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Pugin presentation
 

Pugin presentation

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presentation to year 2 textiles students at nuca

presentation to year 2 textiles students at nuca

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    Pugin presentation Pugin presentation Presentation Transcript

    • wallpaper opportunity
    • 2012 Wallpaper Design Competition     Celebrating the Bi-Centenary of Augustus Welby Pugin (1812-1852)
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      • This year’s design competition running in conjunction with Wallpaper History Socety, The Pugin Society, Zoffany and other key industry sponsors will celebrate the
      • bi-centenary of Augustus Welby Pugin.
      •   We would like to invite students to take part in a competition to produce a selection of designs suitable for contemporary wallpaper (wall coverings)
      • Theme
      • Celebrating the Bi-Centenary of Augustus Welby Pugin (1812-1852)
      • Work that takes as its starting point Pugin.
      • You can explore all aspects of the work of Pugin.
      • Research - Evidence of personal research is required.
      • Your research might include -
      • primary research – museums, archives, galleries, houses, churches, architectural buildings, libraries and learning resources etc
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      • body of work - Evidence of design development and thinking is required.
      • Your working practice might include -
      • drawing, photography, digital manipulation,
    • judges
      • Liz Cann from Zoffany
      • Matthew Meadows from WHS
      • Pugin Society representative
      • Drucilla Cole - author etc
      • Sue Westergarrd from LCC
      • Karen Beauchamp from Cole and Son
      • Submission Requirements:
      •   Round 1
      • Word document of supporting text of no more than 250 words explaining your ideas/design development.
      • PowerPoint - 10 slides
      • Submission Requirements:
      •   PowerPoint - 10 slides (an example)
      • 1 name of applicant and name of range of designs
      • 2 design development
      • 3 design development
      • 4 design development
      • 5 final design
      • 6 final design
      • 7 final design
      • 8 final design – detail
      • 9 final design – detail
      • 10 work in context
      • Submission Requirements:
      •   Round 2
      • 1 x A2 Storyboard to include Design development.
      • 1x 2 ½ meter length of finished wallpaper design
      • 4 x A3 alternative designs
      • 3 colour-ways A4 for each design submitted
      • A4 in-situ to scale for one of the designs submitted
    • 2.9m A3 A4 A3 A2
      • Submission Requirements:
      •   Round 3 - the interview
      • 1 x A2 Storyboard to include Design development.
      • 1x 2 ½ meter length of finished wallpaper design
      • 4 x A3 alternative designs
      • 3 colour-ways A4 for each design submitted
      • A4 in-situ to scale for one of the designs submitted
      • plus you
      •   1 st round Judging will take place in May.
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      • 2 nd round selection: 25 students will present their finished length or sample book and supporting design work which will take place in London on 29th June.
      • 12 short listed students from the 2 nd round will be selected for a 10 minute interview to present their work for selection for work placement prizes on the same day.
      • Prizes to include:
      • Industry work placements
      • Zoffany,
      • Tmorous Beasties (TBC),
      • Graham & Brown (TBC)
      • plus one other TBC
      • Wallpaper Manufacturing production tour for final 12 shortlisted students
      • Prizes to include:
      • 25 students will take part in a formal exhibition of work in London Gallery.
      • Catalogue of students work to be produced for exhibition.
      • Selected students design work to be showcased at the Pugin Society pre-conference event to be held in Ramsgate on Thursday 12 th July and at the 2 Day International conference to be held at the University of Kent, Canterbury.
      • Prizes to include:
      • Cash prizes.
      • work to feature in PR and appropriate marketing inc Design Competition Website along with appropriate University/college acknowledgements
      • Registration
      • Please complete the registration form today.
      • there is an application fee of £20.00. Cheques to be made payable to ................ and sent to your course representative.
      • To be received by (29 th February) 2012
    • Pugin
    • http://pugin.com/
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    • Wallpaper for the Palace of Westminster Designed by A.W.N.Pugin (1812-52) Produced by Samuel Scott for J.G.Crace 1847 England Colour print from woodblocks Museum no. E.150-1976 This is one of more than a hundred papers designed by Pugin for the Palace of Westminster. It exemplifies Pugin's principles of pattern design, combining rich colours with flat formalised motifs. For Pugin, Gothic was the pre-eminent style. He believed that 'All ornament should consist of enrichment of the essential construction of a building' [Pugin, 'True Principles', 1841, reprint, NY, St Martin's Press, 1973, p.1], and for him only the art and architecture of the Gothic period had fulfilled these ideals. He abhorred the debased version of the style promulgated in wallpapers illustrating Gothic ruins or elaborate architecture.
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    • East Window Augustus W. Pugin St. Paul's Parish Church Pugin designed the windows in the main body of St Paul's, which were made by the firm of John Hardman (1811-67). The West and East windows are particularly admired, and have recently been restored. The West window features two rows of figures of the saints, and the East windows shows the Tree of Jesse.
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    • http://archiseek.com/
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      • Hi Les, I got into the RCA and have just had my first week there. It is thanks to the wallpaper exhibition really as the head of textiles saw my work there and spoke to Nick. Let me know when I can get my sketchbook from Caroline, does she live in Norwich?
      • Hi Les! Lucky I looked at my emails this evening!  My month at Zoffany was fantastic. I was getting really hands on with creating collection mood boards, making colourways, sorting fabric swatches. I was also busy putting designs into repeat, and also creating my own designs, (one of which went into print for Sanderson's new collection). Seeing the archives of both Zoffany and Sanderson was amazing, I found many inspiring, beautiful designs in them and could probably have spent a week in there rifling through it all. I also went to the Chelsea Harbour showroom to see new collections from various companies. I worked closely with both Zoffany designers and the designers from Sanderson, working to two different design styles kept my mind open to new designs, also understanding the difference between the two studios' work.  As for staying in London for a month, it has done wonders for my confidence and independence. I thoroughly enjoyed the whole experience and was sad to leave them!
      • I hope this is enough for your presentation.