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Goya for English class IES SANTA CATALINA. BURGO DE OSMA 2013 14
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Goya for English class IES SANTA CATALINA. BURGO DE OSMA 2013 14

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Goya for 4 th ESO students …

Goya for 4 th ESO students
IES SANTA CATALINA . Burgo de Osma, Soria. February 2014

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  • Durante la Guerra Civil este cuadro, junto con otros del Museo del Prado, fue sacado de España y trasladado a Ginebra. En ese traslado se deterioraron algunos fragmentos, como puede observarse en las faltas cubiertas de marrón a la izquierda del cuadro. Se cuenta que el camión que transportaba el lienzo rozó un balcón, y dado que la pintura se trasladaba en su bastidor (no enrollada), sufrió el impacto y se desgarró. En 2008 las zonas afectadas fueron restauradas y las figuras desaparecidas reintegradas a la acuarela.[2]
  • En el examen puedo poner la pintura de los fusilamientos y una pregunta relativa a estos dos cuadros.
  • Observa las diferencias de estas pinturas y di cuáles son sus diferencias.

Transcript

  • 1. GOYA “I have had three masters, Nature, Velasquez, and Rembrandt” (Francisco de Goya) IES SANTA CATALINA BURGO DE OSMA (SORIA) 4º ESO. HISTORY Bilingual space. History teacher, Nicanor Otín Nebreda
  • 2. 1.746-1828
  • 3. Early years • Was born in Fuendetodos, Zaragoza, in 1746 •At age 14, Goya entered apprenticeship with the painter José Luzán in Zaragoza • In Madrid he studied with Anton Raphael Mengs, a painter who was popular with Spanish royalty. • Back in Zaragoza and painted parts of the cupolas of the Basilica of the Pillar and the frescoes of San Antonio de la Florida Goya Selfportrait 1771-1775 MENGS selfportrait BAYEU by Goya
  • 4. SPAIN THROUGH THE GENIUS OF GOYA • ONE OF THE GREATEST ARTISTS OF THE UNIVERSAL PAINTING • DIFFICULT TO SITUATE HIS WORK IN ANY ARTISTIC MOVEMENTS • HE ANTICIPATED IMPRESSIONIST, EXPRESIONISTS AND SURREALIST
  • 5. IMPRESSIONISM MONET. Impresión, sol naciente GOYA’S INFLUENCE
  • 6. EXPRESSIONISM Emil Nolde Máscaras. Vida cotidiana III, 1911. GOYA’S INFLUENCE
  • 7. SURREALISM GOYA’S INFLUENCE TEMPTATION OF SAN ANTHONY
  • 8. FIRST PAINTINGS His early paintings are still Baroque art La “Adoración del Nombre de Dios por los ángeles” en la bóveda del Coro de la Santa Capilla (El Coreto). Del Pilar de Zaragoza
  • 9. FIRST PAINTINGS Goya. Cúpula del Pilar 1780
  • 10. 1774-1791 TAPESTRY CARTOONS • HE PAINTED PATTERNS THAT SERVED AS MODELS FOR THE WEAVING OF TAPESTRIES IN THE ROYAL TAPESTRY FACTORY • REPRESENT THE LEISURE ACTIVITIES OF DIFFERENT SOCIAL CLASSES • RELATED TO ROCOCO ESTHETIC • CHEERFUL VIEW , CAREFREE, RICH AND BRIGHT COLOURS.
  • 11. TAPESTRY CARTOONS EL QUITASOL EL QUITASOL
  • 12. TAPESTRY CARTOONS El cacharrero He designed about 42 patterns; many of them were used to decorate and insulate the stone walls of El Escorial and the Palacio Real del Pardo.
  • 13. TAPESTRY CARTOONS LOS ZANCOS
  • 14. MAJOS Y MAJAS EN SAN ISIDRO MAJOS Y MAJAS EN SAN ISIDRO TAPESTRY CARTOONS
  • 15. TAPESTRY CARTOONS LA GALLINA CIEGA BUCOLIC AND POPULAR SCENES
  • 16. EL MANIQUÍ DE PAJA TAPESTRY CARTOONS
  • 17. GOYA "Majas en el balcón" (1812-1835,) MANET "El balcon" (1868-1869) GOYA’S INFLUENCE
  • 18. 1792-1808 • ROYAL PAINTER • PERSONAL CRISIS • REVOLUTIONARY EVENTS IN FRANCE • PREDILECTION FOR THE SORDID OF THE LIFE • CAPRICHOS: SATIRE OF THE SOCIETY AND THE HUMAN CONDITION • COMPLAINT TO CHANGE THE WORLD
  • 19. Frescoes of San Antonio de la Florida 1.798
  • 20. PORTRAITS MANUEL GODOY. 1.801
  • 21. PORTRAITS Carlos IV
  • 22. PORTRAITS LA FAMILIA DEL INFANTE D.LUIS
  • 23. ERNST LUDWIG KIRCHNER GOYA’S INFLUENCE
  • 24. Jovellanos PORTRAITS
  • 25. PORTRAITS LOS DUQUES DE OSUNA Y SUS HIJOS
  • 26. PORTRAITS THE FAMILY OF CHARLES IV
  • 27. THE COUNTESS OF ALBA PORTRAITS
  • 28. 14. ¡Qué sacrificio! LOS CAPRICHOS 1793-1799
  • 29. LOS CAPRICHOS
  • 30. ¿De qué mal morirá? LOS CAPRICHOS
  • 31. El sueño de la razón produce monstruos LOS CAPRICHOS
  • 32. Caprichos. Trágala perro LOS CAPRICHOS
  • 33. CAPRICHOS. Devota profesión LOS CAPRICHOS
  • 34. INDEPENDENCE WAR 1.808-1.813 • THE PESSIMISM IS ACCENTUATED • REFLECTS THE CRUELTY OF WAR • IT IS THE ABSOLUTE DEFEAT OF THE REASON
  • 35. LOS DESASTRES 1808-1814 A SERIES OF ENGRAVINGS The Disasters of War http://bibliotecadigitalhispanica.bne.es/view /action/nmets.do? DOCCHOICE=174845.xml&dvs=13922238 62716~678&locale=es&search_terms=&adj acency=&VIEWER_URL=/view/action/nme ts.do? &DELIVERY_RULE_ID=4&usePid1=true& usePid2=true
  • 36. Desastres de la guerra
  • 37. Desastres de la guerra
  • 38. Desastres de la guerra
  • 39. Desastres de la guerra
  • 40. INDEPENDENCE WAR CARGA DE LOS MAMELUCOS THE SECOND OF MAY OR THE CHARGE OF MAMELUKES 1814
  • 41. INDEPENDENCE WAR
  • 42. INDEPENDENCE WAR FUSILAMIENTOS DE LA MONCLOA 1814
  • 43. INDEPENDENCE WAR FUSILAMIENTOS DE LA MONCLOA
  • 44. Picasso. Massacre in Korea 1951. Manet. Execution of Emperor Maximilian. 1867. GOYA’S INFLUENCE
  • 45. Manet. Study for "The Execution of Emperor Maximilian"
  • 46. PICASSO “Massacre in Korea” GOYA’S INFLUENCE
  • 47. INDEPENDENCE WAR Portrait of the Duke of Wellington
  • 48. EL COLOSO 1808-1812. Discípulo de Goya indeterminado
  • 49. AFTER THE WAR • SUFFERED ILLNESS AND DEAFNESS • HE TOOK REFUGE IN HIS HOUSE WHERE HE DECORATED THE WALLS WITH HIS BLACK PAINTINGS
  • 50. FERNANDO VII 1814
  • 51. BLACK PAINTINGS 1819-1823 ("Deaf Man's House")
  • 52. BLACK PAINTINGS Riña a garrotazos 1819-1823 THE BLACK PAINTINGS ARE PESSIMISTIC AND CONSIDERED AS PRECURSORS TO EXPRESSIONISM
  • 53. BLACK PAINTINGS PEREGRINACIÓN A SAN ISIDRO O EL SANTO OFICIO
  • 54. La romería de San Isidro (1821-1823) La pradera de San Isidro (1788).
  • 55. SATURN DEVOURING HIS SON BLACK PAINTINGS
  • 56. Diego Olmos GOYA’S INFLUENCE
  • 57. BLACK PAINTINGS
  • 58. Perro semihundido Photo made by J. Laurent, toward 1874, showing the state of the work before being moved from the wall of the Quinta del Sordo. You can see a rock and a few possible birds, to which the dog turns his gaze.. BLACK PAINTINGS
  • 59. BLACK PAINTINGS Dos viejas comiendo sopas
  • 60. Francis Bacon .Tres estudios para el retrato de Peter Bear GOYA’S INFLUENCE
  • 61. Pictures of Spanish customs, far removed from the themes and aesthetics rococo and neoclassical cartons for tapestries EL BAILE DE LA SARDINA 1812-1819
  • 62. PROCESIÓN DE DISCIPLINANTES 1812-1819
  • 63. TRIBUNAL DE LA INQUISICIÓN 1812-1819
  • 64. BULLFIGHT IN A VILLAGE 1812-1819
  • 65. DISPARATES
  • 66. DISPARATES
  • 67. DISPARATES
  • 68. EXILE AND DEATH 1824-1828 THE MILKMAID OF BORDEAUX
  • 69. Self-portrait with cap, 1824.