Books in the Digital Age: The Future of Writing

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    Books in the Digital Age: The Future of Writing - Presentation Transcript

    1. Books in the Digital Age: The Future of Writing Dr Mark Bahnisch Creative Industries Faculty, QUT; School of Humanities, Griffith; Fellow of the Centre for Policy Development 11 August 2009 Queensland Writers Centre Wordpool
    2. The future of the book
      • “ All appearances to the contrary, this death of the book undoubtedly announces (and in a certain sense has always announced) nothing but a death of speech (of a so-called full speech) and a new mutation in the history of writing, in history as writing. Announces it at a distance of a few centuries. It is on that scale that we must reckon it here.” – Jacques Derrida, Of Grammatology
    3. The issue/s
      • Writing beyond the book and beyond print
        • What is the relationship between technologies and practices?
        • Textualities and technologies of writing?
        • Are we all writers now? In a digital culture?
        • The cultural economics of writing and publishing
        • Futures of information and journalism; disseminations
    4. Technologies and techno-politics of writing
      • Technologies and social practices – the telephone in 19 th century London
      • The book is a technology
      • “ We have never been modern” – democratisation, ownership and canons
      • The sacrality of the text; or breaking open the text
      • The function of the reader and the writer
    5. Digital cultures; digital natives?
      • What are digital cultures?
      • Are there ‘digital natives’? No…
      • ‘ Active readers’ (Landow 2006)
      • Reinscription and the hyperlink society
      • Is a ‘conversation’ the best way of modelling this? No…
      • Digital and vernacular literacies
      • Everything new is also old
      • We are all Facebookers now
    6. The cultural economics of writing and publishing
      • One to many v. many to many
      • Barriers to entry
      • Dedifferentiation – the end of the professional writer?
      • Disseminations, communities and multiple publics rather than a digital public sphere
    7. Futures
      • “Information wants to be free”
      • Issues:
        • What happens to the literary?
        • What happens to the shaping of narratives?
        • Where did linearity go?
        • Monitorial or active publics?
        • The self as self-authored
    8. Discussion!
      • Questions, comments, criticisms
      • Thank you!
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