Influencing tricks
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  • 1. Technique #1The Flooding SmileDon’t flash an immediate smile when you greetsomeone, as though anyone who walked intoyour line of sight would be the beneficiary.Instead, look at the other person’s face for asecond. Pause. Soak in their persona. Then let abig, warm, responsive smile floodover your face and overflow into your eyes. Itwillengulf the recipient like a warm wave. Thesplit-second delay convinces people yourflooding smile is genuine and only for them.
  • 2. Technique #2 Sticky EyesPretend your eyes are glued to your conversationpartner’s with sticky warm taffy. Don’t break eyecontact even after he or she has finished speaking. Whenyou must look away, do it ever so slowly,reluctantly,stretching the gooey taffy until the tiny string finallybreaks.
  • 3. Technique #3Epoxy EyesThis brazen technique packs a powerful punch.Watch your target person even when someone elseis talking. No matter who is speaking, keep lookingat the man or woman you want to impact.
  • 4. Technique #4Hang by Your TeethVisualize a circus iron-jaw bit hanging from theframe of every door you walk through. Take a biteand, with it firmly between your teeth, let it swoopyou to the peak of the big top. When you hang byyour teeth, every muscle is stretched into perfectposture position.
  • 5. #Technique 5The Big-Baby PivotGive everyone you meet The Big-Baby Pivot. Theinstant the two of you are introduced, reward yournew acquaintance. Give the warm smile, the total-body turn, and the undivided attention you wouldgive a tiny tyke who crawled up to your feet, turneda precious face up to yours, and beamed a bigtoothless grin. Pivoting 100 percent toward the newperson shouts “I think you are very, very special.”
  • 6. Technique #6Hello Old FriendWhen meeting someone, imagine he or she is an oldfriend (an old customer, an old beloved, or someoneelse you had great affection for). How sad, thevicissitudes of life tore you two asunder. But, holymackerel, now the party (the meeting, theconvention) has reunited you with your long-lost oldfriend! The joyful experience starts a remarkablechain reaction in your body from the subconscioussoftening of your eyebrows to the positioning of yourtoes—and everything between.
  • 7. Technique #7Limit the FidgetWhenever your conversation really counts, let your noseitch, your ear tingle, or your foot prickle. Do notfidget, twitch, wiggle, squirm, or scratch. And aboveall, keep your paws away from your puss. Handmotions near your face and all fidgeting can give yourlistener the gut feeling you’re fibbing.
  • 8. Technique #8Hans’s Horse SenseMake it a habit to get on a dual track while talking.Express yourself, but keep a keen eye on how yourlistener is reacting to what you’re saying. Then planyour moves accordingly.If a horse can do it, so can a human. People will sayyou pick up on everything. You never miss a trick.You’ve got horse sense.
  • 9. Technique #9Watch the Scene Before You Make the SceneRehearse being the Super Somebody you want to beahead of time. SEE yourself walking around with Hangby Your Teeth posture, shaking hands, smiling theFlooding Smile, and making Sticky Eyes. HEAR yourselfchatting comfortably with everyone. FEEL thepleasure of knowing you are in peak form and everyoneis gravitating toward you. VISUALIZE yourself a SuperSomebody. Then it all happens automatically.
  • 10. Technique #10Make a Mood MatchBefore opening your mouth, take a “voice sample” ofyour listener to detect his or her state of mind. Take a“psychic photograph” of the expression to see if yourlistener looks buoyant, bored, or blitzed. If you everwant to bring people around to your thoughts, youmust match their mood and voice tone, if only for amoment.
  • 11. Technique #11Prosaic with PassionWorried about your first words? Fear not, because 80percent of your listener’s impression has nothing to dowith your words anyway. Almost anything you say atfirst is fine. No matter how prosaic the text, anempathetic mood, a positive demeanor, and passionatedelivery make you sound exciting.
  • 12. Technique #12Always Wear a WhatzitWhenever you go to a gathering, wear or carrysomething unusual to give people who find you thedelightful stranger across the crowded room anexcuseto approach. “Excuse me, I couldn’t help but noticeyour . . . what IS that?”
  • 13. Technique #13 WhoozatWhoozat is the most effective, least used (bynonpoliticians)meeting-people device ever contrived.Simply ask the party giver to make the introduction, orpump for a few facts that you can immediately turninto icebreakers.
  • 14. Technique #14Eavesdrop InNo Whatzit? No host for Whoozat? No problem! Justsidle up behind the swarm of folks you want to infiltrateand open your ears. Wait for any flimsy excuseand jump in with “Excuse me, I couldn’t help butoverhear. . . .”Will they be taken aback? Momentarily.Will they get over it? Momentarily.Will you be in the conversation? Absolutely!
  • 15. Technique #15Never the Naked CityWhenever someone asks you the inevitable, “And whereare you from?” never, ever, unfairly challenge theirpowers of imagination with a one-word answer.Learn some engaging facts about your hometownthat conversational partners can comment on. Then,when they say something clever in response to yourbait, they think you’re a great conversationalist.
  • 16. Technique #16Never the Naked JobWhen asked the inevitable “And what do you do,” youmay think “I’m an economist/an educator/an engineer”is giving enough information to engender goodconversation. However, to one who is not an economist,educator, or an engineer, you might as well be saying“I’m a paleontologist/psychoanalyst/pornographer.”Flesh it out. Throw out some delicious facts aboutyour job for new acquaintances to munch on.Otherwise, they’ll soon excuse themselves, preferringthe snacks back at the cheese tray.
  • 17. Technique #17Never the Naked IntroductionWhen introducing people, don’t throw out an unbaitedhook and stand there grinning like a big clam, leavingthe newlymets to flutter their fins and fish for a topic.Bait the conversational hook to get them in the swim ofthings. Then you’re free to stay or float on to the nextnetworking opportunity.
  • 18. Technique #18Be a Word DetectiveLike a good gumshoe, listen to your conversationpartner’s every word for clues to his or her preferredtopic. The evidence is bound to slip out. Then springon that subject like a sleuth on to a slip of the tongue.Like Sherlock Holmes, you have the clue to the subjectthat’s hot for the other person.
  • 19. Technique #19The Swiveling SpotlightWhen you meet someone, imagine a giant revolvingspotlight between you. When you’re talking, thespotlight is on you. When the new person is speaking,it’s shining on him or her. If you shine it brightlyenough, the stranger will be blinded to the fact that youhave hardly said a word about yourself. The longer youkeep it shining away from you, the more interesting heor she finds you.
  • 20. Technique #20ParrotingNever be left speechless again. Like a parrot, simplyrepeat the last few words your conversation partnersays. That puts the ball right back in his or her court,and then all you need to do is listen.
  • 21. Technique #21Encore!The sweetest sound a performer can hear welling upout of the applause is “Encore! Encore! Let’s hear itagain!” The sweetest sound your conversation partnercan hear from your lips when you’re talking with agroup of people is “Tell them about the time you . . .”Whenever you’re at a meeting or party withsomeone important to you, think of some stories he orshe told you. Choose an appropriate one from theirrepertoire that the crowd will enjoy. Then shine thespotlight by requesting a repeat performance.
  • 22. Technique #22Ac-cen-tu-ate the Pos-i-tiveWhen first meeting someone, lock your closetdoor and save your skeletons for later. You andyour new good friend can invite the skeletonsout, have a good laugh, and dance over theirbones later in the relationship. Butnow’s the time, as the old song says, to “ac-cen-tu-ate the pos-i-tive and elim-i-nate theneg-a-tive.”
  • 23. Technique #23The Latest News . . . Don’t Leave HomeWithout ItThe last move to make before leaving for the party—even after you’ve given yourself final approval in themirror—is to turn on the radio news or scan yournewspaper. Anything that happened today is goodmaterial. Knowing the big-deal news of the moment isalso a defensive move that rescues you from puttingyour foot in your mouth by asking what everybody’stalking about. Foot-in-mouth is not very tasty inpublic, especially when it’s surrounded by egg-on-face.
  • 24. Technique #24What Do You Do—NOT!A sure sign you’re a Somebody is the conspicuousabsenceof the question, “What do you do?” (Youdetermine this, of course, but not with those four dirtywords that label you as either a ruthless networker, asocial climber, a gold-digging husband or wife hunter,or someone who’s never strolled along Easy Street.)
  • 25. Technique #25The Nutshell RésuméJust as job-seeking top managers roll a different writtenrésumé off their printers for each position they’re applyingfor, let a different true story about your professional life rolloff your tongue for each listener.Before responding to “What do you do?” ask yourself,“What possible interest could this person have in myanswer? Could he refer business to me? Buy from me?Hire me? Marry my sister? Become my buddy?”Wherever you go, pack a nutshell about your ownlife to work into your communications bag of tricks.
  • 26. Technique #26Your Personal ThesaurusLook up some common words you use every day in thethesaurus. Then, like slipping your feet into a new pairof shoes, slip your tongue into a few new words to seehow they fit. If you like them, start making permanentreplacements.Remember, only fifty words makes the differencebetween a rich, creative vocabulary and an average,middle-of-the-road one. Substitute a word a day fortwo months and you’ll be in the verbally elite.
  • 27. Technique #27Kill the Quick “Me, Too!”Whenever you have something in common withsomeone, the longer you wait to reveal it, the moremoved (and impressed) he or she will be. You emerge asa confident big cat, not a lonely little stray, hungry forquick connection with a stranger.P.S.: Don’t wait too long to reveal your sharedinterest or it will seem like you’re being tricky.
  • 28. Technique #28Comm-YOU-nicationStart every appropriate sentence with you. Itimmediatelygrabs your listener’s attention. It gets amorepositive response because it pushes the pride buttonand saves them having to translate it into “me” terms.When you sprinkle you as liberally as salt andpepper throughout your conversation, your listenersfind it an irresistible spice.
  • 29. Technique #29The Exclusive SmileIf you flash everybody the same smile, like a Confederatedollar, it loses value. When meeting groups ofpeople, grace each with a distinct smile. Let your smilesgrow out of the beauty big players find in each newface.If one person in a group is more important to youthan the others, reserve an especially big, flooding smilejust for him or her.
  • 30. Technique #30Don’t Touch a Cliché with a Ten-Foot PoleBe on guard. Don’t use any clichés when chatting withbig winners. Don’t even touch one with a ten-foot pole.Never? Not even when hell freezes over? Not unless youwant to sound dumb as a doorknob.Instead of coughing up a cliché, roll your ownclever phrases by using the next technique.
  • 31. Technique #31Use Jawsmith’s JiveWhether you’re standing behind a podium facingthousands or behind the barbecue grill facing yourfamily, you’ll move, amuse, and motivate with thesame skills.Read speakers’ books to cull quotations, pull pearlsof wisdom, and get gems to tickle their funny bones.Find a few bon mots to let casually slide off yourtongue on chosen occasions. If you want to be notable,dream up a crazy quotable.Make ’em rhyme, make ’em clever, or make ’emfunny. Above all, make ’em relevant.
  • 32. Technique #32Call a Spade a SpadeDon’t hide behind euphemisms. Call a spade a spade.That doesn’t mean big cats use tasteless four-letterwords when perfectly decent five- and six-letter onesexist. They’ve simply learned the King’s English, andthey speak it.Here’s another way to tell the big players from thelittle ones just by listening to a few minutes of theirconversation.
  • 33. Technique #33Trash the TeasingA dead giveaway of a little cat is his or her proclivity totease. An innocent joke at someone else’s expense mayget you a cheap laugh. Nevertheless, the big cats willhave the last one. Because you’ll bang your head againstthe glass ceiling they construct to keep little cats fromstepping on their paws.Never, ever, make a joke at anyone else’s expense.You’ll wind up paying for it, dearly.
  • 34. Technique #34It’s the Receiver’s BallA football player wouldn’t last two beats of the timeclock if he made blind passes. A pro throws the ballwith the receiver always in mind.Before throwing out any news, keep your receiver inmind. Then deliver it with a smile, a sigh, or a sob. Notaccording to how you feel about the news, but how thereceiver will take it.
  • 35. Technique #35The Broken RecordWhenever someone persists in questioning you on anunwelcome subject, simply repeat your originalresponse. Use precisely the same words in precisely thesame tone of voice. Hearing it again usually quietsthem down. If your rude interrogator hangs on like aleech, your next repetition never fails to flick them off.
  • 36. Technique #36Big Shots Don’t SlobberPeople who are VIPs in their own right don’t slobberover celebrities. When you are chatting with one, don’tcompliment her work, simply say how much pleasure orinsight it’s given you. If you do single out any one ofthe star’s accomplishments, make sure it’s a recent one,not a memory that’s getting yellow in her scrapbook.If the queen bee has a drone sitting with her, find away to involve him in the conversation
  • 37. Technique #37Never the Naked Thank YouNever let the phrase “thank you” stand alone. From Ato Z, always follow it with for: from “Thank you forasking” to “Thank you for zipping me up.”
  • 38. Technique #38Scramble TherapyOnce a month, scramble your life. Do something you’dnever dream of doing. Participate in a sport, go to anexhibition, hear a lecture on something totally out ofyour experience. You get 80 percent of the right lingoand insider questions from just one exposure
  • 39. Technique #39Learn a Little JobbledygookBig winners speak Jobbledygook as a second language.What is Jobbledygook? It’s the language of otherprofessions.Why speak it? It makes you sound like an insider.How do you learn it? You’ll find no Jobbledygookcassettes in the language section of your bookstore, butthe lingo is easy to pick up. Simply ask a friend whospeaks the lingo of the crowd you’ll be with to teachyou a few opening questions. The words are few andthe rewards are manifold.
  • 40. Technique #40Baring Their Hot ButtonBefore jumping blindly into a bevy of bookbinders or adrove of dentists, find out what the hot issues are intheir fields. Every industry has burning concerns theoutside world knows little about. Ask your informant tobare the industry buzz. Then, to heat the conversationup, push those buttons.
  • 41. Technique #41Read Their RagsIs your next big client a golfer, runner, swimmer, surfer,or skier? Are you attending a social function filled withaccountants or Zen Buddhists—or anything in between?There are untold thousands of monthly magazinesserving every imaginable interest. You can dish up moreinformation than you’ll ever need to sound like aninsider with anyone just by reading the rags that servetheir racket. (Have you read your latest copy ofZoonooz yet?)
  • 42. Technique #42Clear “Customs”Before putting one toe on foreign soil, get a book ondos and taboos around the world. Before you shakehands, give a gift, make gestures, or even complimentanyone’s possessions, check it out. Your gaffe could gumup your entire gig.
  • 43. Technique #43Bluffing for BargainsThe haggling skills used in ancient Arab markets arealive and well in contemporary America for big-ticketitems. Your price is much lower when you know howto deal.Before every big purchase, find several vendors—afew to learn from and one to buy from. Armed with afew words of industryese, you’re ready to head for thestore where you’re going to buy.
  • 44. Technique #44Be a CopyclassWatch people. Look at the way they move. Smallmovements? Big movements? Fast? Slow? Jerky? Fluid?Old? Young? Classy? Trashy?Pretend the person you are talking to is your danceinstructor. Is he a jazzy mover? Is she a balletic mover?Watch his or her body, then imitate the style ofmovement. That makes your conversation partnersubliminally real comfy with you
  • 45. Technique #45EchoingEchoing is a simple linguistic technique that packs apowerful wallop. Listen to the speaker’s arbitrary choiceof nouns, verbs, prepositions, adjectives—and echothem back. Hearing their words come out of yourmouth creates subliminal rapport. It makes them feelyou share their values, their attitudes, their interests,their experiences.
  • 46. Technique #46Potent ImagingDoes your customer have a garden? Talk about “sowingthe seeds for success.” Does your boss own a boat? Tellhim or her about a concept that will “hold water” or“stay afloat.” Maybe he is a private pilot? Talk about aconcept really “taking off.” She plays tennis? Tell her itreally hits the “sweet spot.”Evoke your listener’s interests or lifestyle and weaveimages around it. To give your points more power andpunch, use analogies from your listener’s world, notyour own. Potent Imaging also tells your listeners youthink like them and hints you share their interests
  • 47. Technique #47Employ EmpathizersDon’t be an unconscious ummer. Vocalize completesentences to show your understanding. Dust yourdialogue with phrases like “I see what you mean.”Sprinkle it with sentimental sparklers like “That’s alovely thing to say.” Your empathy impresses yourlisteners and encourages them to continue
  • 48. Technique #48Anatomically Correct EmpathizersWhat part of their anatomy are your associates talkingthrough? Their eyes? Their ears? Their gut?For visual people, use visual empathizers to makethem think you see the world the way they do. Forauditory folks, use auditory empathizers to make themthink you hear them loud and clear. For kinesthetictypes, use kinesthetic empathizers to make them thinkyou feel the same way they do.
  • 49. Technique #49The Premature WECreate the sensation of intimacy with someone even ifyou’ve met just moments before. Scramble the signalsin their psyche by skipping conversational levels oneand two and cutting right to levels three and four.Elicit intimate feelings by using the magic words we,us, and our.
  • 50. Technique #50Instant HistoryWhen you meet a stranger you’d like to make less astranger, search for some special moment you sharedduring your first encounter. Then find a few words thatreprieve the laugh, the warm smile, the good feelingsthe two of you felt. Now, just like old friends, you havea history together, an Instant History.With anyone you’d like to make part of yourpersonal or professional future, look for specialmoments together. Then make them a refrain
  • 51. Technique #51Grapevine GloryA compliment one hears is never as exciting as the onehe overhears. A priceless way to praise is not bytelephone, not by telegraph, but by tell-a-friend. Thisway you escape possible suspicion that you are anapple-polishing, bootlicking, egg-sucking, backscratchingsycophant trying to win brownie points. Youalso leave recipients with the happy fantasy that you aretelling the whole world about their greatness
  • 52. Technique #52Carrier Pigeon KudosPeople immediately grow a beak and metamorphosizethemselves into carrier pigeons when there’s bad news.(It’s called gossip.) Instead, become a carrier of goodnews and kudos. Whenever you hear somethingcomplimentary about someone, fly to them with thecompliment. Your fans may not posthumously stuffyou and put you on display in a museum like StumpyJoe. But everyone loves the carrier pigeon of kindthoughts.
  • 53. Technique #53Implied MagnificenceThrow a few comments into your conversation thatpresuppose something positive about the person you’retalking with. But be careful. Don’t blow it like thewellintentionedmaintenance man. Or the southern boywho, at the prom, thought he was flattering his datewhen he told her, “Gosh, Mary Lou, for a fat gal youdance real good.”
  • 54. Technique #54Accidental AdulationBecome an undercover complimenter. Stealthily sneakpraise into the parenthetical part of your sentence.Just don’t try to quiz anyone later on your mainpoint. The joyful jolt of your accidental adulationstrikes them temporarily deaf to anything that follows.
  • 55. Technique #55Killer ComplimentWhenever you are talking with a stranger you’d like tomake part of your professional or personal future, searchfor one attractive, specific, and unique quality he or shehas.At the end of the conversation, look the individualright in the eye. Say his or her name and proceed tocurl all ten toes with the Killer Compliment
  • 56. Technique #56Little StrokesDon’t make your colleagues, your friends, your lovedones look at you and silently say, “Haven’t I been prettygood today?” Let them know how much you appreciatethem by caressing them with verbal Little Strokes like“Nice job!” “Well done!” “Cool!”
  • 57. Technique #57The Knee-Jerk “Wow!”Quick as a blink, you must praise people the momentthey a finish a feat. In a wink, like a knee-jerk reactionsay, “You were terrific!”Don’t worry that they won’t believe you. Theeuphoria of the moment has a strangely numbing effecton the achiever’s objective judgment
  • 58. Technique #58BoomerangingJust as a boomerang flies right back to the thrower, letcompliments boomerang right back to the giver. Likethe French, quickly murmur something that expresses“That’s very kind of you.”
  • 59. Technique #59The Tombstone GameAsk the important people in your life what they wouldlike engraved on their tombstone. Chisel it into yourmemory but don’t mention it again. Then, when themoment is right to say “I appreciate you” or “I loveyou,” fill the blanks with the very words they gave youweeks earlier.You take people’s breath away when you feed theirdeepest self-image to them in a compliment. “At last,”they say to themselves, “someone who loves me for whoI truly am.”
  • 60. Technique #60Talking GesturesThink of yourself as the star of a personal radio dramaevery time you pick up the phone. If you want to comeacross as engaging as you are, you must turn yoursmiles into sound, your nods into noise, and all yourgestures into something your listener can hear. Youmust replace your gestures with talk. Then punch upthe whole act 30 percent!
  • 61. Technique #61Name ShowerPeople perk up when they hear their own name. Use itmore often on the phone than you would in person tokeep their attention. Your caller’s name re-creates theeye contact, the caress, you might give in person.Saying someone’s name repeatedly when face-to-facesounds pandering. But because there is physical distancebetween you on the phone—sometimes you’re acontinentapart—you can spray your conversation with it.
  • 62. Technique #62“Oh Wow, It’s You!”Don’t answer the phone with an “I’m just sooo happyall the time” attitude. Answer warmly, crisply, andprofessionally. Then, after you hear who is calling, let ahuge smile of happiness engulf your entire face andspill over into your voice. You make your caller feel asthough your giant warm fuzzy smile is reserved for himor her.
  • 63. Technique #63The Sneaky ScreenIf you must screen your calls, instruct your staff to firstsay cheerfully, “Oh yes, I’ll put you right through. MayI tell her who’s calling?” If the party has alreadyidentified himself, it’s “Oh of course, Mr. Whoozit. I’llput you right through.”When the secretary comes back with the bad newsthat Mr. or Ms. Bigwig is unavailable, callers don’t takeit personally and never feel screened. They fall for itevery time, just like I did.
  • 64. Technique #64Salute the SpouseWhenever you are calling someone’s home, always identifyand greet the person who answers. Whenever you callsomeone’s office more than once or twice, make friendswith the secretary. Anybody who is close enough to answerthe phone is close enough to sway the VIP’s opinion of you.
  • 65. Technique #65What Color Is Your Time?No matter how urgent you think your call, alwaysbegin by asking the person about timing. Either use theWhat Color Is Your Time? device or simply ask, “Is thisa convenient time for you to talk?” When you askabout timing first, you’ll never smash your footprintsright in the middle of your telephone partner’s sands oftime. You’ll never get a “No!” just because your timingwasn’t right.
  • 66. Technique #66Constantly Changing Outgoing MessageIf you want to be perceived as conscientious andreliable, leave a short, professional, and friendlygreeting as your outgoing message. No music. No jokes.No inspirational messages. No boasts, bells, or whistles.And here’s the secret: change it every day. Your messagedoesn’t have to be flawless. A little cough or stammergives a lovely unpretentious reality to your message.
  • 67. Technique #67Your Ten-Second AuditionWhile dialing, clear your throat. If an answeringmachine picks up, pretend the beep is a big Broadwayproducer saying “Nexxxt.” Now you’re on. This is YourTen-Second Audition to prove you are worthy of aquick callback.
  • 68. Technique #68The Ho-Hum CaperInstead of using your party’s name, casually let thepronoun he or she roll off your tongue. Forget “Uh,may I speak to Ms. Bigshot please?” Just announce,“Hi, Bob Smith here, is she in?” Tossing the familiarshe off your tongue signals to the secretary that you andher boss are old buddies
  • 69. Technique #69“I Hear Your Other Line”When you hear a phone in the background, stopspeaking—in midsentence, if necessary—and say “Ihear your other line,” (or your dog barking, your babycrying, your spouse calling you). Ask whether she hasto attend to it. Whether she does or not, she’ll knowyou’re a top communicator for asking
  • 70. Technique #70Instant ReplayRecord all your business conversations and listen tothem again. The second or third time, you pick up onsignificant subtleties you missed the first time. It’s likefootball fans who often don’t know if there was afumble until they see it all over again in Instant Replay.
  • 71. Technique #71Munching or MinglingPoliticians want to be eyeball to eyeball and belly tobelly with their constituents. Like any big winner wellversed in the science of proxemics and spatialrelationships, they know any object except their beltbuckle has the effect of a brick wall between twopeople. Therefore they never hold food or drink at aparty.Come to munch or come to mingle. But do notexpect to do both. Like a good politician, chow downbefore you come.
  • 72. Technique #72Rubberneck the RoomWhen you arrive at the gathering, stop dramatically inthe doorway. Then s-l-o-w-l-y survey the situation. Letyour eyes travel back and forth like a SWAT teamready in a heartbeat to wipe out anything that moves.
  • 73. Technique #73Be the Chooser, Not the ChooseeThe lifelong friend, the love of your life, or the businesscontact who will transform your future may not be atthe party. However, someday, somewhere, he or she willbe. Make every party a rehearsal for the big event.Do not stand around waiting for the moment whenthat special person approaches you. You make it happenby exploring every face in the room. No more “shipspassing in the night.” Capture whatever or whomeveryou want in your life.
  • 74. Technique #74Come-Hither HandsBe a human magnet, not a human repellent. Whenstanding at a gathering, arrange your body in an openposition—especially your arms and hands. Peopleinstinctively gravitate toward open palms and wristsseductively arranged in the “come hither” position.They shy away from knuckles in the “get lost or I’llpunch you” position. Use your wrists and palms to say“I have nothing to hide,” “I accept you and what you’resaying,” or “I find you sexy.”
  • 75. Technique #75TrackingLike an air-traffic controller, track the tiniest details ofyour conversation partners’ lives. Refer to them in yourconversation like a major news story. It creates a powerfulsense of intimacy.When you invoke the last major or minor event inanyone’s life, it confirms the deep conviction that he orshe is an old-style hero around whom the worldrevolves. And people love you for recognizing theirstardom.
  • 76. Technique #76The Business Card DossierRight after you’ve talked to someone at a party, takeout your pen. On the back of his or her business cardwrite notes to remind you of the conversation: hisfavorite restaurant, sport, movie, or drink; whom sheadmires, where she grew up, a high school honor; ormaybe a joke he told.In your next communication, toss off a reference tothe favorite restaurant, sport, movie, drink, hometown,high school honor. Or reprieve the laugh over the greatjoke.
  • 77. Technique #77Eyeball SellingThe human body is a twenty-four-hour broadcastingstation that transmits “You thrill me.” “You bore me.”“I love that aspect of your product.” “That one puts myfeet to sleep.”Set the hidden cameras behind your eyeballs to pickup on all your customers’ and friends’ signals. Thenplan your pitch and your pace accordingly.
  • 78. Technique #78See No Bloopers, Hear No BloopersCool communicators allow their friends, associates,acquaintances, and loved ones the pleasurable myth ofbeing above commonplace bloopers and embarrassingbiological functions. They simply don’t notice theircomrades’ minor spills, slips, fumbles, and faux pas.They obviously ignore raspberries and all other signs ofhuman frailty in their fellow mortals. Big winners nevergape at another’s gaffes.
  • 79. Technique #79Lend a Helping TongueWhenever someone’s story is aborted, let the interruptionplay itself out. Give everyone time to dote on thelittle darling, give their dinner order, or pick up thejagged pieces of china.Then, when the group reassembles, simply say to theperson who suffered story-interruptus, “Now please getback to your story.” Or better yet, remember where theywere and then ask, “So what happened after the . . .”(and fill in the last few words)
  • 80. Technique #80Bare the Buried WIIFM (and WIIFY)Whenever you suggest a meeting or ask a favor, divulgethe respective benefits. Reveal what’s in it for you andwhat’s in it for the other person—even if it’s zip. If anyhidden agenda comes up later, you get labeled a sly fox.
  • 81. Technique #81Let ’Em Savor the FavorWhenever a friend agrees to a favor, allow yourgenerous buddy time to relish the joy of his or herbeneficence before you make them pay the piper.How long? At least twenty-four hours
  • 82. Technique #82Tit for (Wait . . . Wait) TatWhen you do someone a favor and it’s obvious that “heowes you one,” wait a suitable amount of time beforeasking him to “pay.” Let him enjoy the fact (or fiction)that you did it out of friendship. Don’t call in your titfor their tat too swiftly.
  • 83. Technique #83Parties Are for PratterThere are three sacred safe havens in the human junglewhere even the toughest tiger knows he must notattack. The first of these is parties.Parties are for pleasantries and good fellowship, notfor confrontations. Big players, even when standingnext to their enemies at the buffet table, smile and nod.They leave tough talk for tougher settings.
  • 84. Technique #84Dinner’s for DiningThe most guarded safe haven respected by big winnersis the dining table. Breaking bread together is a timewhen they bring up no unpleasant matters. Whileeating, they know it’s OK to brainstorm and discuss thepositive side of the business: their dreams, their desires,their designs. They can free associate and come up withnew ideas. But no tough business.
  • 85. Technique #85Chance Encounters Are for ChitchatIf you’re selling, negotiating, or in any sensitivecommunication with someone, do NOT capitalize on achance meeting. Keep the melody of your mistakenmeeting sweet and light. Otherwise, it could turn intoyour swan song with Big Winner
  • 86. Technique #86Empty Their TanksIf you need information, let people have their entire sayfirst. Wait patiently until their needle is on empty andthe last drop drips out and splashes on the cement. It’sthe only way to be sure their tank is empty enough oftheir own inner noise to start receiving your ideas.
  • 87. Technique #87Echo the EmoFacts speak. Emotions shout. Whenever you need factsfrom people about an emotional situation, let thememote. Hear their facts but empathize like mad withtheir emotions. Smearing on the emo is often the onlyway to calm their emotional storm
  • 88. Technique #88My Goof, Your GainWhenever you make a boner, make sure your victimbenefits. It’s not enough to correct your mistake. Askyourself, “What could I do for this suffering soul so heor she will be delighted I made the flub?” Then do it,fast! In that way, your goof will become your gain
  • 89. Technique #89Leave an Escape HatchWhenever you catch someone lying, filching,exaggerating,distorting, or deceiving, don’t confront the dirtyduck directly. Unless it is your responsibility to catch orcorrect the culprit—or unless you are saving otherinnocent victims by doing so—let the transgressor outof your trap with his tricky puss in one piece. Thenresolve never to gaze upon it again.
  • 90. Teechnique #90Buttercups for Their BossDo you have a store clerk, accountant, law firm juniorpartner, tailor, auto mechanic, maître d’, massagetherapist, kid’s teacher—or any other worker you wantspecial attention from in the future? The surefire wayto make them care enough to give you their very best issend a buttercup to their boss.
  • 91. Technique #91Lead the ListenersNo matter how prominent the big cat behind thepodium is, crouched inside is a little scaredy-cat who isanxious about the crowd’s acceptance.Big winners recognize you’re a fellow big winnerwhen they see you leading their listeners in a positivereaction. Be the first to applaud or publicly commendthe man or woman you agree with (or want favorsfrom).
  • 92. Technique #92The Great Scorecard in the SkyAny two people have an invisible scorecard hoveringabove their heads. The numbers continually fluctuate,but one rule remains: player with lower score paysdeference to player with higher score. The penalty fornot keeping your eye on The Great Scorecard in theSky is to be thrown out of the game. Permanently