Med 6 Revision

Bringing it All Back Home MED 6: it’s supposed to be SYNOPTIC

SYNOP-wha? • SYNOPTIC modules always come at the end of a course of study. • They give you an opportunity to show EVERYTHING you’ve learned over the two years of study. • In MEDIA, the synoptic exam is MED 6, the Critical Comparison

So... what have we Learned, exactly?

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ?

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ? • INSTITUTIONS

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ? • INSTITUTIONS • AUDIENCES

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ? • INSTITUTIONS • AUDIENCES • REPRESENTATION

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ? • INSTITUTIONS • AUDIENCES • REPRESENTATION • MEDIA LANGUAGE

So... what have we Learned, exactly? • We started by looking at the KEY CONCEPTS.. which are.. ? • INSTITUTIONS • AUDIENCES • REPRESENTATION • MEDIA LANGUAGE • VALUES AND IDEOLOGY

institutions

media producers institutions

media producers owners institutions

media producers distributors + exhibitors owners institutions

media producers distributors + exhibitors owners REGULATORS institutions

media producers distributors + exhibitors owners broadcasters REGULATORS institutions

media producers distributors + exhibitors owners broadcasters REGULATORS institutions audiences

media media producers consumers distributors + exhibitors owners broadcasters REGULATORS institutions audiences

media media producers consumers distributors + exhibitors mass audience owners broadcasters REGULATORS institutions audiences

media media producers consumers distributors viewers + exhibitors mass audience owners broadcasters REGULATORS institutions audiences

media media producers consumers distributors viewers + exhibitors mass audience owners broadcasters REGULATORS FAMILIES institutions audiences

media media producers consumers distributors viewers + exhibitors mass audience owners broadcasters niche audience REGULATORS FAMILIES institutions audiences

media media producers consumers distributors viewers + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences

increasingly, media consumers are producers, toomedia producers consumers distributors viewers + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences

increasingly, media consumers are producers, toomedia producers consumers distributors viewers + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers distributors viewers + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers distributors viewers class + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience owners SPECTATORS broadcasters niche audience REGULATORS FAMILIES STEREOTYPES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience owners SPECTATORS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES institutions audiences representations

increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are producers, toomedia RACE producers consumers gender distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are producers, toomedia RACE producers consumers gender CROPPING distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class + exhibitors mass audience anything!!!!! owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing audiences media institutions representations language

iconography increasingly, media consumers are media RACE producers, too light, colour producers consumers gender CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! about? SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! about? SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène broadcasters niche audience knowledge TYPOGRAPHY freedom? REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! about? SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène RISK? broadcasters niche audience knowledge TYPOGRAPHY freedom? REGULATORS FAMILIES STEREOTYPES editing institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! about? SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène RISK? broadcasters niche audience knowledge TYPOGRAPHY freedom? REGULATORS FAMILIES STEREOTYPES editing WEALTH? institutions audiences representations media values & language ideology

iconography increasingly, media consumers are media RACE WHAT producers, too light, colour producers consumers gender do we CROPPING distributors viewers class CARE framing + exhibitors mass audience anything!!!!! about? SIGNIFIERS owners SPECTATORS EVENTS mise–en–scène RISK? broadcasters niche audience knowledge TYPOGRAPHY freedom? REGULATORS FAMILIES STEREOTYPES editing WEALTH? institutions audiences representations media values & language ideology Don’t forget GENRE and NARRATIVE as aspects of MEDIA LANGUAGE..

GENRE

GENRE narrative

GENRE related by marriage! narrative

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? popular with both consumers and producers-why?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? historical development? popular with both consumers and producers-why?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? historical development? popular with both consumers and producers-why? tricky to pin down and define-why?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? we THINK in narrative historical development? popular with both consumers and producers-why? tricky to pin down and define-why?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? we THINK in narrative historical development? popular with both consumers and producers-why? tricky to pin down and difference between story, define-why? plot, and narrative.. ?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? we THINK in narrative historical development? EVERYTHING can be said popular with both to have a narrative consumers and producers-why? tricky to pin down and difference between story, define-why? plot, and narrative.. ?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? we THINK in narrative historical development? EVERYTHING can be said this slide show! even popular with both to have a narrative consumers and producers-why? tricky to pin down and difference between story, define-why? plot, and narrative.. ?

These aspects of media language are topics that also stand ALONE GENRE related by marriage! narrative forms + conventions? we THINK in narrative historical development? EVERYTHING can be said this slide show! even popular with both to have a narrative consumers and WHY is the narrative producers-why? constructed in that way? tricky to pin down and difference between story, define-why? plot, and narrative.. ?

The Key Concepts • These were the focus for the first year of the course • They’re still important, but you should now be more confident at LINKING them all together • You should also be able to discuss them in relation to..

TCD THEORIES CONTEXTS DEBATES

institutions audiences representations media values & language ideology

THEORIES institutions audiences representations media values & language ideology

THEORIES contexts institutions audiences representations media values & language ideology

THEORIES contexts debates institutions audiences representations media values & language ideology

Tools • There IS a lot to remember, but the really important point is not to remember by rote but to use appropriate tools • Each key concept, theory, context, or debate is a TOOL • Use the tools to explain WHY media texts are the way they are • HOW did they end up being the way that they are

THEORIES contexts debates audiences media values & institutions representations language ideology

THEORIES contexts debates dia w ho makes me ? t exts and why audiences media values & institutions representations language ideology

THEORIES contexts debates who consum es media texts dia and w ho makes me why? ? t exts and why audiences media values & institutions representations language ideology

THEORIES contexts debates who consum what is shown in es media texts and the text and why is dia w ho makes me why? it shown that way? ? t exts and why audiences media values & institutions representations language ideology

THEORIES contexts debates what codes + conve ntions used to who consum what is shown in g? es create meanin media texts and the text and why is WHY those dia w ho makes me it shown that way? ? why? par ticular codes? t exts and why audiences media values & institutions representations language ideology

THEORIES contexts debates what codes + what do the se conve ntions used to representat ions + who consum what is shown in g? codes/conve es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

ics iot sem THEORIES contexts debates what codes + what do the se conve ntions used to representat ions + who consum what is shown in g? codes/conve es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

au dience s t heorie ics iot sem THEORIES contexts debates what codes + what do the se conve ntions used to representat ions + who consum what is shown in g? codes/conve es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

au dience Marx + s h t heorie egemony ics iot sem THEORIES contexts debates what codes + what do the se conve ntions used to representat ions + who consum what is shown in g? codes/conve es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

au dience Marx + s h t heorie egemony ics iot sem excluded 3rd THEORIES contexts debates + abjection what codes + what do the se conve ntions used to representat ions + who consum what is shown in g? codes/conve es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

au dience Marx + s h t heorie egemony ics iot sem excluded 3rd THEORIES contexts debates + abjection ism+ f emin nial + what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + nar s h t heorie egemony ics iot sem excluded 3rd THEORIES contexts debates + abjection ism+ f emin nial + what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + nar s h t heorie egemony ics iot sem excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L nar s h t heorie egemony ics iot sem excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L nar s h econom t heorie egemony ic ics iot sem excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L nar s h econom t heorie egemony ic ics iot ial sem soc excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L nar s h econom t heorie egemony ic HIST ORI ics CAL iot ial sem soc excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom t heorie egemony ic + control HIST ORI ics CAL iot ial sem soc excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom me t heorie egemony ic + control EFF dia HIST ECT ORI S ics CAL iot ial sem soc excluded 3rd THEORIES contexts debates + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom me t heorie egemony ic + control EFF dia HIST ECT ORI S ics CAL iot ial sem soc excluded 3rd THEORIES contexts debates © + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom me t heorie egemony ic + control EFF dia HIST ECT ORI S ics CAL iot ial sem soc excluded 3rd THEORIES contexts debates © (copyfight) + abjection he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom me t heorie egemony ic + control EFF dia HIST ECT ORI S ics CAL iot ial sem soc excluded 3rd THEORIES contexts censorship debates © (copyfight) + abjection + regulation he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

or e the rativ y au dience Marx + P OLITIC A L ownership nar s h econom me t heorie egemony ic + control EFF dia nce S ECT HIST ORI ala IA b B S ics CAL + iot ial sem soc excluded 3rd THEORIES contexts censorship debates © (copyfight) + abjection + regulation he ory ism+ et f emin nial + genr what codes + what do the se lo –co ory ntions used to representat post r the conve ions + who consum what is shown in g? codes/conve quee es create meanin ntions media texts and the text and why is WHY those reveal about dia our w ho makes me it shown that way? ? why? par ticular codes? culture+so ciety? t exts and why audiences media values & institutions representations language ideology

Med 6 Revision

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