This document discusses the cinematography, editing, sound design, and narrative elements of three films: Gangster Number One (2000), Being John Malkovich (1999), and Layer Cake (2004). For Gangster Number One, it notes the use of birds-eye views, two-shots, close-ups, and low angles to keep viewers engaged without giving everything away. Being John Malkovich uses non-diegetic music, long shots, and darkness to depict a psychotic character expressing himself through puppets. Layer Cake establishes passion and danger in its opening through a woman in red and people taking cocaine, while also conveying a businesslike feel through suits.
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