Your SlideShare is downloading. ×
0
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Der Blaue Reiter(The Blue Rider)
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×
Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Der Blaue Reiter(The Blue Rider)

3,786

Published on

0 Comments
2 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
3,786
On Slideshare
0
From Embeds
0
Number of Embeds
1
Actions
Shares
0
Downloads
36
Comments
0
Likes
2
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
No notes for slide

Transcript

  • 1. Der Blaue Reiter(The Blue Rider) Fundamental to Expressionism 1911 to 1914 Done by Garry Morgan
  • 2. Prominent Artists of the time <ul><li>Franz Marc </li></ul><ul><li>Wassily Kandinsky </li></ul><ul><li>August Macke </li></ul><ul><li>Lyonel Feininger </li></ul>
  • 3. Characteristics of the Movement The group was founded in response to the rejection of Kandinsky's painting Last Judgement from an exhibition. Der Blaue Reiter lacked a central artistic manifesto, but was centred around Kandinsky and Marc. The name of the movement comes from a painting by Kandinsky created in 1903 .It is also claimed that the name could have derived from Marc's enthusiasm for horses and Kandinsky's love of the colour blue. For Kandinsky, blue is the colour of spirituality: “the darker the blue, the more it awakens human desire for the eternal”.
  • 4. Characteristics of the Movement Within the group, artistic approaches and aims varied from artist to artist; however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of modern art; the connection between visual art and music; the spiritual and symbolic associations of color; and a spontaneous, intuitive approach to painting. Members were interested in European medieval art and primitivism, as well as the contemporary, non-figurative art scene in France. As a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction.
  • 5. Franz Marc Deer in the Woods ii 1912
  • 6. Franz Marc The Lamb 1913-14
  • 7. Franz Marc Fighting Forms 1914
  • 8. Wassily Kandinsky WWi 1913
  • 9. Wassily Kandinsky Composition X 1939
  • 10. August Macke View Into a Lane 1914
  • 11. Lyonel Feininger Jesuiten iii 1915
  • 12. Works Cited <ul><li>Artists by Movement:Der Blaue Reiter.&quot; Artcyclopedia N.p., n.d. Web. 6 Oct. 2009 <http://www.artcyclopedia.com/history/derblauereiter.html>. </li></ul><ul><li>&quot;Der Blaue Reiter.&quot; Wikipedia N.p., n.d. Web. 6 Oct. 2009 <http://en.wikipedia.org/wiki/Der_Blaue_Reiter>. </li></ul><ul><li>&quot;Der Blaue Reiter.&quot; encyclopedia Britannica N.p., n.d. Web. 6 Oct. 2009 <http://www.britannica.com/EBchecked/topic/69128/Der-Blaue-Reiter>. </li></ul><ul><li> </li></ul>

×