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Nanette Bulebosh
L&I SCI 757
Storytime Observation Report
March 2007
Of all the things that impressed me about the Little Listeners session I attended last
week, the toddlers wearing those paper elephant ears stands out as the strongest
memory. The formal part of the program had ended 20 minutes earlier and, by this time,
the children were happily occupied at one of the three most popular stations in this
sunny and spacious 3rd
floor children’s room: the Legos table, the rows of wooden
puzzles along the South wall, or the “Captain’s Deck” platform that has long been a
favorite at this mid-sized city public library. But all were still wearing those goofy-looking
elephant ears that they and their caregivers had just put together.
I think I found this visual image touching because the children were so completely
oblivious to how goofy they looked; they were totally un-self-conscious. This was an
instant reminder to me of how innocent and vulnerable kids this age are. And how
malleable. What we do (or not do) with toddlers impacts them greatly. This means that
every choice librarians make when we design programs for them is important. Their
impressionable brains will soak up, like sponges, whatever experiences we decide to
give them. We’re not only enriching their language, as Jane Marino puts it. We’re
enriching their lives.
Designing a storytime around a specific theme isn’t as important for infants and toddlers
as it is for older children, Marino said in her “Mother Goose Time” presentation. But for
this Thursday morning session, “Animal Friends” seemed a good choice. It not only
provided the presenter with a focus – how else do you select three or four books from a
collection of several thousand? – it enabled her to cover several of the pre-literacy skills
(intentionally or not) with imagery, language and sounds that were already familiar to the
children. The books, props, songs, and fingerplays the presenter (I’ll call her Ann) chose
built upon words and sounds they already knew. A brain specialist would say that Ann
effectively connected neurons, thus enabling learning to take place.
1
What Ann did well: As I mentioned on the discussion board, Ann welcomed the group
with a song, “Welcome, Welcome, Everyone,” followed by enticing questions. “What’s in
my box today?” I liked her decision to keep the books hidden in a “teddy bear” box until
she was ready for them. This made the books seem mysterious, like precious gifts even.
Many of the 20 toddlers in the room leaned forward with curiosity, and one actually
walked up to check out things for himself.
The first story, “Monkey Business,” was a large pop-up book, so the animals literally
jumped out at every turn of a page. I thought this was a great way to grab the toddler’s
attention. 3-D, lift-the-flap, sparkly, and touch-feely books are a perfect fit for very young
children; it is with their hands that they do much of their learning. Ann’s use of the stuffed
animals was effective for the same reason.
Other books included “Who Says Woof?” “I Love Animals,” and another one I didn’t write
down. All four had big, colorful illustrations of animals, large typeface, and a minimal
number of pages. And all of them included animal sounds, thus allowing Ann a chance
to invite the group to participate, and many did so with enthusiasm. She accompanied
many of the sounds – within and between each book - with gestures meant to imitate
elephant trunks, monkey arms, etc. Adult voices and gestures were louder and more
pervasive than the children’s – by the time the youngest toddlers figured out what was
being asked of them, the moment was over – but this was not necessarily a bad thing.
The caregivers’ enthusiasm, the way they wrapped their arms around the kids to help
them with the motions, and the intimacy between the generations were wonderful things
to witness.
How Ann could have done better: She should have presented the songs and fingerplays
much more slowly. Each of the Five Little Monkeys fell off the bed way too quickly, even
for me. And it would have been good to repeat some of them. Marino said she repeats
nearly every song she does. This practice may well bore older children, but toddlers and
babies thrive on repetition. It reinforces what they just heard or said, or tried to say. It
gives them a sense of accomplishment. It gives them success.
Another thing that disappointed me was the static, we-must-all-remain-sitting nature of
the program. There were no invitations to even stand up, let alone walk like elephants,
2
crouch like tigers, or dance like a monkey. Incorporating movement into storytimes
poses several risks, distracting kids’ attention, raising the noise level, and creating chaos
among them. But children this age do need to wiggle. They are still discovering what
their bodies are capable of. They are still amazed by their tongues, elbows, hips, and
other body parts that the rest of us have long taken for granted, so naturally they want to
experiment with them all. We now know that even adult learning can be enhanced with
physical movement (at least for second language learners), so imagine how much
greater the impact can be with children.
Finally, I didn’t see any effort to connect with individuals. There were no special
greetings or introductions at the beginning, as Marino advises presenters to do. I
couldn’t tell if those in the group were regulars or newcomers. If Ann knew any of the
parents’ or children’s names, none were used. To be fair, she took the time to talk to me
briefly before, and for several minutes after, the program. So my presence may have
undermined the very behavior I found lacking. This was also a large group, more than
40 people in all, so asking everyone to share their name would have been quite time-
consuming. Still, she could have more actively reached out, by smiling and greeting
individuals as they walked in, saying things like “welcome back!” to the faces she
recognized, or even reaching down to pat a head, if possible. Marino rightly stresses the
importance of making people feel welcome. Just greeting people by name can achieve
that. With kids, just hunching down to their eye level sends a very strong message
about how you feel about them.
But these are additions that would have made a good program better. I think overall this
Little Listeners session was effective in its organization, presentation, and diversity of
activities, especially its reliance on music, familiar sounds, and (however small)
gestures. Ann is clearly experienced at this, and she has a warm and friendly presence
about her. All the six pre-literacy skills were touched upon, Language & Vocabulary
most of all. Most importantly, everyone – children and adults alike – seemed to have
fun. And associating libraries, books and reading with fun is valuable in itself. That’s
how you get people to come back.
3

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757 Storytime Observation

  • 1. Nanette Bulebosh L&I SCI 757 Storytime Observation Report March 2007 Of all the things that impressed me about the Little Listeners session I attended last week, the toddlers wearing those paper elephant ears stands out as the strongest memory. The formal part of the program had ended 20 minutes earlier and, by this time, the children were happily occupied at one of the three most popular stations in this sunny and spacious 3rd floor children’s room: the Legos table, the rows of wooden puzzles along the South wall, or the “Captain’s Deck” platform that has long been a favorite at this mid-sized city public library. But all were still wearing those goofy-looking elephant ears that they and their caregivers had just put together. I think I found this visual image touching because the children were so completely oblivious to how goofy they looked; they were totally un-self-conscious. This was an instant reminder to me of how innocent and vulnerable kids this age are. And how malleable. What we do (or not do) with toddlers impacts them greatly. This means that every choice librarians make when we design programs for them is important. Their impressionable brains will soak up, like sponges, whatever experiences we decide to give them. We’re not only enriching their language, as Jane Marino puts it. We’re enriching their lives. Designing a storytime around a specific theme isn’t as important for infants and toddlers as it is for older children, Marino said in her “Mother Goose Time” presentation. But for this Thursday morning session, “Animal Friends” seemed a good choice. It not only provided the presenter with a focus – how else do you select three or four books from a collection of several thousand? – it enabled her to cover several of the pre-literacy skills (intentionally or not) with imagery, language and sounds that were already familiar to the children. The books, props, songs, and fingerplays the presenter (I’ll call her Ann) chose built upon words and sounds they already knew. A brain specialist would say that Ann effectively connected neurons, thus enabling learning to take place. 1
  • 2. What Ann did well: As I mentioned on the discussion board, Ann welcomed the group with a song, “Welcome, Welcome, Everyone,” followed by enticing questions. “What’s in my box today?” I liked her decision to keep the books hidden in a “teddy bear” box until she was ready for them. This made the books seem mysterious, like precious gifts even. Many of the 20 toddlers in the room leaned forward with curiosity, and one actually walked up to check out things for himself. The first story, “Monkey Business,” was a large pop-up book, so the animals literally jumped out at every turn of a page. I thought this was a great way to grab the toddler’s attention. 3-D, lift-the-flap, sparkly, and touch-feely books are a perfect fit for very young children; it is with their hands that they do much of their learning. Ann’s use of the stuffed animals was effective for the same reason. Other books included “Who Says Woof?” “I Love Animals,” and another one I didn’t write down. All four had big, colorful illustrations of animals, large typeface, and a minimal number of pages. And all of them included animal sounds, thus allowing Ann a chance to invite the group to participate, and many did so with enthusiasm. She accompanied many of the sounds – within and between each book - with gestures meant to imitate elephant trunks, monkey arms, etc. Adult voices and gestures were louder and more pervasive than the children’s – by the time the youngest toddlers figured out what was being asked of them, the moment was over – but this was not necessarily a bad thing. The caregivers’ enthusiasm, the way they wrapped their arms around the kids to help them with the motions, and the intimacy between the generations were wonderful things to witness. How Ann could have done better: She should have presented the songs and fingerplays much more slowly. Each of the Five Little Monkeys fell off the bed way too quickly, even for me. And it would have been good to repeat some of them. Marino said she repeats nearly every song she does. This practice may well bore older children, but toddlers and babies thrive on repetition. It reinforces what they just heard or said, or tried to say. It gives them a sense of accomplishment. It gives them success. Another thing that disappointed me was the static, we-must-all-remain-sitting nature of the program. There were no invitations to even stand up, let alone walk like elephants, 2
  • 3. crouch like tigers, or dance like a monkey. Incorporating movement into storytimes poses several risks, distracting kids’ attention, raising the noise level, and creating chaos among them. But children this age do need to wiggle. They are still discovering what their bodies are capable of. They are still amazed by their tongues, elbows, hips, and other body parts that the rest of us have long taken for granted, so naturally they want to experiment with them all. We now know that even adult learning can be enhanced with physical movement (at least for second language learners), so imagine how much greater the impact can be with children. Finally, I didn’t see any effort to connect with individuals. There were no special greetings or introductions at the beginning, as Marino advises presenters to do. I couldn’t tell if those in the group were regulars or newcomers. If Ann knew any of the parents’ or children’s names, none were used. To be fair, she took the time to talk to me briefly before, and for several minutes after, the program. So my presence may have undermined the very behavior I found lacking. This was also a large group, more than 40 people in all, so asking everyone to share their name would have been quite time- consuming. Still, she could have more actively reached out, by smiling and greeting individuals as they walked in, saying things like “welcome back!” to the faces she recognized, or even reaching down to pat a head, if possible. Marino rightly stresses the importance of making people feel welcome. Just greeting people by name can achieve that. With kids, just hunching down to their eye level sends a very strong message about how you feel about them. But these are additions that would have made a good program better. I think overall this Little Listeners session was effective in its organization, presentation, and diversity of activities, especially its reliance on music, familiar sounds, and (however small) gestures. Ann is clearly experienced at this, and she has a warm and friendly presence about her. All the six pre-literacy skills were touched upon, Language & Vocabulary most of all. Most importantly, everyone – children and adults alike – seemed to have fun. And associating libraries, books and reading with fun is valuable in itself. That’s how you get people to come back. 3