Neil Mulholland - The Centre Is Nowhere

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    Neil Mulholland - The Centre Is Nowhere - Presentation Transcript

    1. The Centre is Nowhere Neil Mulholland www.neilmulholland.co.uk
    2. Why
develop
a
cri/cal
dialogue?


    3. What
is
the
importance
of
developing
cri/cal
networks
in
order
to
 develop
a
language
about
work,
about
prac/ces
in
Wales?

    4. Neo‐medievalism
 “A
 system
 of
 overlapping
 authority
 and
 mul6ple
 loyalty.”
(Bull:
245)


    5. What
are
the
benefits
of
these
debates
and
networks?


    6. How
can
we
develop
art
cri/cism
in
Wales?

 What
is
needed?
Who
is
needed?


    7. 1999
 1973
 2009
 Chris
Anderson
 Free:
Why
$0.00
Is
the
Future
of
Business


    8. How
 can
 new
 media
 and
 the
 Internet
 be
 used
 to
 add
 to
 cri/cal
 debate
 on
 art
 without
 the
 produc/on
 design
 or
 necessary
 costs
 incurred
with
publishing?

    9. What
 types
 of
 dialogue/cri/cism
 is
 needed
 to
 foster
 a
 strong
 ar/s/c
community
that
is
able
to
sustain
itself,
whilst
also
looking
 outward
in
terms
of
its
reach
and
ambi/on.


    10. Who
does
the
cri/cal
dialogue
need
to
be
for?

 What
is
the
importance
of
‘audience’
in
rela/on
to
developing
a
dialogue
of
art
 in
Wales?
 ‘German’
ar6st
Liam
 Gillick
 ‘English’
ar6st
Hans
 Holbein

    11. Who
 does
 the
 cri/cal
 dialogue
 need
to
be
for?

 What
 is
 the
 importance
 of
 ‘audience’
 in
 rela/on
 to
 developing
 a
 dialogue
 of
 art
 in
 Wales?

    12. Who
does
the
cri/cal
dialogue
need
to
be
for?

 What
is
the
importance
of
‘audience’
in
rela/on
to
developing
a
dialogue
of
art
 in
Wales?

    13. Who
does
the
cri/cal
dialogue
need
to
be
for?

 What
is
the
importance
of
‘audience’
in
rela/on
to
developing
a
dialogue
of
art
 in
Wales?

    14. Who
 should
 be
 looked
 to
 provide
 the
 dialogue
 and
 cri/cism?
How
can
it
be
fostered?

 Do
we
need
cri/cs/
writers
or
can
ar/sts
take
up
the
 mantle
of
providing
cri/cism
for
themselves?


    15. Who
 should
 be
 looked
 to
 provide
 the
 dialogue
 and
 cri/cism?
 How
 can
 it
 be
 fostered?

 Do
we
need
cri/cs/
writers
or
can
ar/sts
take
up
the
mantle
of
providing
cri/cism
 for
themselves?


    16. What
 service
 do
 ar/st
 socials/networking
 events
 provide
 in
 terms
 of
 strengthening
dialogues
around
work
and
crea/ng
a
higher
level
of
debate?

    17. What
 service
 do
 ar/st
 socials/networking
 events
 provide
 in
 terms
 of
 strengthening
dialogues
around
work
and
crea/ng
a
higher
level
of
debate?

    18. What
role
do
ins/tu/ons,
including
public
funded
galleries
and
art
 schools
 provide
 in
 developing
 cri/cism
 and
 cri/cal
 dialogue
 in
 a
 community?

    19. The
macro
is
in
the
micro…

    20. Slides available at www.neilmulholland.co.uk Licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 2.5 UK: Scotland License.
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