Video walk-through of Julian Rosefeldt's Asylum, BALTIC Centre for Contemporary Art, 2004
Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and Social Sciences
Northum...
the semiotics of paper
British Art Show 1984
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
British Art Show 1984 Alison Wilding, Blue-black (1984)
at a moment’s notice, according to the plea...
the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper
Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and ...
Pitt Rivers Museum , Oxford
Pitt Rivers Museum , Oxford
Pitt Rivers Museum , Oxford
Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevyc...
Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevyc...
J. S. G. Boggs (1995)
J. S. G. Boggs (1995)
Roland Farkas, (2011 ) Draw your Money. Studio Gallery, Budapest.
Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.
Georg Simmel (1858–1918)
Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.
Plaster Casts of Greek and Roman sculpture (2012), Northumbria University. Home-made shellac record (1947)
Chris Dorsett, (2012) Venus de l'armoire de studio
ink drawing on paper and plaster cast of the Venus de' Medici
Chris Dor...
Chris Dorsett, (2012) Venus de l'armoire de studio
ink drawing on paper and plaster cast of the Venus de' Medici
Chris Dor...
Juliette and Charles PeirceNotebooks of Charles Sanders Peirce
The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphi...
The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphi...
The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphi...
The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphi...
Hofstadter. D. (1995) Fluid Concepts and Creative Analogies:
computer models of the fundamental mechanisms of thought,
Lon...
An Antiquary's Billiard Table
Pitt Rivers Museum, University of Oxford.
Encyclopédie
Denis Diderot (1713-1784)
Mottram, J., Rust, C. & Till, J. (2007) AHRC Research
Review: Practice-Led Research in Art, Design and
Architecture, Brist...
Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and Social Sciences
Northum...
At a moment's notice, according to the pleasure of the holder  the semiotics of paper
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At a moment's notice, according to the pleasure of the holder the semiotics of paper

  1. 1. Video walk-through of Julian Rosefeldt's Asylum, BALTIC Centre for Contemporary Art, 2004
  2. 2. Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University at a moment’s notice, according to the pleasure of the holder the semiotics of paper
  3. 3. the semiotics of paper British Art Show 1984 at a moment’s notice, according to the pleasure of the holder
  4. 4. the semiotics of paper British Art Show 1984 Alison Wilding, Blue-black (1984) at a moment’s notice, according to the pleasure of the holder
  5. 5. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
  6. 6. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
  7. 7. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
  8. 8. the semiotics of paper at a moment’s notice, according to the pleasure of the holder
  9. 9. the semiotics of paper at a moment’s notice, according to the pleasure of the holder
  10. 10. the semiotics of paper Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University at a moment’s notice, according to the pleasure of the holder
  11. 11. Pitt Rivers Museum , Oxford
  12. 12. Pitt Rivers Museum , Oxford
  13. 13. Pitt Rivers Museum , Oxford
  14. 14. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University Firestone Library, Princeton University.
  15. 15. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University Firestone Library, Princeton University.
  16. 16. J. S. G. Boggs (1995)
  17. 17. J. S. G. Boggs (1995)
  18. 18. Roland Farkas, (2011 ) Draw your Money. Studio Gallery, Budapest.
  19. 19. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma. Georg Simmel (1858–1918)
  20. 20. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.
  21. 21. Plaster Casts of Greek and Roman sculpture (2012), Northumbria University. Home-made shellac record (1947)
  22. 22. Chris Dorsett, (2012) Venus de l'armoire de studio ink drawing on paper and plaster cast of the Venus de' Medici Chris Dorsett, (2011) 7 Chakras Twice pencil drawing on photograph of recordings of my father's voice
  23. 23. Chris Dorsett, (2012) Venus de l'armoire de studio ink drawing on paper and plaster cast of the Venus de' Medici Chris Dorsett, (2011) 7 Chakras Twice pencil drawing on photograph of recordings of my father's voice
  24. 24. Juliette and Charles PeirceNotebooks of Charles Sanders Peirce
  25. 25. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
  26. 26. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
  27. 27. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
  28. 28. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
  29. 29. Hofstadter. D. (1995) Fluid Concepts and Creative Analogies: computer models of the fundamental mechanisms of thought, London: Thames and Hudson. An Antiquary's Billiard Table Pitt Rivers Museum, University of Oxford.
  30. 30. An Antiquary's Billiard Table Pitt Rivers Museum, University of Oxford. Encyclopédie Denis Diderot (1713-1784)
  31. 31. Mottram, J., Rust, C. & Till, J. (2007) AHRC Research Review: Practice-Led Research in Art, Design and Architecture, Bristol: Arts and Humanities Research Council. Alison Wilding, Blue-black (1984)
  32. 32. Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University the semiotics of paper at a moment’s notice, according to the pleasure of the holder

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