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a	
  collabora(ve	
  environment	
  for	
  
music	
  enthusiasts	
  
Introduc(on	
  
•  Gandharv	
  is	
  a	
  tool	
  designed	
  with	
  a	
  vision	
  to	
  
bridge	
   crea(ve	
   gaps	
   for	
   music	
   enthusiasts	
  
by	
  making	
  collabora(on	
  easy.	
  
•  Its	
   aim	
   is	
   to	
   provide	
   a	
   collabora(ve	
  
environment	
  that	
  can	
  assist	
  in	
  effec(ve	
  and	
  
efficient	
  music	
  composi(on.	
  
U(lity?	
  
•  Informal	
   personal	
   technologies	
   for	
   different	
  
forms	
   of	
   conversa(on	
   such	
   as	
   instant	
  
messaging	
   on	
   desktop	
   computers	
   and	
   text	
  
messaging	
   are	
   widely	
   being	
   accepted,	
   but	
  
there	
   is	
   s(ll	
   liBle	
   evidence	
   of	
   new	
   means	
   of	
  
informal	
   musical	
   interac(on	
   being	
   supported	
  
and	
  fostered.	
  
•  With	
   the	
   exponen(al	
   technological	
  
developments,	
   “Social	
   Music	
   Making”	
   has	
  
become	
  important.	
  
Survey	
  -­‐	
  Sources	
  
•  Interviews	
  
– Anurag	
  Dixit’s	
  Musicology	
  
– Tansen	
  Music	
  Academy	
  
– Noida	
  School	
  of	
  Rock	
  
– Novice	
  Music	
  Composers	
  
•  Online	
  Ques(onnaire	
  
•  Literature	
  Survey	
  	
  
•  Exis(ng	
  Tools	
  –	
  soUware	
  dependent	
  
Findings	
  
The	
  following	
  are	
  the	
  findings	
  of	
  the	
  study	
  that	
  helped	
  us	
  in	
  designing	
  a	
  
detailed	
  architecture	
  of	
  our	
  applica(on:	
  
•  Co-­‐Presence	
  is	
  an	
  important	
  aspect	
  of	
  collabora(ve	
  music	
  
composi(on.	
  
•  An	
  ar(st	
  must	
  iden(fy	
  the	
  capability	
  of	
  his	
  team	
  while	
  
composing	
  in	
  a	
  group.	
  
•  Feedback	
  while	
  composi(on	
  is	
  an	
  important	
  step	
  of	
  
collabora(ve	
  composi(on.	
  
•  The	
  ar(sts	
  must	
  understand	
  the	
  blueprint	
  of	
  the	
  song.	
  
•  Applica(on	
  should	
  be	
  simple	
  to	
  use	
  and	
  self-­‐explanatory.	
  
•  Advanced	
  Search	
  and	
  Recommenda(on	
  System	
  should	
  be	
  
present.	
  
•  .	
  To	
  give	
  ease	
  to	
  user,	
  automated	
  backup	
  feature	
  should	
  be	
  
included.	
  
Findings	
  contd…	
  
•  Ar(sts	
  get	
  fascinated	
  from	
  an	
  applica(on	
  by	
  the	
  effects	
  and	
  
special	
  features	
  it	
  has.	
  So	
  the	
  UI	
  and	
  audio	
  effects	
  should	
  
be	
  of	
  high	
  quality.	
  
•  Form	
  of	
  Music	
  comes	
  with	
  a	
  set	
  of	
  conven(ons	
  to	
  be	
  
followed.	
  The	
  applica(on	
  must	
  assist	
  the	
  ar(sts	
  in	
  
understanding	
  and	
  abiding	
  by	
  these	
  conven(ons.	
  
•  As	
  phone	
  calls	
  and	
  emails	
  s(ll	
  are	
  among	
  the	
  major	
  forms	
  
by	
  which	
  sharing	
  happen,	
  so	
  the	
  applica(on	
  must	
  provide	
  
that	
  support	
  as	
  well.	
  
•  Features	
  like	
  automated	
  scaling,	
  tempo	
  altera(on,	
  karaoke	
  
conversa(on,	
  mixing	
  facility,	
  nota(on	
  iden(fica(on,	
  audio	
  
interpreta(on	
  must	
  be	
  provided	
  
Survey	
  –	
  List	
  of	
  Requirements	
  Iden(fied	
  
•  Search	
  Composers	
  and	
  View	
  their	
  Profiles	
  
•  Launch	
  Sessions	
  to	
  Work	
  on	
  a	
  Composi(on	
  
•  Give/Receive	
  Ra(ngs	
  and	
  Feedback.	
  
•  Online	
  Mixer	
  
•  Create	
  Catalogues	
  
•  Reference	
  Material	
  
•  Scaling	
  and	
  Tempo	
  Altera(ons	
  
•  Recommenda(ons,	
  and	
  many	
  more…	
  
Feedback	
  Survey	
  
•  A	
   prototype	
   was	
   developed	
   and	
   was	
  
given	
  to	
  a	
  selected	
  music	
  enthusiasts	
  to	
  
give	
   a	
   feedback	
   and	
   assign	
   ra(ngs	
   to	
  
the	
   list	
   of	
   40	
   features	
   based	
   on	
   their	
  
u(lity	
  requirements.	
  
•  Their	
  Feedback	
  was	
  used	
  to	
  select	
  the	
  
more	
  important	
  features	
  from	
  the	
  less	
  
important	
  ones.	
  
Applica(on	
  -­‐	
  Flow	
  
Implementa(on	
  
Features	
   Features	
  
User	
  Profiles	
   Sessions	
  
Rate	
  Projects	
   Online	
  Mixer	
  
Form	
  Catalogue	
   Collabora(ve	
  Board	
  
Reference	
  Material	
   Scaling	
  
Tempo	
  Altera(on	
   Feedback	
  
Local	
  SoUware	
  Compa(ble	
   User	
  Recommenda(on	
  
Add	
  License,	
  Cover	
  Image	
   Search	
  
APIs	
  Used	
  
API	
   Func.on	
  
Echonest	
   Reference	
  Material	
  
Sonic	
   Scaling	
  and	
  Tempo	
  Altera(on	
  
PyAudio	
   Audio	
  File	
  Analysis	
  in	
  Python	
  
Future	
  Work	
  
•  Follow	
  Users	
  and	
  Projects	
  
•  Track	
  Contribu(ons	
  of	
  Members	
  
•  Adding	
  Special	
  Effects	
  and	
  Lyrics	
  
•  Karaoke	
  Genera(on	
  
•  Op(on	
  to	
  Release	
  
•  Virtual	
  Jamming	
  
Our	
  sincere	
  thanks	
  to…	
  
•  Mr.	
  Anurag	
  Dixit	
  	
  
–  singer,	
  song-­‐writer,	
  composer,	
  director	
  –	
  ‘Anurag	
  Dixit’s	
  Musicology’,	
  
Ar(st	
  Aloud	
  Awards	
  Nominee,	
  first	
  power	
  user	
  from	
  India.	
  
	
  
•  Mr.	
  Yougansh	
  Sharma	
  	
  
–  Lead	
  Vocalist	
  “Euphony	
  Straia(ons”,	
  winner	
  of	
  Legato	
  (2010),	
  Voice	
  of	
  
M.P.,	
  Indian	
  Idol	
  5	
  state	
  finalist,	
  MTV	
  colors	
  of	
  youth	
  regional	
  winner.	
  
	
  
•  Our	
  seniors	
  and	
  friends.	
  
	
   	
   	
   	
   	
   	
  Thank	
  you	
  all	
  for	
  your	
  valuable	
  feedback.	
  
	
  
Thank	
  You!	
  
•  Group	
  Members	
  
– Sweksha	
  Tripathi	
  swe1807@gmail.com	
  
– Anupam	
  Sanghi	
  sanghi.anupam@gmail.com	
  
•  Project	
  Supervisor	
  
– Prof.	
  Sanjay	
  Goel	
  

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Gandharv - Collaborative Music Composition Environment

  • 1. a  collabora(ve  environment  for   music  enthusiasts  
  • 2. Introduc(on   •  Gandharv  is  a  tool  designed  with  a  vision  to   bridge   crea(ve   gaps   for   music   enthusiasts   by  making  collabora(on  easy.   •  Its   aim   is   to   provide   a   collabora(ve   environment  that  can  assist  in  effec(ve  and   efficient  music  composi(on.  
  • 3. U(lity?   •  Informal   personal   technologies   for   different   forms   of   conversa(on   such   as   instant   messaging   on   desktop   computers   and   text   messaging   are   widely   being   accepted,   but   there   is   s(ll   liBle   evidence   of   new   means   of   informal   musical   interac(on   being   supported   and  fostered.   •  With   the   exponen(al   technological   developments,   “Social   Music   Making”   has   become  important.  
  • 4. Survey  -­‐  Sources   •  Interviews   – Anurag  Dixit’s  Musicology   – Tansen  Music  Academy   – Noida  School  of  Rock   – Novice  Music  Composers   •  Online  Ques(onnaire   •  Literature  Survey     •  Exis(ng  Tools  –  soUware  dependent  
  • 5. Findings   The  following  are  the  findings  of  the  study  that  helped  us  in  designing  a   detailed  architecture  of  our  applica(on:   •  Co-­‐Presence  is  an  important  aspect  of  collabora(ve  music   composi(on.   •  An  ar(st  must  iden(fy  the  capability  of  his  team  while   composing  in  a  group.   •  Feedback  while  composi(on  is  an  important  step  of   collabora(ve  composi(on.   •  The  ar(sts  must  understand  the  blueprint  of  the  song.   •  Applica(on  should  be  simple  to  use  and  self-­‐explanatory.   •  Advanced  Search  and  Recommenda(on  System  should  be   present.   •  .  To  give  ease  to  user,  automated  backup  feature  should  be   included.  
  • 6. Findings  contd…   •  Ar(sts  get  fascinated  from  an  applica(on  by  the  effects  and   special  features  it  has.  So  the  UI  and  audio  effects  should   be  of  high  quality.   •  Form  of  Music  comes  with  a  set  of  conven(ons  to  be   followed.  The  applica(on  must  assist  the  ar(sts  in   understanding  and  abiding  by  these  conven(ons.   •  As  phone  calls  and  emails  s(ll  are  among  the  major  forms   by  which  sharing  happen,  so  the  applica(on  must  provide   that  support  as  well.   •  Features  like  automated  scaling,  tempo  altera(on,  karaoke   conversa(on,  mixing  facility,  nota(on  iden(fica(on,  audio   interpreta(on  must  be  provided  
  • 7. Survey  –  List  of  Requirements  Iden(fied   •  Search  Composers  and  View  their  Profiles   •  Launch  Sessions  to  Work  on  a  Composi(on   •  Give/Receive  Ra(ngs  and  Feedback.   •  Online  Mixer   •  Create  Catalogues   •  Reference  Material   •  Scaling  and  Tempo  Altera(ons   •  Recommenda(ons,  and  many  more…  
  • 8. Feedback  Survey   •  A   prototype   was   developed   and   was   given  to  a  selected  music  enthusiasts  to   give   a   feedback   and   assign   ra(ngs   to   the   list   of   40   features   based   on   their   u(lity  requirements.   •  Their  Feedback  was  used  to  select  the   more  important  features  from  the  less   important  ones.  
  • 10. Implementa(on   Features   Features   User  Profiles   Sessions   Rate  Projects   Online  Mixer   Form  Catalogue   Collabora(ve  Board   Reference  Material   Scaling   Tempo  Altera(on   Feedback   Local  SoUware  Compa(ble   User  Recommenda(on   Add  License,  Cover  Image   Search   APIs  Used   API   Func.on   Echonest   Reference  Material   Sonic   Scaling  and  Tempo  Altera(on   PyAudio   Audio  File  Analysis  in  Python  
  • 11. Future  Work   •  Follow  Users  and  Projects   •  Track  Contribu(ons  of  Members   •  Adding  Special  Effects  and  Lyrics   •  Karaoke  Genera(on   •  Op(on  to  Release   •  Virtual  Jamming  
  • 12. Our  sincere  thanks  to…   •  Mr.  Anurag  Dixit     –  singer,  song-­‐writer,  composer,  director  –  ‘Anurag  Dixit’s  Musicology’,   Ar(st  Aloud  Awards  Nominee,  first  power  user  from  India.     •  Mr.  Yougansh  Sharma     –  Lead  Vocalist  “Euphony  Straia(ons”,  winner  of  Legato  (2010),  Voice  of   M.P.,  Indian  Idol  5  state  finalist,  MTV  colors  of  youth  regional  winner.     •  Our  seniors  and  friends.              Thank  you  all  for  your  valuable  feedback.    
  • 13. Thank  You!   •  Group  Members   – Sweksha  Tripathi  swe1807@gmail.com   – Anupam  Sanghi  sanghi.anupam@gmail.com   •  Project  Supervisor   – Prof.  Sanjay  Goel