
.. 




      ‫א‬




      -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬
              ‫א‬         ‫א‬           ‫א‬
      ‫.‬                                        ...
‫‪‬‬
‫ﺍﻟﺸﻭﺍﻫﺩ ..............................................................................................................
‫ﺍﻟﺸﻭﺍﻫﺩ‬
                                    ‫ﻗﻁﺭﺓ ُ ﺍﻟﺩﻡ ِ؛‬
                                       ‫‪‬‬
              ...
‫)٣(‬
       ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل ﻓﻭﻕ ﻟﻭﺤﺔ ِ ﺍﻟﺤﻴﺎﺓ ْ.‬
                        ‫ُ ﹶ‬        ‫‪‬‬
       ‫ﺴﺘﺨﺘﻔﻲ ﺃﻟﻭﺍﻨﻪ ﻓﻲ ﻜﺒﻭﺓ...
‫)٦(‬
                               ‫ﺩﺠﻲ ﺍﻟﻠﻴل‬
                               ‫ُ‬
                                  ‫ﻻ ﻭ...
‫)٠١(‬
                            ‫ﻤﺩﻴﻨﺘﻲ‬
              ‫ﻓﻲ ﺁﺨﺭ ِ ﺍﻟﺨﺭﺍﻓﺔ ْ.‬
                         ‫ﻤﺩﻫﻭﻨﺔ ُ ُ‬
    ...
‫)٣١(‬
        ‫ﻗﺎل : ﻜﻭﻨﻭﺍ ﺤﺠﺎﺭﺓ ً؛ ﺃﻭ ﺤﺩﻴﺩﺍ..‬
                                    ‫َ‬
      ‫ﺃﻭ ﺠﺩﻴﺩﺍ ً ﻤﻥ ﺍﻟﻤﺠﺩ ِ ﻴﺭﺠﻭ...
‫)٦١(‬
                                  ‫ﺇﻨﻬﺎ ﺒﻜﺭ ُ‬
                                    ‫‪‬‬
                          ...
‫)٩١(‬
             ‫ﻗﺎﻟﻭﺍ : ﻤﻥ ﻋﺎﺯ ﻓﻘﺩ ﻻﺫ‬
             ‫ﹶ‬      ‫‪ ‬‬
              ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻹﻴﻌﺎ ‪‬؟‬
        ...
‫ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ‬

                                           ‫ﻤﺩﺨل:‬
                                    ‫............‬
     ...
‫ﻋﻴﻥ ُ ﺘﺭﻗﺒﻨﻲ‬
           ‫‪‬‬
‫ﻗﺒل َ ﻨﻌﺎﺱ ِ ﺍﻟﻤﺎﺀ‬
                                ‫ﺼﻭﺕ ُ ﻴﺘﺭﺩﺩ ﻓﻲ ﺃﻋﻤﺎﻗﻲ‬
             ...
‫ﺼﻭﺕ ُ ﻴﺘﺭﺩﺩ ﻓﻲ ﺃﻋﻤﺎﻗﻲ..‬
                           ‫‪‬‬      ‫ﹸ‬
                              ‫ﻴﺠﻌﻠﻨﻲ ﺃﺘﻜﱠﺱ؛‬
       ...
‫ﺫﺍﺕ ﻤﺴﺎﺀ ْ.‬
                                         ‫ﹶ‬
                       ‫ﻫل ﻜﺎﻥ ﺍﻟﺤﺱ ﻁﺭ ‪‬ﺎ ً؟‬
               ...
‫ﺘﻠ ‪‬ﺹ‬
 ‫ﺼ‬
                         ‫ﻨﻌﻡ.. ﺇ ﱠﻪ ﺃﻨﺎ‬
                             ‫ﻨ‪‬‬
         ‫ﻤﻥ ﺭﺃﻱ ‪‬ﺜﺔ َ ﺍﻟﺤ ...
‫ﺼﻴﺭﻭﺭﺓ‬
                                 ‫ﻤﻥ ﺒﺭﻋﻡ ٍ..‬
                          ‫ﻤﻥ ﺘﺤﺕ ﺇﺒﻁ ِﺍﻟﻨﻴل‬
                    ...
‫ﻋﻥ ﺍﻟﻤﺴﺭﺓ.‬
         ‫.....................................‬


                  ‫ﺼﻭﺘﺎﻥ ﻫﺎﺌﻤﺎﻥ ﻓﻲ ﺍﻟﺒﺭﻴﺔ ْ..‬
           ...
‫ﻤﺭﺓ ً..‬
                                   ‫ﻗل : ﻤﺭﺘﻴﻥ..‬
                                  ‫ﺜﻼﺙ ﻤﺭﺍﺕ ٍ..‬
             ...
‫ﺤﻨﻴـﻥ‬
                  ‫ﺍﻟﺒﻨﺎﺕ ﺍﻟﻠﻭﺍﺘﻲ ﺘﺴ ‪‬ﺒﻥ‬
                    ‫ﺭ‬            ‫ﹸ‬
                  ‫ﻤﻥ ﺃﻤﺴﻴﺎﺘﻲ ﺍ...
‫ﻤﺼﺎﻟﺤﺔ ﻟﻴﻠﻴﺔ‬
                                                ‫ﺍﻤﺭﺃﺓ ُ ُ..‬
                                    ‫ﺘﺘﺠﻭل ﻋﺒ...
‫ﺘﺘﺭﺒﻊ ﻓﻭﻕ ﺍﻟﻌﺭﺵ ِ ﺍﻟﻨﻔﺴﻲ ﻟﺫﺍﺘﻲ؛‬
                               ‫ﹶ‬
         ‫ﻭﺘﻭﻗﻊ ﻋﻘﺩ ﻤﻌﺎﻫﺩﺓ ِﺍﻟ ‪‬ﻠﺢ ﺍﻟﻠﻴﻠﻴﺔ ِ‬
     ...
‫ﺭﻫﺎﻓﺔ ﻓﻁﺭﻴﺔ‬
      ‫ﹲ‬
                           ‫ﺍﻟﻐﻤﻭﺽ ﺍﻟﺫﻱ ﻗﺩ ﻴﻐﱢﻑ‬
                           ‫ﻠ ﹸ‬          ‫‪‬‬
 ...
‫ﻭﻤ ‪‬ﺍ.‬
                                         ‫ﺩ‬
                             ‫ﺍﻟﺒﻨﺎﺕ ُ ﺍﻟﻠﻭﺍﺘﻲ‬
                  ...
‫ﺴ ‪‬ﺍ ً..‬
                                 ‫ﺩ‬
                             ‫ﻓﺴ ‪‬ﺍ.‬
                               ‫...
‫ﺍﻟﻘﺼﺎﺌﺩ..‬
‫ﻻ ﺘﺭﺘﺩﻱ )ﺍﻻﺴﺘﺭﺘﺵ(‬
                     ‫ﺼﺎﺭ ﻴﺼﻨﻊ ﻤﻥ ﻋ ‪‬ﻕ ِ ﺍﻟﻜﻠﻤﺎﺕ ِ..‬
                                  ...
‫ﻟﻴﻔﺭﻍ َ ﻓﻴﻬﺎ‬
             ‫ﺭﺼﺎﺹ ﻤﺴﺩﺴﻪ ﺍﻟﺭﺅﻴﻭﻱ..‬
                             ‫‪‬‬
                     ‫ﻫل ﺴﺘﺸﻬﺭ ﺼﻠﻌﺘ ...
‫ﺫﻜﺭ ُﻭﺃﻨﺜﻲ‬
       ‫‪‬‬
                                  ‫ﻻﺤﺕ ﺘﻠﻙ ﺍﻷﻨﺜﻰ‬
                                            ‫ﹾ...
‫‪‬ﺩﺙ ﻨﻔ ‪‬ﻪ :‬
                                  ‫ﺤ ﹶ ﺴ‬
              ‫ﻤﺎ ﻤﻌﻨﻲ ﺃﻥ ﻴﺼﺒﺢ ﻫﺫﺍ ﺍﻟﻌﺎﻟﻡ‬
                   ...
‫ﻗﺼﻴﺩﺓ ﻤﻌﺎﻨﺩﺓ‬
       ‫ﹸ‬
       ‫ٌ‬
                                             ‫ﺭﺃﻴــ ﹸﻬﺎ..‬
                          ...
‫ﺠﻤﻴ ‪‬ﻬﻡ ﻓﻲ ﻤﻭﺴﻡ ِ ﺍﻟﻐﻨﺎﺀ ْ.‬
                                            ‫ﻌ‬
                                   ‫ﻴﺭﻴﺩ ﺯ...
‫ﺩﻭﻥ ﻫﻭﻴﺔ.. ﻭﺒﺩﻭﻥ ﻟﻭﻥ‬
                                                   ‫ﺍﻟﺸﻌﺭ؛‬
                                       ...
‫ﻻ ﺘﺴﺄﻟﻲ‬
                       ‫ﺤﺘﻰ ﺃ ‪‬ﻴﻥ ﻤﻥ ﻟﺩﻥ ﻜﻴﻨﻭﻨﺘﻲ ﺴﺭﺍ‬
                                            ‫ﺒ‬
        ...
‫ﻗﻨﻴﻨﺔ َ ﺍﻟﻭﻁﻥ ﺍﻟﻤﺅﻁﺭ‬
                              ‫ﺃﻤﺤﻭ ﺩﺍﺌﻤﺎ‬
                              ‫ﹰ‬
                   ‫ﺠﺩ...
‫ﻤﻜﺎﺸﻔﺔ ﺍﻨﻔﻌﺎﻟﻴﺔ‬
                                       ‫ﺍﻟﺠﻤﺎل ﺍﻟﻤﺤ ﱠﻁ‬
                                       ‫ﻨﹸ‬     ...
‫.........................................‬
                  ‫ﻫﻜﺫﺍ ﻅل ﻴﻘﺒﻊ ﻫﺫﺍ ﺍﻟﺠﻤﺎل ﻓﺭﻴﺩﺍ‬
                  ‫ﹰ‬     ‫ُ...
‫)ﺤﺩﻭﺘﺔ(.. ﻤﺎ ﻗﺒل ﺍﻟﻨﻭﻡ‬
                              ‫ﻭﻀﻌﺕ ﻗﺭﻴﺘﻨﺎ ﺍﻟﻤﻐﻤﻭﺭﺓ ُ‬
                                    ‫ﺫﺍﺕ ﺼ...
‫ﺒﺸﺭﺍﺌﺢ ﻤﻥ ﺴﻤﻙ ﺍﻟﺘﻭﻨﺔ‬
                                ‫ﻭﻨﺒﻴﺫ ﻋﺘﻘﻪ ﻓﻲ ﻗﺒﻭ‬
                                ‫ٍ‬
           ...
‫ﺒﺄﺭﻴﺞ ﺍﻟﺨﺒﺯ ﺍﻟﺴﺎﺨﻥ‬
         ‫ﻭﺭﻏﻴﻑ ﻴﺨﺭﺝ ﻤﻥ ﺘﻨﻭﺭ ﺍﻟﺠﺩﺓ ﻜﺎﻟﺒﺩﺭ ﺍﻟﺴﺎﻁﻊ.‬


                                 ‫ﺴﺎل ﻟﻌﺎﺏ ﺍﻟﻘﺭﻴ...
‫ﻭﺭﻁﺔ ﻤﺤﺭﺠﺔ‬
             ‫ﺭﺍﺡ ﻴﻌﺼﺭ ﻤﻥ ﻋﺼﺏ ﺍﻟﺸﻌﺭ ﺯﻴﺘﺎ‬
             ‫ﹰ‬
                            ‫ﻴﺩﹼﻙ ﺼﺩﺭ ﺍﻟﺨﻴﺎل‬
    ...
‫ﻗﺎل...‬
                                 ‫َ‬
                   ‫ﻭﻟﻡ ﻴﻜﻤل ﺍﻟﻘﻭل..‬
                           ‫ﻓﺎﻟﺠﻭﻉ ُ؛‬...
‫ﺍﻟﻘﻁﺭﺓ.. ﺃﻡ ﺍﻟﻤﺎﺀ‬
                                    ‫ﻟﻠﻴل ﻁﻴﻭﺭ ُ؛‬
                                       ‫‪‬‬
      ...
‫ﺁﻩ.. ﻤﺎ ﺃﺒﻌﺩﻨﺎ ﻋﻥ ﺴﺭ ﺍﻟﻠﻴل‬
                            ‫ﺒﺂﺜﺎﻡ ﺍﻟﻌﻤﺭ..‬
                               ‫ﻭﻴﺎ ﺃﺴﻔﺎ..‬
     ...
‫ﻴﻭﻡ، ﺒﻴﻭﻡ... ﻭﻻ ﻴﺒﻐﻴﺎﻥ‬

                              ‫ﻫﻲ ﺍﻷﺭﺽ ﻏﺎﻓﻴﺔ ُ ُ‬
                                        ‫‪‬‬
...
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Transcript of "6064"

  1. 1.  ..  ‫א‬ -٢-
  2. 2. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  3. 3. ‫‪‬‬ ‫ﺍﻟﺸﻭﺍﻫﺩ .............................................................................................................. - ٤ -‬ ‫ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ ...................................................................................................... - ١١ -‬ ‫ﻋﻴﻥ ُ ﺘﺭﻗﺒﻨﻲ ﻗﺒل َ ﻨﻌﺎﺱ ِ ﺍﻟﻤﺎﺀ ..................................................................................... - ٢١ -‬ ‫‪‬‬ ‫ﺘﻠ ‪‬ﺹ ............................................................................................................ - ٥١ -‬ ‫ﺼ‬ ‫ﺼﻴﺭﻭﺭﺓ ........................................................................................................... - ٦١ -‬ ‫ﺤﻨﻴـﻥ ............................................................................................................. - ٩١ -‬ ‫ﻤﺼﺎﻟﺤﺔ ﻟﻴﻠﻴﺔ ....................................................................................................... - ٠٢ -‬ ‫ﺭﻫﺎﻓﺔ ﻓﻁﺭﻴﺔ ....................................................................................................... - ٢٢ -‬ ‫ﹲ‬ ‫ﺍﻟﻘﺼﺎﺌﺩ.. ﻻ ﺘﺭﺘﺩﻱ )ﺍﻻﺴﺘﺭﺘﺵ( .................................................................................... - ٥٢ -‬ ‫ﺫﻜﺭ ُﻭﺃﻨﺜﻲ.......................................................................................................... - ٧٢ -‬ ‫‪‬‬ ‫ﻗﺼﻴﺩﺓ ﻤﻌﺎﻨﺩﺓ ....................................................................................................... - ٩٢ -‬ ‫ﹸ‬ ‫ٌ‬ ‫ﺩﻭﻥ ﻫﻭﻴﺔ.. ﻭﺒﺩﻭﻥ ﻟﻭﻥ ............................................................................................ - ١٣ -‬ ‫ﻤﻜﺎﺸﻔﺔ ﺍﻨﻔﻌﺎﻟﻴﺔ ..................................................................................................... - ٤٣ -‬ ‫)ﺤﺩﻭﺘﺔ(.. ﻤﺎ ﻗﺒل ﺍﻟﻨﻭﻡ ............................................................................................. - ٦٣ -‬ ‫ﻭﺭﻁﺔ ﻤﺤﺭﺠﺔ ...................................................................................................... - ٩٣ -‬ ‫ﺍﻟﻘﻁﺭﺓ.. ﺃﻡ ﺍﻟﻤﺎﺀ ................................................................................................... - ١٤ -‬ ‫ﻴﻭﻡ، ﺒﻴﻭﻡ... ﻭﻻ ﻴﺒﻐﻴﺎﻥ ............................................................................................. - ٣٤ -‬ ‫ﺤﺩﻴﺙ ﺨﺎﺹ ﻤﻊ ﺍﻟﺼﻤﺕ ........................................................................................... - ٤٤ -‬ ‫ﺘﺠﻠﻴﺎﺕ ﻁﺎﺌﺭ ﺃﻟﺫﺍﺕ ................................................................................................. - ٦٤ -‬ ‫ﺘﻘﻠﺒﺎﺕ ﻁﺎﺌﺭ ﺍﻟﺫﺍﺕ .................................................................................................. - ٦٥ -‬ ‫ﺨﺭﻭﺝ ............................................................................................................. - ٤٦ -‬ ‫ﺍﻟﺸﺎﻋﺭ ﻓﻲ ﺴﻁﻭﺭ .................................................................................................. - ٥٦ -‬ ‫ﺼﺩﺭ ﻟﻠﺸﺎﻋﺭ ....................................................................................................... - ٦٦ -‬ ‫-٣-‬
  4. 4. ‫ﺍﻟﺸﻭﺍﻫﺩ‬ ‫ﻗﻁﺭﺓ ُ ﺍﻟﺩﻡ ِ؛‬ ‫‪‬‬ ‫ﺘﻜﻔﻲ ﻟﺘﺤﺩﻴﺩ ﺍﻟﻔﺼﻴﻠﺔ.‬ ‫.......................................‬ ‫)١(‬ ‫ﺇﻨﻬﺎ ﺍﻟﻭﺭﻁﺔ ُ ﺍﻷﺯﻟﻴﺔ ْ.‬ ‫ﺃﻥ ﻨﺼﻌﺩ ﺴﻠﻡ ﺍﻟﻤﻭﺕ ِ‬ ‫‪‬ﹼ ‪‬‬ ‫ﺇﻟﻲ ﺭﺩﻫﺔ ِ ﺍﻷﺒﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻨﺤﺴﺭ ﺍﻟﻅل‬ ‫ُِ‬ ‫ﻓﻲ ﺃﻁﻠﺱ ِ ﺍﻟﻌﻤﺭ ِ‬ ‫ﺇﻟﻲ ﻨﻘﻁﺔ ٍ‬ ‫ﻋﻠﻲ ﻫﺎﻤﺵ ِ ﺍﻷﺒﺠﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻤﺘﺩ ُ‬ ‫‪‬‬ ‫ﻴﻭﻏل..‬ ‫ُِ‬ ‫ﻴﻨﺴﺎﺡ..‬ ‫‪‬‬ ‫ﻓﻲ ﺒﺅﺒﺅ ِ ﺍﻟﻌﺩﻤ ‪‬ﺔ ْ.‬ ‫ﻴ‬ ‫)٢(‬ ‫ﻭﺤﻴﻨﻤﺎ ﺘﻔﺘﺤﺕ ﻨﻭﺍﻓﺫ ﺍﻟﺴﻤﺎﺀ ِ‬ ‫ﹸ‬ ‫ﹾ‬ ‫ﺭ ﹼﻠﺕ ﺤﻨﺎﺠﺭ ﺍﻟﻐﻴﻭﺏ ِ‬ ‫‪‬‬ ‫ﺘ ﹾ‬ ‫ﻓﺎﺼﻼ ً ﻤﻥ ﺍﻟﺩﻋﺎﺀ ِ..‬ ‫ﻓﺎﺴﺘﺠﺎﺏ َ ﻁﺎﺌﺭ ﺍﻟ ‪‬ﻨﻕ ْ.‬ ‫‪ ‬ﻌ‬ ‫ﻭﺍﻨﺴل ﻤﻥ ﺸﺭﺍﻨﻕ ِ ﺍﻹﻟﺯﺍﻡ ِ‬ ‫ّ‬ ‫ﻭﺍﻨﻌﺘﻕ ْ.‬ ‫ﻤﻭﺩﻋﺎ ً ﻤﺤﻁﺔ َ ﺍﻟﺭﺤﻴل ِ‬ ‫ﺼﻭﺏ ِﺩﺭﺓ ﺍﻟﻠﻘﺎﺀ ْ.‬ ‫‪‬ﺴ‬ ‫-٤-‬
  5. 5. ‫)٣(‬ ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل ﻓﻭﻕ ﻟﻭﺤﺔ ِ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫ُ ﹶ‬ ‫‪‬‬ ‫ﺴﺘﺨﺘﻔﻲ ﺃﻟﻭﺍﻨﻪ ﻓﻲ ﻜﺒﻭﺓ ِ ﺍﻟﻔﺭﺸﺎﺓ ْ.‬ ‫‪‬‬ ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل ﺼﺎﺭ َ ﺃﺒﻴﻀﺎ‬ ‫ُ‬ ‫‪‬‬ ‫ﻜﺄﻨﻤﺎ ﻟﻡ ﻴﻌﺭﻑ ﺍﻷﻟﻭﺍﻥ..‬ ‫ﻭﺼﺎﺭ ﺒﺎﺭﺩﺍ ً‬ ‫‪‬‬ ‫ﻜﻬﻤﺴﺔ ِ ﺍﻟﻌﻁﻭﺭ ِ‬ ‫ﻓﻭﻕ ﻟﻤﺴﺔ ِ ﺍﻟﺯﺠﺎﺝ ِ‬ ‫ﹶ‬ ‫ﺼﺎﺭ ﻜﺎﻟﺭﺨﺎﻡ ْ.‬ ‫)٤(‬ ‫ﺴﺤﻠﺘﻪ ﺨﻴﻭل ﺍﻟﻌﻤﺭ ِ ﺇﻟﻲ ﺍﻟﺨﻤﺴﻴﻥ..‬ ‫ُ‬ ‫ﻓﺭﻨﺎ ﻤﺫﻫﻭﻻ ً..‬ ‫ﻴﻨﻔﺽ ﻋﻥ ﻜﺎﻫﻠﻪ ِ ﺃﺘﺭﺒﺔ َ ﺍﻷﻴﺎﻡ ْ.‬ ‫ﻓﺈﺫﺍ ﺒﺎﻟﺩﻨﻴﺎ ﻤﺤﺽ ﻜﻼﻡ.‬ ‫‪‬‬ ‫ﻭﺍﻟﺼﻤﺕ ﺇﻤﺎﻡ ْ.‬ ‫ﻗﺩ ﺘﺒﻬﺕ ﺼﻭﺭ ﹸﻪ ُ..‬ ‫ﺘ‬ ‫ﻗﺩ ﺘﺘﻼﺸﻲ..‬ ‫ﻟﻜﻥ ﺍﻟﺤﻠﻡ ﻴﻅل ﻤﻀﻴﺌﺎ ً‬ ‫‪‬‬ ‫ﻻ ﺘﻁﻔﺌﻪ ﺍﻷﻋﻭﺍﻡ ْ.‬ ‫)٥(‬ ‫ﻫﺎ ﻫﻨﺎ.. ﻴﻜﻤﻥ ﺍﻟﻌﻤﺭ‬ ‫‪‬‬ ‫ﻓﻲ ‪‬ﻠﺒﺔ ٍ ﻤﻥ ﺘﺭﺍﺏ ٍ ﻗﺩﻴﻡ ٍ‬ ‫ﻋ‬ ‫ﻴﺴﻤﻭﻨﻪ ﺍﻟﻘﺒﺭ..‬ ‫‪‬‬ ‫ﻟﻜﻨﻪ ﻁﺎﻫﺭ ُ؛ ﻭﺸﺭﻴﻑ ُ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﻋ ‪‬ﺎ ﻗﺭﻴﺏ ٍ‬ ‫ﻤ‬ ‫ﺴﺘﺨﺭﺝ ﻤﻨﻪ ﺤﻴﺎﺓ ُ ُ ﺠﺩﻴﺩﺓ ْ.‬ ‫-٥-‬
  6. 6. ‫)٦(‬ ‫ﺩﺠﻲ ﺍﻟﻠﻴل‬ ‫ُ‬ ‫ﻻ ﻭﺠﻪ‬ ‫ﻻ ﻭﺠﻬﺔ ً..‬ ‫ﻭﻟﻴﺱ ﺴﻭﻱ ﺍﻟﺒﺭﺩ ِ؛‬ ‫ﻭﻤﺎ ﻴﺭﺴﻡ ﺍﻟﻌﻘل ﻟﻠﻌﻴﻥ ِ ﻋﻥ ﺼﻭﺭﺘﻲ‬ ‫ُ‬ ‫ﺃﻫﺫﺍ ﺍﻟﻐﻴﺎﺏ ﺍﻟﻤﻘﺩﺱ ﺫﻭ ﺭﺠﻌﺔ ٍ؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻟﻜﻨﻨﻲ ﻟﻡ ﺃﻋﺩ.‬ ‫‪‬‬ ‫)٧(‬ ‫ﺘﺭﺤل ﺍﻟﻘﺼﻴﺩﺓ ْ.‬ ‫ﻓﺘﺩﺨل ﻤﻥ ﻓﻭﺭﻫﺎ ﻗﺼﻴﺩﺓ ُ ُ ﺠﺩﻴﺩﺓ ْ.‬ ‫ﻭﺃﻨﺎ ﺒﻴﻨﻬﻤﺎ‬ ‫ﺃﺘﺄﻤل ﻓﻲ ﺨﻤﺴﻴﻥ ﻗﺼﻴﺩﺓ ْ.‬ ‫)٨(‬ ‫ﻜﺘﺏ َ ﺍﻟﺒﺤﺭ ﻋﻠﻲ ﻅﻬﺭ ِ ﺍﻟﻤﺤﺎﺭﺓ ْ.‬ ‫‪‬‬ ‫ﺘﻀﺤﻙ ﺍﻟﺸﻤﺱ‬ ‫‪‬‬ ‫ﻟﻤﻥ ﻴﺩﺭﻱ ﺍﻟﺒﺸﺎﺭﺓ ْ.‬ ‫)٩(‬ ‫ﻗﻴل : ﻜﺎﻥ ﺍﻟﻤﺠﺩ ﻤﺭﻫﻭﻨﺎ ً‬ ‫‪‬‬ ‫َ‬ ‫ﺒﺄﻭﻫﻥ ِ ﺍﻟﺨﻴﻭﻁ..‬ ‫ﺘﻠﻜﻡ ﺍﻟﻔﺎﺠﻌﺔ ْ.‬ ‫ﻓﺎﻟﺫﻱ ﻴﺴﻘﻁ ﻓﻲ ﺨﻴﻁ ِ ﺍﻟﻌﻨﻜﺒﻭﺕ‬ ‫ﻓﺭﻴﺴﺔ ُ ُ ﻀﺎﺌﻌﺔ ْ.‬ ‫-٦-‬
  7. 7. ‫)٠١(‬ ‫ﻤﺩﻴﻨﺘﻲ‬ ‫ﻓﻲ ﺁﺨﺭ ِ ﺍﻟﺨﺭﺍﻓﺔ ْ.‬ ‫ﻤﺩﻫﻭﻨﺔ ُ ُ‬ ‫ﺒﺎﻟﺸﻙ ِ ﻓﻲ ﺍﻟﻤﺴﺎﻓﺔ ْ.‬ ‫ﺘﺤﻤﻠﻨﻲ ﺇﻟﻲ ﺃﺒﺭﺍﺠﻬﺎ‬ ‫ﺭﻴﺎﺡ ﺍﻟ ِﻌﺭ ِ‬ ‫‪ ‬ﺸ‬ ‫ﻭﺍﻟﺜﻘﺎﻓﺔ ْ.‬ ‫)١١(‬ ‫ﻗﺎﻟﺕ ﺍﻟﻨﺨﻠﺔ ُ ﻴﻭﻤﺎ ً :‬ ‫ﺠﺎﺀﺕ ﺍﻟﺭﻴﺢ..‬ ‫‪‬‬ ‫ﻓﻤﻠﺕ ُ.‬ ‫ﺜﻡ ﻤﺭﺕ..‬ ‫‪ ‬ﹾ‬ ‫ﻓﺎﺴﺘﻘﻤﺕ ُ.‬ ‫ﻫﻜﺫﺍ ﺍﻟﻨﺨﻠﺔ ُ ﻴﻭﻤﺎ ً‬ ‫ﻋﻠﻤﺘﻨﻲ ﻤﺎ ﺠﻬﻠﺕ ُ.‬ ‫)٢١(‬ ‫ﺘ ‪‬ﺎﻗﻁ ﺍﻟﺤﺭﻭﻑ ﻤﻥ ﻴﺭﺍﻋﻪ‬ ‫ﺴ ﹸ‬ ‫ﻜﺩﻤﻌﺔ ِ ﺍﻟﻤﺤﺎﺭ ْ.‬ ‫ﺘﻀﺊ ﻓﻲ ﺒﺴﺎﻁﺔ ٍ‬ ‫ﻜﺒﺴﻤﺔ ِ ﺍﻟﺼﻐﺎﺭ.‬ ‫‪‬‬ ‫ﻴﻘﻭل ﻓﻲ ﻜﺘﺎﺒﻪ ِ :‬ ‫ُ‬ ‫ﺃﻨﺎ ﺍﻟﺫﻱ ﺴﺘﺤﻤل ﺍﻟﺭﻴﺎﺡ ﺤﻠﻤﻪ‬ ‫‪ ‬‬ ‫ﻵﺨﺭ ﺍﻟﺒﺤﺎﺭ.‬ ‫‪‬‬ ‫ﻭﻴﻬﺩﺃ ﺍﻟﻁﻭﻓﺎﻥ ﻋﻨﺩﻩ‬ ‫‪‬‬ ‫ﻭﻴﺒﺩﺃ ﺍﻟﻨﻬﺎﺭ.‬ ‫‪‬‬ ‫-٧-‬
  8. 8. ‫)٣١(‬ ‫ﻗﺎل : ﻜﻭﻨﻭﺍ ﺤﺠﺎﺭﺓ ً؛ ﺃﻭ ﺤﺩﻴﺩﺍ..‬ ‫َ‬ ‫ﺃﻭ ﺠﺩﻴﺩﺍ ً ﻤﻥ ﺍﻟﻤﺠﺩ ِ ﻴﺭﺠﻭ ﺠﺩﻴﺩﺍ..‬ ‫ﻓﺎﻟﺫﻱ ﻗﺩ ﺘﻭﻟﻲ.. ﺘﻭﻟﻲ..‬ ‫ﻭﺍﻟﻘﺩﻴﻡ ﺍﻟﺫﻱ ﻗﺩ ﻤﻀﻲ‬ ‫- ﻤﺸﺘﻌل ﺍﻟﺨﻁﻭ ِ -..‬ ‫ﺸﺎﺀﺕ ﺩﻴﺎ ‪‬ﻩ ُ ﺃﻥ ﺘﺒﻴﺩﺍ.‬ ‫ﺭ‬ ‫)٤١(‬ ‫ﺼﺎﻟﺕ ﺍﻟﺸﻤﺱ؛ ﻭﺠﺎﻟﺕ‬ ‫‪‬‬ ‫ﻓﻲ ﻤﺩﻱ ً ﻻ ﻴﺸﺘﻬﻴﻪ.‬ ‫ﻓﺭ َ ﻤﻥ ﺘﻴﻪ ٍ‬ ‫‪‬‬ ‫ﻟﺘﻴﻪ.‬ ‫ﻓﺎﺴﺘﻭﻱ ﺍﻟﻤﺠﻨﻭﻥ ﻓﻴﻪ.‬ ‫)٥١(‬ ‫ﻭﻫﻜﺫﺍ..‬ ‫ﺃﺼﻴﺭ ﻤﺜﻠﻤﺎ ﺼﺎﺭ ﺃﺒﻲ..‬ ‫ﻜﻘﺸﺭﺓ ٍ ﻓﺎﺭﻏﺔ ٍ ﺘﻬﺸﻬﺎ ﺍﻟﺭﻴﺎﺡ.‬ ‫‪‬‬ ‫ﺒﻴﻨﻤﺎ ﺍﻟﺜﻤﺎﺭ ﻗﺩ ﻤﻀﺕ‬ ‫‪‬‬ ‫ﻟﻐﺎﻴﺔ ٍ ﻤﻌﺎﻜﺴﺔ ْ.‬ ‫ﻻ ﺘﻌﺠﺒﻭﺍ ﻤﻥ ﻤﻭﻗﻔﻲ‬ ‫ﺍﻟﺒﺫل ﻜﺎﻥ ﻏﺎﻴﺘﻲ..‬ ‫ُ‬ ‫ﻭﺍﻟﺒﺫل..‬ ‫ُ‬ ‫ﻟﻴﺱ ﻜﺎﺭﺜﺔ ْ.‬ ‫-٨-‬
  9. 9. ‫)٦١(‬ ‫ﺇﻨﻬﺎ ﺒﻜﺭ ُ‬ ‫‪‬‬ ‫ﻭﻋﻴﻨﺎﻫﺎ ﺴﺅﺍل.‬ ‫ْ‬ ‫ﻭﺍﻟ ‪‬ﻤﺎل.‬ ‫ﺠ ْ‬ ‫ﻅﻥ ﺃﻥ ﻟﻥ ﺘﻨﺘﻬﻲ ﻤﻨﻪ ﺍﻟﺭﺠﺎل ْ.‬ ‫ﺇﻨﻬﺎ ﺘﻜﻨﺯ ﺍﻟﻤﺸﻤﺵ ﻓﻲ ﺸﻔﺘﻴﻬﺎ‬ ‫ﻭﺍﻟﺫﻱ ﻴﺨﺘﺎل ﻓﻲ ﺴﺤﺭ ٍ ﻋﻠﻴﻬﺎ‬ ‫ﻜﻠﻪ ﺴﺤﺭ ُ ﺤﻼل ْ.‬ ‫‪‬‬ ‫)٧١(‬ ‫ﻴﻘﺎل : ﺇﻨﺎﺙ ﺍﻟﻌﻨﺎﻜﺏ ِ ﺘﺄﻜل ﺫﻜﺭﺍﻨﻬﺎ‬ ‫ﹸ‬ ‫ُ‬ ‫ﺒﻌﺩﻤﺎ ﺘﻨﺘﺸﻲ ﺒﺎﻟﺠﻤﺎﻉ ِ..‬ ‫ﻭﻤﻥ ﺨﻠﻑ ﻜل ﻟﺫﻴﻎ ٍ‬ ‫ﻭﻟﻭ ﺘﻌﻠﻤﻭﻥ.. ﺍﻤﺭﺃﺓ ْ.‬ ‫ﺇﻨﻬﺎ ﻗﻭﻟﺔ ُ ُ ﺴﻴﺌﺔ ْ.‬ ‫)٨١(‬ ‫ﺭﺍﺡ َ ﻴﺭﺸﻕ ﻓﻲ ﺍﻷﻓﻕ ِ‬ ‫ﻨﺠﻤﺘﻪ ﺍﻵﺜﻤﺔ ْ.‬ ‫ﺭﺍﺡ ﻴﻐﺭﺱ ﻓﻲ ﺍﻟﺭﻤل ِ‬ ‫‪‬‬ ‫ﺤﺭﺒ ﹶﻪ ﺍﻟﻅﺎﻟﻤﺔ ْ.‬ ‫ﺘ‬ ‫ﺭﺍﺡ ﻴﺩﺭﺱ ﻓﻲ ﺍﻟﺴﺭ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺨﻁﺘﻪ ﺍﻟﻘﺎﺩﻤﺔ ْ.‬ ‫ﺭﺍﺡ ﻴﻘﺭﺍ ﻓﻲ ﺍﻟﺘﻴﻪ ِ ﻓﺎﺘﺤﺔ َ ﺍﻟﻔﺤﺵ ِ..‬ ‫‪ ‬ﹸ‬ ‫ﻴﺒﺩﺃ ﺁﻭﻨﺔ َ ﺍﻟﺭﻋﺏ ِ..‬ ‫ﻴﻜﺘﺏ ﺁﻴﺔ َ ﺍﻟﻤﺤﻭ ِ..‬ ‫ﺘﻠﻙ ﺇﺫﻥ ْ ﺠﻭﻟﺘﻪ ﺍﻟﺨﺎﺘﻤﺔ ْ.‬ ‫-٩-‬
  10. 10. ‫)٩١(‬ ‫ﻗﺎﻟﻭﺍ : ﻤﻥ ﻋﺎﺯ ﻓﻘﺩ ﻻﺫ‬ ‫ﹶ‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻹﻴﻌﺎ ‪‬؟‬ ‫ﺯ‬ ‫‪‬‬ ‫ﺇﻥ ﺠﺎﺯ ﻓﻘﺩ ﺃﻨﺠﺯ ﻫﺫﺍ‬ ‫‪‬‬ ‫ﻓﻲ ﺫل ﺍﻟﻌ ‪‬ﺓ َ ﺇﻨﺠﺎﺯﺍ‬ ‫ﺯ‬ ‫ﻟﻜﻥ ﻤﺎﺫﺍ‬ ‫ﻟﻭ ﺤﺎﺯ ﺍﻟﻤﺠﺭﻡ ﻤﺎ ﺤﺎﺯﺍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻜﺒﺭ ﻓﻲ ﺍﻷﺭﺽ ِ؛ ﻭﻓﺎﺯﺍ‬ ‫ﺃﺘﻔﻴﺩ ﺇﺫﺍ؛ ﻭﻟﺫﺍ؛ ﻭﻜﺫﺍ‬ ‫ﺍﻟﻌﺎﺌﺫ ﻻ ﻴﻘﻭﻱ ﺃﺒﺩﺍ ً‬ ‫ﺃﻥ ﻴﺴﺄل ﻤﻌﻁﻴﻪ : ﻟﻤﺎﺫﺍ.‬ ‫)٠٢(‬ ‫ﺍﻟﺩﻨﻴﺎ ﺃﺨﺫﺕ ﺯﻴﻨﺘﻬﺎ‬ ‫ﻭﻗﺎﻟﺕ : ﻫﻴﺕ ﻟﻙ.‬ ‫ﹶ ‪‬‬ ‫ﹾ‬ ‫ﻜل ﻤﻥ ﺯﺍﺭ ﻫﻠﻙ ْ.‬ ‫‪‬‬ ‫ُ‬ ‫- ٠١ -‬
  11. 11. ‫ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ‬ ‫ﻤﺩﺨل:‬ ‫............‬ ‫ﻋﻠﻲ ﺸﺭﺍ ﺸﻑ ﺍﻟﺸﻁﻭﻁ ِ‬ ‫ﻓﻲ ﺍﻟﻤﺼﻴﻑ ِ ﺃﺭﺘﻤﻲ.‬ ‫ﺃﺤﺱ ﻫﺠﺭﺓ َﺍﻟﻜﻼﻡ ِ..،‬ ‫ﱡ‬ ‫ﻤﻥ ﺩﻤﻲ.. ﺇﻟﻰ ﻓﻤﻲ.‬ ‫ﻓﺄﺭﺸﻕ ﺍﻟﺴﺤﺎﺏ ﺒﺎﻟﺫﻱ‬ ‫‪‬‬ ‫ﺇﻟﻰ ﺍﻟﺴﺤﺎﺏ ﻴﻨﺘﻤﻲ.‬ ‫ﻓﻲ ﻗﺒﺔ ﺍﻟﻀﺤﻰ..، ﻭﺸﺎﻫﻕ ِ ﺍﻟﻨﻬﺎﺭ.‬ ‫‪‬‬ ‫‪ِ‬‬ ‫ﺃﻗﺎﻴﺽ ﺍﻟﻐﺜﺎﺀ.. ﺒﺎﻟﻐﺜﺎﺀ ِ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻐﺒﺎﺭ.. ﺒﺎﻟﻐﺒﺎﺭ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻌﻠﻨﻲ ﺃﺭﻱ ﺍﻟﺯﻤﺎﻥ ،‬ ‫‪‬‬ ‫ﺠﺎﻟﺴﺎ ًﺒﺠﺎﻨﺒﻲ ﺒﻘﺎﻤﺔ ِﺍﻟﺭﻓﻴﻕ ْ.‬ ‫ﻟﻌﻠﻨﻲ.. ﺃﻓﻴﻕ.‬ ‫ﹾ‬ ‫- ١١ -‬
  12. 12. ‫ﻋﻴﻥ ُ ﺘﺭﻗﺒﻨﻲ‬ ‫‪‬‬ ‫ﻗﺒل َ ﻨﻌﺎﺱ ِ ﺍﻟﻤﺎﺀ‬ ‫ﺼﻭﺕ ُ ﻴﺘﺭﺩﺩ ﻓﻲ ﺃﻋﻤﺎﻗﻲ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻜﻤﻭﺍﺀ ِ ﺍﻟﻘﻁﺔ ِ ﻓﻲ ﻤﻭﺴﻡ ِ ﺒﻬﺠﺘﻬﺎ ﺍﻟﺴﻨﻭﻱ.‬ ‫ﻫﻭ ﺼﻭﺕ ُ ﻜﺼﺭﻴﺭ ِ ﺍﻟﺒﻭﺍﺒﺔ ِ‬ ‫ﹸ‬ ‫ﺤﻴﻨﺎ ً‬ ‫ﻜﺤﻨﺎﻥ ِ ﺍﻷﻡ ﺍﻟﻤﺨﺒﻭﺀ ِ ﺒﺼﺩﺭﻱ ﺤﻴﻨﺎ ً‬ ‫ﱢ‬ ‫ﻴﺩﻋﻭﻨﻲ ﻜﻲ ﺃﺩﺨل َ ﻨﻔﺴﻲ..،‬ ‫ﺃﺠﻠﺱ؛ ﺃﻭ ﺃﺘﺄﺭﺠﺢ‬ ‫‪‬‬ ‫ِ ‪‬‬ ‫ﺒﻴﻥ ﺍﻟﻔﻘﺎﻋﺎﺕ ِ ﺍﻟﻤﺘﺴﻌﺔ ِ‬ ‫ﺤﺘﻰ ﺃﺘﻨﻔﺱ..،‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺍﻟﻔﻘﺎﻋﺎﺕ ِ ﺍﻟﻀﻴﻘﺔ‬ ‫ِﻟﻜﻲ ﺃﺴﺘﺩﻓﺊ َ.‬ ‫ﻤﺭﺁﺘﻲ..‬ ‫ﻓﻭﻕ ﺠﺩﺍﺭ ِ ﺍﻟﻐﺭﻓﺔ ِ ﺸﺎﺨﺼﺔ ُ ُ ،‬ ‫ﹶ‬ ‫ﺘﺭﻤﻘﻨﻲ ﻓﻲ ﺍﻟﻠﻴل ِ ﺒﻌﻴﻥ ِ ﺍﻟﻘﻁﺔ ِ.‬ ‫ﻋﻴﻥ ُ ﺘﺭﺒﻜﻨﻲ؛‬ ‫‪‬‬ ‫ﻭﺘﻌﻴﺩ ﺼﻴﺎﻏﺔ َ ﺠﺴﺩﻱ..‬ ‫ﻓﺄﺭﺍﻨﻲ‬ ‫ﻓﻲ ﺨﻔﺔ ِ ﻜﻭﻤﺔ ﻗﻁﻥ ٍ ﻤﻨﺩﻭﻑ ٍ‬ ‫ﻭﺭﺸﺎﻗﺔ ﺜﻌﻠﺏ ْ.‬ ‫ﻜﺩﺠﺎﺠﺔ ِ ﺤﻘل ٍ‬ ‫ﻫﻴﺠﻬﺎ ﺼﻭﺕ ﺍﻟﻨﺎﻋﻭﺭﺓ ِ‬ ‫ﹸ‬ ‫ﻭﻫﻲ ﺘﺤ ﱡ ﺍﻟﺒﻴﺽ‬ ‫‪‬‬ ‫‪‬ﻁ‬ ‫ﻋﻠﻲ ﺸﺭﻴﺎﻥ ِ ﺍﻟﻤﺎﺀ ِ.‬ ‫***‬ ‫- ٢١ -‬
  13. 13. ‫ﺼﻭﺕ ُ ﻴﺘﺭﺩﺩ ﻓﻲ ﺃﻋﻤﺎﻗﻲ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻴﺠﻌﻠﻨﻲ ﺃﺘﻜﱠﺱ؛‬ ‫ﻠ ‪‬‬ ‫ﺃﺘﻘﻭﻗﻊ؛‬ ‫‪‬‬ ‫ﺃﺘﺠﺭﺜﻡ‬ ‫‪‬‬ ‫ﻭﺃﺒﻴﺕ ﺒﻴﺎﺘﺎ ً ﺸﺘﻭ ‪‬ﺎ ً.....‬ ‫ﻴ‬ ‫ﻓﻠﻤﺎﺫﺍ ﺃﺸﻌﺭ ﺃﻥ ﺍﻟﺠﺭﺡ ﺸﻬﻲ‬ ‫‪‬‬ ‫ﻜﺒﺭﺍﺀﺓ ِﺼﺒﻴﺎﻥ ﺍﻟﺤﺎﺭﺓ ِ‬ ‫ﺃﻥ ﺍﻟﺼﻤﺕ ﻏﺒﻲ ُ ُ‬ ‫ﹶ ‪‬‬ ‫ﻜﻔﻁﺎﺌﺭ ِ ﺠﺎﺭﺘﻨﺎ ﺍﻟﻤﺤﺸ ‪‬ﺓ ِ‬ ‫ﻭ‬ ‫)ﺒﺎﻟﺒﺎﺴﻁﺭﻤﺎ(؟‬ ‫ﺃﻥ ﺍﻟﻘﻭل ﻓﺴﻴﺢ ُ ﻜﺎﻟﺒﺤﺭ ِ ﺍﻷﺒﻴﺽ ِ‬ ‫‪‬‬ ‫َ‬ ‫ﻻ ﺘﺴﻜﻨﻪ ﺍﻟﺤﻴﺘﺎﻥ ﺍﻟﺯﺭﻗﺎﺀ ْ؟‬ ‫‪‬‬ ‫ﺫﺍﺕ ﻤﺴﺎﺀ ْ..‬ ‫ﹶ‬ ‫ﻭﺃﻨﺎ ﺃﻗﺭﺃ ُ‬ ‫ﺘﺤﺕ َ ﻤﺼﺎﺒﻴﺢ ِ ﺍﻟﻘﻠﻕ ِ ﺍﻟﺤﻤﺭﺍﺀ ْ.‬ ‫ﻋﺭﻓﺕ ﺍﻟﺩﻫﺸﺔ َ ، ﻭﺍﻟﻐﻴﺒﻭﺒﺔ َ ،‬ ‫ﹸ‬ ‫ﻭﺭﺃﻴﺕ ُ ﺍﻟﺼﺒﺢ َ ﺍﻟﺠﺎﻟﺱ َ‬ ‫ﺨﻠﻑ ﺯﺠﺎﺝ ِ ﺍﻟﻨﺎﻓﺫﺓ ِ ﻜﻭﻋل ٍ ﺒﺭﻱ ،‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻴﺭﻗﺏ ﻤﺎ ﻴ ‪‬ﺎﻗﻁ ﻤﻥ ﻤﺎﺀ ِ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫ﺴ‬ ‫ﻋﻠﻲ ﻭﺭﻗﻲ ﺍﻟﺴﺭﻱ ﱢ.‬ ‫ﻜﻨﺕ ﺃﻏﻨﻲ..‬ ‫ﹸ‬ ‫ﺃﻋﻨﻲ : ﺃﻭﻗﺩ ﻨﺎﺭﻱ‬ ‫ﺤﺘﻰ ﺃﺴﺘﻨﺒﺢ ﺒﻌﺽ ﻜﻼﺏ ِ ﺍﻟﺤﻲ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻜﺎﻥ ﺍﻟﻭﻗﺕ ُ ﻗﺒﻴل ﺴﻘﻭﻁ ِ ﺍﻟﺸﻤﺱ‬ ‫َ‬ ‫ﻋﻠﻲ ﺃﻗﻔﻴﺔ ِ ﺍﻷﻓﻕ ِ‬ ‫ﻗﺒﻴل ﻨﻌﺎﺱ ِ ﺍﻟﻤﺎﺀ..‬ ‫‪‬‬ ‫َ‬ ‫ﻋﺭﻓﺕ ﺍﻟﺩﻫﺸﺔ َ؛ ﻭﺍﻟﻐﻴﺒﻭﺒﺔ َ‬ ‫ﹸ‬ ‫- ٣١ -‬
  14. 14. ‫ﺫﺍﺕ ﻤﺴﺎﺀ ْ.‬ ‫ﹶ‬ ‫ﻫل ﻜﺎﻥ ﺍﻟﺤﺱ ﻁﺭ ‪‬ﺎ ً؟‬ ‫ﱡ ﻴ‬ ‫ﺃﻡ ﻜﺎﻥ ﺍﻟﻭﻗﺕ ﻨﺩ ‪‬ﺎ ً؟‬ ‫ﹸ ﻴ‬ ‫ﺃﻡ ﺃﻨﻲ ﻜﻨﺕ ﺃﻨﺎ؛‬ ‫ﻭﻗﺭﻴﻨﻲ ﺍﻷﺒﻠﻪ‬ ‫ﻨﺘﺒﺎﺩل ﺃﻨﺨﺎﺏ ﺍﻟﻔﺭﺡ ِ ﺍﻟﺭﻤﺯﻱ‬ ‫‪‬‬ ‫ﻟﻨﻭﻗﻥ ﺃ ﱠﺎ ﺸﻌﺭﺍﺀ ْ.؟‬ ‫ﻨ‬ ‫ﺃﻡ ﺃﻥ ﺍﻟﻌﺴﺱ ﺍﻟﺭﺍﺒﺽ ﻓﻲ ﺨﺎﺭﺠﻨﺎ ، ﻨﺎﻡ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻋﻁﺎﻨﺎ ﺍﻟﻔﺭﺼﺔ‬ ‫ﺤﺘﻰ ﻨﺘﺠﻭل ﻓﻲ ﻤﺩﻥ ِ ﺍﻟﺩﻫﺸﺔ ِ‬ ‫‪َ‬‬ ‫ﻜﻲ ﻨﺸﻌﺭ ﺃ ﱠﺎ ﺃﺤﻴﺎﺀ ْ.‬ ‫‪ ‬ﻨ‬ ‫***‬ ‫ﺼﻭﺕ ُ..‬ ‫ﹸ‬ ‫ﻴﺘﺭﺩﺩ ﻓﻲ ﺃﻋﻤﺎﻗﻲ..‬ ‫‪‬‬ ‫ﻴﺠﻌﻠﻨﻲ ﺃﺘﻠﻭﻱ ﻓﻲ ﻓﺭﺡ ٍ ﺃﺴﻁﻭﺭﻱ‬ ‫‪‬‬ ‫ﻜﺤﺼﺎﻥ ٍ ﻴﺭﻓﺽ ‪‬ﻨﺒﻜﻪ‬ ‫‪ ‬ﺴ ﹶ‪‬‬ ‫ﻴﻨﺸﺭ ﺼﻬﻠﺘﻪ ﺍﻟﻤﺒﺘﱠﺔ َ‬ ‫ﻠ‬ ‫ﹶ‪‬‬ ‫ﻓﻭﻕ ﺤﺒﺎل ِ ﺍﻟﻀﻭﺀ ِ‬ ‫ﹶ‬ ‫ﺼﻭﺕ ُ ﻴﺭﺒﻜﻨﻲ..‬ ‫ﹸ‬ ‫ﻴﺯﻋﺠﻨﻲ..‬ ‫ﻤﺎﺫﺍ ﻋﻥ ﻫﺫﺍ ﺍﻟﺼﻭﺕ ْ؟ !!‬ ‫- ٤١ -‬
  15. 15. ‫ﺘﻠ ‪‬ﺹ‬ ‫ﺼ‬ ‫ﻨﻌﻡ.. ﺇ ﱠﻪ ﺃﻨﺎ‬ ‫ﻨ‪‬‬ ‫ﻤﻥ ﺭﺃﻱ ‪‬ﺜﺔ َ ﺍﻟﺤ ﱢ ﻤﺭﻤﻴﺔ ً‬ ‫ﺠ ﹶ ‪‬ﺏ‬ ‫‪‬‬ ‫ﻓﻲ ﺒﺌﺭ ﻫﺫﺍ ﺍﻟﺯﻗﺎﻕ‬ ‫ِ‬ ‫ﺍﻟﻘﺩﻴﻡ ﻤﻥ ﺍﻟﻠﻴل ِ‬ ‫ﻜﺎﻨﺕ ﺍﻟﺒﻨﺕ ﺴﻤﺭﺍﺀ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻤﺜل ﺍﻟﻘﺭﻨﻔل ِ‬ ‫ﺠﺎﺀﺕ ﻤﻀﻤﺨﺔ ً ﺒﺎﻟﺘﻭﺍﺒل ِ؛‬ ‫ﹾ‬ ‫ﻭﺍﻟﺨﻭﻑ ِ..‬ ‫ﻜﺎﻥ ﺍﻟﻔﺘﻲ ﺒﺎﺭﺩ ﺍﻟﻘﻴﻅ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﻟﻭﻥ ِ ﺩﻑﺀ ِ ﺍﻟﺸﺘﺎﺀ..‬ ‫ِ‬ ‫ﻜﻨﺕ ﺃﺭﺍﻗﺒﻬﻡ ِﻠﺴﺔ ً‬ ‫ﺨ‬ ‫ﹸ‬ ‫ﻷﺸﺒﻊ ﻓﻲ ﺩﺍﺨﻠﻲ ﺸﻬﻭﺓ ً‬ ‫‪‬‬ ‫ﻟﻠﺘﻠ ﱢﺹ ِ؛ ﻭﺍﻟﺠﻭﻉ ِ.‬ ‫ﺼ‬ ‫ﻨﻌﻡ..‬ ‫ﺇﻨﻪ ﺃﻨﺎ ﻤﻥ ﺭﺃﻱ‬ ‫‪‬‬ ‫ﱠ‪‬‬ ‫ﻗﻠﺕ : ﻫﺫﺍ ﻫﻭ ﺍﻟﺤ ﱡ ﱡ،‬ ‫‪‬ﺏ‬ ‫ﹸ‬ ‫ﺒﻨﻁﺎ ﻟﻪ ﺍﻟﺭﺙ‬ ‫ﱡ‬ ‫ﺜﻡ ﺍﻟﻘﻤﻴﺹ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻗﺩ ﺘﻠﻁﺦ ﺒﺎﻟﺤﺯﻥ‬ ‫ﹶ‬ ‫ﻜﺎﻨﺎ ﻭﺴﻴﻠﺘﻪ ﺍﻟﻭﺍﻗﻌﻴﺔ َ‬ ‫ﹶ‪‬‬ ‫ﻟﻠﻤﻭﺕ‬ ‫ِ‬ ‫ﻫﻨﺎ ﻓﻭﻕ ﺼﺭﺓ ﺍﻟﻠﻴل‬ ‫ِ‬ ‫ﻫﺫﺍ ﺃﻨﺎ ﺃﻟﺘﻘﻴﻪ ﺃﺨﻴﺭﺍ ً؛‬ ‫ﻭﻟﻜﻨﻪ ﻤﻴﺕ ُ ُ..‬ ‫- ٥١ -‬
  16. 16. ‫ﺼﻴﺭﻭﺭﺓ‬ ‫ﻤﻥ ﺒﺭﻋﻡ ٍ..‬ ‫ﻤﻥ ﺘﺤﺕ ﺇﺒﻁ ِﺍﻟﻨﻴل‬ ‫ِ‬ ‫ﻓﻲ ﺒﻁﺀ ٍ ﺘﺸﺏ؛ ﻭﺘﻨﺘﺸﻲ.‬ ‫ﱡ‬ ‫ﻤﺭ ﺍﻟﻨﺴﻴﻡ ﻤﻀﻤﺨﺎ ً‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻟﻘﻲ ﻋﻠﻴﻬﺎ ﺍﻟﻌﻁﺭ؛‬ ‫‪‬‬ ‫ﻓﺎﻨﻌﺘﻘﺕ.‬ ‫ﹾ‬ ‫ﺭﺍﺤﺕ ﺘ ‪‬ﺭﺡ ﺸﻌ ‪‬ﻫﺎ..‬ ‫ﺭ‬ ‫ﹾ ﹸﺴ‬ ‫ﻗﺩ ﻭ ‪‬ﻋﺘﻬﺎ ﺃ ﱡﻬﺎ ﺍﻟﺼﻔﺼﺎﻓﺔ ُ‬ ‫ﻤ‬ ‫ﺩ‬ ‫ﺍﻟﺘﻲ ﺍﺸﺘﻌﻠﺕ ﺒﺭﺍﻋﻡ؛‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺒﻌﺩ ﺃﻥ ﺃﻭﺼﺕ ﻋﻠﻴﻬﺎ ﺍﻟﻨﻴل..‬ ‫َ‬ ‫ﹾ‬ ‫ﺇﺫ ﺼﺎﺭﺕ ﻋﺭﻭﺴﺎ‬ ‫ﹰ‬ ‫ﹾ‬ ‫ﺫﺍﺕ ﺴﻤﺕ ٍ ﻟﻴﻠﻜﻲ.‬ ‫‪‬‬ ‫ﹶ‬ ‫ﺃﻏﻔﺕ ﻋﻠﻲ ﺼﺩﺭ ﺍﻟﺭﺒﻴﻊ ﻤﻊ ﺍﻟﻤﺴﺎﺀ ِ‬ ‫ِ‬ ‫ﹾ‬ ‫ﺍﻟﻨﻴل ﺼﺎﺭ ﺠﻭﺍﺩﻫﺎ ﺍﻟﻤﻠﻜﻲ..‬ ‫‪‬‬ ‫‪‬‬ ‫ُ‬ ‫ﻴﻁﺭﺒﻬﺎ ﺒﻤﻭﺴﻴﻘﺎ ﺍﻟﺨﻼﺨﻴل ِ‬ ‫ﺍﻟﺸﺠﻴﺔ ِﻓﻲ ﺍﻟﺨﻼﺀ.‬ ‫‪‬‬ ‫....................................‬ ‫ﻤﻥ ﺒﺫﺭﺓ ٍﻓﻲ ﺸﻕ ِ ﺼﺨﺭﺓ ْ.‬ ‫ﺃﺭﺍﻩ ُ ﻴﻨﻬﺽ ُﺠﺎﻫﺩﺍ ً..‬ ‫ﻭﻴﻔﺽ ﺃﺨﺘﺎﻡ ﺍﻟﻅﻼﻡ ِ،‬ ‫‪‬‬ ‫ﱡ‬ ‫ﻴﻔﻙ ﺃﺯﺭﺍﺭ ﺍﻟﻤﺩﻯ..‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺘﺭ ‪‬ل ﻓﺎﺭﺴﺎ ً.‬ ‫ﺠ‬ ‫ﻗﻤﺎﺵ ﺤﻠﻤﻪ ﺍﻟﻌﺭﻴﺽ ﻗﺎﺭﺏ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺃﻟﻘﻲ ﻋﻠﻲ ﺍﻷﺭﺽ ِ ﺍﻟﺴﻼﻡ‬ ‫‪‬‬ ‫ﻭﺭﺍﺡ ﻴﺒﺤﺙ ﻓﻲ ﺍﻟﺤﻴﺎﺓ ِ‬ ‫- ٦١ -‬
  17. 17. ‫ﻋﻥ ﺍﻟﻤﺴﺭﺓ.‬ ‫.....................................‬ ‫ﺼﻭﺘﺎﻥ ﻫﺎﺌﻤﺎﻥ ﻓﻲ ﺍﻟﺒﺭﻴﺔ ْ..‬ ‫ﺘﺭﻱ ﺃﻴﺒﺤﺜﺎﻥ ﻋﻥ ﻓﻡ ٍ، ﻭﺤﻨﺠﺭﺓ ْ؟‬ ‫.....................................‬ ‫ﻜﺎﻨﺕ ﺘﻐﻨﻲ..‬ ‫ﺼﻭﺘﻬﺎ ﻴﻤﺸﻲ‬ ‫ﻋﻠﻲ ﻤﻨﺩﻴل ِ ﻤﺎﺀ ِ ﺍﻟﻨﻴل ِ..‬ ‫ﻜﺎﻥ ﻋﺎﺌﺩﺍ ﻤﻥ ﺭﺤﻠﺔ ٍ ﻁﻭﻴﻠﺔ ٍ‬ ‫ﹰ‬ ‫ﻴﺸﻘﻬﺎ ﺴﻴﻑ ﺍﻟﺘﻌﺏ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺤﻴﻨﻤﺎ ﺘﻘﺎﺒﻼ..‬ ‫ﻗﺎﻟﺕ : ﻫﻭ ﺍل.....؟‬ ‫ﹾ‬ ‫ﻭﻗﺎل : ﺃﻨﺕ ِ........؟‬ ‫َ‬ ‫ﻓﻬل ﺘﺭﻱ ﻤﺩ ﺍﻟﺭﺒﻴﻊ ﺍﻟﻴﻬﻤﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻥ ﺸﺭﻓﺔ ﺍﻟﺼﺤﻭ ﺍﻟﻤﻠﻴﻜﺔ‬ ‫ِ‬ ‫ِ‬ ‫ﻤﻘﻌﺩﻴﻥ‬ ‫ﻜﺄﺴﻴﻥ ﻤﻥ ﺃﻟﻕ ٍ‬ ‫ﻭﻤﻨﻀﺩﺓ ً..‬ ‫ﻭﻓﻁﻴﺭﺓ ً ﻤﻥ ﻋﺸﻕ ِ.‬ ‫ﻗﺎﻟﺕ : ﻫﻴﺕ ﻟﻙ.‬ ‫‪‬‬ ‫.....................................‬ ‫ﻤﻥ ﺸﻔﺭﺓ ِ ﺍﻟﻨﻬﺩﻴﻥ ﻗﺎل ﻗﺼﺎﺌﺩﺍ ً..‬ ‫َ‬ ‫ﺭﻗﺼﺕ ﻋﻠﻲ ﻤﺎﺀ ِ ﺍﻷﻟﻭﻫﺔ ِ‬ ‫ﹾ‬ ‫- ٧١ -‬
  18. 18. ‫ﻤﺭﺓ ً..‬ ‫ﻗل : ﻤﺭﺘﻴﻥ..‬ ‫ﺜﻼﺙ ﻤﺭﺍﺕ ٍ..‬ ‫ﹶ‬ ‫ﻤﺌﺔ..‬ ‫ﺇﺫﻥ‬ ‫"ﻭﻫﻨﺎ ﻋﻠﻲ ﻭﻫﻥ ٍ"‬ ‫ﹰ‬ ‫ﻭﻴﻨﺴﺤﺒﺎﻥ ﻟﻠﻅل.‬ ‫ِ‬ ‫........................................‬ ‫ﻭﻤﻥ ﻅل ﻫﻨﺎﻙ.........‬ ‫‪‬‬ ‫ِﱟ‬ ‫ﻴﺸﻊ ﻀﻭﺀ ُ‬ ‫‪‬‬ ‫ِ‪‬‬ ‫ﺨﺎﺭﺠﺎ ﺒﻭﺸﺎﺤﻪ ﺍﻟﻌﻔﻭﻱ‬ ‫ِِ‬ ‫ﹰ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺯﻫﻴﺭ ﺘﻪ ﺍﻟﺘﻲ ﺘﻨﻤﻭ ﺒﻁﻴﺌﺎ‬ ‫ﹰ‬ ‫ﺘﺤﺕ ﺇﺒﻁ ِ ﺸﺠﻴﺭﺓ ﺍﻟﺤﻨﺎﺀ ِ،‬ ‫ﺃﻭ ﺼﻔﺼﺎﻓﺔ ٍ ﺃﺨﺭﻱ‬ ‫ﻋﻠﻲ ﻜﺘﻑ ِ ﺍﻟﻤﺴﺎﺀ.‬ ‫- ٨١ -‬
  19. 19. ‫ﺤﻨﻴـﻥ‬ ‫ﺍﻟﺒﻨﺎﺕ ﺍﻟﻠﻭﺍﺘﻲ ﺘﺴ ‪‬ﺒﻥ‬ ‫ﺭ‬ ‫ﹸ‬ ‫ﻤﻥ ﺃﻤﺴﻴﺎﺘﻲ ﺍﻟﺒﺭﻴﺌﺎﺕ‬ ‫ﻜﻥ ﺘﺨﱠﺼﻥ ﻤﻨﻲ..‬ ‫‪ ‬ﻠ ‪‬‬ ‫ﻓﻀﻀﻥ ﺍﻷﻜﻑ ﻤﻥ ﺍِﺸﻌﺭ ِ‬ ‫ﻟ‬ ‫ﱠ‬ ‫- ﻻ ﻴﺸﺒﻊ ﺍِﺸﻌﺭ ﺩﻭﻤﺎ ً‬ ‫ﻟ ‪‬‬ ‫ﻏﺭﻭﺭ ﺍﻟﺒﻨﺎﺕ -‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﻟﻡ ﻴﺒﻕ ﻤﻨﻬﻥ ﻏﻴﺭ ﺠﺭﻭﺡ ٍ‬ ‫ﺃ ُﺭﻤﻤﻬﺎ ﺒﻴﻥ ﺤﻴﻥ ٍ؛ ﻭﺤﻴﻥ ٍ..‬ ‫ﻭﺃﻤﺴﺢ ﻋﻨﻬﺎ ﺍﻟﻐﺒﺎﺭ..‬ ‫‪‬‬ ‫ﻭﺃﺤﻨﻭ ﻋﻠﻴﻬﺎ..‬ ‫ﻜﻤﺎ ﺼﺎﺌﻎ ٍ‬ ‫ﻴﻠﻡ ﺒﻀﺎ ‪‬ﺘﻪ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ِ.‬ ‫ﻋ ‪‬‬ ‫ﻟﻤﺎﺫﺍ ﺍﻟﺒﻨﺎﺕ ﻴﻌﺩﻥ ﺇﻟﻲ‬ ‫‪ ‬‬ ‫ﹸ‬ ‫ﻴﺤﱠﻘﻥ ﻓﻲ ﻗﺒﺔ ﺍﻟ ‪‬ﻤﺭ ﻜﺎﻷﻤﻨﻴﺎﺕ؟‬ ‫ِ‬ ‫‪ ِ‬ﻌ ِ‬ ‫ﻠ‬ ‫ﻟﻤﺎﺫﺍ ﻴﻁﻔﻥ ﻋﻠﻲ؟‬ ‫‪ ‬‬ ‫ﻭﻴﻌﻠﻘﻥ ﻤﺜﻠﻲ ﺒﺄﻴﺎﻤﻲ ﺍﻟﺒﺎﻗﻴﺎﺕ ِ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﺒﺩﻴﻥ ‪‬ﺯﻨﺎ ً ،‬ ‫ﺤ‬ ‫ﻜﺤﺯﻥ ِ ﻨﺒﻲ ﺘﻐﺭﺏ‬ ‫‪  ‬‬ ‫ﻓﻲ ﺃﻫِﻪ ِ، ﻭﺍﻟﺒﻼﺩ؟!!‬ ‫‪‬‬ ‫ﻠ‬ ‫- ٩١ -‬
  20. 20. ‫ﻤﺼﺎﻟﺤﺔ ﻟﻴﻠﻴﺔ‬ ‫ﺍﻤﺭﺃﺓ ُ ُ..‬ ‫ﺘﺘﺠﻭل ﻋﺒﺭ ﺸﺭﺍﻴﻴﻨﻲ‬ ‫ﺘﺴﺒﺢ ﻓﻲ ﺃﻭﺭﺩﺘﻲ ،‬ ‫ﺘﻠﻬﻭ ﺒﻜﺭﺍﺕ ﺍﻟﺩﻡ ﺍﻷﺭﻀﻴﺔ‬ ‫ِ ﱢ‬ ‫ﻓﻲ ﺠﺴﺩﻱ ﺍﻟﺒﺎﻁﻥ ِ،‬ ‫ﺘﺘﺄﻤل ﺼﻭﺭﺓ َﺁﻤﺎﻟﻲ‬ ‫ﻓﻭﻕ ﺍﻟﺠﺩﺭﺍﻥ ِ ﺍﻟﻤﻤﺘﺩﺓ ِ‬ ‫ﹶ‬ ‫ﻓﻲ ﻗﺎﻋﺎﺕ ِ ﺍﻟﺭﻭﺡ ِ..‬ ‫ﺘﺘﺄﺭﺠﺢ ﻓﻭﻕ ﻜﺭﺍﺴﻲ ﺍﻷﺤﻼﻡ ِ‬ ‫ﹶ‬ ‫ﺍﻟﻤﻨﻔﻠﺘﺔ ِﻤﻥ ﻗﺒﻀﺔ ِﻋﻘﻠﻲ ﺍﻟﻭﺍﻀﺢ‬ ‫ﺘﺘﺴﻠﻲ ﺒﺜﻤﺎﺭ ﺍﻟﺭﻓﺽ ِ‬ ‫ِ‬ ‫ﺍﻟﺴﺎﻗﻁ ِﻤﻥ ﺸﺠﺭ ﺍﻟﺼﻤﺕ ِ‬ ‫ِ‬ ‫ﺘﺩﺍﻋﺏ ﻗﻨﺒﻠﺔ َﺍﻷﻓﻜﺎﺭ ﺍﻟﻤﻭﻗﻭﺘﺔ‬ ‫ِ‬ ‫ﻭﺘﺯﺤﺯﺡ ﺒﻌﺽ ﺍﻟﻘﻴﻡ ﺍﻟﺭﺍﺴﺨﺔ‬ ‫ﺘﺨﻠﺨل ﻗﺎﻋﺩﺓ ﺍﻟﺼﻴﺭﻭﺭﺓ‬ ‫ﺘﺩﻋﻭﻨﻲ ﻟﻔﻁﺎﺌﺭ ﻓﺘﻨﺘﻬﺎ‬ ‫ﻭﺘﻘ ﹼﻊ ﺭﻏﺒﺘﻬﺎ ﺍﻟﻬﻤﺠﻴﺔ ﺒﺎﻟﻐﺯل ِ ﺍﻟﻤﺤﺸﻭ ﺒﺎﻟﺨﺠل ﺍﻟﻌﻔﻭﻱ‬ ‫ﻨ‬ ‫ﺘﺸﺭﺏ ﻨﺨﺒﺎ ﻟﻠﻌﺭﺱ ﺍﻟﺭﻤﺯﻱ ،‬ ‫ﺘﻁﻠﻕ ﻜل ﺜﻌﺎﺒﻴﻥ ﺍﻟﺠﻭﻉ‬ ‫ﺍﻟﻨﺎﻁﻕ ﻤﻥ ﻋﻴﻨﻴﻬﺎ ﺍﻟﺸﻴﻁﺎﻨﻴﻥ‬ ‫ﺘﻌﻴﺩ ﺼﻴﺎﻏﺔ ﺠﺴﺩﻱ ﺍﻟﻐﺎﻤﺽ‬ ‫ﻭﺘﻀﺎﺭﻴﺱ ﺸﻌﻭﺭﻱ ﺍﻟﻤﺨﺘﺒﺌﺔ‬ ‫‪‬‬ ‫ﻴﺩﻭﻱ ﻤﻥ ﺩﺍﺨﻠﻬﺎ ﺼﻭﺕ ُ ُ‬ ‫ﻜﺄﻨﻴﻥ ِ ﺍﻟﺭﻴﺢ ِ ﺒﻠﻴل ٍ ﺸﺎﺕ ٍ‬ ‫ﺨﻠﻑ ﺍﻟﺒﺎﺏ ِ ﺍﻟﻤﻭﺼﺩ ِ‬ ‫ﹶ‬ ‫- ٠٢ -‬
  21. 21. ‫ﺘﺘﺭﺒﻊ ﻓﻭﻕ ﺍﻟﻌﺭﺵ ِ ﺍﻟﻨﻔﺴﻲ ﻟﺫﺍﺘﻲ؛‬ ‫ﹶ‬ ‫ﻭﺘﻭﻗﻊ ﻋﻘﺩ ﻤﻌﺎﻫﺩﺓ ِﺍﻟ ‪‬ﻠﺢ ﺍﻟﻠﻴﻠﻴﺔ ِ‬ ‫ﺼ‬ ‫‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻟﺩﺍﺨل ِ ﻭﺍﻟﺨﺎﺭﺝ ِ.‬ ‫ﺍﻤﺭﺃﺓ ُ ُ..‬ ‫ﺘﺘﻤ ‪‬ﺩ ﻜﺎﻟﺩﻭﺩﺓ ِﺩﺍﺨل ﻨﻔﺴﻲ‬ ‫ﺩ‪‬‬ ‫ﻜل ﻤﺴﺎﺀ ٍ.‬ ‫َ‬ ‫ﻭﻴﻀﻴﻊ ﻨﻬﺎﺭﻱ ﻋﺒﺜﺎ ً‬ ‫ﺒﺤﺜﺎ ً ﻋﻨﻬﺎ.‬ ‫- ١٢ -‬
  22. 22. ‫ﺭﻫﺎﻓﺔ ﻓﻁﺭﻴﺔ‬ ‫ﹲ‬ ‫ﺍﻟﻐﻤﻭﺽ ﺍﻟﺫﻱ ﻗﺩ ﻴﻐﱢﻑ‬ ‫ﻠ ﹸ‬ ‫‪‬‬ ‫ﻜل ﺍﻟﺒﻨﺎﺕ ِ / ﺍﻟﻤﻠﻴﻜﺎﺕ ِ‬ ‫ﹸَ‬ ‫– ﻋﻨﺩ ﺍﻟﺸﻁﻭﻁ ِ ﺍﻟﻅﻠﻴﻠﺔ ِ-..‬ ‫ﻏﺽ ﻋﻥ ﺍﻟﺤ ﱢ ﻁﺭﻓﺎ ً..‬ ‫‪‬ﺏ‬ ‫‪‬‬ ‫ﻭﻓﺘﺢ ﻟﻠﺤ ﱢ ﻏ ‪‬ﺎ ً..‬ ‫ﱠ ‪ ‬ﺏ ﻀ‬ ‫ﻓﻴﺒﺩﻴﻥ ﻭ ‪‬ﺍ ً..‬ ‫ﺩ‬ ‫ﻭﻴﺨﻔﻴﻥ ﻭ ‪‬ﺍ ً.‬ ‫ﺩ‬ ‫ﺍﻟﺒﻨﺎﺕ ﺍﻟﻠﻭﺍﺘﻲ‬ ‫ﹸ‬ ‫ﺘﺒﺨﺘﺭﻥ ﻋﻠﻲ ﺸﺭﺸﻑ ِ ﺍﻟﺒﺤﺭ‬ ‫ﹼ‬ ‫ﻴﺩﺭﻜﻥ ﺴﺭ ﺍﻟﻐﻤﻭﺽ ِ ﺍﻟﺫﻱ‬ ‫ِ‪‬‬ ‫ﻴﺘﻔ ﱠﻕ ﻤﻥ ﻀﺤﻜﻬﻥ ﺍﻟﻤﺜﻴﺭ‬ ‫ﺘﹸ‬ ‫ﻭﺴﺭ ﺍﻟﻨﺴﻴﻡ ﺍﻟﻤﻬﻔﻬﻑ‬ ‫ِ‪‬‬ ‫ﻤﻥ ﻟﻬﻭﻫﻥ ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟﻘﻠﺏ ِ‬ ‫ﻫﺫﺍ ﺍﻟﻐﻤﻭﺽ ﺍﻟﺫﻱ ﻴﺘﺒﺩﻱ‬ ‫‪‬‬ ‫ﻜﻤﺜل ﺍﺤﻤﺭﺍﺭ ﺍﻟﺸﻌﺎﻉ ِ ﻤﻊ ﺍﻟﻠﻴل‬ ‫ﻴﻌﺭﻑ ﻜﻴﻑ ﻴﺼﻴﺭ ﻤﻊ ﺍﻟﻔﺠﺭ ِ‬ ‫ﻓﻭﻕ ﺨﺩﻭﺩ ِ ﺍﻟﺒﻨﺎﺕ ِ/ ﺍﻟﻤﻠﻴﻜﺎﺕ ِ‬ ‫ﹶ‬ ‫ﻋﻨﺩ ﺍﻟﺸﻁﻭﻁ ِ ﺍﻟﻅﻠﻴﻠﺔ ِ ﻭﺭﺩﺍ‬ ‫ﻓﺘﺼﺤﻭ ﺍﻟﺒﻨﺎﺕ ُ ﻤﻊ ﺍﻟﺼﺒﺢ‬ ‫ﻴﺨﻔﻴﻥ ‪‬ﻌﻔﺎ ً‬ ‫ﻀ‬ ‫ﻭﻴﺒﺩﻴﻥ ﺠ ‪‬ﺍ.‬ ‫‪‬ﺩ‬ ‫ﻴﺎ ﻟﻪ ﻤﻥ ﻏﻤﻭﺽ ٍ ﻟﺫﻴﺫ ٍ‬ ‫ﺘﺭﻭﺡ ﺃﻨﺎﻤﹸﻪ ﺍﻟﺴﺎﺤﺭﺍﺕ ُﻋﻠﻲ ﺍﻟﺼﺤﻭ ِ؛‬ ‫ﻠ‪‬‬ ‫ﻭﺍﻟﺤﻠﻡ ِ‬ ‫ﺠﺯﺭﺍ ً؛‬ ‫- ٢٢ -‬
  23. 23. ‫ﻭﻤ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺍﻟﺒﻨﺎﺕ ُ ﺍﻟﻠﻭﺍﺘﻲ‬ ‫ﺠﻠﺴﻥ ﺍﻟﻲ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻴﺤﻜﻲ ﻟﻬﻥ ﻋﻥ ﺍﻟﻌﺎﺸﻘﻴﻥ‬ ‫ﻭﻋﻥ ﺭﻗﺔ ِ ﺍﻟﻤﻭﺝ‬ ‫ﻭﻫﻭ ﻴﺩﻏﺩﻍ ﺃﺠﺴﺎﺩﻫﻥ ﺍﻟﻁﺭﻴﺔ َ‬ ‫ﻫﻥ ﺍﻟﻠﻭﺍﺘﻲ ﺍﺒﺘﻜﺭﻥ ﺍﻷﻨﺎﺸﻴﺩ‬ ‫‪‬‬ ‫ﻟﻠﺴﺎﺌﺭﻴﻥ ﺍﻟﻲ ﺍﻟﻜﺩﺡ ِ.‬ ‫ﻫﻥ ﺍﻟﻠﻭﺍﺘﻲ ﺍﺨﺘﺭﻋﻥ ﺍﻟﻤﺴﺎﻓﺔ َ‬ ‫ﻤﺎ ﺒﻴﻥ ﺴﻬﺩ ِ ﺍﻟﻔﺘﻲ..‬ ‫ﻭﺒﻠﻭﻍ ﺍﻷﺭﺏ.‬ ‫ﻫﻥ ﺍﻟﻠﻭﺍﺘﻲ ﺘﺠ ‪‬ﻌﻥ‬ ‫ﻤ‬ ‫ﻋﻨﺩ ﺍﻟﻐﺭﻭﺏ ِ ﺇﻟﻲ ﺍﻟﺠﻤﺭ‬ ‫ﺃﻁﻠﻘﻥ ﻤﻨﻪ ﺍﻟﺒﺨﻭﺭ‬ ‫‪‬‬ ‫ﻭﻨﺎﻗﺸﻥ ﻜﻴﻑ ﻴﺭﻭﻀﻥ‬ ‫ﻏﻭل ﺍﻟﻜﺭﻭﺏ ِ‬ ‫َ‬ ‫ﻭﻴﻁﻠﻘﻥ ﻟﻠﺒﻐﺽ ِ‬ ‫ﻀ ‪‬ﺍ ً؛‬ ‫ﺩ‬ ‫ﻭﻨ ‪‬ﺍ.‬ ‫ﺩ‬ ‫...................................‬ ‫ﻫﻭ ﺍﻟ ‪‬ﺏ ﱡ ﺜﻤل ُﻤﻥ ﺍﻟﻔﺭﺡ ِ‬ ‫ُ‬ ‫ﺤ‬ ‫ﻴﻌﺩﻭ؛‬ ‫ﻓﻴﻜﺴﺭ‬ ‫ﻤﺎ ﺘﺩﻋﻴﻪ ﺍﻟﺒﻨﺎﺕ ُ / ﺍﻟﻤﻠﻴﻜﺎﺕ ُ‬ ‫ﻓﻲ ﺍﻟﺠﻬﺭ ِ..‬ ‫- ٣٢ -‬
  24. 24. ‫ﺴ ‪‬ﺍ ً..‬ ‫ﺩ‬ ‫ﻓﺴ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﻭﻴﻐﺯل ﻓﻲ ﺍﻟﺴﺭ ﻤﻨﻬﻥ‬ ‫ِﱢ‬ ‫ﻋﻘ ‪‬ﺍ ً..‬ ‫ﺩ‬ ‫ﻓﻌﻘﺩﺍ.‬ ‫ﻫﺫﺍ ﻫﻭ ﺍﻟﺤ ‪‬‬ ‫‪‬ﺏ‬ ‫ﻓﻲ ﻏﺎﺒﺔ ِ ﺍﻟﺤﺱ‬ ‫ﱢ‬ ‫ﻗﺩ‬ ‫‪‬‬ ‫ﻗﺩﻭﺩ ﺍﻟﺒﻨﺎﺕ ِ / ﺍﻟﻤﻠﻴﻜﺎﺕ ِ‬ ‫‪‬‬ ‫ﻗ ‪‬ﺍ.‬ ‫ﺩ‬ ‫- ٤٢ -‬
  25. 25. ‫ﺍﻟﻘﺼﺎﺌﺩ..‬ ‫ﻻ ﺘﺭﺘﺩﻱ )ﺍﻻﺴﺘﺭﺘﺵ(‬ ‫ﺼﺎﺭ ﻴﺼﻨﻊ ﻤﻥ ﻋ ‪‬ﻕ ِ ﺍﻟﻜﻠﻤﺎﺕ ِ..‬ ‫‪‬ﺭ‬ ‫‪‬‬ ‫ﺍﻟﻘﺼﺎﺌﺩ.‬ ‫‪‬‬ ‫ﻴﻨﻀﺠﻬﺎ ﻋﻠﻲ ﺸﻐﺏ ٍ ﺴﺎﺨﻥ ٍ‬ ‫ﺼﺎﺭ ﻴﻌﺭﻑ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻜﻴﻑ ‪‬ﺩ ﱢﺞ ُﻓﻭﻫﺔ َ ﺍﻟﺼﻤﺕ ِ‬ ‫ﻴﺠ‬ ‫ﺒﺎﻻﻨﻔﻌﺎل ِ ﺍﻟﺸﺩﻴﺩ ِ..‬ ‫ﻭﻴﻌﺭﻑ ﻜﻴﻑ ﻴﻀﻡ ﻏﻀﺎﺭﻴﻔﻪ‬ ‫ﹶ‪‬‬ ‫ﻟﻴﻔﺴﺢ ﻓﻴﻬﺎ ﻤﺠﺎﻻ ً‬ ‫‪‬‬ ‫ﻟﻀﺤﻜﺘﻪ ﺍﻟﺴﺎﺨﺭﺓ ْ..‬ ‫ﻭﻴﺒﺩﻱ ﺍﺤﺘﺭﺍﻤﺎ ﺸﺩﻴﺩﺍ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻟﻌﻅﻡ ﺍﻟﺘﺭﺍﺙ ِ..‬ ‫ﻭﻴﺼﻠﺢ ﻤﺎ ﺃﻓﺴﺩﺘﻪ ﺍﻟﺸﻭﺍﻋﺭ..‬ ‫‪‬‬ ‫ﺇﻥ ﺍﻟﺸﻭﺍﻋﺭ‬ ‫‪‬‬ ‫ﻴﺎ ﻁﺎﻟﻤﺎ ﻴﺠﺘﺭﺌﻥ ﻋﻠﻲ ﺍﻟﻨﺤﻭ ِ؛ ﻭﺍﻟﺼﺭﻑ ِ‬ ‫ﻴﺒﺩﻴﻥ ﻤﺎ ﻻ ﻴﺤ ﱡ ﺍﻟﺨﻠﻴل ﺒﻥ ﺃﺤﻤﺩ.‬ ‫‪‬‬ ‫ُ‬ ‫‪ِ ‬ﺏ‬ ‫ﻴﻨﺜﺭ ﻋﻁﺭ ﺍﻟﺭﺠﻭﻟﺔ ِ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﺠﻤﻴﻼﺕ ﻤﻨﻬﻥ..‬ ‫ِ‬ ‫ﹶ‬ ‫ﻟﻤﺎﺫﺍ ﺍﻟﺸﻭﺍﻋﺭ‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺒﻬﻥ ﺠﻤﻴﻼﺕ‬ ‫ﹸ‬ ‫- ﺇﻻ ﻗﻠﻴﻼ -؟‬ ‫ﺘﻠﻙ ﺍﻟﻘﺼﻴﺩﺓ ُ ﺘﻠﺒﺱ ﺒﺎﺭﻭﻜﺔ ً..‬ ‫ﺘﺯﺠﺞ ﺤﺎﺠﺏ ﻗﺎﻓﻴﺔ ٍ ﺘﻠﻭ ﺃﺨﺭﻱ..‬ ‫‪‬‬ ‫ﻟﻜﻲ ﻤﺎ ﺘﻔﺠﺭ ﻓﻴﻪ ﺍﻟﺤﻤﺎﺱ ﺍﻟﺸﺩﻴﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ِ‪‬‬ ‫- ٥٢ -‬
  26. 26. ‫ﻟﻴﻔﺭﻍ َ ﻓﻴﻬﺎ‬ ‫ﺭﺼﺎﺹ ﻤﺴﺩﺴﻪ ﺍﻟﺭﺅﻴﻭﻱ..‬ ‫‪‬‬ ‫ﻫل ﺴﺘﺸﻬﺭ ﺼﻠﻌﺘ ‪‬ﺎ‬ ‫ﻬ‬ ‫ﺤﻴﻥ ﺘﻤﻸ ﺠ ‪‬ﺘﻬﺎ‬ ‫ﺭ‬ ‫ﻤﻥ ﺨﻠﻴﺞ ِ ﺍﻟﺘﻔﺎﻋﻴل ِ؟‬ ‫ﺃﻡ ﺃﻨﻬﺎ ﺴﻭﻑ ﺘﺨﻠﻊ ﺒﻨﻁﺎ ﻟﻬﺎ‬ ‫)ﺍﻷﺴﺘﺭﻴﺘﺵ(‬ ‫ﻭﺘﻤﺤﻭ ﺨﻴﻭﻁﺎ ﻤﻥ ﺍﻟﻔﻁﺭ‬ ‫ِ‬ ‫ﹰ‬ ‫ﺘﻨﻤﻭ ﻋﻠﻴﻪ؟‬ ‫ﺭﺒﻤﺎ ﺘﺘﺨﻠﻲ ﻋﻥ ﺍِﺸﻌﺭ‬ ‫ﻟ ِ‬ ‫ﺤﻴﻥ ﺘﻬﻴﺊ ﻤﺘﻜﺌﺎ ﻟﻭﻟﺒﻴﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻟﻤﻥ ﻴﻁﻠﺏ ﺍﻟﺤﺭﺙ ﻟﻴﻼ،‬ ‫ﹶ ﹰ‬ ‫ﻭﺃﻨﻲ ﻴﺸﺎﺀ..‬ ‫‪‬‬ ‫ﻭﺘﻭﻗﻥ ﺃﻥ ﻤﺴﺎﻓﺩﺓ ﺍﻟﻔﻥ‬ ‫ﹶ‬ ‫ﻤﺤﺽ ُﺍﻓﺘﺭﺍﺀ ْ.‬ ‫ﺍﻨﻪ ﺍﻵﻥ‬ ‫ﻴﻤﺴﺢ ﻋﻨﻬﺎ ﻏﺒﺎﺭ ﺍﻟﺘﻠﻌﺜﻡ؛‬ ‫ﻴﺭﺘﻕ ﺒﻌﺽ ﺜﻘﻭﺏ ِ ﺍﻟﺒﻼﻏﺔ ِ‬ ‫‪‬‬ ‫ﺜﻡ ﻴﻀﻡ ﺠﻨﺎ ‪‬ﻴﻪ‬ ‫ﱡ ﺤ‬ ‫ﺤﺘﻰ ‪‬ﺭﻤﻡ ﺒﻌﺽ ﺸﺭﻭﺥ ِ ﺍﻟﺨﻴﺎل ِ‬ ‫‪‬‬ ‫ﻴ ﱢ‪‬‬ ‫ﺃﻴﺼﺒﺢ ‪‬ﺘﻬﻤﺎ ﺒﺎﻟﺘﺴﺭﻉ ِ؛‬ ‫‪‬ﻤ ﹰ‬ ‫ﻭﺍﻟﻌﻨﻑ ِ..؟!!‬ ‫ﻜﻴﻑ ﺇﺫﻥ ﻴﻔﺴﺤﻭﻥ ﺍﻟﻤﺠﺎل َ‬ ‫‪‬‬ ‫ﻟﻜﻴﻤﺎ ﻴﻀﺎﺠﻊ ﻓﻴﻬﺎ ﺍﻟﺤﺭﻭﻑ‬ ‫ﹶ‬ ‫ﻭﻴﺒﺤﺙ َﻋﻥ ﻨﻔﺴﻪ‬ ‫ِِ‬ ‫ﺒﻴﻥ ﺘﻠﻙ ﺍﻷﺼﺎﺒﻊ ِ؟‬ ‫ﻭﺍﻟ ِﻌﺭ...‬ ‫ﺸ ‪‬‬ ‫ﻤﺜل ﺍﻟﻬﻭﺍﺀ.!!!!‬ ‫‪‬‬ ‫- ٦٢ -‬
  27. 27. ‫ﺫﻜﺭ ُﻭﺃﻨﺜﻲ‬ ‫‪‬‬ ‫ﻻﺤﺕ ﺘﻠﻙ ﺍﻷﻨﺜﻰ‬ ‫ﹾ‬ ‫ﻭﻫﻲ ﺘﺫﻴﺏ ﺘﻭﺍﺒﻠ ‪‬ﺎ‬ ‫‪ِ ‬ﻬ‬ ‫ﻓﻲ ﺩﻭﺭﻕ ِ ﻓﺘﻨﺘﻬﺎ..‬ ‫ﺘﺩﻋﻙ ﺜﺩﻴﻴﻬﺎ ﻓﻲ ﻋﺩﻡ ِ ﻤﺒﺎﻻﺓ ِ‬ ‫ﻭﺍﻟﻅﻤﺄ ُﻴﺸﻴل ﻫﺭﺍﻭﺘﻪ‬ ‫ﹶ‪‬‬ ‫ﻓﺘﻤﻁﻲ..‬ ‫ﻭﺍﺘﺴﻊ ﺍﻟﻘﻔﺹ ﺍﻟﺼﺩﺭﻱ.‬ ‫ﱡ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﻤ ‪‬ﺩﺕ ﺍﻷﺫﺭﻉ ُ‬ ‫ﺩ ﹾ‬ ‫ﺤﺘﻰ ﻤﺴﺤﺕ ﻋ ‪‬ﻗﺎ ً‬ ‫ﹾ ‪‬ﺭ‬ ‫ﻋﻥ ﺨﻁ ِ ﺍﻷﻓﻕ ِ..‬ ‫ﻜﺎﻥ ﺍﻟﻨﻬﺭ ﻴﺩﻨﺩﻥ ﺇﻴﻘﺎﻋﺎ ﻤﺭﺌﻴﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻟﻤﺸﺎﻋﺭﻩ ﺍﻟﻤﻀﻁﺭﺒﺔ َ.‬ ‫ِِ‬ ‫ﻴﺘﺨﻠل ﺨﺼﻴﺘﻪ؛‬ ‫ﹶ‪‬‬ ‫ﻭﻴﻁﺎﻤﻥ ﺴﺎﻗﻴﻪ‬ ‫ﺘﺭﻱ ﻫل ﻜﺎﻥ ﺍﻟﺒﻁل؛‬ ‫ُ‬ ‫ﺃﻡ )ﺍﻟﺩﻭﺒﻠﻴﺭ(؟‬ ‫ﻁﻘﺱ ُ ﻨﻔﺴﻲ ُ ُ ﻴﺘﻤﻠﻜﻪ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺠﻌﻠﻪ ﺃﺴﺨﻥ ﻤﻥ ﻤﺼﺒﺎﺡ ِ ﻨﻴﻭﻥ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﺠﺴﺩ ﺍﻟﻔﺎﺭﻉ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﺜل ﺘﻤﺎﺜﻴل ﺍﻟﻤﺭﻤﺭ ِ ﺒﺤﺩﻴﻘﺔ)ﺍﻨﻁﻭﻨﻴﺎﺩﺱ(‬ ‫ﻴﺩﻋﻭﻩ ﻟﻴﺘﻤﺴﺢ ﻓﻴﻪ.‬ ‫‪‬‬ ‫ﻴﺩﺨﻠﻪ ﻓﻲ ‪‬ﺩﻥ ِ ﺍﻟﺩﻫﺸﺔ ِ؛‬ ‫ﻤ‬ ‫ﻭﺍﻟﻼﻭﻋﻲ.‬ ‫ﻴﺩﻋﻭﻩ ﻟﻴﺘﻤﺴﻙ ﺒﺎﻟﺼﻴﺭﻭﺭﺓ ِ..‬ ‫‪‬‬ ‫- ٧٢ -‬
  28. 28. ‫‪‬ﺩﺙ ﻨﻔ ‪‬ﻪ :‬ ‫ﺤ ﹶ ﺴ‬ ‫ﻤﺎ ﻤﻌﻨﻲ ﺃﻥ ﻴﺼﺒﺢ ﻫﺫﺍ ﺍﻟﻌﺎﻟﻡ‬ ‫‪‬‬ ‫ﻤﻨﺘﺠﻌﺎ ً ﻟﻸﻤﺭﺍﺽ ِ ﺍﻟﻨﻔﺴﻴﺔ ِ؟‬ ‫ﺃﻥ ﻴﻔﺘﺢ َﻫﺫﺍ ﺍﻟﺼﻤﺕ ﻤﺯﺍﻟﻴﺞ ﺍﻟﺒﺎﺏ ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻟﻴﺩﻟﻑ ﻟﺹ ُ‬ ‫ﹶ ‪‬‬ ‫ﻴﺴﺨﺭ ﻤﻥ ﺸﺎﺭ ِﻪ ِ‬ ‫ﺒ‬ ‫‪‬‬ ‫ﻴﺠﺫﺏ ﻟﺤﻴﺘﻪ ﻓﻲ ‪‬ﻨﻑ ٍ ﻋﻔﻭﻱ ﱟ‬ ‫ﹶ‪ ‬ﻋ‬ ‫ﺃﻥ ﻴﻘﻔﺯ ﻓﻭﻕ ﺍﻟﺤﺫﺭ‬ ‫ِ‬ ‫‪ ‬ﹶ‬ ‫ﻟﻴﺴﺘﺩﺭﺝ َﻁﻔﻼ ً ﻏﺎﺏ؟‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺴﺘﺤﻀﺭ ﻓﺎﻜﻬﺔ ً‬ ‫‪‬‬ ‫ﻤﻥ ﻤﻭﺴﻤﻬﺎ ﺍﻟﻔﺎﺌﺕ ِ..‬ ‫ﻜﺎﻥ ﻴﺭﺍﻗﺒﻬﺎ ﻤﻥ ﺜﻘﺏ ٍ ﺒﺎﻟﺒﺎﺏ ِ.‬ ‫ﻴﺘﺄﻤل ﻫﺫﺍ ﺍﻟﺠﺴﺩ ﺍﻟﻔﺭﻋﻭﻨﻲ ﺍﻟﻔﺎﺭﻉ َ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻴﺠﻔﻑ ﺠﺒﻬﺘﻪ‬ ‫ِ ﹸ‬ ‫ﻓﻲ ﻤﻨﺩﻴل ِ ﺍﻟﻨﻭﻡ ِ ﺍﻟﺸﻔﺎﻑ ِ.‬ ‫ﻨﻬﺭ ُ.. ﻴﺘﺩﻓﻕ ﺒﻴﻥ ﺍﻟﻤﻨﺤﻨﻴﺎﺕ ِ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻴﻁﺎﺭﺩ ﹸﺯﻻﻨﺎ ً ﺘﺘﻘﺎﻓﺯ‬ ‫‪‬‬ ‫‪‬ﻏ‬ ‫ﺃﻭ ﻗﻁﻌﺎﻨﺎ ﻤﻥ ﺒﻘﺭ ٍ ﻭﺤﺸﻲ ﱟ.‬ ‫ﹰ‬ ‫ﻤﺎﺯﺍل ﻭﺴﻴ ًﺎ ﺘﻁﻠﺒﻪ ﺍﻟﻔﺘﻴﺎﺕ‬ ‫ﹸ‬ ‫ﻤ‬ ‫َ‬ ‫ﻭﻴﺨﻔﻲ ﻓﻲ ﺩﻫﻠﻴﺯ ﺍﻟﻌﻘل ِ ﺍﻟﺒﺎﻁﻥ‬ ‫ِ‬ ‫ﺇﺤﺴﺎﺴﺎ ﺒﺎﻟﺸﻴﺏ ِ‬ ‫ﹰ‬ ‫ﺒﻴﺎﻀﺎ ﻴﺘﺨﻔﻰ ﺘﺤﺕ ﺍﻷﺼﺒﺎﻍ ِ.‬ ‫ﹶ‬ ‫ﹰ‬ ‫ﻴﺸﺩ ﺇﻟﻴﻪ ﺤﺒﺎل ﺍﻟﻨﻬﺭ ﺍﻟﺩﺍﻓﻕ ِ‬ ‫ِ‬ ‫َ‬ ‫ﻜﻴﻤﺎ ﺘﻨﻌﺘﻕ ﺍﻷﺴﻤﺎﻙ‬ ‫‪‬‬ ‫ﻫﻭ ﺫﻜﺭ ُ.. ﺘﻭﺭﻴﺔ،‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺃﻨﺜﺎﻩ ﻜﻨﺎﻴﺔ ُ..‬ ‫ﺃﻤﺎ ﺍﻟﻁﻔل ﺍﻟﻜﺎﻤﻥ‬ ‫‪‬‬ ‫ُ‬ ‫ﺩﺍﺨل ﺩﻭﺭﻗﻪ ﺍﻟﺼﺩﺭﻱ‬ ‫ﻓﺯﻫﺭﺓ ُ ﻋﺒﺎﺩ ِ ﺍﻟﺸﻤﺱ ِ.‬ ‫- ٨٢ -‬
  29. 29. ‫ﻗﺼﻴﺩﺓ ﻤﻌﺎﻨﺩﺓ‬ ‫ﹸ‬ ‫ٌ‬ ‫ﺭﺃﻴــ ﹸﻬﺎ..‬ ‫ﺘ‬ ‫- ﻨﻌﻡ ﺃﻨﺎ ﺭﺃﻴﺘﻬﺎ -‬ ‫ﺸﺠﻴﺭﺓ ً ﺘﺜ ‪‬ﺒﺕ..‬ ‫ﻴ ﹾ‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺘ ‪‬ﻤﻠﺕ..‬ ‫ﺒ ﺭ ﹾ‬ ‫ﺘﻤ ‪‬ﺩﺕ ﻋﻠﻲ ﺒﺴﺎﻁ ٍ ﺃﺨﻀﺭ ٍ‬ ‫ﺩ ﹾ‬ ‫ﻭﺃﺸﺭﻗﺕ ﻜﺴﻨﺒﻠﺔ ْ.‬ ‫ﹾ‬ ‫ﻭﻜﻨﺕ ﻫﺎﺌﻤﺎ..‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﺃﺭﻴﺩ ﺯﻫﺭﺓ ً‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺒﻨﻔﺴﺠﺔ ْ؛‬ ‫ﺒ‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﻗﺭﻨﻔﻠﺔ ْ.‬ ‫ﺒ‬ ‫ﻭﺤﻴﻨﻤﺎ ﺍﺭﺘﺩﺕ ﻗﻤﻴ ‪‬ﻬﺎ‬ ‫ﺼ‬ ‫ﺒﺩﺕ ﻜﻐﻴﻤﺔ ٍ..‬ ‫ﻭﺤﻴﻨﻤﺎ ﺍﻨﺤﻨﻴﺕ ﺒﺎﺒﺘﺴﺎﻤﺔ ٍ ﻭﺩﻴﻌﺔ ٍ‬ ‫ﹸ‬ ‫ﺘﺒ ﱠﺭﺕ ﻏﻤﺎﻤﺘﻲ.‬ ‫ﺨ ﹾ‬ ‫ﻭﺭﺤﺕ ﺃﻏﺯل ﺍﻨﺘﻅﺎﺭﻱ ﺍﻟﻁﻭﻴل ﺠﻭﺭﺒﺎ.‬ ‫ﹰ‬ ‫َ‬ ‫‪‬‬ ‫ﹸ ُِ‬ ‫ﻋﻘﺎﺭﺏ ﺍﻟﺴﺎﻋﺎﺕ ِﻗﺩ ﺘﺭ ‪‬ﻠﺕ ﺃﺜﺩﺍﺅﻫﺎ..‬ ‫ﻫ ﹾ‬ ‫‪‬‬ ‫.............................................‬ ‫ﻓﻲ ﻤﻭﺴﻡ ِ ﺍﻟﻐﻨﺎﺀ ِ‬ ‫ﺠﺎﺀﻨﻲ ﺍﻟﺠﻤﻴﻊ ﻴﻁﻠﺒﻭﻥ ﻤﺤﻨﺘﻲ.‬ ‫‪‬‬ ‫ﻭﻜﱡﻬﻡ ﻴﻭﺩ.....‬ ‫ﻠ‬ ‫ﻟﻭ ﻟﻪ ﻭﺴﺎﺩﺘﻲ..‬ ‫ﺍﻟﺼﻴﻑ؛ ﻭﺍﻟﺭﺒﻴﻊ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺍﻟﺨﺭﻴﻑ؛ ﻭﺍﻟﺸﺘﺎﺀ.‬ ‫ﹸ‬ ‫ﻭﺠﻭﻗﺔ ُ ﺍﻟ ‪‬ﺩﺍﺀ.‬ ‫ﺤ ‪‬‬ ‫- ٩٢ -‬
  30. 30. ‫ﺠﻤﻴ ‪‬ﻬﻡ ﻓﻲ ﻤﻭﺴﻡ ِ ﺍﻟﻐﻨﺎﺀ ْ.‬ ‫ﻌ‬ ‫ﻴﺭﻴﺩ ﺯﻫﺭﺘﻲ..‬ ‫ﻏﻨﻴﺕ ﻟﻠﺴﻤﺎﺀ ْ..‬ ‫ﹸ‬ ‫ﺃﺫﻗﺘﻬﺎ ‪‬ﺴﻴﻠﺘﻲ..‬ ‫ﻋ‬ ‫ﻭﺠﺌﺕ ﺭﺍﻜﺒﺎ ﺠﻭﺍ ‪‬ﻫﺎ..‬ ‫ﹰ ﺩ‬ ‫ﻭﺤﻴﻨ ‪‬ﺎ..‬ ‫ﹶﻬ‬ ‫ﺴﻤﻌﺘﻬﺎ..‬ ‫ﺭﻤﺎﺩ ﺼﻭﺘﻬﺎ ﻜﻤﺩﻓﺄﺓ ْ.‬ ‫‪‬‬ ‫ﺘﻘﻭل : ﺸﺎﻋﺭﻱ‬ ‫ُ‬ ‫ﺃﻨﺎ ﺍﻟﺘﻲ ﺍﺴﺘﺤﻠﺕ ﻟﻠﺠﻤﻴﻊ ِﻤﺎﺌﺩﺓ ْ‬ ‫ﹸ‬ ‫ﻓ ‪‬ﻠﺕ ﺃﻥ ﺃﻜﻭﻥ ﻓﻲ ﺩﻴﻭﺍﻨﻙ ﺍﻷﺨﻴﺭ ﺴﻴﺩﺓ ْ.‬ ‫ِ‬ ‫ِ‪‬‬ ‫‪‬‬ ‫ﻀ ﹸ‬ ‫ﻗﺼﻴﺩﺓ ﻤﻌﺎﻨﺩﺓ ْ.‬ ‫- ٠٣ -‬
  31. 31. ‫ﺩﻭﻥ ﻫﻭﻴﺔ.. ﻭﺒﺩﻭﻥ ﻟﻭﻥ‬ ‫ﺍﻟﺸﻌﺭ؛‬ ‫‪‬‬ ‫ﻴﻘﺘﺭﺡ ﺍﻟﺨﺭﻭﺝ ﺇﻟﻲ ﺍﻟﺨﻴﺎل ِ ﺍﻟﺤ ﱢ.‬ ‫‪‬ﺭ‬ ‫‪‬‬ ‫‪‬ﻴﺄ ﻤﻘﻌﺩﺍ ﻟﻠﺤﺎﻟﻤﻴﻥ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻫ‬ ‫ﻭﺍﻗﺘﺭﺡ ﺍﻟﺠﻠﻭﺱ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺃﺭﺍﺠﻴﺢ ِ ﺍﻟﺴﺤﺎﺏ ِ ﺍﻟﺭﺨﻭ..‬ ‫ﻁﺎﺭ..‬ ‫‪‬‬ ‫ﺭﺍﻭﺩﻩ ﺍﻟﻬﻭﺍﺀ ﺍﻟﺭﻁﺏ ﻋﻥ ﻨﺒﻀﺎ ِﻪ ِ..‬ ‫ﺘ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﺸﻌﺭ..‬ ‫‪‬‬ ‫ﻴﻌﻠﻡ ﺃﻨﻪ ﺍﻟﻁﻘﺱ ﺍﻟﻤﻬﻴﺄ ُ ﻟﻠﺒﻜﺎﺭﺓ ِ ﻭﺍﻷﻤﺎﻥ ْ.‬ ‫‪‬‬ ‫ﺍﻟﺸﻌﺭ..‬ ‫‪‬‬ ‫ﻤﻭﺴﻴﻘﺎ ﺍﻟﺒﻨﻔﺴﺞ..‬ ‫ﻴﺎﺴﻤﻴﻥ ﺍﻟﻌﺸﻕ..‬ ‫‪‬‬ ‫ﻗﻨﺩﻴل ﺍﻟﺒﺭﺍﺀﺓ..‬ ‫ُ‬ ‫ﻜﺎﻥ ﻴﺨﺭﺝ ﺩﺍﻓﺌﺎ‬ ‫ﹰ‬ ‫ﻤﻥ ﻨﻁﻔﺔ ﻓﻲ ﺍﻟﻘﻠﺏ؛...‬ ‫ﺤﻴﻥ ﺘﻨﻔﺱ ﺍﻟ ‪‬ﻌﺩﺍﺀ‬ ‫ﺼ ‪‬‬ ‫ﻜﺎﻥ ﺍﻟﻘﻠﺏ ﻴﻌﺼﺭ ﺨﻤﺭ ﻨﺸﻭﺘﻪ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﻤﺩ ﺠﻨﺎﺤﻪ ﺍﻟﻌﻁﺸﻰ..‬ ‫‪‬‬ ‫ﻭﺤﻴﻥ ﺘﻘﺎﺒﻼ؛‬ ‫ﺤ ﱠﺎ ﻋﻠﻲ ﻓﺭﺡ ٍ‬ ‫ﻁ‬ ‫ﻭﺫﺍﺏ ﺍﻟﻤﻠﺢ ﻓﻲ ﻗﻨﻴﻨﺔ ﺴﻜﺭﻱ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻗﺎل ﺍﻟﺸﻌﺭ ﻭﻫﻭ ﻴﻨﺎﺩﻡ ﺍﻷﺸﻴﺎﺀ :‬ ‫‪‬‬ ‫‪‬‬ ‫ﻫﻴﺎ؛‬ ‫ﻭﺍﺭﺘﻘﻲ ﻨﻌﻠﻴﻙ ﻤﻥ ﻤﺎﺌﻴﺘﻲ‬ ‫ﺜﻡ ﺍﺒﺩﺌﻲ ﺃﻤﺭﺍ‬ ‫- ١٣ -‬
  32. 32. ‫ﻻ ﺘﺴﺄﻟﻲ‬ ‫ﺤﺘﻰ ﺃ ‪‬ﻴﻥ ﻤﻥ ﻟﺩﻥ ﻜﻴﻨﻭﻨﺘﻲ ﺴﺭﺍ‬ ‫ﺒ‬ ‫ﺫﺭﺍﻉ ﺍﻟﻀﻭﺀ‬ ‫‪‬‬ ‫ﺘﺨﺭﺝ ﻤﻥ ﺠﻴﻭﺏ ﺍﻟﻠﻴل‬ ‫ﺘﺩﺨل ﻤﻬﺠﺘﻲ ﻤﻥ ﻨﻘﻁﺔ ﻋﻠﻭﻴﺔ‬ ‫ﻭﺍﻟﺸﻌﺭ ﻴﻤﺸﻲ‬ ‫‪‬‬ ‫ﻤﺜﻠﻤﺎ ﺘﻨﻤﻭ ﺍﻟﺤﺩﺍﺌﻕ ﻓﻲ ﺍﻟﺴﻬﻭل‬ ‫ﹸ‬ ‫ﻤﺘﻀﻤﺨﺎ ﺒﺫﻫﻭﻟﻪ ﺍﻟﺭﻗﺭﺍﻕ..‬ ‫ﺍﻟﻔﺭﺡ ﻤﺴﻘﻁ ﺭﺃﺴﻪ؟!‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺃﻡ ﺘﻠﻙ ﻏﻔﻠﺘﻪ ﺍﻟﺘﻲ‬ ‫ﻤﺩﺕ ﺴﺫﺍﺠﺘﻬﺎ‬ ‫ﻟﺘﺭﺴﻡ ﻟﻭﺤﺔ ً ﺃﺨﺭﻱ‬ ‫ﻟﺸﻜل ﺍﻟﻌﺸﻕ..،‬ ‫ﺘﻜﺘﺏ ﺴﻴﺭﺓ ً ﺫﺍﺘﻴﺔ ً ﻟﻠﺤﻠﻡ..‬ ‫ﺘﻘﻁﻑ ﺯﻫﺭﺓ َ ﺍﻟﺘﺎﺭﻴﺦ..‬ ‫ﺇﺤﺴﺎﺱ ُ ﺠﻤﻴل ُ‬ ‫ُ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﻴﻨﺒﺕ ﻓﻲ ﺨﻼﻴﺎ ﺍﻟﻨﻔﺱ..‬ ‫ﺃﻋﺭﻓﻪ ﻷ ‪‬ل ﻤ ‪‬ﺓ..‬ ‫ﻭ ﺭ‬ ‫ﻤﻥ ﻨﻘﻁﺔ ﻋﻠﻭﻴﺔ‬ ‫ﻗﺩ ﻴﺒﺩﺃ ﺍﻟﺸﻌﺭ ﺍﻨﺩﻓﺎﻋﺘﻪ ﺍﻟﻤﺜﻴﺭﺓ ُ‬ ‫‪‬‬ ‫ﻟﻠﺨﻴﺎل ﺍﻟﺤﺭ‬ ‫ﺩﻭﻥ ﻫﻭﻴﺔ،‬ ‫ﻭﺒﺩﻭﻥ ﻟﻭﻥ.‬ ‫.............................................‬ ‫ﺴﺄﻅل ﺃﺭﺤل ﻓﻭﻕ ﺭﻴﺵ ﺍﻟﺸﻌﺭ‬ ‫ﺃﻜﺴﺭ ﺩﺍﺌﻤﺎ‬ ‫ﹰ‬ ‫- ٢٣ -‬
  33. 33. ‫ﻗﻨﻴﻨﺔ َ ﺍﻟﻭﻁﻥ ﺍﻟﻤﺅﻁﺭ‬ ‫ﺃﻤﺤﻭ ﺩﺍﺌﻤﺎ‬ ‫ﹰ‬ ‫ﺠﺩﻟﻴﺔ ﺍﻟﻌﺼﺭ ﺍﻟﻤﺅﻗﺕ‬ ‫ﻭﺍﻟﺘﺭﺍﻜﻴﺏ ﺍﻟﺭﺘﻴﺒﺔ‬ ‫ﻭﺍﻟﻤﺴﺎﺤﺎﺕ ﺍﻟﺘﻲ ﺍﻤﺘﻸﺕ ﻁﺤﺎﻟﺏ‬ ‫ﺴﻭﻑ ﺃﺭﺘﺠل ﺍﻟﺒﺭﺍﺡ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭ ﺴﻭﻑ ﺘﻁﻠﺒﻨﻲ ﺍﻟﺒﺤﺎﺭ ﺠﻤﻴ ‪‬ﻬﺎ‬ ‫‪ ‬ﻌ‬ ‫ﺒﻐﻤﻭﻀﻬﺎ ﺍﻟﻤﺄﻫﻭل‬ ‫ﺤﻴﻥ ﻴﺭﻭﻕ ﻟﻬﺎ ﺍﻟﺘﺨﻔﻲ‬ ‫ﻓﻲ ﻋﺒﻴﺭ ‪‬ﻫﻴﺭﺓ‬ ‫ﺯ‬ ‫ﻭﻏﺜﺎﺀ ﺴﻴل.‬ ‫ﻭﺴﺘﺴﺘﺩﺭ ﺍﻷﺭﺽ ﻋﻁﻔﻲ‬ ‫‪‬‬ ‫ﱡ‬ ‫ﺤﻴﻥ ﺃﺩﺨل ﻓﻲ ﻤﻌﻴﺔ ﻟﻭﻨﻬﺎ ﺍﻟﺭﻤﺯﻱ‬ ‫ﺃﻏﺴﻠﻬﺎ ﺒﻤﺤﻠﻭل ﺍﻟﺨﺼﻭﺒﺔ‬ ‫ﺜﻡ ﺃﻨﺸﺭﻫﺎ‬ ‫ﻋﻠﻲ ﺤﺒل ﺍﻟﺒﺭﺍﺀﺓ؛ ﻭﺍﻟﺨﻴﺎل.‬ ‫ﺴﺄﻅل ﺃﺭﺤل ﻓﻭﻕ ﺭﻴﺵ ﺍﻟﺸﻌﺭ‬ ‫ﻋﺭﻴﺎﻨﺎ ﻜﻤﺎ ﺍﻷﺴﻤﺎﻙ‬ ‫ﹰ‬ ‫ﺃﻋﺼﺭ ﻓﻲ ﻤﺠﺎل ﺤﻘﻴﻘﺘﻲ‬ ‫ﻋﻨﺏ ﺍﻟﻤﺠﺎﺯ‬ ‫‪‬‬ ‫ﻭﻗﺩ ﺘﻜﻭﻥ ﻤﻠﻴﻜﺘﻲ ﺸﻘﺭﺍﺀ‬ ‫ﺃﻭ ﺤﻤﺭﺍﺀ؛‬ ‫ﺃﻭ ﺼﻔﺭﺍﺀ؛‬ ‫ﺃﻭ ﺴﻭﺩﺍﺀ‬ ‫ﺃﻭ ﻤﺯﺠﺎ ﻫﻼﻤﻴﺎ ﻤﻥ ﺍﻷﻟﻭﺍﻥ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻤﺴﺢ ﻋﻥ ﺘﺭ ﺍﺌﺒﻬﺎ ﺍﻟﻭﺭﺍﺜﺔ‬ ‫ﺜﻡ ﺃﻤﻠﺅﻫﺎ ﺒﻤﺎﺀ ﺍﻟﺯﻫﻭ.‬ ‫ﻗﺩ ﻴﻨﻬﺎﺭ ﺸﺊ ﻤﺎ‬ ‫ﺒﺩﺍﺨل ﻓﻁﻨﺘﻲ‬ ‫ﻓﺄﻤﻭﺕ.‬ ‫- ٣٣ -‬
  34. 34. ‫ﻤﻜﺎﺸﻔﺔ ﺍﻨﻔﻌﺎﻟﻴﺔ‬ ‫ﺍﻟﺠﻤﺎل ﺍﻟﻤﺤ ﱠﻁ‬ ‫ﻨﹸ‬ ‫ُ‬ ‫ﻓﻲ ﻋﻤﻕ ﻫﺫﺍ ﺍﻟﺯﻗﺎﻕ‬ ‫ﺍﻟﺫﻱ ﻴﺘﻠﻭﻯ ﻜﺄﻓﻌﻰ‬ ‫ﻋﻠﻲ ﺯﺒﺩ ﺍﻟﻁﻴﻥ‬ ‫ﻓﻲ ﺍﻟﻘﺭﻴﺔ ﺍﻟﻨﺎﺌﻴﺔ..‬ ‫ﻴﺭﺩﺩ ﻨﻔﺱ ﺍﻟﺴﺅﺍل ﺍﻟﺭﺘﻴﺏ :‬ ‫ﻟﻤﻥ ﺴﺘﻜﻭﻥ ﺒﺭﻭﻓﺔ ﺃﻭل ﻟﺤﻥ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ﺍﻟﺠﺴﺩ ﺍﻟﻌﻨﺒﺭﻱ؟‬ ‫....................................‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﻘﺭﺃ ﺍﻟﻜﻭﻥ‬ ‫‪‬‬ ‫ﻟﻜﻨﻬﺎ ﺒﻴﻥ ﺤﻴﻥ؛ ﻭﺤﻴﻥ‬ ‫ﺘﺅﺠل ﺭﻏﺒﺘﻬﺎ.‬ ‫‪‬ﺭ )ﺸﻡ ﺍﻟﻨﺴﻴﻡ( ﻁﺭﻴﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭ ﱠﻠﻑ ﺒﻌﺽ ﻫﻭﺍﺀ ٍ‬ ‫‪‬‬ ‫ﺨ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ﺍﻟﺠﺴﺩ ﺍﻟﻌﻨﺒﺭﻱ‬ ‫ﺍﻟﻤﻀ ‪‬ﺦ ﺒﺎﻟﺤﺏ ﻫﺎل..‬ ‫ﻤ‬ ‫ﻓﺭﺍﺤﺕ ﺘﻤﺭﻍ ﺭﻏﺒﺘﻬﺎ‬ ‫ﻓﻲ ﺍﻟﻨﺴﻴﻡ ﺍﻟﻌﻠﻴل‬ ‫ﻟﻌل ﺜﻌﺎﺒﻴﻥ ﺭﻏﺒﺘﻬﺎ ﺘﺴﺘﻘﺭ ﻗﻠﻴﻼ.‬ ‫ﹰ‬ ‫ﻭﺠﻭﻩ ﺍﻟﺜﻌﺎﺒﻴﻥ ﻜﺎﻨﺕ ﻤﻌﻠﻘﺔ ً‬ ‫ﻓﻲ ﻏﺼﻭﻥ ﺍﻟﺠﻤﺎل ﺍﻟﻨﺤﻴل..‬ ‫ﺍﻟﺠﻤﺎل ﺍﻟﺫﻱ‬ ‫ُ‬ ‫ﻅل ﻴﻁﻠﺏ ﺤﻕ ﺍﻟﻠﺠﻭﺀ‬ ‫ﺇﻟﻲ ﺍﻟﻤﺩﻥ ﺍﻟﺴﺎﺤﻠﻴﺔ‬ ‫ﻴﻭﻗﻥ ﺃﻥ ﻻ ﻤﻔﺭ‬ ‫ﻤﻥ ﺍﻟﻠﺤﻅﺔ ﺍﻟﻤﻨﻁﻘﻴﺔ..‬ ‫- ٤٣ -‬
  35. 35. ‫.........................................‬ ‫ﻫﻜﺫﺍ ﻅل ﻴﻘﺒﻊ ﻫﺫﺍ ﺍﻟﺠﻤﺎل ﻓﺭﻴﺩﺍ‬ ‫ﹰ‬ ‫ُ‬ ‫ﻜﺠﻭﻫﺭﺓ ٍ ﻓﻲ ﺨﺯﺍﻨﺔ ﺘﺎﺠﺭ ﻗﻁﻥ ﺒﺨﻴل‬ ‫ﺃﻭ ﻜﻨﻘﻭﺩ ﺍﻟﻤﺭﺍﺒﻴﻥ..‬ ‫ﻭﺒﻴﻥ ﻴﺩﻴﻪ ﻟﻐﺎﺕ ُ‬ ‫ﹸ‬ ‫ﺒﻼ ﻜﻠﻤﺎﺕ ٍ‬ ‫ﻴﺅﻟﻔﻬﺎ ﻓﻭﻕ ﻤﻨﻀﺩﺓ ﺍﻟﻭﻫﻡ‬ ‫ﺜﻡ ﻴﺩﺤﺭﺠﻬﺎ ﻟﻠﺨﻴﺎل‬ ‫ﻴﺩﺜﺭﻫﺎ ﺒﺜﻴﺎﺏ ﻤﻥ ﺍﻟﺼﻤﺕ‬ ‫ﺜﻡ ﻴﺩﺤﺭﺠﻬﺎ ﻟﻠﻔﻀﺎﺀ‬ ‫ﺍﻟﺫﻱ ﻗﻴل :‬ ‫ﺇﻥ ﺍﺴﻤﻪ ﺍﻟﻔﻥ..‬ ‫ﻜﺎﻨﺕ ﺘﺭﺘﺏ ﺒﻌﺽ‬ ‫ﺍﻨﻔﻌﺎﻻﺘﻬﺎ ﺍﻟﻌﺎﻁﻔﻴﺔ‬ ‫ﻜﻴﻤﻴﺎﺅﻫﺎ ﺍﻟﺒﺸﺭﻴﺔ‬ ‫ﱠﻠﺕ ﻤﺒﻘﻌﺔ ﺒﻨﺠﻭﻡ ﻤﻥ ﺍﻟﻜﺒﺕ..‬ ‫ﻅ‬ ‫ﻗﺎﻤﺕ ﻟﺘﻐﺴل ﺒﻌﺽ ﺍﻟﺼﺩﺍﻉ‬ ‫‪‬‬ ‫َ‬ ‫ﺒﺘﻔﺭﻴﻎ ﻤﺎﺀ ﺍﻷﻨﻭﺜﺔ‬ ‫ﺭ ﱠﺕ ﻋﻠﻲ ﺍﻟﻤﻠل ﺍﻟﻤﺘﺜﺎﺌﺏ‬ ‫ﺸ‬ ‫ﺒﻌﺽ ﺍﻟﺘﻭﺍﺒل‬ ‫‪‬‬ ‫ﻫﺎﺠﺕ ﺜﻌﺎﺒﻴﻥ ﺭﻏﺒﺘﻬﺎ ﺍﻟﻤﺴﺘﻘﺭﺓ‬ ‫‪‬‬ ‫ﻋﺎﺩ ﺍﻟﺴﺅﺍل ﺍﻟﺭﺘﻴﺏ ﻴﻠﺢ ﻋﻠﻴﻬﺎ :‬ ‫‪‬‬ ‫ُ‬ ‫ﻟﻤﻥ ﺴﺘﻜﻭﻥ ﺒﺭﻭﻓﺔ ﺃﻭل ﻟﺤﻥ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ﺍﻟﺠﺴﺩ ﺍﻟﻌﻨﺒﺭﻱ‬ ‫ﺍﻟﻤ ‪‬ﻠﻕ ﻓﻲ ﻋﻤﻕ ﻫﺫﺍ ﺍﻟﺯﻗﺎﻕ‬ ‫ﻌ‬ ‫ﺍﻟﺫﻱ ﻴﺘﻠﻭﻯ ﻜﺄﻓﻌﻰ‬ ‫ﻋﻠﻲ ﺯﺒﺩ ﺍﻟﻁﻴﻥ‬ ‫ﻓﻲ ﺍﻟﻘﺭﻴﺔ ﺍﻟﻨﺎﺌﻴﺔ؟‬ ‫- ٥٣ -‬
  36. 36. ‫)ﺤﺩﻭﺘﺔ(.. ﻤﺎ ﻗﺒل ﺍﻟﻨﻭﻡ‬ ‫ﻭﻀﻌﺕ ﻗﺭﻴﺘﻨﺎ ﺍﻟﻤﻐﻤﻭﺭﺓ ُ‬ ‫ﺫﺍﺕ ﺼﺒﺎﺡ ﺇﻜﻠﻴﻼ ً‬ ‫ﻤﻥ ﺫﻫﺏ ﺃﺼﻔﺭ.‬ ‫‪‬‬ ‫ﻭﺍﺘﺸﺤﺕ ﺒﻭﺸﺎﺡ ٍ‬ ‫ﻤﻥ ﺨﺯ ﺃﺤﻤﺭ.‬ ‫‪‬‬ ‫ٍ‬ ‫ﻭﺘﺩﻟﻲ ﻤﻥ ﺃﺫﻨﻴﻬﺎ ﻗﺭﻁ ُ‬ ‫ﹸ‬ ‫ﻤﻥ ﻋﺎﺝ ٍ ﺃﺒﻴﺽ.‬ ‫‪‬‬ ‫ﻗﺭﻴﺘﻨﺎ ﺍﻟﺴﻤﺭﺍﺀ ﺒﻠﻭﻥ ﺘﻭﺍﺒﻠﻬﺎ‬ ‫‪‬‬ ‫ﺘﺒﺩﻭ ﻜﻌﺭﻭﺱ ٍ ﻋﺫﺭﺍﺀ‬ ‫ﺫﺍﺕ ﺒﻬﺎﺀ ﻤﻠﻜﻲ ﺨﺎﺹ.‬ ‫ﻤﻠﻤﺴﻬﺎ ﺍﻟﻨﺎﻋﻡ ﻜﻔﺭﺍﺀ ﺍﻟﻘﻁﺔ‬ ‫ﻭﻨﺼﺎﻋﺔ ُ ﻓﻁﺭﺘﻬﺎ ﻜﻌﻴﻭﻥ ﺍﻟﻤﺎﺀ.‬ ‫ﺨﺭﺠﺕ ﻗﺭﻴﺘﻨﺎ...‬ ‫ﻤﻥ ﻗﺭﻴﺘﻨﺎ.‬ ‫ﺭﺍﺤﺕ ﺘﺘﺒﺨﺘﺭ‬ ‫ﻓﻭﻕ ﺜﻌﺎﺒﻴﻥ ﺍﻹﺴﻔﻠﺕ‬ ‫ﺍﻟﻤﻀﻔﻭﺭﺓ ﻓﻲ ﺍﻟﻤﺩﻥ ﺍﻟﺤﺒﻠﻰ‬ ‫ﺒﺎﻟﺒﺎﻋﺔ؛ ﻭﺍﻷﺴﻭﺍﻕ.‬ ‫ﺍﺤﺘﺸﺩ ﺤﻭﺍﻟﻴﻬﺎ ﺍﻟﻨﺨﺎﺴﻭﻥ..‬ ‫ﺃﻏﺭﺍﻫﺎ ﺍﻷﻭل‬ ‫ُ‬ ‫ﺒﻬﺩﺍﻴﺎ ﻤﻥ ﺩﻫﻥ ﺍﻟﺤﻭﺕ‬ ‫ﻭﻗﻨﻴﻨﺔ ﺨﻤﺭ ٍ‬ ‫ﻤﻥ ﻋﺼﺭ)ﺍﻟﺒﺎﺭﻭﻨﺎﺕ.(‬ ‫ﻭﺍﻟﺜﺎﻨﻲ‬ ‫- ٦٣ -‬
  37. 37. ‫ﺒﺸﺭﺍﺌﺢ ﻤﻥ ﺴﻤﻙ ﺍﻟﺘﻭﻨﺔ‬ ‫ﻭﻨﺒﻴﺫ ﻋﺘﻘﻪ ﻓﻲ ﻗﺒﻭ‬ ‫ٍ‬ ‫ﻜﺎﻥ ﻗﺩﻴﻤﺎ ً ﺴﺠﻨﺎ ﻟﻠﺜﻭﺍﺭ.‬ ‫ﻭﺍﻟﺜﺎﻟﺙ‬ ‫ﺒﻔﺭﺍﺀ ﺍﻟﺜﻌﻠﺏ‬ ‫ﻭﺃﺴﺎﻭﺭ ﻜﺎﻨﺕ ﻷﻤﻴﺭﺍﺕ ﺍﻟﺒﺎﺏ ﺍﻟﻌﺎﻟﻲ‬ ‫ﻓﻲ ﻋﺼﺭ ﺍﻟﻤﻠﻙ ﺍﻟﻘﺭﺼﺎﻥ.‬ ‫ﺴﺎﻕ ﺇﻟﻴﻬﺎ ﺍﻟﺭﺍﺒﻊ‬ ‫ﺯﻤﺭﺓ ﺃﻗﺯﺍﻡ ﻜﺎﻟﻘﺭﺩﺓ؛‬ ‫ﻭﻋﻘﻭﺩﺍ ً ﻤﻥ ﺃﻟﻤﺎﺱ‬ ‫ﺘﺸﺒﻪ ﺤﺏ ﺍﻟﺭﻤﺎﻥ.‬ ‫ﺸﺭﺒﺕ ﻗﺭﻴﺘﻨﺎ‬ ‫ﻜﺄﺴﺎ ﻤﻥ ﺨﻤﺭ ﺍﻟﻤﺩﻨﻴﺔ..‬ ‫ﺭﺍﺤﺕ ﺘﺘﺭﻨﺢ ﺒﻴﻥ ﺍﻟﻨﺨﺎﺴﻴﻥ‬ ‫ﻜﻐﺎﻨﻴﺔ ﻏﺠﺭﻴﺔ..‬ ‫ﻜﺎﺩﺕ ﺘﺴﻘﻁ‬ ‫ﻓﻲ ﺍﻟﺸﺭﻙ ﺍﻟﻤﻨﺼﻭﺏ ﻟﻬﺎ..‬ ‫ﻟﻜﻨﻲ ﺃﺩﺭﻜﺕ ﺍﻟﺨﺩﻋﺔ..‬ ‫ﻓﺄﻨﺎ ﺃﻋﺭﻑ ﻗﺭﻴﺘﻨﺎ.‬ ‫ﻟ ‪‬ﺤﺕ ﻟﻬﺎ ﻋﻥ ‪‬ﻌﺩ ٍ ﺒﺎﻟﻜﺤل ِ‬ ‫ﺒ‬ ‫ﻭ‬ ‫ﻭﺭﺍﺌﺤﺔ ﺍﻟﻜﻤﻭﻥ ﺍﻟﻤﻁﺤﻭﻥ‬ ‫ﻭﺯﻴﺕ ﺍﻟﺯﻴﺘﻭﻥ؛ ﻭﻜﻭﺏ ﺍﻟﻘﺭﻓﺔ‬ ‫ﻭﺍﻟﺸﺎﻱ ﺍﻟﻤﻐﻠﻲ؛ ﻭﻅل ﺍﻟﺼﻔﺼﺎﻓﺔ‬ ‫ﻭﺘﻤﺎﻴل ﺃﻋﻭﺍﺩ ﺍﻟﺒﺭﺴﻴﻡ؛‬ ‫ﻭﻋﺭﻕ ﺍﻟﻔﻼﺤﻴﻥ‬ ‫ﻭﺃﻗﺭﺍﺹ ﻤﻥ ﺭﻭﺙ ﺍﻟﺒﻘﺭ ﺍﻟﻤﺘﻌﺏ ﻤﺨﻠﻭﻁﺎ ً ﺒﺎﻟﺘﺒﻥ..‬ ‫- ٧٣ -‬
  38. 38. ‫ﺒﺄﺭﻴﺞ ﺍﻟﺨﺒﺯ ﺍﻟﺴﺎﺨﻥ‬ ‫ﻭﺭﻏﻴﻑ ﻴﺨﺭﺝ ﻤﻥ ﺘﻨﻭﺭ ﺍﻟﺠﺩﺓ ﻜﺎﻟﺒﺩﺭ ﺍﻟﺴﺎﻁﻊ.‬ ‫ﺴﺎل ﻟﻌﺎﺏ ﺍﻟﻘﺭﻴﺔ..‬ ‫‪‬‬ ‫ﻋﺎﺩﺕ ﻤﺴﺭﻋﺔ ً ﻓﻲ ﻨﻬﻡ ٍ‬ ‫ﺭﺍﺤﺕ ﺘﻐﺴل ﺨ ﹼﻴﻬﺎ‬ ‫ﹸﻔ‬ ‫ﻓﻲ ﻤﺎﺀ ﺍﻟﻨﺒﻊ ﺍﻟﺭﺍﺌﻕ.‬ ‫ﺒﻌﺩ ﺍﻟﻤﻐﺭﺏ..‬ ‫ﻜﺎﻨﺕ ﻗﺭﻴﺘﻨﺎ ﺘﺤﻜﻲ ﻟﻲ‬ ‫ﻋﻥ ﺼﻭﺭ؛‬ ‫ٍ‬ ‫ﻭﺭﺴﻭﻡ ٍ ﻫﺯﻟﻴﺔ..‬ ‫ﻭﻗﺭﻱ ﻜﻨﺴﺎﺀ ٍ‬ ‫ﻴﻌﺭﻀﻥ ﻋﻠﻲ ﻤﺎﺌﺩﺓ ﺍﻟﺒﻴﻊ..‬ ‫ﻜﺎﻨﺕ )ﺤﺩﻭﺘﺔ( ﻤﺎ ﻗﺒل ﺍﻟﻨﻭﻡ ﺍﻟﻠﻴﻠﺔ‬ ‫ﻜﺎﻟﻜﺎﺒﻭﺱ..‬ ‫ﻭﻟﻬﺫﺍ..‬ ‫ﺨﺎﺼﻡ ﺠﻔﻨﻲ ﺍﻟﻨﻭﻡ.‬ ‫- ٨٣ -‬
  39. 39. ‫ﻭﺭﻁﺔ ﻤﺤﺭﺠﺔ‬ ‫ﺭﺍﺡ ﻴﻌﺼﺭ ﻤﻥ ﻋﺼﺏ ﺍﻟﺸﻌﺭ ﺯﻴﺘﺎ‬ ‫ﹰ‬ ‫ﻴﺩﹼﻙ ﺼﺩﺭ ﺍﻟﺨﻴﺎل‬ ‫ﻟ‬ ‫ﻭﻴﺴﺘﻘﻁﺭ ﺍﻟﺤﻠﻡ ﻓﻲ ﻗﻨﻴﻨﺔ ﺍﻟﻘﻠﺏ‬ ‫ﺤ ‪‬ﺹ ﺘﻔﻌﻴﻠﺔ ً ﺘﻠﻭ ﺃﺨﺭﻱ‬ ‫ﻤ‬ ‫ﻋﻠﻲ ﻟﻬﺏ ﺍﻟﺤﺯﻥ..‬ ‫ﻭﺍﺴﺘﺒﻁﻥ ﺍﻟﻬﻡ..‬ ‫ﻭﺍﺴﺘ ﱠﻭﺭ ﺍﻟﺩﻡ.....‬ ‫‪‬‬ ‫ﻐ‬ ‫ﻗﺎل : ﻟﻤﺎﺫﺍ ﻴﻘﻴﺴﻭﻥ ﻨﺨﻭﺘﻬﻡ‬ ‫ﺒﻘﻴﺎﺱ ﺍﻟﺤﺭﺍﺭﺓ؟‬ ‫ﺤﻤﻲ ﺍﻟﺯﻋﺎﻤﺔ ﺘﻘﺘﺎﺕ ﻓﺘﻴﺎﻨﻬﻡ..‬ ‫ﻭﺍﻟﻤﺭﻭﺀﺓ ُ..‬ ‫ﻜﻴﻑ ﹸﻘﺎﺱ ﺍﻟﻤﺭﻭﺀﺓ ﺒﺎﻟﺒﻠﻁﺠﺔ؟‬ ‫ﹸ‬ ‫ﺘ‬ ‫ﺇﻨﻬﺎ ﻭﺭﻁﺔ ُ ُ ﻤﺤﺭﺠﺔ.‬ ‫ﻭﺍﻟﻔﺨﺎﻤﺔ ُ..‬ ‫ﻜﻴﻑ ﺘﻜﻭﻥ ﺍﻟﻔﺨﺎﻤﺔ ُ‬ ‫ﺃﻥ ﻴﺼﺒﺢ ﺍﻟﻤﺭﺀ ﻤﺜل )ﺍﻟﻜﺭﻨﺒﺔ(‬ ‫ﺭﺃﺱ ُ ﺩﻗﻴﻕ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺠﺴﺩ ﻜﺭﻭﻱ َّ‬ ‫ﻭﺴﺎﻗﻴﻥ ﺨﻴﻁﻴﻥ..‬ ‫ﻗﺎل:‬ ‫ﺍﻟﻘﺼﻴﺩﺓ ﻗﺩ ﺘﺭﺘﺩﻱ ) ‪‬ﺭﻗﻌﺎ ً(‬ ‫ﺒ‬ ‫ﻭﻻ ﺘﻠﺒﺱ)ﺍﻻﺴﺘﺭﻴﺘﺵ(‬ ‫ﻭﻻ ﺒﺯﺓ ﺍﻟﺭﻗﺹ..‬ ‫- ٩٣ -‬
  40. 40. ‫ﻗﺎل...‬ ‫َ‬ ‫ﻭﻟﻡ ﻴﻜﻤل ﺍﻟﻘﻭل..‬ ‫ﻓﺎﻟﺠﻭﻉ ُ؛‬ ‫ﻭﺍﻟﻔﺸل ﺍﻟﻜﻠﻭﻱ‬ ‫ُ‬ ‫ﻭﻫﺫﺍ ﺍﻟﻁﻨﻴﻥ ﺍﻟﻠﻌﻴﻥ ﺒﺄﺫﻨﻴﻪ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﺎﺩﻭﺍ ﺠﻤﻴﻌﺎ ﺇﻟﻴﻪ.‬ ‫ﻓﻔﻀل ﺃﻥ ﻴﻨﺴﺤﺏ.‬ ‫ﺘﺎﺭﻜﺎ ً ﻟﻠﺯﻋﺎﻤﺔ ﻓﺭﺼﺘﻬﺎ‬ ‫ﻜﻲ ﺘﻬﺯ ﺍﻟﻨﺨﻴل؛ ﺍﻟﺒﺨﻴل‬ ‫ﻋﺴﻲ ﺃﻥ ﻴ ‪‬ﺥ َﻋﻠﻴﻬﺎ ﺍﻟﺭﻁﺏ.‬ ‫ﺯ‬ ‫- ٠٤ -‬
  41. 41. ‫ﺍﻟﻘﻁﺭﺓ.. ﺃﻡ ﺍﻟﻤﺎﺀ‬ ‫ﻟﻠﻴل ﻁﻴﻭﺭ ُ؛‬ ‫‪‬‬ ‫ﻭﻓﺭﺍﺸﺎﺕ ُ ُ‬ ‫ﻭﻨﺴﺎﺀ ُ ﻴﺘﻀﺎﺤﻜﻥ؛‬ ‫‪‬‬ ‫ﻭﻴﺘﺒﺎﻜﻴﻥ‬ ‫ﻭﺃﺴﺭﺍﺭ ُ ﻁﺎﻋﻨﺔ ُ ﻓﻲ ﺍﻟﺴﻥ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺃﺴﺭﺍﺭ ُ ﺃﻁﻔﺎل..‬ ‫‪‬‬ ‫***‬ ‫ﺨﺭﺝ ﺍﻟﻠﻴل ﺴﻌﻴﺩﺍ،‬ ‫ﹰ‬ ‫ُ‬ ‫ﻤﻥ ﺘﺤﺕ ﻗﻤﻴﺹ ﺍﻟﺘﻜﻭﻴﻥ..‬ ‫ﺍﻟﻠﻴل ﻨﺒﻭﺀﺓ ﻋﺭﺍﻓﻴﻥ..‬ ‫ﹸ‬ ‫ُ‬ ‫‪‬ﺘﺤ ﹸ ﺃﺼﺩﺍﻑ..‬ ‫ﻤ ﻑ‬ ‫ﺩﻜﺎﻥ ‪‬ﻠﻲ ﻟﻠﺤﻭﺭ ﺍﻟﻌﻴﻥ..‬ ‫‪‬ﺤ ‪‬‬ ‫ﻗﻁﺭﺓ ﻤﺎﺀ ٍ‬ ‫ﹸ‬ ‫ﺘﺘﻌﻠﻕ ﻓﻲ ﺭﻗﺒﺔ ﺯﻫﺭﺓ.‬ ‫ﺍﻟﻘﻁﺭﺓ ﺒﺤﺭ ُ ﻤﺨﺘﺼﺭ ُ..‬ ‫‪‬‬ ‫ﹸ ‪‬‬ ‫ﻻ ﺘﺴﺘﺼﻐﺭ ﺘﻠﻙ ﺍﻟﻘﻁﺭﺓ.‬ ‫ﻓﺎﻟﺒﺤﺭ ﺘﺭ ‪‬ل ﻋﻥ ﻅﻬﺭ ﺍﻟﺭﻤل؛‬ ‫‪ ‬ﺠ‬ ‫ﻭﺼﺎﺡ ﺒﻬﺎ ﻤﻨﺩﻫﺸﺎ :‬ ‫ﹰ‬ ‫ﻴﺎ ﺃﻴﺘﻬﺎ ﺍﻟﻤﺭﺃﺓ ُ...‬ ‫ﻴﺎ ﺃﻡ ﺍﻟﻤﺎﺀ..‬ ‫‪‬‬ ‫ﺍﻟﺒﺤﺭ ﻴ ﹼﻠﺏ ﻋﻴﻨﻴﻪ‬ ‫‪ ‬ﻘ‬ ‫ﺒﻜل ﻨﺴﺎﺀ ﺍﻷﺭﺽ‬ ‫ﻭﺘﻅل ﺍﻷﻡ ُﻫﻲ ﺍﻷﺠﻤل‬ ‫ﺤﺘﻰ ﻟﻭ ﻜﺎﻨﺕ ﺸﻭﻫﺎﺀ.‬ ‫- ١٤ -‬
  42. 42. ‫ﺁﻩ.. ﻤﺎ ﺃﺒﻌﺩﻨﺎ ﻋﻥ ﺴﺭ ﺍﻟﻠﻴل‬ ‫ﺒﺂﺜﺎﻡ ﺍﻟﻌﻤﺭ..‬ ‫ﻭﻴﺎ ﺃﺴﻔﺎ..‬ ‫ﺤﻴﻥ ﺘﺒﻴﺽ ﺍﻟﻔﺭﺤﺔ ﻓﻴﻨﺎ‬ ‫ﺨﺠﻼ ًﻤﻥ ﻨﻭﻉ ﻤﺎ..‬ ‫ﻓﻠﻜل ﻁﻌﺎﻡ ﺠﻭﻉ ﻴﻁﻠﺒﻪ‬ ‫ﻴﺠﻌﻠﻪ ﺍﻷﺸﻬﻲ..‬ ‫ﻟﻜ ﱠﺎ.. ‪‬ﺤﺯ ﱠﺎ ﺃﻻ ﻨﺄﻜل ﻓﻲ ﺒﻁﻨﻴﻥ.‬ ‫ﻨ ﻴ ﻨ‬ ‫)ﻓﺭﺍﻏﺔ ُ ﻋﻴﻥ(.‬ ‫- ٢٤ -‬
  43. 43. ‫ﻴﻭﻡ، ﺒﻴﻭﻡ... ﻭﻻ ﻴﺒﻐﻴﺎﻥ‬ ‫ﻫﻲ ﺍﻷﺭﺽ ﻏﺎﻓﻴﺔ ُ ُ‬ ‫‪‬‬ ‫ﻓﻲ ﻓﺭﺍﺵ ﺍﻟﺫﻴﻥ ﺘﻨﺎﺴﻭﺍ..‬ ‫ﻭﻤﺎ ﺃﺴﺭﺠﻭﺍ ﺨﻴﻠﻬﻡ،‬ ‫ﻗﺎﺼﺩﻴﻥ ﺍﻟﺴﻤﺎﺀ‬ ‫ﺍﻟﺘﻲ ﻀﻴﻌﺕ ﻨﺠﻤﻬﻡ‬ ‫ﻓﻲ ﻤﻬﺏ ﺍﻟﺨﻴﺎل.. ﺍﻟﻤﺤﺎل.‬ ‫ﻓﻼ ﺘﺘﺭﻜﻭﺍ ﺍﻟﻨﺠﻡ ﻴﺄﻓل‬ ‫ﺤﺘﻰ ﻴﻔﻴﻕ ﻤﻥ ﺍﻟ ‪‬ﻜﺭ‬ ‫ﺴ ِ‬ ‫ﺜﻡ ﻴﻔﺊ ﺇﻟﻲ ﻨﻔﺴﻪ..‬ ‫ﻭﺍﺴﺄﻟﻭﻩ :‬ ‫ﺃﺩﺍﺭﺕ ﻋﻠﻴﻪ ﺍﻟﺠﻬﺎﺕ؟‬ ‫ﹸ‬ ‫ﺃﻡ ﺍﺴﺘﻴﻘﻅ ﺍﻟﺤﻠﻡ ُ؛‬ ‫ﻭﺍﺴﺘﺤﻠﻤﺕ ﻴﻘﻅﺘﺎﻥ؟‬ ‫ﺃﻡ ﺍﻟﺒﺎل ﻤﻨﺸﻐل ُ‬ ‫ُ‬ ‫ُ‬ ‫ﺒﺄﺒﺎﻁﻴل ﻴﻭﻡ ﻤﻀﻲ‬ ‫ﻭﻴﻭﻡ ﻴﺠﺊ ﺒﻼ ﺫﺍﻜﺭﺓ..‬ ‫ﻓﻴﻭﻡ ُ ﺒﻴﻭﻡ ٍ؛ ﻭﻻ ﻴﺒﻐﻴﺎﻥ.‬ ‫‪‬‬ ‫- ٣٤ -‬

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