The cinematographic principle_and_the_ideogram
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The cinematographic principle_and_the_ideogram

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    The cinematographic principle_and_the_ideogram The cinematographic principle_and_the_ideogram Presentation Transcript

    • The Cinematographic Principle and the Ideogram Film Theory Jackie M, Darien,  Melissa, Casey and Jackie C.
    • Define Ideogram
      • "The ideogram provides a means for the laconic imprinting of an abstract concept."
      •  
      • A written symbol that represents an idea or object directly rather than a particular word or speech sound, as a Chinese character
    • Eisenstein's use of Ideograms in Film
    • Ideogram Binded to Cinematographic Principle
      • "Cinematography is, first and foremost, montage."
      • "Combine shots that are depictive , single in meaning, neutral in content -- into intellectual contexts and series."
    •  
    •  
    •  
    •  
    •      Collision or Linkage? 
      •  
    • Sergei’s Collision Method
      • • Battleship Potemkin was the film that displayed Sergei’s new age idea of synthetic collisions.
      • • Sergei would use his collision method by pairing up image and subsequent image. To show the audience what was going on but in a different way. 
    • EXAMPLE USING 3 SEPARATE IMAGES 1.
    • 2.
    • 3.
    • Together, they form new meaning  
    • Eisenstein Ideogram and Montage
      • In response to the idea of the ideogram, Eisenstein
      •   concluded that montage is “an idea that DERIVES
      •   from the collision between two shots that are
      • independent of one another”.
      •  
      •  
    • The following examples of the hieroglyphs are used by Eisenstein to illustrate a process of meaning generation which can be adopted by the cinema, in the service of ‘intellectual montage’.
      •  
      • eye + water = crying
      • door + ear = eavesdropping
      • child + mouth = screaming
      • mouth + dog = barking
      • mouth + bird = singing
      • knife + heart = anxiety  
      •