Reading
Essential
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BERGHAUS, G. 2005 Avant-garde Performance: Live Events and Electronic
Technologies. Palgrave Macmillan
COX, C (ed), WARNER, D (ed). 2004. Audio Culture: Readings in Modern Music
Continuum. International Publishing Group
GIBBS, T. 2007. The Fundamentals of Sonic Art & Sound Design. AVA Publishing
HOPKIN, B. 1996. Musical Instrument Design: Practical Information for Instrument
Making. See Sharp Press
NYMAN, M. 1999. Experimental Music: Cage and Beyond. Cambridge University Press
Indicative
ADORNO. 2004. Modernism and Mass Culture: Essays on Critical Theory and Music.
Kahn & Averill
ALBRIGHT, D. 2000. Untwisting the Serpent: Modernism in Music, Literature and Other
Arts. University of Chicago Press
BEBBINGTON, R. 1993. Electronic Music Learning Projects. Bernard Babani
BERENDT, J. 1987. Nada Brahma - The World is Sound: Music and the Landscape of
Consciousness. Inner Traditions Bear and Company
BERLE, A. 1998. Improvisation for the Contemporary Musician. Amsco Music
BLACKING, J. 1973. How Musical Is Man? University of Washington Press
BORGO, D. 2006. Sync or Swarm: Improvising Music in a Complex Age. Continuum
BOULEZ P, CAGE J, SAMUELS R (Ed), NATTIEZ J (Ed). 1995. The Boulez-Cage
Correspondence. Cambridge University Press
CAGE, J. 2001. Anarchy. Wesleyan University Press
CAGE, J. 1973. Silence: Lectures and Writings. Wesleyan U.P.
CARDEW, C. 1972. Scratch Music. Latimer New Dimensions
CARDEW, C. 1974. Stockhausen Serves Imperialism and Other Articles. Latimer New
Dimensions

COLLINS, N. 2006 Handmade Electronic Music: The Art of Hardware Hacking.
Routledge
COPE, D. 1992. New Directions in Music. William C. Brown
COWELL, H. 1996. New Musical Resources. Cambridge University Press
DAVIES, H. 2002. Sounds Heard. Sound World Publishers
DWYER, T. 1971. Composing with Tape Recorders: Musique Concrete for Beginners.
Oxford University Press
EMMERSON, S. (Ed,) 1986 The Language of Electroacoustic Music. Palgrave
Macmillan
GHAZALA, R. 2005. Circuit-Bending : Build Your Own Alien Instruments. Wiley
Publishing
GRIFFITHS, P. 1995. Modern Music and After: Directions Since 1945. Oxford University
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HAWKES, T. (2003). Structuralism and Semiotics Routledge
HENDRICKS, G. 2003. Critical Mass: Happenings, Fluxus, Performance, Intermedia and
Rutgers University, 1958-1972. Rutgers University Press
HIGGINS, H. 2002, Fluxus Experience. University of California Press
HOLMES T. 2003. Electronic and Experimental Music. Routledge
HOPKIN, B. 1995 Making Simple Musical Instruments: A Melodious Collection of String,
Winds, Drums and More. Lark Books
KAHN, D. 2001. Noise, Water, Meat: A History of Sound in the Arts. MIT Press
KAYE, N. 2000. Site Specific Art: Performance, Place and Documentation. Routledge
KAYE, N. 2006. Multi-media: Video - Installation – Performance. Routledge
JAMES, J. 1995. The Music of the Spheres: Music, Science and the Natural Order of the
Universe. Abacus
JUDD, F. 1961. Electronic music and musique concrete. Spearman
MITHEN, S. 2006. The Singing Neanderthals: The Origins of Music, Language, Mind
and Body. Phoenix Press
PREVOST, E. 1995. No Sound Is Innocent. Copula
REEVE, F. 1992. Concrete Music. Pyncheon House

ROTH M, KATZ, J. 1998. Difference/Indifference: Musings on Postmodernism, Marcel
Duchamp and John Cage (Critical Voices in Art, Theory, Culture). Routledge
SCHAFER, R. M. 1973. The Music of the Environment. UNESCO
SCHAFER, R.M. 1994. The Soundscape: Our Sonic Environment and the Tuning of the
World. Destiny Books
OLIVEROS, P. 2005. Deep Listening: A Composer’s Sound Practice. iUniverse
SAWYER, D. 1977. Vibrations: Making Unorthodox Musical Instruments. Cambridge
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SHEPARD, M. 2002. Simple Flutes: A Guide to Flute Making and Playing, or How to
Make and Play Great Homemade Musical Instruments for Children and All Ages from
Bamboo, Wood, Clay, Metal, PVC Plastic, or Anything Else. Shepard Publications
STEWART, D. 2000. Inside the Music: The Musician's Guide to Composition,
Improvisation and the Mechanics of Music. Backbeat UK
TOOP, D. 2001. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds.
Serpent’s Tail
TREIB, M. 1997. Space Calculated in Seconds: The Philips Pavilion, Le Corbusier,
Edgard Varese. Princeton University Press
YOUNG, R (ed). 2002 Undercurrents, The Hidden Wiring of Modern Music. Continuum