Identities and cultures in tourism: the role of UNESCO World Heritage sites

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    WH: the logo is conceinved to symbolise the harmony between Nature (the sphere) and human buildings (the square inside); it was designed by Michelle Olif at the time of the Convention launch; The MAB logo repriduces the ankh, the ancient Egyptian hieroglyphics standing for the ‘Eternal Life’, or – simply – ‘living’ and it forms part of such words as ‘health’ and ‘happiness’. The simbols recall the ‘cricle of life’ and also the ‘knot’ binding together different elements (see the ‘sacred’ interpretation offered by Ronald Engel’s philosopher. The colours stand for. (1) blue = water; (2) green = forest and grassland; (3) white = snow capped mountains; (4) red = desert and baer lands.

    Social scientist. Focus on power relations, strategies, actors, objectives and stakes. My starting point is not nature, but power . Take it for granted that Venice is a special place, requiring special approaches. Michael Smart & Jos é Vinals’ report on “The lagoon of Venice as a Ramsar site” has identified some of the issues. Report states that “designation of the whole lagoon of Venice (…) as a Ramsar site would help to define a long term, integrated solution to the challenge of maintaining Venice and the Lagoon on which its history, culutre and unique character depends” I want to explore some of the underlying issues within this statement .

    09h00 – 09h10 Our brain is more like this With each neurone connected to my many more others Connecting different parts of our brain according to what we are doing (thinking, moving, speaking, crying, laughting, etc). SO WHAT IS THE CONNECTION WITH MINDMAPPING? That’s what we are going to see all this morning

    WH: the logo is conceinved to symbolise the harmony between Nature (the sphere) and human buildings (the square inside); it was designed by Michelle Olif at the time of the Convention launch; The MAB logo repriduces the ankh, the ancient Egyptian hieroglyphics standing for the ‘Eternal Life’, or – simply – ‘living’ and it forms part of such words as ‘health’ and ‘happiness’. The simbols recall the ‘cricle of life’ and also the ‘knot’ binding together different elements (see the ‘sacred’ interpretation offered by Ronald Engel’s philosopher. The colours stand for. (1) blue = water; (2) green = forest and grassland; (3) white = snow capped mountains; (4) red = desert and baer lands.

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    Identities and cultures in tourism: the role of UNESCO World Heritage sites - Presentation Transcript

    1. CULTURES AND IDENTITIES IN TOURISM THE ROLE OF UNESCO WORLD HERITAGE SITES Dr. Giorgio ANDRIAN UNESCO Venice Office (BRESCE)
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    7. TOURISM IS ABOUT.. ...GETTING KNOWN EACH OTHER
    8.  
    9. TOURISM IS ABOUT.. ...FACING STEREOTYPES
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    12. TOURISM IS ABOUT.. ...FOSTERING LOCAL DEVELOPMENT
    13. structures: 191 beds: 11208
    14. structures: 202 beds: 11615
    15. structures: 274 beds: 12379
    16. structures: 331 beds: 12974
    17. structures: 416 beds: 14217
    18. structures: 502 beds: 15322
    19. structures: 632 beds: 16149
    20. structures: 834 beds: 17216
    21. structures: 1048 beds: 19145
    22. structures: 1516 beds: 22935
    23. LOCAL POPULATION DYNAMICS
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    26. TOURISM IS ABOUT.. ...BIG BUSINESS
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    29. WHICH DIRECTION TO TAKE?
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    33. THE ‘MEDALS’
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    37. 890 site in 186 States Parties (UNESCO,Sept. 09) 699 cultural 176 natural and 25 mixed properties
    38. A GROWING TREND
    39. Source: The World Heritage Center (2007); AFR: Africa, APA: Asia and the Pacific, ARB: Tha Arab States, EUR: Europe and North America, LAC: Latin America and the Caribbean
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    45. TOURISM IS ABOUT.. ... IMAGINES WHICH TRAVELS AROUND WITH US
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    47. MISTERIOUS VENICE VENICE IN PERIL
    48. CAN THE ‘CULTURE OF TOURISM’ BE ‘TRAINED’?
    49.  
    50. THE UNESCO SITE-BASED CAPACITY BUILDING ACTIVITIES
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    58. GRAZIE !

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