Surrealism

  • 430 views
Uploaded on

Dankook University …

Dankook University
Introduction to Modern Art and Culture
Lecture VIB: SUREALISM

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Be the first to comment
    Be the first to like this
No Downloads

Views

Total Views
430
On Slideshare
0
From Embeds
0
Number of Embeds
0

Actions

Shares
Downloads
13
Comments
0
Likes
0

Embeds 0

No embeds

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
    No notes for slide

Transcript

  • 1. Dankook University Introduction to Modern Art and Culture: Lecture VB: Surrealism
  • 2. • psychoanalysis – A method of studying the mind pioneered by the Austrian doctor Sigmund Freud at the end of the nineteenth and beginning of the twentieth century. Freud argued that the self - the conscious, rational mind - is far less in control of thought and behaviour than we believe, and that the unconscious mind, which Freud described as being fired by powerful, unresolved, and often destructive emotions, is continuously breaking through into everyday conscious life and causing people to behave in irrational ways. Freud especially argued that sexual repression starting in childhood caused deep and long- lasting harm, and advocated various methods to free his patients.
  • 3. • Sigmund Freud (1856 – 1939) was critical of religion which he argued was an ‘illusion’ that could no longer adequately explain the problems of consciousness, whereas science could. He argued that the mind is divided into conscious (rational motives) and unconscious mind (a store of unconscious motives). The latter are independent of our will – they can’t be controlled - and are created over the years since birth, participating daily in determining our actions, although we are not aware of their influence over our behavior. He divided the self into three parts: 1) the ‘id’ is the collection of unconscious memories created by ‘libido’ - or sexual desires originating in childhood - and are the main content of the unconscious; 2) the ‘super-ego’ is the (largely unconscious) moral conscience that demands the repression of the ‘id’. It originates during childhood through conflicts with the parent figures who are the principal instruments of repression, and then with society as a whole; 3) the ‘ego’ – our ‘normal’ self that perceives, learns and acts in accordance with this social conditioning. Dreams, Freud argued, are not prophecies, as was traditionally believed, but rather memories – the traces of our infantile sexual wishes or ‘id’. For Freud, the arts are understood as a manifestation of disequilibrium in the balance between the ego, id and super-ego. The Interpretation of Dream (1899), Psychopathology of Everyday Life (1901), Totem and Taboo (1913), Beyond the Pleasure Principle (1920), The Future of an Illusion (1927), Civilization and Its Discontents (1930) http://www.freudfile.org/
  • 4. • unconscious - Not having awareness or sensory perception. Occurring in the absence of conscious awareness or thought. Without conscious control; involuntary or unintended. Often considered a source of creative potential. ‘His art expresses his unconscious desires.’In psychoanalytic theory, the portion of the mind which holds such things as memories and repressed desires that are not subject to conscious perception or control but often affect conscious thoughts and behaviour. The unconscious is an important issue to artists influenced by Surrealism, and also to much postmodern art. • uncanny - Peculiarly unsettling, as if of supernatural origin or nature; eerie; otherworldly. Especially connected to the psychoanalytic theory of Freud where it plays a central role in explaining how unconscious memories from our childhood can ‘haunt’ our present. • automatism - sometimes referred to as ‘pure psychic automatism’. A process of making artworks mechanically, randomly, or by unconscious free association (rather than under the control of a conscious artist). Also called automatic drawing, painting, sculpture or writing
  • 5. Surrealists surrounding a painting by René Magritte. The text says: ‘I can’t see the …..hidden in the forest’
  • 6. 1. Background
  • 7. Hieronymous Bosch, 15th century.
  • 8. Archimboldo, 17th century
  • 9. Caspar David Friedrich, 19th century.
  • 10. Pablo Picasso, Bather, 1920’s
  • 11. Giorgio de Chirico, The Soothsayer's Recompense, 1913 Metaphysical Art
  • 12. The Uncertainty of the Poet, 1913
  • 13. The Song of Love, 1914
  • 14. 2. The Surrealists
  • 15. The Menaced Assassin, 1927
  • 16. René Magritte, the Lovers, 1928
  • 17. Attempting the Impossible, 1928
  • 18. The Rape, 1934
  • 19. The Treason of Images, 1928-29
  • 20. Max Ernst
  • 21. Oedipus Rex, 1922
  • 22. The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses, 1926
  • 23. Revolution by Night, 1923
  • 24. Salvador Dali, The Persistence of Memory 1931
  • 25. The Great Masturbator, 1929
  • 26. Metamorphosis of Narcissus, 1937
  • 27. The Face of War, 1941
  • 28. Yves Tanguy
  • 29. Joan Miro, the Farm, 1921
  • 30. Still Life with Old Shoe, 1937,
  • 31. Harlequins’ Carnival, 1926
  • 32. Figures at Night, 1940
  • 33. Henri Michaux And example of atutomatism
  • 34. Surrealist film Luis Buñuel, le ChienAndalou, 1928 http://www.youtube.com/watch?v=yCl_8522FF0