IBDP Visual Art Investigation Workbooks <ul><li>(A Clarification) </li></ul>
<ul><li>Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah...
Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Bl...
Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Bl...
 
NO
NO (THIS IS NOT A SCRAPBOOK)
 
NO
NO (SORRY LEO)
NO (THIS IS NOT A SKETCHBOOK)
 
MAYBE
MAYBE (YOU’RE GETTING THERE, DA VINCI)
MAYBE (Just make sure you’re  making connections )
Investigaton Workbooks: <ul><li>a  Hybrid*  of a journal, a research book, and a sketchbook. </li></ul>
<ul><li>* Hybrid  :  A mix of two or more things. </li></ul>
The  images  support  the text, and...  The text  supports the images. The text  supports the images. The text  supports t...
<ul><li>...and don’t forget... </li></ul>
<ul><li>Source  ALL  Images. </li></ul>
<ul><li>Source  ALL  Images. </li></ul>
<ul><li>Source  ALL  Images. </li></ul>:(
<ul><li>Source  ALL  Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of S...
<ul><li>Source  ALL  Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of S...
<ul><li>Source  ALL  Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of S...
<ul><li>Source  ALL  Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of S...
<ul><li>Source  ALL  Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of S...
<ul><li>MAKE CONNECTIONS </li></ul>
<ul><li>MAKE CONNECTIONS </li></ul>
<ul><li>CULTURE </li></ul>
<ul><li>HISTORY </li></ul>
<ul><li>SOCIETY  </li></ul>
<ul><li>AND YOU </li></ul>
CULTURE HISTORY SOCIETY YOU
<ul><li>CULTURE </li></ul>What is your culture? I and the Villiage Marc Chagall
<ul><li>CULTURE </li></ul>How does your project relate to your culture? The Calabash Romare Bearden Jazz II Deluxe Romare ...
<ul><li>CULTURE </li></ul>How does the project relate to the culture you live in? Femmes de Tahiti  (or  Sur la Plage ) Pa...
<ul><li>CULTURE </li></ul>What art from other cultures interests you? Les Demoiselles d'Avignon Pablo Picasso
CULTURE HISTORY SOCIETY YOU
<ul><li>What artists inspire you? </li></ul>Galatea of the Spheres Salvador Dali VV Cover Jeff Soto Dream Chair Dave McKea...
<ul><li>What art movements inspire you? </li></ul>Surrealism  (Birthday) Dorthea Tanning Photography ( Women of Allah) Shi...
CULTURE HISTORY SOCIETY YOU
<ul><li>Can you imagine a better world? </li></ul>
<ul><li>What are some things that you would change? </li></ul>Poverty? Migrant Mother Dorothea Lange Untitled Banksy
<ul><li>What are some things that you would change? </li></ul>Poverty? The Third of May Francisco Goya Migrant Mother Doro...
<ul><li>What do you feel strongly about? </li></ul>The Kiss Gustav Klmit Love?
<ul><li>What do you feel strongly about? </li></ul>found art http://darkcaffe.blogebay.com The Kiss Gustav Klmit Love? Cho...
CULTURE HISTORY SOCIETY YOU
<ul><li>WHO </li></ul><ul><li>ARE </li></ul><ul><li>YOU </li></ul>
What are YOUR colors?
What Shapes Describe you?
What Textures Describe you?
What textures describe you? What patterns describe you?
<ul><li>EXAMPLE? </li></ul>
1. Paste something flat (paper, cloth, textured, colored, patterned, etc) onto your page that represents something about y...
<ul><li>HAVE </li></ul><ul><li>FUN. </li></ul>
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Transcript of "IWB Clarification"

  1. 1. IBDP Visual Art Investigation Workbooks <ul><li>(A Clarification) </li></ul>
  2. 2. <ul><li>Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah </li></ul>
  3. 3. Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah NO
  4. 4. Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah Blah blah blah NO (THIS IS NOT A JOURNAL)
  5. 6. NO
  6. 7. NO (THIS IS NOT A SCRAPBOOK)
  7. 9. NO
  8. 10. NO (SORRY LEO)
  9. 11. NO (THIS IS NOT A SKETCHBOOK)
  10. 13. MAYBE
  11. 14. MAYBE (YOU’RE GETTING THERE, DA VINCI)
  12. 15. MAYBE (Just make sure you’re making connections )
  13. 16. Investigaton Workbooks: <ul><li>a Hybrid* of a journal, a research book, and a sketchbook. </li></ul>
  14. 17. <ul><li>* Hybrid : A mix of two or more things. </li></ul>
  15. 18. The images support the text, and... The text supports the images. The text supports the images. The text supports the images. Find balance on your pages between images and text. Find balance on your pages between images and text. Find balance on your pages between images and text.
  16. 19. <ul><li>...and don’t forget... </li></ul>
  17. 20. <ul><li>Source ALL Images. </li></ul>
  18. 21. <ul><li>Source ALL Images. </li></ul>
  19. 22. <ul><li>Source ALL Images. </li></ul>:(
  20. 23. <ul><li>Source ALL Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of Saint Matthew Carravaggio :D
  21. 24. <ul><li>Source ALL Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of Saint Matthew Carravaggio Add Page Numbers
  22. 25. <ul><li>Source ALL Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of Saint Matthew Carravaggio Add Page Numbers 3
  23. 26. <ul><li>Source ALL Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of Saint Matthew Carravaggio Add Page Numbers 3 Make sure that all of your text is legible. Black ink is preferable.
  24. 27. <ul><li>Source ALL Images. </li></ul>http://www.artchive.com/artchive/C/caravaggio/matthew.jpg.html The Inspiration of Saint Matthew Carravaggio Add Page Numbers 3 Make sure that all of your text is legible. Black ink is preferable.
  25. 28. <ul><li>MAKE CONNECTIONS </li></ul>
  26. 29. <ul><li>MAKE CONNECTIONS </li></ul>
  27. 30. <ul><li>CULTURE </li></ul>
  28. 31. <ul><li>HISTORY </li></ul>
  29. 32. <ul><li>SOCIETY </li></ul>
  30. 33. <ul><li>AND YOU </li></ul>
  31. 34. CULTURE HISTORY SOCIETY YOU
  32. 35. <ul><li>CULTURE </li></ul>What is your culture? I and the Villiage Marc Chagall
  33. 36. <ul><li>CULTURE </li></ul>How does your project relate to your culture? The Calabash Romare Bearden Jazz II Deluxe Romare Bearden
  34. 37. <ul><li>CULTURE </li></ul>How does the project relate to the culture you live in? Femmes de Tahiti (or Sur la Plage ) Paul Gauguin
  35. 38. <ul><li>CULTURE </li></ul>What art from other cultures interests you? Les Demoiselles d'Avignon Pablo Picasso
  36. 39. CULTURE HISTORY SOCIETY YOU
  37. 40. <ul><li>What artists inspire you? </li></ul>Galatea of the Spheres Salvador Dali VV Cover Jeff Soto Dream Chair Dave McKean Birth of Venus Sandro Botticelli
  38. 41. <ul><li>What art movements inspire you? </li></ul>Surrealism (Birthday) Dorthea Tanning Photography ( Women of Allah) Shirin Neshat Installation Art Yaoyoi Kusama Abstract Expressionism Jackson Pollok
  39. 42. CULTURE HISTORY SOCIETY YOU
  40. 43. <ul><li>Can you imagine a better world? </li></ul>
  41. 44. <ul><li>What are some things that you would change? </li></ul>Poverty? Migrant Mother Dorothea Lange Untitled Banksy
  42. 45. <ul><li>What are some things that you would change? </li></ul>Poverty? The Third of May Francisco Goya Migrant Mother Dorothea Lange War?
  43. 46. <ul><li>What do you feel strongly about? </li></ul>The Kiss Gustav Klmit Love?
  44. 47. <ul><li>What do you feel strongly about? </li></ul>found art http://darkcaffe.blogebay.com The Kiss Gustav Klmit Love? Chocolate?
  45. 48. CULTURE HISTORY SOCIETY YOU
  46. 49. <ul><li>WHO </li></ul><ul><li>ARE </li></ul><ul><li>YOU </li></ul>
  47. 50. What are YOUR colors?
  48. 51. What Shapes Describe you?
  49. 52. What Textures Describe you?
  50. 53. What textures describe you? What patterns describe you?
  51. 54. <ul><li>EXAMPLE? </li></ul>
  52. 55. 1. Paste something flat (paper, cloth, textured, colored, patterned, etc) onto your page that represents something about you. This can relate to culture, family, or friends. 2. Write about a memory inspired by what you’ve pasted in the book. 3. Draw an image from this memory Don’t stress. Maybe you use it, maybe you change it later. You can use reference material. Or not. 4. Comment on an artist’s style or movement that would help you represent this memory.
  53. 56. <ul><li>HAVE </li></ul><ul><li>FUN. </li></ul>

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