cw cv 2013
Upcoming SlideShare
Loading in...5
×

Like this? Share it with your network

Share

cw cv 2013

  • 738 views
Uploaded on

 

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Be the first to comment
    Be the first to like this
No Downloads

Views

Total Views
738
On Slideshare
730
From Embeds
8
Number of Embeds
1

Actions

Shares
Downloads
0
Comments
0
Likes
0

Embeds 8

http://www.linkedin.com 8

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
    No notes for slide

Transcript

  • 1. CLAUDIA WESTERMANNPhD, Pgr.Dipl. Media Art, Dipl.-Ing. Arch., chartered architecthttp://www.litra-design.comBorn: January , —Heidelberg, GermanyP  M.- Associate Professor, Xi’an Jiaotong Liverpool University, Suzhou, China, Departmentof Architecture.- Invited Member, Editorial Advisory Board, Ubiquity, peer reviewed journal, Intellect,Bristol, UK (st issue in ).- Member, American Society for Cybernetics (ASC).- Invited Member, Leonardo Reviews Panel, Leonardo, the journal of the InternationalSociety for the Arts, Sciences and Technology, MIT Press, A&HCI listed journal.- Founder,LaboratoryforInhabitableeoriesandResearchinArchitecture; Researchand Art/Design Practice (licensed).- Chartered Member, German Chamber of Architects, section BaWüA T.-. Art, Science, Technology – Part-time PhD candidate at the Centre for Advanced In-quiries in the Integrative Arts (CAiiA), hub of the Planetary Collegium, PlymouthUniversity, UK. First supervisor: Prof. Roy Ascott. Second supervisor: Prof. MikePhillipsResearch Title: An Experimental Research into Inhabitable eories.Transfer Report MPhil/PhD reviewed by Prof. Alberto Pérez-Gómez (McGill), with recommen-dations transferred to PhD leel. e thesis was submitted in March 2011. e oral examinationtook place on June 09, 2011, with Dr. David Cunningham (Westminster) and Prof. Dr. Alessan-dro Aurigi (Plymouth) as examiners. Official certificate issued in October 2011..-. Media Fine Arts – Part-time postgraduate studies at the School of Art and Design atthe Center for Art and Media (ZKM) in Karlsruhe, Germany; Postgraduate Certifi-cate in Media Fine ArtsSchool operates diploma studies that are influenced by the Bauhaus education model. Conditionfor the entrance exam for the postgraduate track (Aufbaustudium) was a previous degree equiva-lent to a Masters.-. Architecture – Tampere University of Technology, Finland.-. Architecture – University of Karlsruhe, Germany; academic title issued: Dipl. Ing.e school operated a continental diploma model. e degree is equivalent to an MSc in Architec-ture, and is recognized by the German Chamber of Architects as a pre-condition for professionalregistration.cv – 
  • 2. P . Professional licensure with the German Chamber of Architects, section Baden-Würt-temberg (Registration Board); AL no. P A P.-. Faculty Member, Vienna University of Technology, Faculty of Architecture. Instituteof Architecture and Design, subdivision: Building eory and Design. Austrian po-sition title: Univ.Ass.postdoc; (full time fixed-term contract)Design classes at Bachelor and Master leel (approx.  design class students per semes-ter), seminars at Master leel, lectures within the series at Bachelor and Master leel -two of my tutored students received prestigious awards for their design proposalsPosition at the second leel in a four leel system of regularly appointed faculty (Uni. Ass./ Uni.Ass. postdoc / a.o. Prof. / Prof.), comparable to a British Senior LecturerP R.- Claudia Westermann, Freie Architektin; research and art/design practice: Labora-tory for Inhabitable eories and Research in Architecturework has included research, art works, architectural and graphic design projects – see lists of exhi-bitions, publication, and built design.-. Planum Architekten, Baden-Baden, Germany (freelance cooperation)Competition design: two new buildings for the Uniersity of Applied Sciences and Arts Hildes-heim, Germany - awarded: first purchase.-. Rossmann + Partner Architekten, Karlsruhe, Germany (employed)Contribution to award winning projects in all design phases, building costs ranging om 10 to 60Mio Euro. Refurbishment and Addition School Centre Sinsheim, Refurbishment and AdditionHospital Bad-Cannstadt, Mann-Mobilia Nürnberg and Reconstruction Mann Mobilia Karls-ruhe (BDA award).-. Rossmann + Partner Architekten, Karlsruhe, Germany (student assistant, part time, hours per week, / interrupted for  months due to a Finland studies schol-arship)CAD commissioner on award winning projects with building costs ranging om 7 to 40 Mio EuroI C & W  U e Bartlett, University College London, UK. Final Crit, Diploma Unit . Courseleaders: Shaun Murray, Marjan Colletti School of the Art Institute Chicago, Chicago, USA – Architecture Faculty. Informalcritique, rd year BFA (Architecture), Course leader: Anders Nereimcv – 
  • 3.  University of Innsbruck, Austria, Faculty for Architecture, Visiting Lecturer, “NetConcepts” in the frame of the “Concepts” seminar by Achim Wollscheide workshop consisted of two days on-site teaching and four weeks occasional online teachingI L & P  U Performing Architecture, AA Symposium - e Unprimed Canvas: Burgeoning fieldsin practice. Architectural Association, London, UK; Februar ; available in AA’svideo archive at: http://www.aaschool.ac.uk//VIDEO/lecture.php?ID= Inhabitable eories, Zurich University of the Arts (ZHdK), DesignContext, series:Orientation / Disorientation, Switzerland; May  Kunst der Konstruktion (Art of Construction) – University of Applied Sciences andArts, Kaiserslautern, Germany, Faculty of Architecture, Department of Virtual De-sign Spaces – Introduction, Department of Art and Technology (Tiffany Holmes), Schoolof the Art Institute, Chicago, USA; Apr.  Greed, Love, Wisdom, and the Labeling of the Self – HfG Karlsruhe (University forArt and Design) at the ZKM, Germany; in coop. with Gheorghe Dan; Febr.  From Form to Sound to Space. From Fixed to Mobile, HfG Karlsruhe (University forArt and Design) at the ZKM, GermanyP A S & C.-. Member of the Scientific Committee for “Consciousness Reframed  - New Reali-ties : Being Syncretic - A transdisciplinary inquiry into art, science, technology andsociety”, International Conference, Vienna, - July .-. Member of the Planning Committee for “Consciousness Reframed  - New Reali-ties : Being Syncretic - A transdisciplinary inquiry into art, science, technology andsociety”, International Conference, Vienna, - July .-. Member of the Planning Committee for the program of the ICAMT (InternationalCommittee for Architecture and MuseumTechniques) Annual Meeting and Sympo-sium in the framework of the ICOM  in ViennaC P–forthcoming Acting – Learning – Understanding, International Conference, Bolton, UK; July - Aug.  (abstract accepted) Di-Egyfest.,BehindtheImageandBeyond,InternationalConference,Cairo,Egypt;March - April cv – 
  • 4.  MutaMorphosis, Stream of Interest Moderator, International Conference, Prague,Czech Republic; Dec. - Consciousness Reframed , Making Reality Really Real, Trondheim, Norway; Nov.- Cybernetics: Art, Design, Mathematics – A Meta Disciplinary Conversation, Troy,New York; July -Aug.  th Planetary Collegium International Research Conference, Consciousness Re-framed, Experiencing Design – Behaving media, München, Deutschland; Nov. - Consciousness Reframed , New Realities : Being Syncretic, University of AppliedArts, Vienna; July - Planetary Collegium Summit: Reviewing e Future – Vision, Innovation, Emer-gence, Montreal, Canada; April - European Science Foundation, Linköping University Conference on Cities and Me-dia. Cultural Perspectives on Urban Identities in a Mediatized World, University ofLinköping, Schweden; Oct. - Consciousness Reframed: art and consciousness in the post-biological era. th Inter-national Research Conference, University of Plymouth, England; July - Transmodalities: Mind, Art, New Media – Symposium, Sabanci University, Istanbul,Turkey; Dec. - Altered States: transformations of perception, place, and performance, InternationalConference, University of Plymouth; July - Shaping Consciousness: New Media, Spirituality, and Identity, International Sym-posium, Dallas Museum of Art; April - Qi and Complexity - Consciousness Reframed : e th International ResearchConference, Beijing, China; Nov. - CiberArtBilbao,InternationalFestivalofNewTechnologies,Art&Communication,Symposium, Bilbao, Spain; April - Redes Sensoriais: arte, ciência, technologia (Sensorial Nets), International ResearchConference, Fortaleza, Brazil; Nov. - Art and Consciousness in the Post-biological Era, University of Wales College, New-port; July - Cast, Living in Mixed Realities, International Conference, Sankt Augustin, Ger-many; Sept. -S P Westermann, C., “Open Future. Design as Infinite Drawing Forth”, in: Di-Egyfest., Research Abstracts, Cairo: Egyptian Ministry of Culture, p.  Westermann, C., “Start, ree Geese, and Hopscotch of Change”, in: Trojan Horses –A Rattle Bag om the “Cybernetics: Art, Design, Mathematics – A Meta-DisciplinaryConersation” post-conference workshop, echoraum, Vienna; pp. -, , , , ,cv – 
  • 5.  Westermann, C. and Aartje Hulstein (ed.), chapter: “e Folded Boat and OtherStoriesyoucanplaywith”, in: TrojanHorses–ARattleBagomthe“Cybernetics: Art,Design, Mathematics – A Meta-Disciplinary Conersation” post-conference workshop,echoraum, Vienna; pp. - Westermann, C. “Addressing the Future – e Tactics of Uncertainty”, conferencestream abstract, MutaMorphosis conference website Westermann, C., “Myths of Complexity”, in: Design Ecologies, bi-annual journal, In-tellect(inreviewprocess; relatedtotheAAsymposium“eUnprimedCanvas”fromFebr. ; launch of journal issue at the Royal College of Art, November ) Westermann, C., “Resonances of the Unknown”, in: Kybernetes – e internationaljournalofcybernetics,systemsandmanagementsciences,Emerald, Volumeissue/,pp.  -  Westermann, C., “Towards a Poly-Valued Logic of a Real Dream”, in: Making RealityReally Real , R. Ascott, M. Jahrmann, E. Gangvik (ed.); TEKS Publishing, Trond-heim, Norwegen, ISBN: ----; pp.  -  Westermann, C., conference review “Cybernetics: Art, Design, Mathematics”, in:LeonardoReviews,MITPress,publishedonlineinNovember; publishedinLeo-nardo Reviews uarterly . Westermann, C. and Reed, S., “btd x” in catalogue:  Jahre Studio für elektronischeMusik ( - ), Mozarteum Salzburg, Austria Westermann, C., “Perfectly Designed - A Gi from the Absent Author”, in: Experi-encing Design - Behaving Media : Abstracts, Macromedia Hochschule für Design undKommunikation, München, pp. - Westermann, C., “An entry without inscription, a letter, and a map”, in: Design-Context (ed.) Des-/Orientierung, Dis-/Orientation, Des-/Orientation ,; Lars Müller,Basel, ISBN: ----, pp. - Westermann, C., “e Architect’s Circle, or e Geometrical Incline of Truth”, in:Roy Ascott, Gerald Bast, Wolfgang Fiel (ed.), New Realities : Being Syncretic, VerlagSpringerWienNewYork, Wien, New York, ISBN: ----, pp. - Westermann, C., “Lucid Orders for an Infinite World. A Topological eory of Ar-chitecture”, in: Reviewing e Future: Vision, Innovation, Emergence - Abstracts,University of Plymouth, Montreal, Canada - Plymouth, UK, ISBN: ----; p.  Westermann, C., “OrderofSpeech”, in: ConsciousnessReamed: artandconsciousnessin the post-biological era. th International Research Conference - Abstracts, Universityof Plymouth, Plymouth, ISBN: ---x; pp. - Westermann, C., “A Research into Inhabitable eories”, in: Linköping ElectronicConference Proceedings, No. : ESF - LiU Conference on Cities and Media. Cul-tural Perspectives on Urban Identities in a Mediatized World, Vadstena, Sweden, -October , Linköping University Electronic Press,  (),  pages Westermann, C., “waiting” (site specific video installation), in: resholds, biannualcritical journal of architecture, art and media culture, Massachusetts Institute of Tech-nology, Department of Architecture, No. , Ephemera, p.  Westermann, C., book review “Situationist International by Simon Ford”, in: Leo-nardo, MIT Press, No. /, pp. - Westermann, C., “Who Plays the Nightingale?”, in: Ascott, Roy (ed.), EngineeringNature - Art and Consciousness in the Post-biological Era, intellect books, Bristol;ISBN X, pp. -cv – 
  • 6.  Westermann, C., “Spaces and Non-Spaces”, in: Liquid Reader v. [Altered States ]:Transformations of Perception, Place and Performance, issued by: University of Ply-mouth; Liquid Press, Plymouth, UK, ISBN: , Paper ID ,  pages Westermann, C. and Nezvanova, N., “Greed. Love. Wisdom, and Labeling of theSelf ”, in: Qi and Complexity - Consciousness Reamed : e th InternationalResearch Conference - Conference Proceedings, R. Ascott (ed.); pp. - Westermann, C., “Tactics for the Urban and the Virtual Space. Play.” (in Portuguesetranslation) in: Redes Sensoriais, Contra Capa Livraria, Rio de Janeiro, Brazil, ;ISBN ---, pp. - Westermann, C. and Reed, S., “zone_”, in: Conference Proceedings, Cast – Livingin Mixed Realities, International Symposium, Bonn, Germany, Westermann, C., “format” (video installation), in: S/He’ll survive, Exhibition at theMontevideo Institute for Media Art Amsterdam, , CD-ROM, HfG Karlsruhe,Germany Westermann, C. and Planum Architekten, “University Holzminden” (architecturecompetition), in the periodical: Wettbewerbe Aktuell Westermann, C., “city” ( digital images), in the catalogue: Città:Terzo Millennio, LaBiennale di Venezia, Marsilio Editiori, Italy, ; ISBN --- Westermann, C. and others, MUZARC, CD-ROM on music and architecture, SE-LEKTION, Frankfurt a.M., Germany,  Westermann, C., “Moving Information Belt” (architectural proposal), in: TampereenArkkitehti - Osasto , TTKK/TUT, Finland, ; ISBN --- Westermann, C., “La petite ceinture - Centre for Cultural Exchange” (architecturalproposal), in: la ville oubliée - la petite ceinture à Paris, TTKK/TUT, Finland, ;ISBN ---E & S Westermann, C. and Reed, S., “btd x” – video composition, in:  years Studio forElectronic Music ( - ), Group Exhibition, University Mozarteum, Salzburg,Austria, Nov. - Westermann,C.andReed,S.,“btdx”–videocomposition,in: BenefitfortheAustrianChild Cancer Foundation, Group Exhibition, Kapitelsaal, Salzburg; Oct.  Westermann, C. and Reed, S., “btd x” – video composition, in: Musica Viva, GroupExhibition, Gotischer Saal, Salzburg; April  Westermann, C., ”you_are” – video installation / online, in: Artificial A.Gender, on-line exhibition, (Australia) Westermann, C., ”post communist condition no.” in: Capturing Utopia, Groupexhibition, Fournos, Centre for Digital Culture, Athen, Griechenland, Sept. - Westermann, C., “I am…/waiting” – installation, in: Project X eatre + PlanetaryCollegium, Group exhibition; Project X, Dallas, USA, Sept.  Westermann, C. and Reed, S., “btd x” – video compostion, in: International Festivalof Cinema and Technology, New York, USA, Dec. -cv – 
  • 7.  Westermann, C. and Reed, S., “btd x”, Westermann, C. and Hecker, F., “widerhall”,and Westermann, C., “you_are”, in: Neues Cinema, Schauspielhaus Hamburg, KlubKatarakt, Hamburg, Germany Westermann, C. and Reed, S., “btd x” – video composition, in: ISEA, InternationalSymposium for the Electronic Arts, Nagoya, Japan, Oct. - Westermann,C.andReed,S.,“btdx”–videocomposition,in: Praterfernsehen,Volks-bühne im Prater, Berlin, Germany Westermann, C. and Reed, S., “btd x”, and Westermann, C., “city”, in: mediaterra– touring exhibition, Athens and Lavrion in Greece, Sofia in Bulgaria, Belgrade inYugoslavia, Maribor in Slovenia and in Frankfurt a.M. in Germany, Sept.  - Oct.  Westermann, C. and Hecker, F., ”widerhall/~shwables” – video composition, in:trans oo, Chicago, USA Westermann, C. and Hecker, F., ”widerhall/~shwables” – video composition, in:impact, Utrecht, the Netherlands Westermann, C. and Hecker, F., ”widerhall/~shwables” – video composition, in:Stuttgarter Filmwinter, Stuttgart, Germany Westermann, C., ”city” – light print installation, in: HfG Karlsruhe, opening exhibi-tion at the ZKM, Germany Westermann, C. and Reed, S., “btd x” – video composition, in: screening , Haupt-zollamt, Museum for Modern Art (MMK), Frankfurt a.M., Germany, March  - Westermann, C. and Reed, S., “btd x” – video composition, in: media forum, XXIII.Moscow International Film Festival, Russia Westermann, C. and Reed, S., “btd x” – video composition, in: anima, Maison de laculture Plateau Mont-Royal, Montréal, Canada Westermann, C., ”city” – four digital D images, competition entry, in: Less Aesthe-tics, More Ethics – Città Terzo Millennio, Architecture Biennale, Venice, Italy, June - Oct.  Westermann, C., ”format” – installation with video still, in: S/He’ll Survive, Monte-video, Amsterdam, the Netherlands, April  - May  Westermann, C. and Reed, S., “btd x”, and Westermann, C. and Hecker, F., ”wider-hall/~shwables”–videocompositions, ZKM-CenterforArtandMediaTechnology,Karlsruhe, Germany Westermann, C. and Wagener, K., “Composition for a Web Page uartet” – internetperformance, in: Steirischer Herbst, Graz, Austria Westermann, C. and Reed, S., “btd x”, and Westermann, C. and Wagener, K., “Com-position for a Web Page uartet”, in: Videomedeja, Novi Sad, Serbia Westermann, C., “blue room” – temporary architectural structure in public space,Karlsruhe, Germany Westermann, C., “Fly” – competition entry, a Monument for the Karhumäki brothers,Kuorevesi, Finland Westermann, C., “La petiteCeinture”–architecturalproposal, Helsinki, FinlandandParis, France Westermann, C., “Moving Information Belt” – architectural proposal – Tidal Varia-tions, Tampere, Finlandcv – 
  • 8. B D- Vienna, Austria, refurbishment of thefacade, theentrance andthestaircaseof a build-ing from , planning and monitoring- Vienna, Austria, reconstruction of two traditional workers’ apartments built in ( sqm); building survey, calculations of heat demand (low temperature heating),commissioning of structural engineer (enforcements according to the earthquake reg-ulations, closing of the aeration courtyard), building permission, construction anddetail planning, tender processes, monitoring Leimen, Germany, roof extension to a one family house – scheme planning, buildingpermissionS R Grigar, D., (Reviewer): “Review: e th International Research Conference: Con-sciousness Reframed: Qi and Complexity, - November , Beijing, China”;Group review; Leonardo - Digital Reviews, Jan. R G & S Research funds from the University of Applied Arts and the City of Vienna for Con-sciousness Reframed  International Conference; one of three main organizers of theconference (  Euro) ESF-LiU Conference: Cities and Media, Linköping, Sweden; Invitation, funded bythe European Science Foundation (  Euro)- Genesis grant of the ZKM for the production of btd x and Widerhall – video compo-sitions; in cooperation with composers Sean Reed and Florian Hecker –  months(approx.   Euro production grant)- Erasmus scholarship of the German Academic Exchange Service (DAAD) for studiesin Architecture at the University of Technology Tampere, Finland –  months- Canada scholarship of the Ministry of Culture and Education Baden-Württemberg,Germany –  monthsA & R Nomination of btd x in the category animation, International Festival of Cinema andTechnology, New York, USAcv – 
  • 9.  Good design medal Hugo Häring Preis by the BDA (German RIBA equivalent) forthe reconstruction of Mann Mobilia Karlsruhe, home-centre ( Mio Euro), contri-bution to all phases of design while employed with Rossmann & Partner Architects;listed as team member in the official publications related to the prize First Purchase, competition entry, Two New Buildings for the Uniersity of AppliedSciences and Arts Hildesheim, Germany ( sqm /  Mio Euro), lead designer, incooperation with Planum Architects, Baden-Baden, Germany th prize, competition entry, A Monument for the Karhumäki Brothers, Kuorevesi,FinlandO A- Member of the administration team for “Syndicate Mailing List for Media Culture -for the fostering of exchange between Eastern and Western Europe”~400 subscribers, e list’s main years of activity were om 2001 to 2007. Diverse online-com-munity-projects. Syndicate was funded by Atelier Nord in Oslo om 2001 to 2009, and by Kudain Novi Sad om 2009 onwards- Co-Author of “balles/voir-venir” net.art project and collaborative blog with  au-thors. First French blog according to net.art anthology. Initiated by Frédéric Madre.Last updated: June , . Typeset in XELATEX.Laboratory for Inhabitable eories and Research in Architecturecv – 