Plaster of Paris


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Plaster of Paris

  1. 1. Plaster-of-Paris andPlaster TechniqueAshish Tripathi ,Intern,Dept. of Orthopaedics, BPKIHS
  2. 2. Contents: Plaster-of-Paris: 1) Historical Background 2) Uses of POP 3) Types of Plaster Cast 4) Steps in Application of POP Cast 5) Common errors in Application of POP Cast 6) Complications of POP Cast 7) After Care
  3. 3. Orthopaedic Uses of Cast1) To support fractured bones, controlling movement of the fragments and resting the damaged tissues2) To stabilise and rest joints in ligamentous injury3) To support and immobilise joints and limbs post-operatively until healing has occurred4) To correct a deformity5) To ensure rest of infected tissues6) To make a negative mould of a part of body.
  4. 4. Materials available for casting Plaster-of-Paris Plaster-of-Paris with melamine resins Materials which undergo polymerisation: a. water activated b. non-water activated Low-temperature thermoplastics
  5. 5. PLASTER-OF-PARIS The name POP is derived from an accident to a house built on a deposit of Gypsum, near Paris. The house burnt down. When rain fell on baked mud of the floors it was noted that footprints in mud set rock-hard. Plaster-of-paris bandages were first used by Matthysen, a Dutch military surgeon in 1952.
  6. 6.  The POP bandage consists of a roll of muslin stiffened by dextrose or starch and impregnated with the hemihydrate of calcium sulfate. When water is added, the calcium sulfate takes up its water of crystallization: 2 (CaSO₄. ½ H₂O) +3H₂O 2 (CaSO₄. 2H₂O ) + ∆
  7. 7.  Setting time: time taken to change from powder form to crystalline form. Drying time: time taken to change from crystalline form to anhydrous form. Average setting time: 3-9 minutes Average drying time: 24-72 hours
  8. 8.  Factors decreasing setting time: 1) Hot water 2) Salt 3) Borax 4) Resin Factors increasing setting time: 1)Cold water 2)sugar
  9. 9. POP … various forms Slab: only a part of circumference of limb is incorporated. Cast: encircle whole circumference of the limb. Spica Brace
  10. 10. Advantages Cost-effective Non-allergic Easily moulded to different formsDisadvantages: 1) Radio-opaque so may occlude # lines 2) Heavy 3) Easily breaks when comes in contact with water
  11. 11. Rules of application of POP castsPadding: This is placed from distal to proximal with a50% overlap, a minimum two layers, and extrapadding at the fibular head, malleoli, patella, andolecranon.Plaster: Cold water will maximize the molding time. 8 inch width for thigh 6 inch width for leg 4 inch width for arm and forearm
  12. 12. Rules of application of POP casts 8 inch for thigh,6 inch for leg and 4 inch for forearm. One joint above and one joint below. Moulded with palm and not with fingers to avoid indentation. Joints should be immobilized in functional position. Not too tight or too loose i.e. adequate padding Dip pop vertically in water till air bubble ceases to come Uniform thickness of plaster is preferred.
  13. 13. Plaster Technique Plaster casts can be divided into 3 types:1) Badly padded plaster2) Unpadded plaster3) Padded plaster
  14. 14. Badly padded plaster It is loose on the limb and therefore cannot fix the fragments.
  15. 15. Unpadded Plaster Made by applying the turns of wet bandage directly to the skin without using any textile. (used by Böhler) For practical purposes, if stockinet is used the resulting plaster can still be regarded as an unpadded cast.
  16. 16. Unpadded Plaster The closeness of its application to the limb and actual adhesion to the skin, is believed to enhance fixation of a fracture. Considerably easier to learn than padded plaster technique. Bandage should never be pulled tight . Bandage should be made to roll itself round the limb.
  17. 17. Unpadded Plaster Should be applied by laying the wet roll of plaster on the skin and pushing it round the curves of limb with flat of hand. The roll of plaster should not be lifted off the limb and pulled.
  18. 18. Unpadded Plaster Recommonded in 3 condition by sir Charnley: 1) Colles’ fracture 2) scaphoid fracture 3) Bennett’s fracture
  19. 19. Padded plaster cast A layer of cotton-wool is interposed between the skin and plaster, which is firmly compressed against the limb by applying wet plaster bandage under tension. The elastic pressure of the cotton enhances the fixation of limb by compensating for shrinkage in tissues .
  20. 20. Padded plaster cast When expertly applied, these plasters grip the limb more firmly and keep this grip for longer time than unpadded one. The care with which cotton is applied is essential for success. It must not obscure the shape of limb by being put on in careless and ugly lumps. The cotton if not rolled already, should be carefully prepared in rolls before application.
  21. 21. Padded plaster cast The roll of bandage remains in contact with surface of limb almost continuously. Bandage is pressed and pushed round the limb by the pressure of thenar eminence under a strong pushing force directed in length of surgeon’s forearm. Pressure is applied at the middle of width of bandage so that no excess of pressure can fall on either edge .
  22. 22. Padded plaster cast Each turn is applied slowly and is settled carefully in position. At tapering parts of the limb, the turns are made to lie evenly by small tucks which are made with quick movement of index finger of left hand. The durability of the cast depend on welding together of individual turns by smoothing movements of left hand. Each layer must be applied with equal deliberation.
  23. 23. Padded plaster cast The hall-mark of good plaster is that it should be of even thickness from end to end. Never apply two turns in the same place except at the ends. Have a progressive ‘backward and forward rhythm’ from top to bottom.
  24. 24. Triple sequence in PlasterApplication Phase 1: examination and rehearsal Phase 2: plastering Phase 3: reduction and holding
  25. 25. Examination and rehearsal Examination of the displacement and assessment of the forces required to reduce and hold the reduction. Need to assess •Effect of gravity on the displacement •Amount of force needed to correct the displacement •Range of excursion from the position of greatest deformity to the position of apparent reduction
  26. 26. Plastering Limb held by assistant in position of approximate reduction Surgeon himself should apply Quick application more important than holding precise reduction Plaster should still be completely soft after application to allow final touches
  27. 27. Reduction and holding After applying sufficient plaster, surgeon prepares to apply the rehearsed movement of reduction. Should be able to clearly recognise sensation of reduction. After applying rehearsed reduction, surgeon holds on, without further movement to allow the cast to set. In the last few minutes, he should obliterate any abrupt impression that might invite pressure sore.
  28. 28. Not to forget!!!Check X Ray should be done after application of each cast to confirm the acceptability of reduction.
  29. 29. Errors in applying Padded Plasters1. Attempting to plaster at the same time as attempting to hold a precise reduction.2. Applying wool carelessly in shapeless lumps3. Loose bandaging4. Wellington boot effect5. Failing to recognise sensation of reduction through the plaster
  30. 30. Windowed PlastersNot usually encouragedDanger of edematous tissue herniating through the windowIndicated in-Compound fractures discharging copious pusCompound fractures grafted with pinch graft or Thiersch graft
  31. 31. After care of POP Instructions to be given after applying POP:1. Come immediately if any of following symptoms develops: A) Exessive pain, B) Exessive swelling, C) Bluish or white discolouration of fingers or toes2. Keep the plaster cast dry.3. Mobilize all the joints which are not incorporated in the plaster to their full range of motion once plaster becomes dry.
  32. 32. After care of POP4. Notice any cracks in the plaster.5. Graduated weight bearing for lower limb fractures.6. Physiotherapy of muscles within the plaster and joints outside the plaster is necessary to ensure early rehabilitation.
  33. 33. Complications of POP Due to tight cast -pain -pressure sores -compartment syndromes -peripheral nerve injuries c/o unrelenting pain,stretch pain, swelling over fingers, inability to move fingers, hypoaesthesia and bluish discolouration of the digits.
  34. 34. Complications of POP Due to improper applications -joint stiffness -plaster blisters and sores -breakage Due to plaster allergy -allergic dermatitis
  35. 35. Removing Plaster Cast Plaster shears Electric saw
  36. 36. Thank You
  37. 37. References The Closed Treatment of Common Fractures by Sir John Charnley. Chapman’s orthopaedis surgery 3rd edition. Rockwood and Green’s Fracture in adults. Traction and Orthopaedic Appliances by Stewart. Essential orthopaedics by J. Maheshwari.