Bands And Brands Essential Trademark Law For Musicians2

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    Bands And Brands Essential Trademark Law For Musicians2 - Presentation Transcript

    1. Bands and Brands: Essential Trademark Law for Musicians April 29, 2009 Michael Atkins Washington Lawyers for the Arts
    2. Road Map
      • Trademark basics
      • Selecting and clearing trademarks
      • Trademark ownership
      • Licensing basics
      • Right of publicity
      • Developing a trademark strategy
    3. Definition of trademark
      • A word, name, symbol, device, or other designation, or a combination of such designations, that is used in commerce in a manner that distinguishes the goods or services of its owner from those of others
        • It’s an identifier of source
        • Includes names and logos
    4. Trademarks symbolize goodwill
      • “Goodwill” is the good feeling consumers have when they see, hear, or think of a seller or its trademark
        • In economic terms, it is the probability that, based on this good feeling, consumers will come back in the future
          • e.g. , Consumer hears song on radio, wants to buy CD
    5. Acquiring trademark rights
      • Use the mark in connection with good or service
        • United States, England, Australia
          • Automatic rights in geographic area where mark is used
          • Registration expands rights to entire U.S.
      • By registering
        • Most countries
          • Important if performing, selling outside U.S.
    6. What are trademark rights?
      • Exclusive use
        • In relevant geographic area
        • Tied to specific goods/services
      • Right to enjoin others
        • Prevent other users from using same or confusingly similar mark
          • Limited by area, goods/services
    7. Basic trademark principles
      • TM law protects against “likelihood of confusion” (infringement)
      • In conflict between mark owners, first to use mark in commerce generally wins
        • “ Senior” user has priority over “junior” user
        • “ Use” means in connection with good/service sold
          • Use as a domain name not sufficient
      • Trademark rights last forever if continuously used
        • Rights presumed abandoned after 3 years of nonuse
    8. Selecting a trademark
      • Must distinguish your services from others
        • For practical purposes, should be memorable and unique
          • Tells consumers who you are
        • Strong trademarks are “fanciful” (DECEMBERISTS, YEAH YEAH YEAHS) or “arbitrary” (BLACK LIPS, SWAN LAKE)
        • Weak trademarks are “descriptive” (PETER BJORN AND JOHN)
        • Strong marks get more protection than weak marks
    9. Clearing a trademark
      • Goal is to avoid adopting trademark that’s likely to confuse consumers with prior mark
        • Similarity in marks
          • Sight, sound, meaning is most important
        • Similarity in goods or services
          • If you sell live performances, CDs, and t-shirts, avoid other musicians, record labels, venues, musical equipment makers, clothiers
        • Similarity in distribution channels
          • Will goods be sold under same roof?
          • Will goods be advertised in same medium?
    10. Clearing a trademark
      • Research prior marks by searching:
        • Patent and Trademark Office database
        • http://www.uspto.gov/main/trademarks.htm
        •  Search
        • ASCAP
        • http://www.ascap.com/ace/search.cfm?mode=search
        • Google (20+ screens)
        • iTunes, Amazon.com, Myspace, Wikipedia
        • Domain names
        • http://www.whois.net/
    11. Avoid the band name graveyard
      • BLINK  BLINK 182
      • DINOSAUR  DINOSAUR JR
      • SYBIL  KILL SYBIL
      • SUEDE  THE LONDON SUEDE
      • THE CHARLATANS  THE CHARLATANS U.K.
      • THE OLYMPIC HOPEFULS  THE HOPEFULS
      • THE BROKEDOWN  THE BROKEN WEST
      • Your band name  Your new band name
    12. Trademark ownership
      • Ownership occurs through use
        • If group uses mark, group as a whole probably owns it
          • Not lead singer, manager, or record label
        • What happens when group breaks up?
          • Deal with this issue before it occurs:
            • Agree who gets to continue record and perform using mark (or agree that no one gets to).
              • E.g ., “If we break up, [lead singer] gets to keep using [band’s name].”
            • Get agreement in writing, signed by all members, and keep in safe place
    13. Licensing basics
      • License is permission to a third party to use your mark
        • e.g. , Band gives t-shirt maker right to sell shirts with band’s name and/or logo
      • Upside to musician is $$
      • Downside is must follow law or license can result in abandonment of mark
    14. Common licensing terms
      • Parties (licensor and licensee)
      • Description of mark
      • Restrictions on use (including restriction on goods/services)
      • Territorial scope
      • Exclusive/nonexclusive
      • Sublicensable/nonsublicensable
    15. Common licensing terms
      • Goodwill inures to licensor’s benefit
        • Means benefits of TM use will flow to musician
      • Ownership
      • Right/duty to enforce TM rights
      • Termination
      • Taxes, indemnity, insurance
    16. Common licensing terms
      • Quality control
        • Crucial term
        • Musician must inspect and approve goods/services offered with licensed mark
        • Failure to exercise quality control is called “naked licensing”
          • Leads to abandonment (forfeiture) of all trademark rights
    17. Right of publicity
      • RCW 62.60 (plus about 20 other states)
      • Property right in the use of your name, voice, signature, photograph, or likeness
        • Can sue for unauthorized use
        • Can be licensed or assigned to third parties
      • Right exists after you die, so heirs can exploit your right
    18. Musician’s trademark strategy
      • Think globally
        • U.S. trademark law not only law at issue
        • If perform or sell music in Canada, Europe, or Japan, need to worry about their laws
          • Both in clearance and acquiring TM rights
          • Nirvana (UK) complained about Nirvana (Seattle) when Seattle band came to England
          • Most countries require registration
    19. Musician’s trademark strategy
      • Consider U.S. registration
        • Expands rights to entire United States
        • Prevents later-comers from registering confusingly similar marks
        • Evidence of mark’s ownership
        • $325+ for one class of goods/services (plus attorney’s fees)
          • Class 9 (covers sound and video recordings)
          • Class 41 (covers live performances)
    20. Musician’s trademark strategy
      • Register domain name (.com)
        • Also get Myspace, Facebook, Twitter, etc., accounts in your band’s name before someone else does
      • Need to “police” mark
        • Failure to enforce TM rights eventually can result in loss of those rights
        • Police with “cease-and-desist” letter
    21. Legal issues you can avoid
      • Claims of trademark infringement
        • e.g. , Wailers (Tacoma) sues Wailers (Jamaica)
        • Solution : Search and clear mark before adopting it
      • Claims of ownership of trademark
        • Former member, manager, record label claim ownership
        • Solution : Have written agreement defining rights
      • Claims of right to use trademark by affiliate
        • Solution : Have written license agreement defining rights
    22. Legal issues you can avoid
      • Use of trademarks in music
        • Mattel v. MCA Records
          • Aqua’s use of BARBIE trademark ok
          • “The parties are advised to chill.”
        • Parks v. LaFace Records
          • Outkast’s use of Rosa Parks’ name as song title less clear when song not about Rosa Parks
        • Parody ok, courts temper concern about TM rights with concern about free speech
    23. Legal issues you can avoid
      • Loss of trademark rights
        • Through 3+ years of nonuse
        • Through naked license
        • Through failure to police trademark rights
        • Through failure to obtain rights in registration-based countries
    24. Questions?
      • Michael Atkins
      • Graham & Dunn
      • [email_address]
      • (206) 340-9614
      • SeattleTrademarkLawyer.com

    + mikeatkinsmikeatkins, 8 months ago

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