POSTHUMAN TENDENCIES INPERFORMANCE ARTPERFORMANCE ART ASTECHNO-CULTURAL AVANT-GARDE
POSTHUMANISM IS A MOVEMENT ON THE BORDER BETWEEN SERIOUS SCIENTIFICDISCOURSE AND FICTION: BASED ON THE MATHEMATICAL THEORY...
BODYCODEMIND
HUMACHINEAN INTIMATE MIXING OF HUMAN ANDMACHINE…OUTSIDE THESUBJECT/OBJECT BINARY
1940th1960th1970th1980th1990th200020101950thINDUSTRIAL REVOLUTIONSHANNONS DISEMBODIED INFORMATIONBODY AS INFORMATION CIRQU...
1940th1950th1960th1970th1980th1990th20002010POSTMODERNISMSECOND WAVE FEMINISMLGBTIPEACE MOVEMENTCRITICAL RACE THEORYCYBERF...
POSTHUMAN IS AN ATTRACTIVE SUBJECT OF SCIENCE-FICTION STORIES AND A SEXY POSTMODERN SLOGAN,BUT ALSO A SYMBOL OF A TRANSGRE...
ENVIRONMENTALISM
PERFORMANCE ART AS TECHNO-CULTURAL AVANT-GARDE
ENVIRONMENTALISM
POSTHUMANISM &PERFORMANCE ARTCORPOREALITYSOCIAL CONTEXTBODY AS A CENTRAL TOOLLOOSE BOUNDARIESHERE & NOWINTERACTIVITYVAGUEN...
TECHNOLOGY AND PERFORMATIVE ASPECTSOF FEMALE BODYPERFORMING A FEMINIST PRAXIS
Orlan,La réincarnation de Sainte-Orlan (1990–1993)
VNS Matrix,All New Gen (1994)
Avatar Body Collision,Screen Save Her (2002)
Anita Ponton,Unspool (2003)
SubRosa,SmartMom (1997)U-Gen-A-Chix: Why areWomen like Chicken? (2008)
QUEER-TECH PERFORMANCEGENDERFUCKING IN (CYBER)SPACE
Micha Cárdenas,Becoming Dragon (2008)
Genesis Breyer P-Orridge,Breaking Sex (1999–2007)
Suka Off,tranSfera 1.2 (2011)
Darina Alster,Bianca Braselli (2009)
ETHNO-TECHNO PERFORMANCEGuillermo Gómez-Peña,Mexterminator (1997-1999)ETHNOCYBORGS
La Pocha Nostra,Corpo/Ilicito the posthuman society 6.9 (2009)
PERFORMANCE OF COMPANION SPECIESNATURE-CULTURE INTERFACE
Art Orienté Objet,May the horse live in me (2011)
Christa Sommerer & Laurent Mignonneau,Interactive Plant Growing (1992–97)
Eduardo Kac,Genesis (1999)
Critical Art Ensemble,Cult of the New Eve (2000)
MANIPULATED BODIESPERFORMING THE TECHNO(BIO)POWERInstitute of Artificial Art,Arthur and the Solenoids (1997)
The Centre for Metahuman Exploration (CME),Absentee Ballot (1996).
CME,Project Paradise (1998)
Stelarc,Ping Body (1996)
Marcel-lí Antúnez Roca,Epizoo (1994)
Wafaa Bilal,Domestic Tension (2007)
Wafaa Bilal,3rdi(2010–2011)BODIES UNDER SURVEILLANCE
StelarcStomach Sculpture (1993)
Paul Vanouse,Items 1-2,000: A Corpus of Knowledge on the Rationalized Subject (1996)
Máša Dudziaková,QRbodies (2012)
Paul Vanouse & Kerry Sheehan,Suspect Inversion Center (2011)
SUPERBODIES?Neil Harbisson,Eyeborg (2004)
Stelarc,Ear on Arm (1996 - 2012)
Stahl Stenslie Sensless (1996)
SNEAKY ®EVOLUTION..?
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Performance art as posthumanist means of expression - performing the liminal stages of self

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Performance art as posthumanist means of expression - performing the liminal stages of self

  1. 1. POSTHUMAN TENDENCIES INPERFORMANCE ARTPERFORMANCE ART ASTECHNO-CULTURAL AVANT-GARDE
  2. 2. POSTHUMANISM IS A MOVEMENT ON THE BORDER BETWEEN SERIOUS SCIENTIFICDISCOURSE AND FICTION: BASED ON THE MATHEMATICAL THEORY OFCOMMUNICATION, AS WELL AS THE LEGACY OF CYBERPUNK DYSTOPIA, IT OFFERS AVISION OF A TRANSITION FROM HUMAN TO THE SO CALLED POSTHUMAN. THEPOSTHUMAN IS SEEN AS AN OFFSPRING OF TECHNOCULTURE, THE SYNTHESIS OFLIVING AND ARTIFICIAL, A LOOSELY EVOLVING ENTITY WITHOUT FIXED ONTOLOGICALBOUNDARIES. THE EXISTENCE OF THE POSTHUMAN LIES BEYOND DUALISTICCATEGORIZATION, HAS A PROCESSUAL CHARACTER AND REFUSES ANY ESSENTIALISTAPPROACH.CORPOREALITY – IDENTITY – TECHNOLOGY - INFORMATIONIT IS AN ATTRACTIVE SUBJECT OF SCIENCE-FICTION STORIES AND A SEXYPOSTMODERN SLOGAN, BUT ALSO A SYMBOL OF A TRANSGRESSION OF ACTUALPREDESTINATING CATEGORIES SUCH AS RACE, GENDER OR SOCIAL STATUS. MORETHAN ANYTHING ELSE, POSTHUMAN IS PRIMARILY A METAPHOR, ADOPTED BY AVARIETY OF NARRATIVES FOCUSED ON THE POTENTIAL ASPECTS OF TECHNOLOGICALLYEXTENDED LIFE: FROM SERIOUS SCIENTIFIC INVESTIGATIONS, THROUGHSCIENCE-FICTION, UP TO ITS NUMEROUS APPROPRIATIONS BY THE ART WORLD. FROMTHIS PERSPECTIVE, POSTHUMANISM CAN BE APPROACHED AS A LIMINALTRANSDISCIPLINARY FIELD, LOCATED ON THE BOUNDARY BETWEENSCIENCE, TECHNOLOGY AND ART.
  3. 3. BODYCODEMIND
  4. 4. HUMACHINEAN INTIMATE MIXING OF HUMAN ANDMACHINE…OUTSIDE THESUBJECT/OBJECT BINARY
  5. 5. 1940th1960th1970th1980th1990th200020101950thINDUSTRIAL REVOLUTIONSHANNONS DISEMBODIED INFORMATIONBODY AS INFORMATION CIRQUITCYBERNETICSINFORMATION SCIENCEMACY CONFERENCIESTURING TESTINFORMATION REVOLUTIONAICELLULAR AUTOMATONCYBORGHUMAN GENOME PROJECTBIOPUNKBIOTECH REVOLUTIONDIGITAL REVOLUTIONCYBERPUNKBIOHACKINGHACKERPSPACESHACKERSSCI-FITRANSGENICSDTC GENOMICSQUANTIFIED SELFSYSTEM THEORYVRPCCOMPUTER - MAN OF THE YEAR 1982NBICINFORMATION SOCIETYSMARTPHONESWWWCYBERCULTURESOCIAL NETWORKINGNANOTECHNOLOGYDNA COMPUTINGDIGITAL SUPERHIGHWAYWEB 2.0DIYBIOWEARABLESGENE THERAPYIN VITRO FERTILIZATION ADVANCED PROSTHETICMOLECULAR BIOLOGYARDUINOOPEN SOURCE
  6. 6. 1940th1950th1960th1970th1980th1990th20002010POSTMODERNISMSECOND WAVE FEMINISMLGBTIPEACE MOVEMENTCRITICAL RACE THEORYCYBERFEMINISMHIPPIESANIMAL STUDIESGREEN MOVEMENTCYBORG MANIFESTORHIZOMATIC PHILOSPHYANTDECONSTRUCTIONCRITICAL THEORYENDANGERED EARTH – PLANET OF THE YEAR 1988POST-STRUCTURALISMANTI-RACISMCIVIL RIGHTS MOVEMENTSEXUAL REVOLUTION POST-INDUSTRIALISMQUEER THEORYLESBIAN AND GAY STUDIESANIMAL RIGHTS MOVEMENTTECHNOBIOPOWERPARTICIPATORY CULTUREAUTOPOIETIC SYSTEMSCITIZEN SCIENCETRANSHUMANISMMASS COLABORATIONSHARINGOPENESSPEER PRODUCTIONPROSUMERDELEUZIAN BECOMINGDIWO
  7. 7. POSTHUMAN IS AN ATTRACTIVE SUBJECT OF SCIENCE-FICTION STORIES AND A SEXY POSTMODERN SLOGAN,BUT ALSO A SYMBOL OF A TRANSGRESSION OF ACTUAL PREDESTINATING CATEGORIESSUCH AS RACE, GENDER OR SOCIAL STATUS...PERFORMATIVE SELF-CREATION, OPENESS,FLUID IDENTITIES, PLURALITY, UNCERTAINTY,VAGUENESS, HYBRIDITY, MONSTROZITY…HOWEVER, POSTHUMAN IS PRIMARILY A CRITICAL METAPHORADOPTED BY A VARIETY OF NARRATIVES FOCUSED ON THE POTENTIALASPECTS OF TECHNOLOGICALLY EXTENDED LIFE……POSTHUMANISM CAN BE APPROACHED AS A LIMINALTRANSDISCIPLINARY FIELD, LOCATED ON THE BOUNDARY BETWEENSCIENCE, TECHNOLOGY AND ART……POSTHUMANISM DEALS WITH TOPICS OF IDENTITY, TECHNOLOGY, POWER &CONTROL..
  8. 8. ENVIRONMENTALISM
  9. 9. PERFORMANCE ART AS TECHNO-CULTURAL AVANT-GARDE
  10. 10. ENVIRONMENTALISM
  11. 11. POSTHUMANISM &PERFORMANCE ARTCORPOREALITYSOCIAL CONTEXTBODY AS A CENTRAL TOOLLOOSE BOUNDARIESHERE & NOWINTERACTIVITYVAGUENESSTRANSDISCIPLINARITY
  12. 12. TECHNOLOGY AND PERFORMATIVE ASPECTSOF FEMALE BODYPERFORMING A FEMINIST PRAXIS
  13. 13. Orlan,La réincarnation de Sainte-Orlan (1990–1993)
  14. 14. VNS Matrix,All New Gen (1994)
  15. 15. Avatar Body Collision,Screen Save Her (2002)
  16. 16. Anita Ponton,Unspool (2003)
  17. 17. SubRosa,SmartMom (1997)U-Gen-A-Chix: Why areWomen like Chicken? (2008)
  18. 18. QUEER-TECH PERFORMANCEGENDERFUCKING IN (CYBER)SPACE
  19. 19. Micha Cárdenas,Becoming Dragon (2008)
  20. 20. Genesis Breyer P-Orridge,Breaking Sex (1999–2007)
  21. 21. Suka Off,tranSfera 1.2 (2011)
  22. 22. Darina Alster,Bianca Braselli (2009)
  23. 23. ETHNO-TECHNO PERFORMANCEGuillermo Gómez-Peña,Mexterminator (1997-1999)ETHNOCYBORGS
  24. 24. La Pocha Nostra,Corpo/Ilicito the posthuman society 6.9 (2009)
  25. 25. PERFORMANCE OF COMPANION SPECIESNATURE-CULTURE INTERFACE
  26. 26. Art Orienté Objet,May the horse live in me (2011)
  27. 27. Christa Sommerer & Laurent Mignonneau,Interactive Plant Growing (1992–97)
  28. 28. Eduardo Kac,Genesis (1999)
  29. 29. Critical Art Ensemble,Cult of the New Eve (2000)
  30. 30. MANIPULATED BODIESPERFORMING THE TECHNO(BIO)POWERInstitute of Artificial Art,Arthur and the Solenoids (1997)
  31. 31. The Centre for Metahuman Exploration (CME),Absentee Ballot (1996).
  32. 32. CME,Project Paradise (1998)
  33. 33. Stelarc,Ping Body (1996)
  34. 34. Marcel-lí Antúnez Roca,Epizoo (1994)
  35. 35. Wafaa Bilal,Domestic Tension (2007)
  36. 36. Wafaa Bilal,3rdi(2010–2011)BODIES UNDER SURVEILLANCE
  37. 37. StelarcStomach Sculpture (1993)
  38. 38. Paul Vanouse,Items 1-2,000: A Corpus of Knowledge on the Rationalized Subject (1996)
  39. 39. Máša Dudziaková,QRbodies (2012)
  40. 40. Paul Vanouse & Kerry Sheehan,Suspect Inversion Center (2011)
  41. 41. SUPERBODIES?Neil Harbisson,Eyeborg (2004)
  42. 42. Stelarc,Ear on Arm (1996 - 2012)
  43. 43. Stahl Stenslie Sensless (1996)
  44. 44. SNEAKY ®EVOLUTION..?

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