Jesse sherburne complete professional and academic portfolio

Jesse Sherburne Presentation Portfolio This PDF Portfolio has been designed to function like a website with active links. To navigate this portfolio click on the thumbnail images to take you to new sections and information You can also click on the Jesse Sherburne text to take you to the home page.Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.comJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com This portfolio is also best viewed in full screen mode (click the VIEW tab in your pdf reader). You can also view the portfolio of Jesse Sherburne online at www.jessesherburne.com Click the thumbnail below to get started.

Jesse Sherburne Selected Interior Design Projects Presentation Portfolio Selected Presentation, Concept and Painting ProjectsJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Selected Visual Communication and Marketing Design Selected Current Academic Research and Exhibition Selected Student Works and Projects Selected Current and Future Projects

Jesse Sherburne Interior Design Selected ProjectsJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Original Halo New Halo Chrome Spa & Salon The Savoy

Jesse Sherburne Interior Design Project: Original Halo - 2002 Original Halo: The first iteration of Halo resulted from the client’s ardent goal of attracting an affluent fashion and style conscious crowd in search of the unique and spectacular. To this end Sherburne drew inspirationJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com from his passion for installation art and the use of light explored by artists such as James Turrell and Dan Flavin. The space was designed to have all seating areas be essentially separated by colored light but still serve as vantage points to watch the action in the room. The seating existed on the periphery of austere white walls in order to highlight the clientele and employ the patrons as an integral part of the design. The minimal space featured a gathering of temperaments highlighted by vivid primary colors and formal geometric shapes. The surreal experience of the space was heightened by the meeting of the primary colors that form optical illusions at the intersections of various lines and barriers. The overall lighting was increased by the 24-foot long illuminated Plexiglas bar. The lighting served to illuminate the fashion-conscious crowd and allows them to see and be seen. As the club evolved the need to cater to the increasingly diverse clientele that frequented the club became a primary focus. In addition, the increasing business of the club meant that the austere environment began to require constant attention and the visual durability of the environment had reached the end of its tenure. It was time for a re-design...

Project: Original Halo - 2002Jesse Sherburne Interior Design Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Interior Design Project: New Halo - 2005 New Halo: Working alongside the clubs owners for the Re-Design, Sherburne developed a warmer aesthetic that could serve the needs of Halo’s expanding demographic and invite both the casual and more formal customer to stay longer and feel more at home. The desire wasJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com to maintain the current overall layout, which included a relocated bar, and incorporate the geometric shapes and backlit plexi-glass features employed throughout the space. Looking to create an anachronistic environment that referenced the past while also being futuristic Sherburne looked to the film blade runner and its synthesis a futuristic technopolis with art deco styling. To achieve this a number of aesthetic avenues are juxtaposed to provide a unique environmental experience that maintains a ambiance of comfort at the same time. A number of features were also added to the existing environment including a back bar that curved to meet the ceiling, stand-up tables with matching overhead lighting structures and stools purchased from pure-design. Wood grained arborite is mixed with real wood to increase the warmth of the environment and to offset the glowing plexi through-out the room. Vintage lighting and a wall mural of a forest scene serve to increase the eclecticism of the interior and provide an air of familiarity. The room has been exceptionally successful and increased the numbers of the eclectic crowd to capacity nightly. The re-design also included a 30-Foot heated hall in which guests can stand in-line and avoid the cold of freezing winter nights.

Jesse Sherburne Project: New Halo - 2005 Interior Design Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Interior Design Project: Chrome Salon - 2003Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Chrome Spa & Salon: Specializing in high-end spa and salon treatments, Chrome was crafted by Jesse Sherburne to provide its young affluent clientele with the ultimate in contemporary interior treatments. The sweeping curves and dramatic angles of the interior were designed to play off the salons name and draw inspiration from European sports car of the sixties. At the same time the colored glass barriers and under-lit plexiglass shelves point to a futuristic style that accentuates the importance of the technology inherent in the specialty products exclusive to the salon. The interior of the salon is also designed to offer the clientele a fluid atmosphere that can constantly be adjusted to accommodate various changing weather conditions and moods. This is accomplished through the use of a concealed tri-color neon lighting system that can change the interior colors to vary throughout the color spectrum. The atmosphere is further heightened through the employment of a full-time DJ who plays on a fiberglass pearl pink DJ table designed by Karim Rashid

Project: Chrome Salon - 2003Jesse Sherburne Interior Design Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Interior Design Project: Savoy Lounge - 2002Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The clients at The Savoy were in demand of an environment that was chic while at the same time fun and inviting. The owners of The Savoy had a goal of attracting a clientèle that was interested in art, theater, design and quality food. Initial research led Jesse Sherburne to investigate many of the bohemian cafes inhabited by the early modernist artists of the 20’s, 30’s, and 40’s. Sherburne also looked to the swinging cocktail lounges of the 50’s and 60’s. Ultimately, he strove to combine these classic environments with the modern aesthetic to create an environment that alluded to the nostalgia of the past, while appearing contemporary and progressive. The result is a well-balanced design that invites The Savoy’s clientèle into a sophisticated cosmopolitan environment with an appealing sense of history.

Project: Savoy Lounge - 2002Jesse Sherburne Interior Design Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Concept Renderings Project: Musee des Confluences, 2005Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com During his Masters in Design degree, Sherburne was asked to develop concepts for four stairways and four doorhandles for a building project of his choice. He choose the Coop Himmel(b)lau project Musee des Confluences in Lyons France. The project is essentially a science museum and has a technology focus aimed at investigating the role of science in society. The following are a few of the concepts Sherburne developed for the project. These images were also included in a new Drawing show entitled “Here and Now” exhibited at the Art Gallery of Alberta in 2005

Project: Musee des Confluences,Jesse Sherburne Concept Renderings 2005 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Concept Renderings Project: Major Tom Modular Furniture, 2001Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Major Tom was designed by Jesse Sherburne and Milan Krepelka as an inexpensive modular unit that could be adapted for multiple storage and seating uses. Construction would be a rotomolded internally reinforced unit that could be created inexpensively and assembled in a number of configurations. The concept was entered into the IDEE International Furniture Competition which it placed in the top 20 of the 2000 entries

Project: Major Tom ModularJesse Sherburne Concept Renderings Furniture, 2001 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Concept Renderings Project: Contour Chair & Lounge 2002Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The Contour Chair and Lounge is one of a series of concepts for furniture developed jointly by Jesse Sherburne and the respected Calgary designers, Massie Office. The furniture was based off of an exploration of contemporary form and manufacturing. The sides of the chair are CNC milled contour curves that serve as legs, seat, back rest and structure. The upholstered seat and back are sandwiched between and contour curves to provide support. An upholstered exterior piece is friction fitted into a shallow recess to allude to the seat and back and accentuate the overall form of the chair.

Project: Contour Chair & LoungeJesse Sherburne Concept Renderings 2002 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Sherburne developed these playful portraits originally as an addition to the interior of the Savoy lounge and they were entitled “the famous drinkers”. The initial goal with the paintings was to lend mythology to an establishment that had not yet generated it as well as create an aesthetic juxtaposition to the Art Deco inspired interior. They are a playful body of work that has its genesis in pop art but is also emblematic of Sherburne’s continuing theoretical pursuit of a trans-disciplinary creative practice exploring both art and design. The paintings were met with success from the public and Sherburne was commissioned to complete a number of portraits for both the Savoy and national patrons.

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Blondie, (Debbie Harry), Private Commission, 2006

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Elizabeth Taylor, Savoy Lounge Commission (series 2), 2004

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Billie Holiday, Savoy Lounge Commission (series 2), 2004

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Drew Barrymore, Savoy Lounge Commission (series 1), 2001

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Boris Yeltsin, Savoy Lounge Commission (series 1), 2001

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Jackson Pollock, Savoy Lounge Commission (series 2), 2004

Jesse Sherburne Commercial Painting Project: Commercial Paintings, 2000 - 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Jagermeister International Painting Mock-up by Jesse Sherburne, 2005

Project: Commercial Paintings, Commercial PaintingJesse Sherburne 2000 - 2006 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Visual Communication Project: Visual Communication and Advertising Design Independent Visual Communication Design ProjectsJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.comJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Design and Marketing Director at Nexopia.com Design and Marketing Director at LightForm

Jesse Sherburne Design Director Project: Nexopia.comJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Utilizing experience and connections in art, design, fashion and music culture Sherburne saw success bringing many new business relationships to Nexopia including EMI Records, Warner Music Group, Universal Records, Dine Alone Records, Exclaim! Magazine, Vice Magazine, and Union Events to name a few. Sherburne initiated the pursuit of a tangible and credible real world presence for the predominantly youth focused social network which established Nexopia.com as a lifestyle choice for the demographic. Developing desirable products and aligning the company with cutting edge events, aided in setting Nexopia.com apart from the larger social network competition. This was largely done by building on the “counter-culture” or “alternative” youth culture demographic which comprised Nexopia’s core usership. Sherburne’s main goal with the design and marketing developments for Nexopia was to generate a viable brand persona that consistently communicated cool to a youth culture through savvy digital and product based promotions.

Jesse Sherburne Bandanna, 2007 Project: Nexopia Promo Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Nexopia Promo Tattoo,Jesse Sherburne Design Director 2007 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Nexopia Digital CreativeJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Nexopia Business CardsJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Nexopia Event PosterJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Nexopia Promo T-ShirtJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Design Director Project: LightForm During his time at LightForm, Sherburne initiated and developed a number of major projects to help the company maintain a competitive andJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com contemporary edge. - A complete rebranding of the LightForm public image including development of workmarks, business cards, proposal and pr documents. terminology, and all public media used by the organization. - Development of the companies web presence including LightForms extensive e-commerce site for lighting. - Design of the very successful Vancouver showroom. - Organization and conceptualization of the LightForm Design Centre grand opening event. - Showroom setting and development for all stores. - Furniture and custom lighting design and procurement.

Project: LightForm Wordmark,Jesse Sherburne Design Director 2008 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: LightForm Fashion WeekJesse Sherburne Advertising, 2008 Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Magazine Ad, 2008 Project: LightForm ElementeJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: LightForm Newsletter,Jesse Sherburne Design Director 2008 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: LightForm Website, 2008Jesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Project: Hotel Arts Custom Lighting, 2008 Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Showroom Design, 2008 Project: LightForm VancouverJesse Sherburne Design Director Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Design Director Project: LightForm Design Centre 2008 One of Sherburne’s major goals while working as Director of DesignJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com and Marketing for LightForm was to develop an event that could both announce the opening of the LightForm Design Centre and contribute to design culture in an innovative way. Building on his academic work in transformative interior design based installations, Sherburne designed a temporary bar environment between the buildings of the centre entitled LIT. In addition to designing, organizing and constructing LIT, Sherburne also organized the launch party which resulted in one of the biggest design parties in Alberta’s history. Sherburne’s inclusive strategy brought together everything from sponsorship (Heineken, Canella Prosecco, Red Bull, Belvedere Vodka, and others) to the conceptual development of the gold leaf wax sealed invites. This was big undertaking but like Art Bar before it, LIT attracted unprecedented attendance numbers (over 1000) and was one of the major Canadian design events in 2008. Photos by Hanson Ng

Jesse Sherburne Design Director Project: LightForm Design Centre 2008Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Photos by Hanson Ng

Jesse Sherburne Older Explorations Project: Early ExplorationsJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The following images represent Sherburne’s early explorations into the relationship between the utilitarian designed object, conceptual art and the participant or end user. Sherburne’s early work utilized conceptual interventions which were imposed on familiar and utilitarian objects which were often acquired from Ikea or similar outlets. These objects often are perceived to be neutral or stylish commodities in their original state, but through conceptual intervention they become assisted ready- mades. Ultimately Sherburne manipulates the semiotic significance of these objects and in turn challenges the viewer to engage with their perceived use and presence in new and undefined ways. WARNING: Incredibly Bad Slides Ahead! The work is interesting though.

Jesse Sherburne Older Explorations Project: What if Charles Saatchi doesn’t like me?, 1998Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: The Golden Mean...ing.Jesse Sherburne Older Explorations 1998 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Sex, Drugs and Rock &Jesse Sherburne Older Explorations Roll, 1999 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: Various Work, 1999Jesse Sherburne Older Explorations Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: I Want To Believe, 2002Jesse Sherburne Older Explorations Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Project: The Existentialist Yawns,Jesse Sherburne Older Explorations 2006 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Project: A Few Pints, 2002 Older Explorations Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Older Explorations Project: Untitled, 2002 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Conceptual Use Objects Project: The Backslash Pen, 2006 Selected Works A major part of Sherburne’s professional practice and academic research has been focused on exploring the relationship between conceptual art and the contemporary Backslash or A Mightier Pen design practice. The term “Conceptual UseJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.comJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Object” relates to the artifacts produced through the cross-disciplinary explorations of art and design. The objects are created using methodologies associated to the design industry and have a functional or utilitarian use in society. Drawing heavily Heroine on the explorations of the ready-made or assisted ready-made in art, these objects use the semiotic meanings associated to their role as functional objects as a mechanism for critical inflection and to invite inquiry into multiple conceptual quandaries. “Conceptual use objects” can challenge Canuckle Duster the expectations of typical product design and engage the end user in new and unexpected ways often raising awareness of issues surrounding consumption, material choices, excessive restylization, function and social purpose. The Ember Lamp & LightBox

Jesse Sherburne Conceptual Use Objects Project: The Backslash Pen, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The Backslash takes its design from the butterfly knife known in popular culture, from popularization in film, to be a chosen weapon of gang- members. The pen subverts the meaning of the weapon of destruction by using the ready-made to instead create a tool of creation. * The Pen is under prototype development and is being explored in aluminum as well as a traditional mother of pearl handle.

Conceptual Use Objects Project: The Backslash Pen, 2006Jesse Sherburne Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Conceptual Use Objects Project: Heroine Bracelet, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Heroine is a conceptual use object that conveys beauty and refined elegance in a challenging but contemporary form. Fragile yet forceful Heroine challenges borders between conceptual art and design while simultaneously presenting a complex but engaging representation of modern glamor. * The bracelet is under prototype development and is being explored in faceted crystal as well as carved ebony (recycled ebony) and maple.

Conceptual Use Objects Project: Heroine Bracelet, 2006Jesse Sherburne Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Conceptual Use Objects Project: Canuckle Duster, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Sherburne’s submission for Off/Cut Design Exhibition utilizes ready-made objects and their inherent popular culture associations, as a means to inspire contemplation about the nature of the evolving Canadian identity and the relationship our indigenous resources play in that identity. The material shift present in Sherburne’s objects represent the high value of our quintessentially Canadian resource of wood (specifically Maple) but also attempts to defeat the sometimes negative colloquial nature associated to the medium. In the Canuckle Duster this is accomplished through humor and a playful approach to the value associated to the wood and how that value could be expressed. The relationship between the Maple and Diamonds is a playful mechanism to elevate the stature of the wood and create a unique object through the juxtaposition of materials and concepts.

Conceptual Use Objects Project: Canuckle Duster, 2006Jesse Sherburne Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Conceptual Use Objects Project: Ember Lamp & LightBox, 2006 The “Ember Lamp” derives its aesthetic from the classic plug-in faux fires of the 50’s and 60’s. For the majority of Canadians growingJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com up in urban centers, these somewhat tacky fireplaces were often as close as they would come to enjoying the experience of an open fire. For many, these faux fires now remind them of their childhood and represent a time in which they could dream of unknown experiences in the wilderness next to an open fire. The “Ember Lamp” plays off of this type of reverie and the camp value associated with the faux fire, but also makes a refined statement as an elegant piece of furniture. The LED array on the inside shifts gently from red to orange to yellow to simulate a glowing fire. The light is subtly emitted through the thin wood veneer and appears luminous and glowing. The LED’s can also be selected to cast only red, orange, yellow or white and when turned on its side the faux fire reference disappears and the “Ember Lamp” functions as a contemporary light source. *Currently in prototype.

Conceptual Use Objects Project: Ember Lamp & LightBox,Jesse Sherburne 2006 Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Art Bar The Art Bar installation consisted of a fully functioning bar environment housed in the exhibition space of the Art Gallery of Project: Art Bar, 2006 Alberta. The project challenged definitions of participatory art work, conceptual and installation art, the practice of design and dealt with aspects of social engagement in a context generated by the Interior Images experience of art. Art Bar was an attendance record shattering eventJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.comJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com that generated much debate over the evolving role of the artist and designer as well as raising questions about disciplinary borders, authorship, participation, pop culture and a multitude of other aspects associated to the creation, exhibition and dissemination of a creative project. The conceptual histories of art and design as well as current theory and contemporary creative practice are scrutinized and implemented in the creation and exhibition of Opening Images Sherburne’s ambitious project. The success of the project and the critical dialogue generated by its concept resulted in numerous national press features as well as additional opportunities to explore the project internationally. The actual construction happened in the 13 days that were available between the previous exhibitions dismantling and the opening night Construction Images of Art Bar. As the creator, Jesse Sherburne guided and managed the construction as well as other aspects that would typically coincide with not only a major art exhibition but a bar opening and extensive cultural event. All aspects were considered by Sherburne on both a professional operational level and conceptually poignant level and included conducting interviews, finalizing poster designs, working with sponsors, organizing audio/video components, scheduling DJ’s and maintaining time lines for completion. Additional Images

Jesse Sherburne Art Bar Project: Art Bar Interior, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The actual Art Bar interior design began with Sherburne’s desire to mix anachronistic histories and styles. The aesthetic aim was for something opulent and Grand that could be juxtaposed to the galleries stark interior. The aesthetic of Art Bar was intended to transpose the participant to an alternate environment not only outside of what could be expected from the gallery but also the city, province and country. The Art Bar aesthetic is a mix of neo-classicism, technology, art-deco, contemporary street art, and 60’s Pop and Mod culture. Photos by Tina Chang

Photos by Tina Chang Project: Art Bar Interior, 2006Jesse Sherburne Art Bar Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Art Bar Project: Opening Images, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com These photos by Christy Dean document some of the 1000+ people that made the opening night of Art Bar. Photos by Christy Dean

Photos by Christy Dean Project: Opening Images, 2006Jesse Sherburne Art Bar Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Art Bar Project: Construction Images, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The actual construction happened in the 13 days that were available between the previous exhibitions dismantling and the opening night of Art Bar. As the creator, Jesse Sherburne guided and managed the construction as well as other aspects that would typically coincide with not only a major art exhibition but a bar opening and extensive cultural event. All aspects were considered by Sherburne on both a professional operational level and conceptually poignant level and included conducting interviews, finalizing poster designs, working with sponsors, organizing audio/video components, scheduling DJ’s and maintaining timelines for completion.

Project: Construction Images,Jesse Sherburne 2006 Art Bar Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Art Bar Project: Additional Images, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com These images demonstrate some of the promotional material, design elements and additional features of the Art Bar installation.

Project: Additional Images, 2006Jesse Sherburne Art Bar Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Selected Student Work Selected 3D Design and DrawingJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Selected VCD, Colour and Presentation Selected Alternative Marketing Design Furniture

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The following selection of images comes from multiple level assignments introducing the students to Object and Interior Design principals. The focus of these assignments is presentation, form, materials, and rendering techniques and each assignment requires the development of these skills. The following images represent a cross section of the works produced by students for these assignments. More images and detailed outlines are available on request.

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Nick Austin

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Jen Dedorowich

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Chelsey Dyer

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Karl Bareham

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Jenessa Drebnisky

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Niall Watson

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Cory Brown

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Chelsey Dyer

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Ryan Spotowski

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Devin Hobbins

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Students: Devin Hobbins & Alanna Swerhun

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Students: Andie Sime & Steven Grant

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Devin Hobbins

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Kali Ryan

Jesse Sherburne Selected Student Work Project: 3D design and drawing, 2005 - 2011Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Wanda Gee

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com The following selection of images comes from multiple foundation level assignments introducing the students to Visual Communication Design, Presentation, layout techniques and conducting, disseminating and designing based off research. The focus of these assignments is layout, finish, audience and demographic awareness, and informative research and each assignment requires the development of these skills. The following images represent a cross section of the works produced by students for these assignments. More images and detailed outlines are available on request.

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Jamie Lompik

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Shelly Seifridt

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Agnes Czegus

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Jamie Lompik

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Devin Hobbins

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Claire Moore

Jesse Sherburne Selected Student Work Project: Selected VCD, Colour & Presentation, 2005-06Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Karen Haugen

Jesse Sherburne Selected Student Work Project: Alternative Marketing, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com This is an assignment I recently developed, challenging the students to consider alternative marketing techniques and ways to invite audience engagement through playful and unexpected promotional campaigns. The project introduction and brief are included below to provide more detail about the assignment and project parameters.

Jesse Sherburne Selected Student Work Project: Alternative Marketing, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Geoff Repchinsky

Jesse Sherburne Selected Student Work Project: Alternative Marketing, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Tim Starchuk

Jesse Sherburne Selected Student Work Project: Alternative Marketing, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Stacey Bennett

Jesse Sherburne Selected Student Work Project: Alternative Marketing, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Student: Nicole Ifi

Jesse Sherburne Current & Future Projects University of Alberta, Portfolio Development SeminarJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com PostApocalypstick - Ongoing Series City of Edmonton, Alberta Avenue Public Art Commission City of Edmonton, Centennial Garage Public Art Commission

Jesse Sherburne Current & Future Projects Project: Academic instruction and development, 2009Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Current & Future Projects Project: PostApocalypstick Sherburne’s ongoing series of paintings entitled “PostApocalypstick” aims to challenge the viewer to consider their engagement with visual culture and challenges its participants to assess the ways in which allJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com visual language conveys meaning. These paintings openly sample from the mediums of art, advertising, design, film and music and employ their subsequent cultures and histories to propose new narratives about the role each medium plays in society. Drawing inspiration from science fiction comic books and films, this body of work proposes an “end of the known world” scenario played out by the icons of each referenced medium. Each large scale painting will present a surreal landscape inhabited by famous buildings, designed objects, music and film stars, but will question the often criticized vacuous nature of pop culture by empowering these icons with alternate semiotic significance. The adversity faced by the characters in the paintings will mirror the contemporary concerns around political, social and environmental upheaval and will invite the viewer to construct meaning vis-à-vis their own relationship to creative cultures expanding role in society. *A number of paintings in this series are currently under development and will be ready for exhibition late 2009

Jesse Sherburne Current & Future Projects Project: PostApocalypstickJesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Steve McQueen VS. The Modernist Dragon, Jesse Sherburne, 2002

Jesse Sherburne Current & Future Projects Project: City of Edmonton Public Art Commission, 2009Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com In January of 2009 Jesse Sherburne was awarded a public art commission for the City of Edmonton’s Alberta Avenue Street Scape Image call which is scheduled for completion in the fall of 2009. The project requested designs to be laser etched into black granite panels which will then be inlaid in the sidewalk along the avenue. The following images were my submissions which he rendered in the requested material to add reality to the completed works.

Jesse Sherburne Current & Future Projects Project: City of Edmonton Public Art Commission, 2009Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Current & Future Projects Project: City of Edmonton Public Art Commission, 2009Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com In the fall of 2008 Sherburne was awarded the public art commission for the City of Edmonton’s ETS Centennial Garage which is scheduled for completion in the fall of 2009. The project consists of a number of metal panels finished in black, red and silver. These panels are offset from the side of the garage and cover tri-colored LED units that can project a shifting color spectrum on the side of the building. The sculptural and architectural form is visually engaging during the day but truly comes to life at night when the colors begin to shift and change. The overall effect alludes to a city scape as viewed from a passing and the consistently changing forms and colors of urban settings.

Jesse Sherburne Current & Future Projects Project: City of Edmonton Public Art Commission, 2009Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Selected Press Art Bar, Cover of VUE Weekly and Feature Story, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com Art Bar, Cover of Edmonton Journal Culture Section, 2006 Art Bar, See Weekly Feature Art Story, 2006 VUE Weekly LIT Coverage, 2008

Jesse Sherburne Selected Press Project: Art Bar, Cover of Vue Weekly and Feature Story, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Selected Press Project: Art Bar, Cover of Edmonton Journal Culture Section, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne Selected Press Project: Art Bar, Cover of See Weekly and Feature Story, 2006Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse Sherburne VUE Weekly LIT Coverage, 2008 Selected Press Project: Vue Weekly, LIT Coverage, 2008Jesse Sherburne | info@jessesherburne.com | 1.403.975.9716 | www.jessesherburne.com

Jesse sherburne complete professional and academic portfolio

by Jesse Sherburne on Jul 26, 2011

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Jesse sherburne complete professional and academic portfolio — Presentation Transcript