medie center i USA. Her tilbyder de workshops i digital storytelling, og undervisning i diverse programmer, fx. det første offentlige kursus i web design i San Francisco. Formål Baggrunden for at lave et digital media center er for Joe og Dana et ønske om at demokratisere de nye medier og bidrage til social retfærdighed i en tid, hvor digitale medier udbredtes og digitale kompetencer blev vigtigere at besidde - men hovedsagligt tilkommer dem som arbejder som professionelle i medie/TV produktion. Med deres metode, digital storytelling, ønsker Joe og Dana at give almindelige mennesker muligheden for at bruge digitale medier til at fortælle deres personlige historie. Derfor inviterer de den jævne mand ind i deres Digital Media Center, og lærer ham at fortælle sin historie ved at bruge computernes redskaber som billedredigering, stemmeoptagelse, videosammensætning, tekstning etc. FOLKEMUSIK og GRÆSRODSBEVÆGELSE Det startede som en græsrodsbevægelse, og derved adskilte / adskiller digital storytelling sig markant fra den main - stream kultur, der eksisterede først i 90’erne . I main - stream kulturen som vi ser den i magasinerne, ugeblade, tv - serier osv . Mødte man - også I 90’erne - glamourse og idealiserede liv . Det var perfekte mennesker, som levede et dramatisk og eksotisk liv . Den amerikanske folkemusik derimod udtrykte meningsmands jævne liv og forsøgte at forstå meningen med de ekstra - ordinære ting, som skete i et helt almindeligt liv . ( Lambert, 2002 : 2 ) Ideologisk set er Digital Storytelling bevægelsen en demokratiserende proces . Det er i al fald missionen at give alle mennesker en mulighed og et middel til at fortælle sin personlige historie ved at bruge de nye medier – og lære dem samtidig .
  • Det startede som en græsrodsbevægelse, og derved adskilte / adskiller digital storytelling sig markant fra den main - stream kultur, der eksisterede først i 90’erne . I main - stream kulturen som vi ser den i magasinerne, ugeblade, tv - serier osv . Mødte man - også I 90’erne - glamourse og idealiserede liv . Det var perfekte mennesker, som levede et dramatisk og eksotisk liv . Den amerikanske folkemusik derimod udtrykte meningsmands jævne liv og forsøgte at forstå meningen med de ekstra - ordinære ting, som skete i et helt almindeligt liv . ( Lambert, 2002 : 2 ) Ideologisk set er Digital Storytelling bevægelsen en demokratiserende proces . Det er i al fald missionen at give alle mennesker en mulighed og et middel til at fortælle sin personlige historie ved at bruge de nye medier – og lære dem samtidig . Digital Storytelling befinder sig altså på den anden side af den forførende fortælling – den har ikke i sin grundform til hensigt at overtale eller forføre et publikum . Den er mere et personligt udtryksmiddel . Det betyder ikke, at den ikke kan bruges til dette – det er der allerede flere eksempler på og det udvikler sig i den her ”bruger - generede - indhold - er - in tid” . Fx . Arbejder vil min kompagnon og jeg gerne arbejde med at fremme en vis æstetisk kvalitet i disse produktioner .
  • Der skal så gå 14 år, før jeg møder Joe og støder på digital storytelling. På det tidspunkt er digital storytelling udbredt i store dele af resten af den vestlige verden og Center for digital storytelling er blevet etableret.
  • Min baggrund for at tale om digital storytelling 6 måneder i Oakland : Udsatte børn / unge, digital udfordrede børn . Manglen på digitale kompetencer . Røde kors AD/HD - deprimeret Internatinal skole og Nørrebro Skole Silkeborg Ungdomsskole - flygtninge i alderen 15-25 år - International Day of sharing ligestories
  • digital storyteller Anyone who has a desire to document life experience, ideas, or feelings through the use of story and digital media. Uusually someone who has little to no prior abilities experience in the realm of video production but can spend a few days participating in a workshop, to exploring explore and sharing share a story with creative, and technical assistance from compassionate, and talented technically skilled CDS staff. Center for Digital Storytelling (cen·ter for dig·i·tal sto·ry·tell·ing ) The Center for Digital Storytelling (CDS) is an international non-profit training, project development, and research organization dedicated to assisting people in using digital media to tell meaningful stories from their lives. Our focus is on building partnering with partnerships community, educational, and business institutions to develop large-scale initiatives in health, social services, education, historic and cultural preservation, community development, human rights, and environmental justice arenas, using methods and principles adapted from our original Digital Storytelling Workshop .
  • Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  • Det startede som en græsrodsbevægelse, og derved adskilte / adskiller digital storytelling sig markant fra den main - stream kultur, der eksisterede først i 90’erne . I main - stream kulturen som vi ser den i magasinerne, ugeblade, tv - serier osv . Mødte man - også I 90’erne - glamourse og idealiserede liv . Det var perfekte mennesker, som levede et dramatisk og eksotisk liv . Den amerikanske folkemusik derimod udtrykte meningsmands jævne liv og forsøgte at forstå meningen med de ekstra - ordinære ting, som skete i et helt almindeligt liv . ( Lambert, 2002 : 2 ) Ideologisk set er Digital Storytelling bevægelsen en demokratiserende proces . Det er i al fald missionen at give alle mennesker en mulighed og et middel til at fortælle sin personlige historie ved at bruge de nye medier – og lære dem samtidig . Digital Storytelling befinder sig altså på den anden side af den forførende fortælling – den har ikke i sin grundform til hensigt at overtale eller forføre et publikum . Den er mere et personligt udtryksmiddel . Det betyder ikke, at den ikke kan bruges til dette – det er der allerede flere eksempler på og det udvikler sig i den her ”bruger - generede - indhold - er - in tid” . Fx . Arbejder vil min kompagnon og jeg gerne arbejde med at fremme en vis æstetisk kvalitet i disse produktioner .
  • Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  • digital storyteller Anyone who has a desire to document life experience, ideas, or feelings through the use of story and digital media. Uusually someone who has little to no prior abilities experience in the realm of video production but can spend a few days participating in a workshop, to exploring explore and sharing share a story with creative, and technical assistance from compassionate, and talented technically skilled CDS staff. Center for Digital Storytelling (cen·ter for dig·i·tal sto·ry·tell·ing ) The Center for Digital Storytelling (CDS) is an international non-profit training, project development, and research organization dedicated to assisting people in using digital media to tell meaningful stories from their lives. Our focus is on building partnering with partnerships community, educational, and business institutions to develop large-scale initiatives in health, social services, education, historic and cultural preservation, community development, human rights, and environmental justice arenas, using methods and principles adapted from our original Digital Storytelling Workshop .
  • 7 elements Point of view 2. Dramatic Question 3. Emotional Content 4. The gift of your Voice 5. The power of the soundtrack 6. Economy 7. Pacing
  • People retain: 20% of what they hear 40% of what they hear and see 80 % of what they do and discover themselves
  • Visning af lymphe +
  • http://www.acmi.net.au/video_showcase.htm Bygger på erfaringer inden for pædagogik, psykologi, mundtlige fortælletraditioner og hvad der i dag betegnes citizen journalism De digitale kompetencer er og bliver kun vigtigere i fremtiden, eftersom evnen til at formidle, netværke og nytænke i højere grad sker via nye medier. Derfor vægter vi de digitale medier i vores workshops. Tal fra EU's statistiske kontor Eurostat viser, at den digitale kløft i Europa vokser sig stadig større. I EU-gennemsnit er 85 procent af de studerende på nettet, men kun 13 procent af pensionisterne. For de højtuddannede er det 77 procent, mens det kun er 25 pct. af de lavtuddannede. (slide) De digitale kompetencer, den personlige historie og produktet - en 2-3 minutters film er grundessensen af metoden: digital storytelling. Samarbejdspartnere og programmer Til sidst vil jeg kort opridse hvilke programmer som vi arbejder med: Udover de traditionelle software filmediteringsprogrammer såsom premiere og finat cut pro så ønsker vi også at anvende mere tilgnægelige open source programmer såsom Jaycut etc. Vi har fået et samarbejde igang med Bjarke som er iværksætter I NeW York og har udviklet StoryPlanet som vil give muligheder for mere interactive historier men stadig med fokus på den almene computerbruger. (slide med et screendump af jaycut, og storyplanet) Afrunding Hvorfor interaktion igennem digital storytelling. Vend tilbage til starten om at alle har en historie at fortælle. - Nævn kommende projekter vi skal lave og evt hvordan lytterne kan bruge StoryLab – (promovering)
  • Transcript

    • 1. Digital Storytelling : A method “Digital Stories are short, personal, multimedia tales,- Lillehammer 2011 told from the heart.” - Landskrona 30th November 2012
    • 2. Microstorytelling
    • 3. Joe, Dana + Next Exit +
    • 4. Revolution
    • 5. Digital Storytelling
    • 6. Our Story - Berkeley University DUSTY & StoryCenter.org - Facilitator Workshop - International & local workshops - Projects: Knowledge, Community building, Selfdevelopment, Communication... Copenhagen Center for Digital Storytelling
    • 7. How did it start?2007…Oakland2008…Denmark2009... Iceland2010…Sweden2011... Greenland2012...Great Britain…lots of stories & learning
    • 8. What is it?"Digital storytelling takes the ancient art of oral storytelling and engages a palette of technical tools to create personal tales using images, graphics, music, and sound mixed together with the authors own story voice." - Joe Lambert, Executive Director Center For Digital Storytelling
    • 9. A ´typical´ story• A typical digital story holds the format:- A personal 250-300 words/script- 20-30 images/videos/drawings.etc.- Voice/music/sound effects etc.- 2 - 3 minutes long (iMovie/Movie Maker)- The digital story is normally produced on a 3-5 days workshop
    • 10. Process1. Creativitet2. Storycircle3. Production4. Celebration et TIFFatkrᄒves QuickTimeᆰ og Der for (ukomprimeret)-komprimeringsvᄒrkt﾿ j, man kan se dette billede. Learning Reflection Identity
    • 11. How? New methods• Google Earth• Videodiaries• Facebook updates
    • 12. Urban Stories
    • 13. Idea development & Innovation • Workshop – sharing stories • Development of ideas
    • 14. Research”The storytellers transform their own everyday stories into a digital “shared public culture” - Dana Atchley, Next Exit
    • 15. ”My Family on Skype”
    • 16. Place-based stories - Involvement of young people - Community building - Identity and place - Dialouge & teamwork between institutions - QR codes & apps
    • 17. Education ”For young people it creates a space for sorting through conflicting media messages while also forging new possibilities for seeing themselves and others ” - Glynda Hull, Berkeley University
    • 18. Applab – Buster FilmfestivalIn Applab we combine storytelling & apps in App-inventorin a context with young people
    • 19. Applab – A special place
    • 20. Youth Lab People and media in a new learning perspectiveThinking apps into a social conceptYouth APPLab provides District of Columbia high school students with after-school training in software design andmobile application development, while guiding them toward the creation of their own Android Apps. This project presents participants with opportunities to explore computer science, examine cutting-edge technology, innovate, problem solve, communicate, and express themselves.
    • 21. Inspiration  We are inspired by  Foragecity.com They wanted to create an app that was based on: - Community-building  - Relations-skills - Creating Engagement - Empowerment
    • 22. 7 Elements of Digital Storytelling1. Owning your Insights(POV)2. Owning your Emotions3. Finding the Moment4. Seeing Your Story5. Hearing Your Story6. Assembling Your Story7. Sharing Your Story8. Joes Cookbook - 2010
    • 23. ExcercisePeople retain: 20% of what they hear 40% of what they hear and see 80 % of what they do and discover themselves
    • 24. Search Stories
    • 25. Share your story!!!
    • 26. Join us!See more digital stories on: www.digitalstorylab.com Facebook/digitalstorylabnikoline@digitalstorylab.com
    • 27. Prison life, through struggles and strife, living your days on the edge of a knife. With hardened criminal and drugs are rife, you’re missing your friends, your kids and your wife. When you are sat forever at Her Majesties Pleasure, is it any wonder your heart turns sour. But like the beauty of a blooming flower, all inmates can be empowered. Same routine, just a different day, don’t worry my friend, it will be ok. Take no notice what that bully says, and hold your head high and never be slayed.To fellow inmates who feel the same, a lump in your throat, and your heart in pain. Don’t let this system get you insane. Use all it offers to your own gain. It will be fine, it will be alright, the ride is rough so hold on tight. Put the past behind you cos the futures bright, and out of the darkness you will find the light.And at the end of the day, when all said and done, you will find yourself back on top my son. Clubbing and dancing and having fun, rehabilitated, your new life has begun. Keeping in mind the days of this sentence, flying straight and narrow, and knowing the difference of right and wrong, remaining head strong, and enjoying the splendour of your freedom.To go the distance takes your persistence, to go the distance, have no resistance. No one else, no other man alive, only you can avoid this prison life

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