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The Modern and the Postmodern
 

The Modern and the Postmodern

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    The Modern and the Postmodern The Modern and the Postmodern Presentation Transcript

    • The Modern and the Postmodern:
      Contrasts
    • Modernism/Modernity
      Faith in "Grand Theory" (totalizing explanations in history, science and culture) to represent all knowledge and explain everything.
      Postmodern/Postmodernity 
      Rejection of totalizing theories; pursuit of localizing and contingent theories.
      Grand Narratives?
    • Modernism/Modernity
      Faith in, and myths of, social and cultural unity, hierarchies of social-class and ethnic/national values, seemingly clear bases for unity.
      Postmodern/Postmodernity 
      Social and cultural pluralism, disunity, unclear bases for social/national/ ethnic unity.
    • Identity
      Modernism/Modernity
      Postmodern/Postmodernity 
      Sense of unified, centered self; "individualism," unified identity.
      Sense of fragmentation and decentered self; multiple, conflicting identities.
    • Family
      Modernism/Modernity
      Postmodern/Postmodernity 
      Idea of "the family" as central unit of social order: model of the middle-class, nuclear family. Heterosexual norms.
      Alternative family units, alternatives to middle-class marriage model, multiple identities for couplings and childraising.
    • The Image
      Modernism/Modernity
      Crisis in representation and status of the image after photography and mass media.
      Postmodern/Postmodernity 
      Culture adapting to simulation and real-time media substituting for the real.
    • Faith in the “real”
      Modernism/Modernity
      Postmodern/Postmodernity 
      Hyper-reality, image saturation, simulacra seem more powerful than the "real"; images and texts with no prior "original".  "As seen on TV" and "as seen on MTV" are more powerful than unmediated experience.
      Faith in the "real" beyond media, language, symbols, and representations; authenticity of "originals."
    • High and Low Culture
      Modernism/Modernity
      Postmodern/Postmodernity 
      Dichotomy of high and low culture (official vs. popular culture).Imposed consensus that high or official culture is normative and authoritative, the ground of value and discrimination.
      Disruption of the dominance of high culture by popular culture.Mixing of popular and high cultures, new valuation of pop culture, hybrid cultural forms cancel "high"/"low" categories.
    • Intertextuality
      Modernism/Modernity
      Postmodern/Postmodernity 
      Art as unique object and finished work authenticated by artist and validated by agreed upon standards.
      Art as process, performance, production, intertextuality.  Art as recycling of culture authenticated by audience and validated in subcultures sharing identity with the artist.  
    • Modernism/Modernity
      Knowledge
      Knowledge mastery, attempts to embrace a totality. Quest for interdisciplinary harmony. The encyclopedia
      Postmodern/Postmodernity 
      Navigation through information overload, information management; fragmented, partial knowledge; just-in-time knowledge.  The Web.
    • Broadcasting
      Modernism/Modernity
      Postmodern/Postmodernity 
      Broadcast media, centralized one-to-many communications. Paradigms: broadcast networks and TV.
      Digital, interactive, client-server, distributed, user-motivated, individualized, many-to-many media. Paradigms: Napster and the Web.
    • Art
      Modernism/Modernity
      Sense of clear generic boundaries and wholeness (art, music, and literature).
      Postmodern/Postmodernity 
      Hybridity, promiscuous genres, intertextuality, pastiche.
    • What are humans?
      Modernism/Modernity
      Postmodern/Postmodernity 
      Clear dichotomy (difference) between organic and inorganic, human and machine.
      Cyborgian mixing of organic and inorganic, human and machine and electronic.