Digital Media Production

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    Notes on slide 1

    SMPTE: Society of Motion Picture and Television Engineers.SMPTE serves its members with the latest technology information and education on a rapidly changing industry. SMPTE also is an accredited and globally-respected industry standards-setting body.

    Back-end challenges

    Back-end : several layers on the production platform

    In principe: - Automatisch verwerking metadata- Automatisch generatie metadata- Beter indexering en zoeken in (bestaande) meta- & mediadata

    Back-end challenges

    In principe: - Automatisch verwerking metadata- Automatisch generatie metadata- Beter indexering en zoeken in (bestaande) meta- & mediadata

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    Digital Media Production - Presentation Transcript

    1. Digital Media Prodution
      Background, challenges and Opportunities
    2. Table of Content
      2004 – Background and Objectives
      2009 – Due Diligence
      State of the technology
      Reconciliation of requirements
      Objectives and Challenges
      Operational Excellence
      Scale up
      Media Asset Management
      Additional requirements
      Broadband distribution
      Supply chain integration
      Technology trends
    3. 2004...
    4. Background – Proof of Concept
    5. 5
      4/8 KB segment
      Spindle
      Arm
      Arm pivot
      Sector
      Platters
      Cylinder
      Arm assembly
      Tracks
      Heads
      128 KB segment
      100+ HD’s
      // Striping:
      • Large segment size-> Higher efficiency Hard Disk
      Media File
      Media File
      Media File
      Media File
      • Fully fragmented: Random access without using any Hard Disk intelligence
      Hard Disk Model
    6. 6
      4/8 KB segment
      Spindle
      Arm
      Arm pivot
      Sector
      Platters
      Random R/W
      8KB – 128 KB Segments
      Random
      8 KB segments
      Random
      128 KB segments
      Cylinder
      Arm assembly
      Tracks
      Heads
      128 KB segment
      R/W on the Outer Track
      Full Stroke R/W
      8KB – 128 KB Segments
      Outer track
      Full stroke
      8 KB segments
      Full stroke
      128 KB segments
      Inner track
      R/W on the Inner Track
      • Large segment size-> Higher efficiency Hard Disk
      Hard Disk Model
    7. 7
      Hard Disk Speed
      Disk
      Throughput
      15 Krpm calculated results
      10 Krpm calculated results
      128 KB segments
      8 KB segments
      Testresults
      78.2 MB/s
      72.9 MB/s
      71.5 MB/s
      70 MB/s
      66.7 MB/s
      => 10 MB/s(SCSI/FC HD)
      (6.6MB/s for (S)ATA disk)
      50 MB/s
      50.9 MB/s
      47.6 MB/s
      39.4 MB/s
      35.4 MB/s
      30 MB/s
      16.8 MB/s
      14.8 MB/s
      12.8 MB/s
      12.2 MB/s
      10 MB/s
      9.1 MB/s
      8.9 MB/s
      0.91 MB/s
      0.65 MB/s
      0.92 MB/s
      0.62 MB/s
      15Krpm – 10 K rpm
      15Krpm – 10 K rpm
      15Krpm – 10 K rpm
      15Krpm – 10 K rpm
      Read load types
      (1)
      Sequential Read
      Outer tracks
      (2)
      Sequential Read
      Inner tracks
      (3)
      Random Read
      Tot. Fragmented disk
      128 KB / 8KB segments
      (4)
      Worst case Read
      Tot. Fragmented disk
      128 KB / 8KB segments
    8. Media
      File System
      ( GPFS, AVID-ISIS, Isilon, Omneon Media Grid, XSAN, … )
      Network
      ( Disk network, SAN )
      Hard Disk
      Storage Performance
      3 Key Components:
      100 %
      Efficiency
    9. 9
      FC-client Based
      IP-client based
      Clients
      Clients
      Clients
      File
      servers
      Clients
      Media IP Network
      IBM-GPFS / SGI-CXFS /
      HP-Lustre / ADIC-Stornext /
      Nexsan / …
      FC Network
      File servers cluster
      GPFS (IBM)
      (General Parallel File System)
      Parallel access
      file system
      Avid-Unity / Quantel /
      SGI-CXFS /
      Thomson GV / …
      Video
      • Storage Capacity
      SAN
      • Parallel Throughput
      Proprietaire oplossingen
      Schaalbaarheid???
      • Scalability
      • Reliability
      MXF-AAF video/audio file
      Media File System
    10. File-based Media Production
      X
      SD Media
      Storage
      Storage
      Throughput
      Architecture needs to be “tuned” for media production
      Classical IT
      Storage
      Storage
      Capacity
    11. Digital Media Factory Storage Clusters
      Storage Cluster per Service Level
    12. Go Live - 17 June 2007
      Concurrent
      engineering
      Processing
      during
      ingest/transfer
      Browse Clients
      Craft editors
      Draft
      Processing
      POST
      Production
      Media
      Asset Mgmt
      Subtitling
      Analysis
      INGEST
      PLAY-OUT
      IP network
      Archiving
      Annotation
      8 GB P2 card
      = 32 min video
      DV25 (news)
      Central
      Storage
      Follow-up
      continuity
      Post-
      sonorisation
      Editor-in-Chief
      Central storage
    13. Online searching, re-viewing and cutting
    14. One-click re-purposing of content
    15. Assertion
      • There is a mismatch between business requirements and state-of-the-art technology;
      • Media technology suppliers don’t sufficiently understandthe limitations of IT technology and conventional IT suppliers don’t have sufficient understanding of media production;
      • Proper research and development are essential...
    16. 2009 - Reconciliation of Requirements
      • Operational Excellence
      • Simplify system architecture
      • Standards implementation
      • Scale-out
      • Extend to non-news
      • Prepare for High-Definition
      • Production
      • Supply Chain Automation
      • Real-time co-production
      • Non-linear distribution
      • Integration of live and on demand
      • Accurate Item-level metadata
    17. Objectives - Back-Office
      1. Operational Excellence
      • Less applications reduce system integration
      • Metadata standards replace custom development
      Master Data Management
      Production and distribution
      2. Scale out Infrastructure
      • Better applications reduce file transfers
      • State-of-the-art technology - Cost reduction
      Editing
      Mastering
      Media Asset Mgnt
      Ingest
      Playout
      Infrastructure –
      Networks and Storage
      3. Master Data Management
      • Rationale – Effective(!) re-use
      • Structured Metadata
      • Item-level metadata
      Production Platform
    18. Challenge – Operational Excellence
      Master Data Management
      Production and distribution
      Editing
      Mastering
      Media Asset Mgnt
      Ingest
      Playout
      Infrastructure –
      Networks and Storage
      Production Platform
    19. System Integration Approach
      • Assumptions
      • Ad hoc plumbing (“data pump”) is a source of inconsistency;
      • Collaborative production and re-use of material rely on a single central repository.
      • Issues
      • None of the available state-of-the-art production applications have been designed to integrate and neither they have been originally designed for file-based production;
      • Commercially available MAM systems that lack essential functionality;
      • While an Enterprise Service Bus is assumed to protect overall consistency and performance, it is sensitive to complexity as well and may become a source of instability on its own.
      Supply Chain Engine
      MAMsystem
      The level of Operational Excellencethat can be achieved by an Integrated System is determined by the extent to which individual applications have been designed to integrateand by the level of (metadata) standards implementation.
    20. Lessons Learned – Principles of System Integration
      Everything should be made as simple as possible, but not one bit simpler.
    21. Challenge – Scale out Infrastructure
      Master Data Management
      Production and distribution
      Editing
      Mastering
      Media Asset Mgnt
      Ingest
      Playout
      Infrastructure –
      Networks and Storage
      Production Platform
    22. High Definition Media Production Infrastructure
      OT
      Omneon
      Omneon
      Agility
      IP network
      IP network
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OP1A
      OP1A
      OP1A
      OP1A
      OP1A
      OP1A
      OP1A
      OP1A
      Lres
      OP1A
      Lres
      OP1A
      OP1A
      OPAT
      OPAT
      OP1A
      OP1A
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      OPAT
      Lres
      Output
      Ardome
      OT
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      ENC
      MCRT
      MCRT
      MCRT
      TSM
      MCBE
      MCBE
      MCBE
      TSM
      BUBE
      BUBE
      BUBE
      TSM
      Polopoly
      /import
      //news
      //feeds
      /cut
      Nieuws Playout
      //lowres
      //audio
      MER
      /wip
      /sec
      //sec
      /archive
      Data Tape
      Archive
      Data Tape
      Backup
      MCRT cluster
      MCBE cluster
      BUBE cluster
      TSM2
      TSM1
      TSM2
      TSM1
      Workflow vs Dataflow:
      A single Ingest operation causes 36 file transfers!
      00
      01
      02
      03
      04
      05
      06
      07
      08
      09
      10
      11
      12
      13
      14
      15
      16
      17
      18
      19
      20
      21
      22
      23
      24
      25
      26
      27
      28
      29
      30
      31
      32
      33
      34
      35
      36
      Browse Clients
      GMII
      Encoders
      DV25
      D10
      MAM
      Opslag
      //news
      //feeds
      /import
      Opslag
      /wip
      /archive
      Opslag
      //lowres
      //audio
      Opslag
      /sec
      Opslag
      //sec
      Precut
      Ardex
      22
    23. High Definition Media Production Infrastructure
      High Definition Media Production Infrastructure
      Introduction: Issues – HD Digital Media Factory
      OT
      Omneon
      Omneon
      Agility
      Output
      OT
      Polopoly
      Nieuws Playout
      MER
      HD Media Infrastructure Issues
      • Complex Workflow -> Inefficient Dataflows
      • Increased Storage Capacity Requirements:HD ~= SD x 2 -> HD Storage Architecture???Backup/restore windows HD ~= SD x 2Reconsider# copies– storage protection
      • Cost:TargetHD ~= SD/4(not counting disk price erosion)
      • More media-formats:Transcoding becomesbottle-neck!
      23
      Geisha results IBC 2009
    24. X
      HD Media
      Storage
      HD Storage Architecture Requirements
      Storage
      Throughput
      X
      SD Media
      Storage
      “Tuned” Fibre Channel Architecture
      Classical IT
      Storage
      Storage
      Capacity
      Geisha results IBC 2009
    25. High Definition Media Infrastructure
      State-of-the-Art
      • Currently 160TB storage capacity (3200 hrs HD) per cluster
      • Demonstrated troughput 40Gbps
      • Built-in Disaster Recovery
      • CAPEX - 2.2€ per GB
    26. Objective 3 – Effective re-use
      Media Asset Management Issues
      • Production Environment
      • No upfront selection causes information overload;
      • Multiple sources of more or less structured metadata;
      • Parallel sources cause dupplicates;
      • International context - multilingual
      Master Data Management
      Production and distribution
      Infrastructure –
      Networks and Storage
      Production Platform
    27. Objective 3 – Effective re-use
      Media Asset Management Issues
      • Production Environment
      • No upfront selection causes information overload;
      • Multiple sources of more or less structured metadata;
      • Parallel sources cause dupplicates;
      • International context - multilingual
      Master Data Management
      Production and distribution
      • Professional Requirements
      • An item is relevant or it is not;
      • Retrieve all relevant items;
      • No false positives
      Infrastructure –
      Networks and Storage
      • Opportunities
      • Recognise workflow and trace dependancies;
      • Integrate with Product Engineering (scripts,...);
      • Computer Vision techniques may help.
      Production Platform
    28. The state of the Art…
      archiefnummer : ALG 20010813 1
      fragmentnummer : 1
      reeks : 1000 ZONNEN EN GARNALEN
      bandnummer : E03024404
      formaat : DBCM
      fragmenttitel : 1000 ZONNEN & GARNALEN
      beeld : KL/PALPLUS
      fragmentduur : 18 20
      tekst : 0'00" TOERISTISCH REPORTAGEMAGAZINE OVERZICHT
      ONDERWERPEN GENERIEK TOERISTISCH REPORTAGEMAGAZINE,
      OVERZICHT ONDERWERPEN
      0'50" VANDAAG : KUNSTENAAR LUC HOFKENS ONTWIERP EEN OASE
      OP ZIJN DAKTERRAS IN BORGERHOUT DIE DOET DENKEN AAN DE
      GRAND CANYON INTERVIEW MET LUC EN ZIJN VROUW
      MARILOU BUITENBEELD DAK MET OMGEVING BUITENKANT
      ARBEIDERSWONING, PANO OVER ROTSWANDEN, KRATEN MET WATER,
      BEPANTING, FOTOALBUM MET VERLOOP WERKEN
      4'00" JUNIOR : KLAARTJE ALAERTS, 13 JAAR WIL ASTRONAUTEN
      WORDEN ZE BEZOEKT HETEUROSPACE CENTER METRUIMTEVEREN,
      RAKETTEN SIMULATIE IN RUIMTEVEER, INTERVIEW, HEEFT EEN
      UFO GEZIEN MAAKT ZELF KLEIN RAKETJE, SCHIET HET AF
      7'50" DE SCHEURKALENDER : ARCHIEF RECLAMEFILM IBM
      INTERVIEW MAURICE DE WILDE, EERSTE PERSOONLIJKECOMPUTER
      trefwoorden : BELGIE; BORGERHOUT; ARTIEST; OASE; KUNST; GRAND
      CANYON (NATUURGEBIED); DAK; TERRAS; INTERVIEW; EURO
      SPACE CENTER; RUIMTEVAART; PC; BOOTTOCHT; RIJKDOM;
      PASSAGIER; GASTRONOMIE; RESTAURANT; PERSONEEL;
      VAKANTIE; BINNENBEELD; SCHIP; BECKERS LEEN; VRT;
      LOTTO; RADIOOMROEPSTER; KLANKSTUDIO; UITVINDING;
      BARBECUE; BETONMOLEN; IBM; RECLAMESPOT
      rechthebbende : VRT
      Opzoekscherm FILM Set: 16 Aantal: 1
      blz 1 van 3
      trefwoorden: ibm and vrt
      archiefnummer: -
      uitzendjaar: maand: dag:
      fragmentnummer: fragmentduur:
      reeks:
      formaat: bandnummer:
      aflevering: afleveringsnummer:
      programma: uitzenddatum:
      fragmenttitel:
      tekst:
      kategorie:
      opnamedatum: opnamenummer:
      journalist: rechthebbende:
      SETS
      The strings required for the operation are not defined
      F11 F12 F13 F14 F17 F18 F19 F20 Ent
      Eindigen Sets Refset Toon Vorige Volg/Leeg Thesaurus Commando Opzoeken
    29. Shot Segmentation and Scene Recognition
    30. Face recognition and identification
    31. Media Asset Management - Opportunities
      • Professional context - trace dependencies
      • Scripts contain essential master data – integration with creative processes is a must
      • Computer Vision does not replace formal annotation, but substantially accelerates the process and increases the accuracy
      !
      An integrated data-model and a consistent application framework are the key to production automation and supply chain integration
      (≠ Digitizing analogue and disintegrated workflows)
    32. Conclusion
      1. Operational Excellence
      • One set of numbers – reduce the number of apps
      • Less apps reduce the need for system integration
      • Replace custom development by proper standards
      Master Data Management
      2. Scale out Infrastructure
      • Avoid file transfers
      • Cheaper systems for cost reduction
      Production and distribution
      Editing
      Mastering
      Media Asset Mgnt
      Ingest
      Playout
      3. Master Data Management
      • Trace dependancies
      • Integrate with creative processes
      • Explore and integrate automatic analysis tools
      Infrastructure –
      Networks and Storage
      Production Platform
    33. Broadband distribution
      Data
      Video
      Audio
      Communication
      (Information)
      Master Data Management
      Meta
      Data
      Meta
      Data
      Production and distribution
      Infrastructure –
      Networks and Storage
      Distribution via DVB,
      IP or other
      Production Platform
    34. 2004 – Live Streaming
    35. Xmas 2007 – BBC iPlayer
    36. Broadcast...
      A customer can have a car painted any colour that he wants so long as it is black.(Henry Ford)
    37. Good, better,...
      Anywhere
      • “Live streaming”
      • Radioplayer software application
      • Quick win – “in series” live transcoding
      Anytime
      • “Podcast”, “iPlayer”
      • On demand complements live offering
      • Major impact – metadata power-lifting
      ?
      The Ultimate Radio Exp - myRadio
      • Mobile - Anywhere, anytime and impulse-driven
      • Seamless integration of live and on demand
      • Cross-platform continuity
    38. The Ultimate Radio Exp(eriment)
      myRadio @time of writing
      • Excellent quality where possible, lower bit-rate if necessary
      • Non-linear distribution assumes broadband distribution
      • Open distribution framework
      • Http adaptive streaming enables bandwidth-friendly distribution
      http://myradio.vrt.com
    39. Ongoing – Non-linear distribution
      Seamless integration of Live and On demand
      • “Bookmark” by tagging
      • Pause, Back and Fast Forward
      • Radio search engine
      • Assemble myRadio
      TO DO – Track each individual item
      • Audio segmentation
      • Speech recognition and indexing
      • Metadata harvesting (!!!)
    40. Business Case for Radio
      IP Distribution
      +/- 5.000.000 hours per dag
      à 128 kbps, 250 TB, 90PB per year
      à 70.000€ per PB
      Total – 6.300.000€
      Vgl. Homepage (deredactie.be)
      • 2MB
      • 128 seconden high-def audio(!)
    41. ‘Supply Chain Integration’
      Data
      Video
      Audio
      Information
      Communication
      Information
      Mgnt
      Production and distribution
      Distribution to TV, PC and mobile via DVB and IP
      Media Asset Mgnt
      Infrastructure
      (network and storage)
    42. Trend – Production System Virtualisation
    43. Trend - From « metadata » to CAD/CAM
      ?
    44. Proof of Concept - Scoop
      http://www.youtube.com
      (search for “scoop”, “ibbt”, “CAD”)
    45. Change...
    46. 47
      http://medialab.vrt.be
      http://myradio.vrt.be
      Maarten.verwaest@vrt.be
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