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   @ Þ…bÇ@ïãbç
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﻡ١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ ............................. - ٥ -‬ ‫ﻡ٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻑ ﺍﻷﻁﻔﺎل( ............... - ٩ -‬ ‫ﻡ٣ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻷﺏ ﻭ ﺍﻷﻡ( ........- ١١ -‬ ‫ﻡ٤ - ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ....................- ٣١ -‬ ‫ﻡ٥ – ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ....................- ٥١ -‬ ‫ﻡ٦ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ – ﺒﻌﺩ ﺯﻤﻥ.......- ٦١ -‬ ‫ﻡ٧ - ﻟﻴل/ ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ......................- ٧١ -‬ ‫ﻡ٨ - ﻟﻴل/ ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ﺒﻌﺩ ﺯﻤﻥ ﻗﺼﻴﺭ - ٨١ -‬ ‫ﻡ٩ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ( ............- ١٢ -‬ ‫ﻡ٠١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ......................- ٥٢ -‬ ‫ﻡ١١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ( ...........- ٧٢ -‬ ‫ﻡ٢١ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﻓﺼل ﻓﻲ ﻤﺩﺭﺴﺔ ﺍﺒﺘﺩﺍﺌﻲ ......................- ٠٣ -‬ ‫ﻡ٣١ - ﻨﻬﺎﺭ/ﺨﺎﺭﺠﻲ ﺸـــﺎﺭﻉ ....................................- ٦٣ -‬ ‫ﻡ٤١ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ)ﻏﺭﻓﺔ ﻨﻭﻡ ﺠﻤﻴﻠﺔ(............- ٨٣ -‬ ‫ﻡ٥١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ ................................- ٠٤ -‬ ‫ﻡ٦١ - ﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ )ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩ( ..............- ١٤ -‬ ‫ﻡ٧١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ)ﺍﻟﺼﺎﻟﺔ( ...............- ٣٤ -‬ ‫ﻡ٨١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ( .....- ٤٤ -‬ ‫ﻡ٩١ – ﻤﺸﻬﺩ ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ .............................................- ٧٤ -‬ ‫-٣-‬
‫ﻡ٠٢ - ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ..............................- ٨٤ -‬ ‫ﻡ١٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺤﺩﻴﻘﺔ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ ..................- ٩٤ -‬ ‫ﻡ٢٢ – ﺩﺍﺨﻠﻲ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ( .....................- ٢٥ -‬ ‫ﻡ٣٢ - ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺒﺎﻟﻔﻴﻼ .......................................- ٣٥ -‬ ‫ﻡ٤٢ - ﺩﺍﺨﻠﻲ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻤﻜﺘﺏ( ...................- ٤٥ -‬ ‫ﻡ٥٢ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸـــﺎﺭﻉ .......................................- ٧٥ -‬ ‫ﻡ٦٢ - ﻟﻴل/ﺨﺎﺭﺠﻲ ﺸﺎﺭﻉ ﺁﺨﺭ .....................................- ٩٥ -‬ ‫ﻡ٨٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ .............................- ٤٦ -‬ ‫-٤-‬
‫ﻡ١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻅﻼﻡ.. ﻋﻭﺩ ﺜﻘﺎﺏ ﻴﺸﺘﻌل.. ﺘﻤﺴـﻙ ﺒـﻪ ﻴـﺩ ﻋﺠـﻭﺯ‬ ‫−‬ ‫ﻤﺭﺘﻌﺸﺔ.. ﻴﺘﺠﻪ ﺒﻬﺎ ﻨﺤﻭ ﺸـﻤﻌﻪ ﻜﺒﻴـﺭﺓ.. ﻴﺸـﻌﻠﻬﺎ..‬ ‫ﻴﺤﻤﻠﻬﺎ ﻭ ﻴﺴﻴﺭ ﺒﻬﺎ..‬ ‫ﻋﻠﻰ ﻀﻭﺀ ﺍﻟﺸﻤﻌﺔ ﺍﻟﺨﺎﻓﺕ ﻨﺭﻯ ﺠﺴﺩ ﺭﺠل ﻋﺠﻭﺯ ﻻ‬ ‫−‬ ‫ﺘﻅﻬﺭ ﻤﻼﻤﺢ ﻭﺠﻬﻪ.. ﻴﺭﺘﺩﻱ ﺭﻭﺏ ﺜﻘﻴل.. ﻓـﻲ ﻴـﺩﻩ‬ ‫ﻋﺼﺎ ﻴﺘﻜﺊ ﻋﻠﻴﻬﺎ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﺘﺜﺎﻗﻼ ﺒﻴﻥ ﺠﻨﺒﺎﺕ ﻏﺭﻓﺔ‬ ‫ﻤﻜﺘﺏ ﺫﺍﺕ ﺃﺜﺎﺙ ﻤﺘﻤﻴﺯ ﻗﺩﻴﻡ.. ﻴﺼل ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﺇﻟـﻰ‬ ‫ﻤﻜﺘﺒﺔ ﻜﺒﻴﺭﺓ..‬ ‫ﻴﺘﺭﻙ ﻋﺼﺎﻩ ﻤﺘﺄﻟﻤﺎ.. ﻴﺘﻜﺊ ﻋﻠﻰ ﺭﻑ ﺍﻟﻜﺘﺏ ﺒﻴﺩ ﺤﺎﻤﻼ‬ ‫−‬ ‫ﺍﻟﺸﻤﻌﺔ ﻓﻲ ﻴﺩﻩ ﺍﻷﺨﺭﻯ ﺍﻟﻤﺭﺘﻌﺸـﺔ.. ﻴﺤﺭﻜﻬـﺎ ﺃﻤـﺎﻡ‬ ‫ﻋﻨﺎﻭﻴﻥ ﺍﻟﻜﺘﺏ )ﺒﺎﺤﺜﺎ ﻋﻥ ﻜﺘﺎﺏ ﻴﻘﺭﺃﻩ(..‬ ‫-٥-‬
‫: ﻤﺎ ﻋﺭﻓﺘﺵ ﺃﻋﻤل ﺇﻴـﻪ ﻟﻤـﺎ ﺍﻟﻨـﻭﺭ‬ ‫ﺼﻭﺘﻪ )ﺫﻭ ﺍﻟﻌﻤﻕ(‬ ‫ﺇﻨﻘﻁﻊ.. ﺤﺎﻭﻟﺕ ﺃﻨﺎﻡ.. ﻟﻜﻥ.. ﻤـﺎﻓﻴﺵ‬ ‫ﻓﺎﻴﺩﺓ.‬ ‫ﺒﺎﻟﺸﻤﻌﺔ ﻴﻤﺭ ﺃﻤﺎﻡ ﻜﺘﺎﺏ ﺒـﻼ ﻋﻨـﻭﺍﻥ )ﺍﻟﻭﺤﻴـﺩ ﺒـﻼ‬ ‫−‬ ‫ﻋﻨﻭﺍﻥ(.. ﻻ ﻴﻬﺘﻡ.. ﻴﻠﺘﻘﻁ ﻋﺼﺎﻩ.. ﻴﺒﺘﻌﺩ ﻤﺸﻴﺭﺍ ﺒﻴﺩﻩ ﻓﻲ‬ ‫ﻀﻴﻕ ﻭﺤﻨﻕ..‬ ‫: ﻟﻴﻠﻪ ﻤﻤﻠﺔ.. ﺍﻟﺴﻥ ﻭﺍﻟﻭﺤﺩﺓ ﺨﻼﻨﻲ ﺃﻗـﺭﺍ‬ ‫ﺼﻭﺘﻪ‬ ‫ﻜل ﺍﻟﻠﻰ ﻜﻨﺕ ﺒﺄﻜﺭﻩ ﻗﺭﺍﻴﺘﺔ..ﻤﺎ ﺒﻘﺎﺵ ﻓﻴـﻪ‬ ‫ﺤﺎﺠﺔ ﻤﺎ ﻗﺭﺘﻬﺎﺵ.‬ ‫ﺒﻌﺩ ﺨﻁﻭﺓ ﺃﻭ ﺨﻁﻭﺘﻴﻥ ﻴﺘﻭﻗﻑ )ﺘﺫﻜﺭ ﺸﻴﺌﺎ(.. ﻴﻌﻭﺩ ﺇﻟﻰ‬ ‫−‬ ‫ﺭﻑ ﺍﻟﻜﺘﺏ.. ﻴﺭﻓﻊ ﺸﻤﻌﺘﻪ ﻤﺭﺓ ﺃﺨﺭﻯ ﺃﻤﺎﻡ ﺫﻟﻙ ﺍﻟﻜﺘﺎﺏ‬ ‫ﺍﻟﺫﻱ ﻻ ﻴﺤﻤل ﻋﻨﻭﺍﻨﺎ ﻭﻴﺘﻭﻗﻑ ﻋﻨﺩﻩ..‬ ‫: ﻟﻜﻥ.. ﻤﺎ ﺃﻋﺭﻓﺵ ﺇﻴﻪ ﺍﻟﻠﻰ ﺸﺩﻨﻲ ﻟﻠﻜﺘﺎﺏ‬ ‫ﺼﻭﺘﻪ‬ ‫ﺩﻩ.. ﻤﺎﻟﻭﺵ ﻋﻨﻭﺍﻥ ﻟﻜﻥ ﻜـﺄﻨﻲ.. ﻜـﺄﻨﻲ‬ ‫ﺒﺄﺴﻤﻌﺔ ﺒﻴﻨﺎﺩﻴﻨﻲ.‬ ‫ﻴﺘﺭﻙ ﻋﺼﺎﻩ.. ﻴﻤﺩ ﻴﺩﻩ ﻴﺨﺭﺝ ﺍﻟﻜﺘﺎﺏ ﻤﻥ ﻭﺴﻁ ﺍﻟﻜﺘـﺏ‬ ‫−‬ ‫ﺍﻟﻜﺜﻴﺭﺓ.. ﻴﻤﺴﻜﻪ ﻓﻲ ﻨﻔﺱ ﺍﻟﻴﺩ ﺍﻟﻤﻤﺴﻜﺔ ﺒﺎﻟﻌﺼﺎ..‬ ‫-٦-‬
‫ﻴﺴﻴﺭ ﺒﻪ ﻤﺘﺜﺎﻗﻼ ﻨﺤﻭ ﻜﺭﺴﻲ ﻜﺒﻴﺭ ﻋﻠﻴﻪ ﺒﻁﺎﻨﻴﺔ ﺒﺠـﻭﺍﺭ‬ ‫−‬ ‫ﻨﺎﻓﺫﺓ ﻤﻐﻠﻘﺔ ﺍﻟﻨﻭﺍﻓﺫ ﻋﻠﻴﻬﺎ ﺴﺘﺎﺭﺓ ﻗﺩﻴﻤـﺔ.. ﻭ ﺒﺠـﻭﺍﺭﻩ‬ ‫ﻁﺎﻭﻟﺔ ﺼﻐﻴﺭﺓ ﻋﻠﻴﻬﺎ ﻨﻅﺎﺭﺓ ﻭ ﺃﺒﺎﺠﻭﺭﺓ.. ﻴﻀﻊ ﻋﻠﻴﻬـﺎ‬ ‫ﺍﻟﺸﻤﻌﺔ..‬ ‫ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻜﺭﺴﻲ.. ﻴﻀﻊ ﺒﻁﺎﻨﻴﺔ ﺜﻘﻴﻠﺔ ﻋﻠﻰ ﻗﺩﻤﻴﻪ..‬ ‫−‬ ‫ﻴﻠﺘﻘﻁ ﻨﻅﺎﺭﺘﻪ..‬ ‫ﺒﻴﺩﻩ ﺍﻟﻤﺭﺘﻌﺸﺔ ﻴﻀـﻌﻬﺎ ﻋﻠـﻰ ﻋﻴﻨﻴـﺔ ﺩﻭﻥ ﺃﻥ ﻨـﺭﻯ‬ ‫−‬ ‫ﻭﺠﻬﻪ..‬ ‫ﻴﻤﺴﻙ ﺍﻟﻜﺘﺎﺏ.. ﻴﻤﺴﺢ ﺍﻟﺘﺭﺍﺏ ﻤﻥ ﻓﻭﻗﻪ.. ﻴﻘﻠﺒﻪ ﻴﻤﻴﻨـﺎ‬ ‫−‬ ‫ﻭﻴﺴﺎﺭﺍ ﻤﺘﻌﺠﺒﺎ..‬ ‫: ﺃﻨ ـﺎ ﻤ ـﺎ ﺍﺸ ـﺘﺭﺘﺵ ﺍﻟﻜﺘ ـﺎﺏ ﺩﻩ..ﻤ ـﺎ‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ ـ‬ ‫ﺼﻭﺘﻪ‬ ‫ﻴﻬﻤﺵ..ﺤﺄﻓﺘﺤﺔ.‬ ‫ﻴﻔﺘﺢ ﺍﻟﻜﺘﺎﺏ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻟﻨـﺭﻯ ﻓـﻲ ﺼـﻔﺤﺎﺘﻪ‬ ‫−‬ ‫ﺍﻟﺩﺍﺨﻠﻴﺔ ﺍﻟﻤﺘﺂﻜﻠﺔ ﺍﻟﺘﻲ ﻴﻅﻬﺭ ﻤـﻥ ﺸـﻜﻠﻬﺎ ﺸـﺩﺓ ﻗـﺩﻡ‬ ‫ﺍﻟﻜﺘﺎﺏ..‬ ‫ﻋﻨﻭﺍﻥ ﻜﺒﻴﺭ ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺼﻔﺤﺔ )ﻭﻤـﺎ ﺯﻟـﺕ ﺘﻠـﻙ‬ ‫ِ‬ ‫−‬ ‫ﺍﻷﻨﺜﻰ(..‬ ‫: )ﻤﺘﻌﺠﺒﺎ( ﻭﻤﺎ ﺯﻟﺕ ﺘﻠﻙ ﺍﻷﻨﺜﻰ!‬ ‫ﺼﻭﺘﻪ‬ ‫-٧-‬
‫ﻴﻘﻠﺏ ﺍﻟﺼﻔﺤﺔ.. ﻴﺠﺩ ﻋﻨﻭﺍﻨﺎ ﺁﺨﺭ ﻤﻜﺘﻭﺒﺎ ﺒﺨﻁ ﺼـﻐﻴﺭ‬ ‫−‬ ‫ﻓﻲ ﻭﺴﻁ ﺍﻟﺼﻔﺤﺔ )ﻗﺼﺔ ﺇﻨﺴﺎﻥ(.‬ ‫: ﻗﺼﺔ ﺇﻨﺴﺎﻥ!‬ ‫ﺼﻭﺘﻪ‬ ‫ﻨﻘﺘﺭﺏ ﻤﻨﻪ ﻓﻲ ﻫﺩﻭﺀ ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﺎﻟﻜﺘﺎﺏ ﻓﻲ ﺍﻫﺘﻤـﺎﻡ‬ ‫−‬ ‫ﻴﻘﻠﺏ ﺍﻟﺼﻔﺤﺔ ﺍﻟﺘﺎﻟﻴﺔ ﻓﻲ ﺘﺭﻗﺏ.. ﻴﻤﺴﻙ ﺒﺎﻟﻜﺘﺎﺏ ﺠﻴﺩﺍ ﻭ‬ ‫ﻴﺒﺩﺃ ﻓﻲ ﻗﺭﺍﺀﺘﻪ ﻓﻲ ﺘﻤﻌﻥ..‬ ‫: ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ..ﻤﻨﺫ ﺯﻤﻥ ﺒﻌﻴﺩ..ﺍﺴﺘﻴﻘﻅ‬ ‫ﺼﻭﺘﻪ‬ ‫ﺇﻨﺴﺎﻥ ﻟﺘﺒﺩﺃ ﻗﺼﺔ..‬ ‫ﺘﻼﺸﻲ..‬ ‫-٨-‬
‫ﻡ٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻑ ﺍﻷﻁﻔﺎل(‬ ‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻲ ﻫﺩﻭﺀ ﺘﺎﻡ.‬ ‫−‬ ‫ﻏﺭﻓﺔ ﺃﻁﻔﺎل ﻤﺘﻭﺴﻁﺔ ﺍﻟﺤـﺎل ﺨﻔﻴﻔـﺔ ﺍﻹﻀـﺎﺀﺓ ﺒﻬـﺎ‬ ‫−‬ ‫ﺴﺭﻴﺭﻴﻥ.. ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻤﻥ ﺍﻟﺴﻜﻭﻥ ﺍﻟﺘﺎﻡ..‬ ‫)ﻨﺴﻤﻊ ﺼﻭﺕ ﻫﻤﺴﺎﺕ ﺤﺸﺩ ﻜﺒﻴﺭ ﻤﻥ ﺍﻟﻨﺎﺱ(‬ ‫ﻭﺠﻪ ﻁﻔل ﻨﺎﺌﻡ)ﺃﺤﻤﺩ ٧ﺴﻨﻭﺍﺕ(.. ﺒﺠﻭﺍﺭﻩ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ‬ ‫−‬ ‫ﺍﻵﺨﺭ.. ﻭﺠﻪ ﻁﻔل ﺁﺨﺭ ﻨﺎﺌﻡ ﺼﺎﺒﺭ )٠١ ﺴﻨﻭﺍﺕ(..‬ ‫)ﺼﻭﺕ ﺍﻟﻬﻤﺴﺎﺕ ﻴﻌﻠﻭ ﻤﻌﺒﺭﺍ ﻋﻥ ﺍﻟﺤﺯﻥ(‬ ‫ﺼﺎﺒﺭ ﻴﻔﺘﺢ ﻋﻴﻨﻴﺔ ﻓﻲ ﺒﻁﺊ.. ﻋﻠﻰ ﻭﺠﻬـﻪ ﻋﻼﻤـﺎﺕ‬ ‫−‬ ‫ﺍﺴﺘﻐﺭﺍﺏ ﻨﺘﺒﻴﻥ ﻤﻥ ﺨﻼﻟﻬﺎ ﺒﺭﺍﺀﺓ ﻤﻼﻤﺤـﻪ.. ﻴﺘﺒﻌﻬـﺎ‬ ‫ﺒﺎﺒﺘﺴﺎﻤﺔ ﺠﻤﻴﻠﺔ..‬ ‫ﻴﻨﻬﺽ.. ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺒﺎﺏ ﻓﻲ ﺒﻁـﺊ ﻤﺭﺘـﺩﻴﺎ ﺒﻴﺠﺎﻤـﺔ‬ ‫−‬ ‫ﻤﺨﻁﻁﺔ.. ﻨﺭﺍﻩ ﻤﻥ ﺒﻌﻴﺩ ﻭﻫﻭ ﻴﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻟﺘﻅﻬﺭ ﺍﻟﺼﺎﻟﺔ‬ ‫ﺫﺍﺕ ﺍﻹﻀﺎﺀﺓ ﺍﻟﺨﺎﻓﺘﺔ.. ﺒﻬﺎ ﻋﺩﺩ ﻜﺒﻴﺭ ﻤـﻥ ﺍﻟﻨـﺎﺱ ﻻ‬ ‫ﻨﺘﺒﻴﻥ ﻤﻼﻤﺤﻬﻡ..‬ ‫-٩-‬
‫ﻨﻅل ﻨﺘﺎﺒﻌﻪ ﻤﻥ ﺒﻌﻴﺩ ﻭﻫﻭ ﻴﺨﺘﺭﻗﻬﻡ ﻭﻫﻡ ﻴﻔﺴـﺤﻭﻥ ﻟـﻪ‬ ‫−‬ ‫ﺍﻟﻁﺭﻴﻕ ﻟﻴﻘﻑ ﻋﻨﺩ ﺒﺎﺏ ﻏﺭﻓﺔ )ﻏﺭﻓﺔ ﻭﺍﻟﺩﺘـﻪ( ﺘﺨـﺭﺝ‬ ‫ﻤﻨﻬﺎ ﺇﻀﺎﺀﺓ ﻗﻭﻴﺔ.. ﻴﻘﻑ ﻓﻲ ﺼﻤﺕ ﺩﻭﻥ ﺤﺭﺍﻙ ﻴﻐﻤﺭﻩ‬ ‫ﺍﻟﻀﻭﺀ..‬ ‫- ٠١ -‬
‫ﻡ٣ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻷﺏ ﻭ ﺍﻷﻡ(‬ ‫ﺼﺎﺒﺭ ﻴﺭﻯ..‬ ‫−‬ ‫ﺤﻭﻟﻪ ﺭﺠﺎل ﻭﻨﺴﺎﺀ ﻤﺭﺘﺩﻴﻥ ﺠﻤﻴﻌﺎ ﺍﻟﺴﻭﺍﺩ ﻴﻘﻔـﻭﻥ ﻋﻠـﻰ‬ ‫ﺠﺎﻨﺒﻲ ﺴﺭﻴﺭ.. ﻴﻅﻬﺭﻭﻥ ﻜﺄﻨﻬﻡ ﺃﺸﺒﺎﺡ..‬ ‫ﺍﻤﺭﺃﺓ ﺠﻤﻴﻠﺔ ﺠﺩﺍ ﺸﺎﺒﺔ )ﻭﺍﻟﺩﺓ ﺼﺎﺒﺭ( ﺘﻨﺎﻡ ﺒـﻼ ﺤـﺭﺍﻙ‬ ‫−‬ ‫ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ ﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻫﺎ ﺭﺠل ﺒﻬﻲ ﺍﻟﻁﻠﻌﺔ )ﻭﺍﻟـﺩ‬ ‫ﺼﺎﺒﺭ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ( ﺤﺯﻴﻨﺎ..‬ ‫ﺍﻟﻐﺭﻓﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻋﺎﻟﻴﺔ ﻤﺎﺌﻠﺔ ﻋﻠﻰ ﻤﺤﻭﺭﻫﺎ ﺍﻷﻓﻘـﻲ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺘﺤﺭﻙ ﻓﻲ ﻫﺩﻭﺀ ﺒﺠـﻭﺍﺭ ﺍﻟﺴـﺭﻴﺭ ﺍﻟﻨﺤﺎﺴـﻲ‬ ‫ﺍﻟﻼﻤﻊ..ﻴﺘﺴﻠﻘﻪ.. ﻴﺴﺘﻘﺭ ﻓﻭﻗﻪ ﺠﺎﻟﺴﺎ ﻓﻲ ﻫﺩﻭﺀ ﻴﻨﻅﺭ ﺇﻟﻰ‬ ‫ﻤﻥ ﺤﻭﻟﻪ ﻓﻲ ﺍﺴﺘﻐﺭﺍﺏ ﺒﻌﻴﻭﻥ ﺒﺭﻴﺌﺔ..‬ ‫ﻴﺭﻜﺯ ﻨﻅﺭﺓ ﻋﻠﻰ ﺃﻤﻪ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ.. ﺴﺭﻋﺎﻥ ﻤﺎ ﺘـﺩﻤﻊ‬ ‫−‬ ‫ﻋﻴﻨﺎﻩ.. ﻴﻌﻡ ﺍﻟﻤﻜﺎﻥ ﺍﻟﺼﻤﺕ ﺍﻟﺘﺎﻡ.‬ ‫- ١١ -‬
‫ﻴﺩﻩ.. ﺘﻤﺘﺩ ﻨﺤﻭ ﻴﺩ ﺃﻤﺔ ﻓﻲ ﻫﺩﻭﺀ.. ﻤﺎ ﺃﻥ ﺘﻠﻤﺴﻬﺎ ﺤﺘـﻰ‬ ‫−‬ ‫ﺘﺩﺨل ﻓﻲ ﺍﻟﻜﺎﺩﺭ ﻴﺩ ﺍﻤﺭﺃﺓ ﺫﺍﺕ ﺃﻅﺎﻓﺭ ﻁﻭﻴﻠـﺔ )ﻜﺄﻨﻬـﺎ‬ ‫ﻤﺨﺎﻟﺏ(.. ﺘﻤﺴﻙ ﺒﻴﺩﻩ ﺒﻘﻭﺓ..ﺘﺨﺭﺠﻪ ﻤﻥ ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺍﻤﺭﺃﺓ ﻓﺎﺘﻨﺔ ﺫﺍﺕ ﻨﻅﺭﺓ ﺨﺒﻴﺜﺔ )ﺠﻤﻴﻠﺔ(.. ﺘﺤﻤل ﺼﺎﺒﺭ..‬ ‫−‬ ‫ﺘﺤﺘﻀﻨﻪ ﻓﻲ ﻋﻨﻑ ﺘﺭﺘﺩﻱ ﻓﺴﺘﺎﻥ ﺃﺒﻴﺽ ﻴﻜﺸﻑ ﺠﺴﺩﻫﺎ‬ ‫ﻭﻴﻅﻬﺭ ﻤﻥ ﺘﺤﺕ ﻓﺴﺘﺎﻨﻬﺎ ﻋﻨﺩ ﺍﻟﻘﻠـﺏ ﺒﻘﻌـﺔ ﺴـﻭﺩﺍﺀ‬ ‫ﻅﺎﻫﺭﺓ..‬ ‫: )ﺒﺼﻭﺕ ﺒﺎﻜﻲ ﻤﺼﻁﻨﻊ( ﻤﺎ ﺘﺯﻋﻠﺵ ﻴـﺎ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺼﺎﺒﺭ ﻋﻠﻰ ﻤﺎﻤﺎ.‬ ‫ﺼﺎﺒﺭ ﻴﻤﺩ ﻴﺩﻩ ﻟﻭﺍﻟﺩﺓ ﻓﺘﻤﺴﻜﻬﺎ ﻤﺭﺓ ﺃﺨـﺭﻯ ﺠﻤﻴﻠـﺔ..‬ ‫−‬ ‫ﺘﻤﺴﻙ ﺒﻌﺩﻫﺎ ﻭﺠﻪ ﺼﺎﺒﺭ ﻭ ﺘﻘﺒﻠﻪ ﻭﻫﻰ ﺘﻨﻅﺭ ﺇﻟﻰ ﻋﺒـﺩ‬ ‫ﺍﻟﻘﺎﺩﺭ ﻓﻲ ﺇﻏﺭﺍﺀ..‬ ‫: )ﻓﻲ ﺨﺒﺙ( ﺃﻨﺎ ﻫﻨﺎ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﺍﻟﺠﻴـﺭﺍﻥ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻟﺒﻌﻀﻴﻬﺎ.‬ ‫ﺘﻨﻅﺭ ﻟﻌﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻴﻨﻅﺭ ﻟﻬﺎ.. ﺘﻨﻅﺭ ﻟﻪ.. ﻴﻨﻅﺭ ﻟﻬﺎ..‬ ‫−‬ ‫- ٢١ -‬
‫ﻡ٤ - ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺒﺠﻭﺍﺭ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﻴﺠﻠﺱ ﻋﻠﻰ ﻜﺭﺴﻲ ﻴﺭﺘﺩﻱ‬ ‫−‬ ‫ﺤﺫﺍﺌﻪ.. ﺒﺠﻭﺍﺭﻩ ﺘﻘﻑ ﺠﻤﻴﻠﺔ ﺘﺭﺘﺩﻱ ﺭﻭﺏ ﺃﺴﻭﺩ ﻴﻐﻁﻲ‬ ‫ﻜل ﺠﺴﺩﻫﺎ.. ﺸﻌﺭﻫﺎ ﺘﺠﻤﻌـﻪ ﻗﻁﻌـﺔ ﻤـﻥ ﺍﻟﻘﻤـﺎﺵ‬ ‫ﺍﻟﺤﺭﻴﺭﻱ.. ﺘﻘﻑ ﺒﺠﺎﻨﺒﻪ ﻓﻲ ﺃﺩﺏ ﺸﺩﻴﺩ ﻭﺨﺸﻭﻉ..‬ ‫: ﺨﺩﻱ ﺒﺎﻟﻙ ﻤﻥ ﺍﻟﻭﻻﺩ ﺃﻨـﺎ ﻋـﺎﺭﻑ ﺇﻥ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺠﻭﺍﺯﻯ ﻤﻨﻙ ﺤﻴﺘﻌﺒﻙ ﺒـﺱ ﺃﻋﻤـل ﺇﻴـﻪ‬ ‫ﻤﻀﻁﺭ ﺃﻗﻌﺩ ﻓﻲ ﺍﻟﺒﻠﺩ ﺸﻭﻴﺔ.‬ ‫ﻓﻲ ﻟﻬﻔﺔ..‬ ‫−‬ ‫: ﺍﻻﺭﺽ ﺠﺭﻯ ﻟﻬﺎ ﺤﺎﺠﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻷﺭﺽ.. ﻭﻤﺸــﺎﻜل ﺇﺨــﻭﺍﺘﻰ ﻭﻭﻻﺩ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻋﻤﻲ.. ﻫﻡ ﺘﻘﻴل.‬ ‫: ﺇﻨﺕ ﺃﺩﻩ ﻭﺃﺩﻭﺩ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫- ٣١ -‬
‫ﻤﻥ ﺒﻌﻴﺩ.. ﻨﻘﺘﺭﺏ ﻓﻲ ﺒﻁﺊ ﺸﺩﻴﺩ ﻨﺤـﻭ ﻋﺒـﺩ ﺍﻟﻘـﺎﺩﺭ‬ ‫−‬ ‫ﻭﺠﻤﻴﻠﺔ.. ﻗﺒل ﺃﻥ ﻨﺼل ﻴﻨﺘﻬﻲ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻥ ﺍﺭﺘـﺩﺍﺀ‬ ‫ﺤﺫﺍﺌﻪ.. ﻴﻘﻑ..‬ ‫: ﺨﺩﻱ ﺒﺎﻟﻙ ﻤﻥ ﻨﻔﺴﻙ ﻭﻤﻥ ﺍﻟﻭﻻﺩ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻴﺄﺨﺫ ﺤﻘﻴﺒﺔ ﻤﻼﺒﺴﺔ ﺍﻟﺼﻐﻴﺭﺓ ﻤﻥ ﻋﻠﻰ ﺍﻷﺭﺽ.. ﺘﺴﺭﻉ‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﺒﺘﻘﺒﻴل ﻴﺩﻩ ﻓﻲ ﺨﺒﺙ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺤﻀﻨﻪ ﻭﺘﺒﻜـﻲ‬ ‫ﺒﻜﺎﺀﺍ ﻤﺼﻁﻨﻌﺎ..‬ ‫: ﺤﺘﻭﺤﺸﻨﻰ ﻴﺎ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻤـﺎ ﺘﻐـﺒﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻴﺎ.‬ ‫ﻴﻘﺒل ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺭﺃﺴﻬﺎ ﻭﻫﻲ ﻓﻲ ﺃﺤﻀـﺎﻨﻪ ﻭ ﻴﻜﺘﻤـل‬ ‫−‬ ‫ﺍﻗﺘﺭﺍﺒﻨﺎ.. ﻨﺘﺒﻌﻪ ﻭ..‬ ‫- ٤١ -‬
‫ﻡ٥ – ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ‬ ‫ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻨﺴﻴﺭ ﺨﻠﻔﺔ ﻤﺴﺎﻓﺔ ﺼﻐﻴﺭﺓ ﺤﺘﻰ ﻴﺼل ﺇﻟـﻰ ﺩﺭﺠـﺎﺕ‬ ‫−‬ ‫ﺍﻟﺴﻠﻡ ﺍﻷﻭﻟﻰ..‬ ‫ﺘﺴﺘﺩﻴﺭ ﺍﻟﻜﺎﻤﻴﺭﺍ ﺤﻭل ﻤﺤﻭﺭﻫﺎ ﻓﻲ ﻫﺩﻭﺀ..ﺠﻤﻴﻠﺔ ﻤـﻥ‬ ‫−‬ ‫ﺒﻌﻴﺩ.. ﺘﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻟﺒﺎﺏ ﺘﻐﻠﻘﻪ ﻓﻲ ﺒﻁﺊ.. ﺒﻴﻨﻤﺎ ﻨﻘﺘﺭﺏ‬ ‫ﻤﻨﻬﺎ ﻓﻲ ﺤﺭﻜﺔ ﻫﺎﺩﺌﺔ.. ﻭﻗﺒل ﺍﻗﺘﺭﺍﺒﻨـﺎ ﺘﻐﻠـﻕ ﺍﻟﺒـﺎﺏ‬ ‫ﺘﻤﺎﻤﺎ..‬ ‫ﻨﺴﺘﻤﺭ ﻓﻲ ﺍﻻﻗﺘﺭﺍﺏ..‬ ‫−‬ ‫- ٥١ -‬
‫ﻡ٦ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ – ﺒﻌﺩ ﺯﻤﻥ‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﺒﺎﺏ.. ﺘﻅﻬﺭ ﺠﻤﻴﻠﺔ ﻤﺴﺘﻨﺩﺓ ﺇﻟﻴﻪ ﻤﺭﺘﺩﻴﺔ ﻤﻼﺒﺱ‬ ‫−‬ ‫ﻤﺜﻴﺭﺓ ﺘﻜﺸﻑ ﺠﺴﺩﻫﺎ ﻭﻗﺩ ﺃﺭﺴﻠﺕ ﺸﻌﺭﻫﺎ ﻤﺎﻀﻐﺔ ﻟﺒﺎﻥ‬ ‫ﺒﺄﺴﻠﻭﺏ ﺴﺎﻗﻁ..ﺘﻨﻅﺭ ﻨﺤﻭﻨﺎ ﻤﺒﺎﺸﺭﺓ..‬ ‫: )ﻓﻰ ﺘﺩﻟل ﻭﺇﻏﺭﺍﺀ( ﺇﺘﺄﺨﺭﺕ ﻟﻴﻪ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻤﻥ ﺍﻟﻨﻅﺭﺍﺕ ﺍﻟﻤﺘﻔﺭﺴﺔ ﺇﻟﻰ ﺃﺴﻔل ﻭﺃﻋﻠﻰ..‬ ‫−‬ ‫ﺘﻤﺩ ﻴﺩﻫﺎ ﺨﺎﺭﺝ ﺍﻟﻜﺎﺩﺭ ﻟﺘﺩﺨل ﻤﺭﺓ ﺃﺨﺭﻯ ﻓﻴﻬﺎ ﻤﻼﺒـﺱ‬ ‫ﺘﺴﺤﺒﻬﺎ ﻟﻨﺭﻯ ﺭﺠل ﻭﺴﻴﻡ )ﺸﻌﺭ ﺃﺼﻔﺭ ﻭﻋﻴﻭﻥ ﺯﺭﻗﺎﺀ(‬ ‫ﺘﺠﺫﺒﻪ ﺠﻤﻴﻠﺔ ﻨﺤﻭ ﺍﻟﺩﺍﺨل ﻭ..‬ ‫- ٦١ -‬
‫ﻡ٧ - ﻟﻴل/ ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻨﺘﺎﺒﻌﻬﻡ.. ﻨﺩﺨل ﺨﻠﻔﻬﻡ.. ﻭﻫﻲ ﺘﺴﺤﺒﻪ ﺒﻴﺩﻫﺎ ﻤﻥ ﺨﻠﻔﻬﺎ..‬ ‫−‬ ‫ﺘﺼل ﻟﺒﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ.. ﺘﻔﺘﺤﻪ.. ﺘﺩﺨل ﻭﺘﻘـﻑ ﺃﻤـﺎﻡ‬ ‫ﺍﻟﺭﺠل.. ﺘﻨﻅﺭ ﺇﻟﻴﺔ ﻓﻲ ﺸﻬﻭﺓ ﻭﺘﺘﺩﻟل ﻋﻠﻴﺔ..‬ ‫: )ﻓﻲ ﺼﻭﺕ ﻨﺎﻋﻡ( ﺘﺎﻨﻰ ﻤﺭﺓ ﻤﺎ ﺘﺘﺄﺨﺭﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻴﺎ.. ﺃﻨﺎ ﺩﺍﻴﻤﺎ ﺒﺄﺴﺘﻨﺎﻙ.‬ ‫ﺠﻤﻴﻠﺔ ﺘﻐﻠﻕ ﺒﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ ﻓـﻲ ﻭﺠﻬﻨـﺎ.. ﻨﺘﻭﻗـﻑ‬ ‫−‬ ‫ﻋﻨﺩﻩ..‬ ‫- ٧١ -‬
‫ﻡ٨ - ﻟﻴل/ ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﺒﻌﺩ ﺯﻤﻥ ﻗﺼﻴﺭ‬ ‫ﻫﺩﻭﺀ ﺘﺎﻡ‬ ‫ﻀﻭﺀ ﺨﺎﻓﺕ..‬ ‫−‬ ‫ﻤﻥ ﺃﺤﺩ ﺃﺭﻜﺎﻥ ﺍﻟﺼﺎﻟﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻋﺎﻟﻴـﺔ ﻤﺎﺌﻠـﺔ ﻤـﻥ‬ ‫−‬ ‫ﺒﻌﻴﺩ.. ﺒﺎﺏ ﻏﺭﻓﺔ ﺼـﺎﺒﺭ ﻤﻐﻠـﻕ.. ﺃﺜـﺎﺙ ﺍﻟﺼـﺎﻟﺔ‬ ‫ﺍﻟﻤﺘﻭﺍﻀﻊ.. ﺘﻠﻴﻔﺯﻴﻭﻥ.. ﺜﻼﺠﺔ ﻓﻲ ﺃﻗﺼﻰ ﺍﻟﻴﺴﺎﺭ..‬ ‫ﻨﻨﺯل ﺇﻟﻰ ﻤﺴﺘﻭﻯ ﺴﻁﺢ ﺍﻷﺭﺽ ﺍﻟﻤﻨﺨﻔﺽ ﺠـﺩﺍ ﻓـﻲ‬ ‫−‬ ‫ﻫﺩﻭﺀ )ﻋﻴﻥ ﻨﻤﻠﻪ(..‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﻏﺭﻓﺔ ﺼﺎﺒﺭ.. ﻴﺨﺭﺝ ﺴﺎﺌﺭﺍ ﺒﺨﻁﻰ ﺒﻁﻴﺌـﺔ‬ ‫−‬ ‫ﻭﺃﺜﺎﺭ ﺍﻟﻨﻭﻡ ﺘﻌﻠﻭ ﻭﺠﻬﻪ.. ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺜﻼﺠـﺔ.. ﺒﻴﻨﻤـﺎ‬ ‫ﻨﻘﺘﺭﺏ ﻤﻨﻪ..‬ ‫ﻨﺭﺘﻔﻊ ﻓﻲ ﺒﻁﺊ ﻋﻥ ﻤﺴﺘﻭﻯ ﺍﻷﺭﺽ.. ﻴﻔـﺘﺢ ﺍﻟﺜﻼﺠـﺔ‬ ‫−‬ ‫ﻴﻐﻤﺭﻩ ﻀﻭﺀﻫﺎ.. ﻴﺨﺭﺝ ﺯﺠﺎﺠﺔ ﻜﺒﻴﺭﺓ ﻤـﻥ ﺍﻟﻤـﺎﺀ..‬ ‫- ٨١ -‬
‫ﻴﺭﻓﻌﻬﺎ ﻟﻴﺸﺭﺏ ﻭﻫﻭ ﻏﻴﺭ ﻤﺘﻤﻜﻥ ﻤﻨﻬﺎ.. ﻗﺒل ﺃﻥ ﺘﺼـل‬ ‫ﻟﻔﻤﻪ..‬ ‫)ﺼﻭﺕ ﺠﻤﻴﻠﺔ ﺘﻀﺤﻙ ﺒﺼﻭﺕ ﻋﺎﻟﻰ ﻓﻲ ﺸﻬﻭﺍﻨﻴﺔ(‬ ‫ﺘﺨﺘل ﺍﻟﺯﺠﺎﺠﺔ.. ﺘﻘﻊ ﻤﻥ ﻴﺩﻩ..‬ ‫−‬ ‫)ﺴﻠﻭ(..‬ ‫−‬ ‫ﺘﺴﻘﻁ ﻋﻠﻰ ﺍﻷﺭﺽ.. ﺘﺘﺤﻁﻡ ﺃﺠﺯﺍﺌﻬﺎ ﺇﻟﻰ ﻗﻁـﻊ ﺼـﻐﻴﺭﺓ‬ ‫ﻤﺘﻨﺎﺜﺭﺓ ﻋﻠﻰ ﻤﺴﺎﺤﺔ ﻜﺒﻴﺭﺓ ﻤﻥ ﺍﻷﺭﺽ..‬ ‫ﺼﻭﺕ ﻜﺴﺭ.‬ ‫ﺼﺎﺒﺭ ﻴﻨﻅﺭ ﺘﺠﺎﻩ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ ﻓﺎﺘﺤﺎ ﻓﻤﻪ ﻓﻲ ﻋﺩﻡ ﻓﻬـﻡ‬ ‫−‬ ‫ﺒﻤﺎ ﻴﺠﺭﻯ.. ﻴﺴﻴﺭ ﻨﺤﻭ ﻏﺭﻓﺔ ﺠﻤﻴﻠﺔ ﺒﺨﻁﻰ ﻫﺎﺩﺌﺔ..‬ ‫)ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﺍﻟﻤﻨﺨﻔﻀﺔ ﺍﻟﺼﻭﺕ ﺍﻟﺩﺍﻟـﺔ ﻋﻠـﻰ‬ ‫ﺍﻟﺘﺭﻗﺏ(‬ ‫ﻗﺩﻤﻴﻪ.. ﺘﺘﺤﺭﻙ ﺘﺎﺭﻜﺔ ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﺃﺜﺭ‬ ‫−‬ ‫ﺒﻘﺎﻴﺎ ﺍﻟﺯﺠﺎﺝ ﺍﻟﻤﺘﻨﺎﺜﺭ.. ﺩﻭﻥ ﺃﻥ ﻴﺸﻌﺭ ﺒﻬـﺎ ﺃﻭ ﻴﻬﺒﻬـﺎ‬ ‫ﺍﻨﺘﺒﺎﻫﻪ.. ﻨﺘﺒﻌﻪ ﺒﻴﻨﻤﺎ ﺘﻤﻴل ﺍﻟﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﺎ ﻭ ﻴﺴﺎﺭﺍ ﻋﻠﻰ‬ ‫ﻤﺤﻭﺭﻫﺎ ﺍﻷﻓﻘﻲ ﻓﻲ ﻫﺩﻭﺀ ﻭ ﺒﻁﺊ..‬ ‫ﻴﻘﻑ ﺃﻤﺎﻡ ﺍﻟﺒﺎﺏ.. ﻴﻤﺩ ﻴﺩﻩ.. ﻴﻔﺘﺤﻪ..‬ ‫−‬ ‫)ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﻴﺭﺘﻔﻊ ﺇﻴﻘﺎﻋﻬﺎ ﻭﺼﻭﺘﻬﺎ(‬ ‫- ٩١ -‬
‫ﺠﻤﻴﻠﺔ ﺘﺄﻜل ﺍﻟﺭﺠل ﺍﻟﺫﻱ ﻤﻌﻬﺎ..‬ ‫−‬ ‫ﺘﺭﻯ ﺼﺎﺒﺭ ﻋﻨﺩ ﺍﻟﺒﺎﺏ..‬ ‫−‬ ‫)ﺼﻭﺕ ﺠﻤﻴﻠﺔ ﻭﻫﻲ ﺘﻀﺤﻙ ﻭﺘﺘﻭﻗﻑ ﻓﺠﺄﺓ.(‬ ‫ﺍﻟﻐﻀﺏ ﻴﻌﺘﺭﻴﻬﺎ ﻭﺍﻟﺸﺭﺭ ﻴﺘﻁﺎﻴﺭ ﻤﻥ ﻋﻴﻭﻨﻬﺎ..ﺘﻐﻁـﻲ‬ ‫−‬ ‫ﺼﺩﺭﻫﺎ ﺍﻟﻌﺎﺭﻱ ﺒﺎﻟﻤﻼﺀﺓ..‬ ‫ﺼﺎﺒﺭ ﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻟﺒﺎﺏ ﻤﻤﺴﻜﺎ ﺒﻤﻘﺒﺽ ﺍﻟﺒﺎﺏ.. ﻴﻨﻅﺭ‬ ‫−‬ ‫ﺇﻟﻴﻬﺎ ﻓﻲ ﺒﺭﺍﺀﺓ ﻭﻋﺩﻡ ﻓﻬﻡ..‬ ‫ﻭﺠﻪ ﺼﺎﺒﺭ..ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﺍﻟﻐﺎﻀﺏ..‬ ‫−‬ ‫ﻭﺠﻪ ﺼﺎﺒﺭ..ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﺍﻟﻐﺎﻀﺏ..‬ ‫−‬ ‫ﻤﻥ ﺒﻌﻴﺩ.. ﺼﺎﺒﺭ ﻤﻥ ﻅﻬﺭﻩ.. ﻴﻘﻑ ﻭﺍﻟﻀﻭﺀ ﺍﻷﺤﻤـﺭ‬ ‫−‬ ‫ﻴﻐﻤﺭﻩ ﻜﺄﻨﻪ ﺍﻟﺩﻡ..‬ ‫ﻨﻘﺘﺭﺏ ﻓﻲ ﻫﺩﻭﺀ ﻨﺤﻭ ﺸﻌﺭ ﺭﺃﺴﻪ .. ﻅﻼﻡ..‬ ‫−‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٠٢ -‬
‫ﻡ٩ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ(‬ ‫ﻅﻼﻡ‬ ‫−‬ ‫ﺼﻭﺕ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﻤﺴﺘﻤﺭ‬ ‫ﻓﻲ ﺴﺭﻋﻪ..ﻴﻀﺎﺀ ﺍﻟﻨﻭﺭ ﻓﻲ ﺍﻟﻐﺭﻓﺔ.. ﻴﻨﻔـﺘﺢ ﺒﺎﺒﻬـﺎ..‬ ‫−‬ ‫ﺘﺩﺨل ﺠﻤﻴﻠﺔ ﻤﻠﺘﻔﺔ ﺒﺎﻟﻤﻼﺀﺓ ﻤﻤﺴﻜﺎ ﺇﻴﺎﻫﺎ ﺒﺈﺤﺩﻯ ﻴـﺩﻴﻬﺎ‬ ‫ﺴﺎﺤﺒﺔ ﺼﺎﺒﺭ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﺇﺤﺩﻯ ﻴﺩﻴﻪ ﻓﻲ ﻗﺴـﻭﺓ‬ ‫ﻭﻫﻭ ﻴﻨﻅﺭ ﻟﻬﺎ ﺒﻌﻴﻭﻥ ﻤﺘﺴﺎﺌﻠﺔ ﻤﺴﺘﺴﻠﻤﺎ ﺘﻤﺎﻤﺎ..‬ ‫ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻗﺩﻤﻴﻪ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻫﻲ ﺘﺠﺭﻩ ﺩﺍﺨل ﺍﻟﻐﺭﻓﺔ‬ ‫−‬ ‫ﺍﻟﻭﺍﺴﻌﺔ ﺍﻟﻤﻤﺘﻠﺌﺔ ﺒﺎﻷﺜﺎﺙ ﺍﻟﻤﻜﺴﻭﺭ ﻭﻤﻬﻤـﻼﺕ ﻋﺩﻴـﺩﺓ‬ ‫ﻴﻌﻠﻭﻫﺎ ﺍﻟﺘﺭﺍﺏ ﻭ ﺍﻟﻌﻨﻜﺒﻭﺕ..‬ ‫ﺘﺼل ﺒﻪ ﺇﻟﻰ ﺠﺎﻨﺏ ﻓﻲ ﺩﺍﺨل ﺍﻟﻐﺭﻓﺔ ﻭﺘﺭﻤﻲ ﻴﺩﻴﻪ.. ﻴﻘﻊ‬ ‫−‬ ‫ﻋﻠﻰ ﺍﻷﺭﺽ.. ﻴﻘﻭﻡ ﺠﺎﻟﺴﺎ ﻨﺎﻅﺭﺍ ﻟﻬﺎ ﻭﻫﻲ ﺘﺘﺤﺭﻙ ﻨﺤﻭ‬ ‫ﺍﻟﺒﺎﺏ..‬ ‫ﻴﻨﻅﺭ ﺤﻭﻟﻪ.. ﺘﻅﻬﺭ ﻋﻠﻴﻪ ﻋﻼﻤﺎﺕ ﺍﻟﺨﻭﻑ ﻭﺍﻟﺭﻋﺏ..‬ ‫−‬ ‫- ١٢ -‬
‫: )ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ( ﻤﺎﻤﺎ ﺠﻤﻴﻠـﺔ.. ﻤﺎﻤـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺠﻤﻴﻠﺔ.‬ ‫ﻴﻘﻭﻡ ﻤﻥ ﻤﻜﺎﻨﺔ ﻤﺴﺭﻋﺎ ﻨﺤﻭﻫﺎ ﻭﻴﻤﺴﻙ ﺒﻁﺭﻑ ﺍﻟﻤـﻼﺀﺓ‬ ‫−‬ ‫ﺍﻟﺘﻲ ﺘﻐﻁﻴﻬﺎ.. ﻴﻀﻊ ﺭﺃﺴﻪ ﻋﻠﻴﻬﺎ ﻓﻲ ﺇﺤﺴﺎﺱ ﺒﺎﻷﻤﺎﻥ..‬ ‫ﻴﺒﺘﺴﻡ ﺍﺒﺘﺴﺎﻤﺔ ﺒﺭﻴﺌﺔ..‬ ‫ﺘﺘﻭﻗﻑ ﺠﻤﻴﻠﺔ ﻋﻥ ﺍﻟﺤﺭﻜﺔ.. ﺘﻤﺴﻙ ﺒﻪ ﻟﺘﻘﺫﻓﻪ ﻓﻲ ﻋﻨﻑ‬ ‫−‬ ‫ﻨﺤﻭ ﺠﺎﻨﺏ ﻤﻥ ﺍﻟﻐﺭﻓﺔ.. ﺘﺴﺘﻤﺭ ﻟﺘﺨﺭﺝ..‬ ‫ﻴﻨﻬﺽ ﺼﺎﺒﺭ.. ﻴﻤﺴﻙ ﺒﻬﺎ ﻤـﺭﺓ ﺃﺨـﺭﻯ.. ﺘﻀـﺭﺒﻪ‬ ‫−‬ ‫ﺒﻘﺩﻤﻴﻬﺎ ﻓﻲ ﺼﺩﺭﻩ ﻟﻴﻨﺩﻓﻊ ﺒﻌﻨﻑ ﻨﺤﻭ ﺍﻟﺤﺎﺌﻁ..ﻴﻘﻊ ﻋﻠﻰ‬ ‫ﺍﻷﺭﺽ ﻤﺘﺄﻟﻤﺎ ﺒﺸﺩﺓ..‬ ‫: )ﻤﺘﺄﻟﻤﺎ ﺒﺎﻜﻴﺎ(ﻤﺎ ﺘﺴـﺒﻨﻴﺵ ﻫﻨـﺎ.. ﻤـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺘﺴﺒﻨﻴﺵ ﻫﻨﺎ.‬ ‫: ﺴﻴﺒﻴﺔ ﻤﺵ ﺤﻴﻘﻭل ﻟﺤﺩ.‬ ‫ﺍﻟﺭﺠل‬ ‫ﻋﻨﺩ ﺍﻟﺒﺎﺏ.. ﺘﻌﺩل ﻤﻥ ﺸﻌﺭﻫﺎ ﻭﺃﺤﻤﺭ ﺸﻔﺎﻫﺎ.. ﺘﻨﻅـﺭ‬ ‫−‬ ‫ﺇﻟﻰ ﺍﻟﺭﺠل ﻭﺍﻀﻌﺔ ﻴﺩﻫﺎ ﺤﻭل ﺭﻗﺒﺘﻪ..‬ ‫: ﻟﻭ ﻤﺎ ﻗﺎﻟﺵ ﺍﻟﻤﺭﺓ ﺩﻱ.. ﺤﻴﻘﻭل ﺍﻟﻤـﺭﻩ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﺠﺎﻴﺔ.‬ ‫- ٢٢ -‬
‫ﺘﻀﻊ ﺭﺃﺴﻬﺎ ﻋﻠﻰ ﻜﺘﻑ ﺍﻟﺭﺠل.. ﻴﺨﺭﺝ ﻜـل ﻤﻨﻬﻤـﺎ..‬ ‫−‬ ‫ﻴﺯﺤﻑ ﺼﺎﺒﺭ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﺘﺄﻟﻤﺎ ﺒﻅﻬﺭﻩ ﻓﻲ ﺒﻁـﺊ..‬ ‫ﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ ﺒﺴﺭﻋﺔ..‬ ‫ﺼﺎﺒﺭ ﻴﺼل ﻋﻨﺩ ﺍﻟﺒﺎﺏ.. ﻴﻀﺭﺒﻪ ﻭﻫﻭ ﻤﺭﻋﻭﺏ..‬ ‫−‬ ‫: ﻤﺎ ﺘﺴﺒﻨﻴﺵ ﻫﻨﺎ.. ﺃﻨﺎ ﺨـﺎﻴﻑ ﺨـﺎﻴﻑ..‬ ‫ﺼﺎﺒﺭ‬ ‫)ﻴﺒﻜﻲ(.‬ ‫ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺒﻜﺎﺀ ﻓﻲ ﺍﻟﻅﻼﻡ ﻟﻠﺤﻅﺎﺕ.. ﺨﻴﻭﻁ ﺍﻟﻀـﻭﺀ‬ ‫−‬ ‫ﺍﻟﻤﺘﺴﻠﻠﺔ ﻋﺒﺭ ﻋﻘﺏ ﺍﻟﺒﺎﺏ.. ﻴﻼﺤﻅﻬﺎ.. ﻴﻤﺴﺢ ﺩﻤﻭﻋـﻪ‬ ‫ﺒﻴﺩﻩ.. ﻴﻨﺎﻡ ﻋﻠﻰ ﺒﻁﻨﻪ ﻭﺍﻀﻌﺎ ﺭﺃﺴﻪ ﺃﻤﺎﻡ ﻋﻘﺏ ﺍﻟﺒﺎﺏ..‬ ‫ﻴﺩﺍﻋﺏ ﺒﺄﺼﺎﺒﻌﻪ ﺍﻟﺼﻐﻴﺭﺓ ﺨﻴـﻭﻁ ﺍﻟﻀـﻭﺀ ﺍﻟﻤﺘﺴـﻠﻠﺔ‬ ‫ﻤﺅﺘﻨﺴﺎ ﺒﻬﺎ..‬ ‫)ﻴﺩﻨﺩﻥ ﻓﻲ ﺭﻗﺔ.. ﺼﻭﺕ ﺩﻨﺩﻨﺘﻪ ﻴﻌﻠﻭ ﻭﻜﺄﻨﻪ ﻤﻭﺴﻴﻘﻰ(‬ ‫ﺒﻌﺩ ﻟﺤﻅﺎﺕ‬ ‫−‬ ‫: )ﻤﻥ ﺒﻌﻴﺩ( ﺇﺴﺘﻨﻰ ﻟﻤﺎ ﺃﻁﻔﻰ ﺍﻟﻨﻭﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫:)ﺃﻭﻑ ﺴﻜﺭﻴﻥ( ﻤﺎ ﺘﺴﻴﺒﻴﻠﻪ ﺍﻟﻨﻭﺭ.‬ ‫ﺍﻟﺭﺠل‬ ‫: )ﺃﻭﻑ ﺴﻜﺭﻴﻥ( ﺃﻨﺎ ﻋﺭﻓﺎﻩ ﺃﻜﺘﺭ ﻤﻨـﻙ..‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻀﻠﻤﺔ ﺤﺘﺭﺒﻴﺔ.. ﻭﺤﺘﺨﺭﺴﺔ.‬ ‫ﻟﻘﻁﺔ ﺇﻋﺘﺭﺍﻀﻴﻪ..‬ ‫−‬ ‫- ٣٢ -‬
‫ﻟﺠﻤﻴﻠﺔ ﺨﺎﺭﺝ ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ.. ﺘﺤﺘﻀﻥ ﺍﻟﺭﺠل ﺒﺠـﻭﺍﺭ‬ ‫ﺯﺭ ﺍﻟﻜﻬﺭﺒﺎﺀ..‬ ‫: ﺃﺴﺘﺎﺫﺓ.‬ ‫ﺍﻟﺭﺠل‬ ‫: ﺘﺤﺏ ﺃﺭﺒﻴﻙ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻤﺩ ﻴﺩﻫﺎ ﻨﺤﻭ ﺯﺭ ﺍﻹﻀﺎﺀﺓ..‬ ‫ﺼﺎﺒﺭ ﺃﻤﺎﻡ ﻋﻘﺏ ﺍﻟﺒﺎﺏ ﻴﺩﺍﻋﺏ ﺨﻴﻭﻁ ﺍﻟﻀﻭﺀ ﻓﺭﺤﺎ..‬ ‫ﺼﻭﺕ ﻀﺤﻜﺎﺘﻬﻡ.‬ ‫ﻴﻁﻔﺄ ﺍﻟﻨﻭﺭ ﻓﺠﺄﺓ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺜﻭﺭ.. ﻴﻤﺩ ﻴﺩﻩ ﺘﺤﺕ ﻋﻘﺏ ﺍﻟﺒﺎﺏ ﻓـﻲ ﺠﻨـﻭﻥ‬ ‫−‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺨﻴﻭﻁ ﺍﻟﻀﻭﺀ..‬ ‫ﻴﻴﺌﺱ.. ﻴﺠﻠﺱ ﺒﺄﻨﻔﺎﺴﻪ ﺍﻟﻤﺘﺼﺎﻋﺩﺓ ﻤﺴﺘﻨﺩﺍ ﺒﻅﻬﺭﻩ ﺇﻟـﻰ‬ ‫−‬ ‫ﺍﻟﺒﺎﺏ ﻨﺎﻅﺭﺍ ﺤﻭﻟﻪ ﻓﻲ ﺭﻋﺏ..‬ ‫: )ﻜﻼﻤﺔ ﻤﺘﻘﻁﻊ( ﺴﻲ ﺒﻴﻪ.. ﺴﻴﺒﻴﺔ.. ﺃﻨـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﺨﺎﻑ ﻡ ﺍﻟﻀﻠﻤﺔ ﺤﺄﺴﻤﻊ ﻜﻼﻤـﻙ )ﻴﺒﻜـﻲ‬ ‫ﺒﺤﺭﻗﺔ( ﺤﺄﺴﻤﻊ ﻜﻼﻤﻙ.‬ ‫− ﻨﻘﺘﺭﺏ ﻤﻥ ﺼﺎﺒﺭ ﻭﻫﻭ ﺠﺎﻟﺱ ﻓﻲ ﺍﻟﻅﻼﻡ..‬ ‫− ﺼﺎﺒﺭ..ﻴﺒﻜﻲ..ﺨﺎﺌﻑ.. ﻤﺭﻋﻭﺏ..ﻴﺭﻓـﻊ ﻴـﺩﻩ ﻜﺄﻨﻬـﺎ‬ ‫ﻤﺨﺎﻟﺏ ﻨﻤﺭ..‬ ‫: )ﺼﺎﺭﺨﺎ( ﻻﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍ.‬ ‫ﺼﺎﺒﺭ‬ ‫- ٤٢ -‬
‫ﻡ٠١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻅﻬﺭ ﻁﻔل ﺼﻐﻴﺭ)ﺃﺤﻤﺩ ﺃﺨﻭ ﺼﺎﺒﺭ(.. ﻴﺠﻠـﺱ ﺃﻤـﺎﻡ‬ ‫−‬ ‫ﻁﺎﻭﻟﺔ ﺍﻟﻁﻌﺎﻡ ﻓﻲ ﻫﺩﻭﺀ ﺘﺎﻡ..‬ ‫: )ﺃﻭﻑ ﺴﻜﺭﻴﻥ..ﻤﺒﺘﻬﺠﺔ( ﺍﻷﻜل ﺠﻪ ﻴـﺎ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻭﺍﺩ ﻴﺎ ﺤﻤﺎﺩﺓ.‬ ‫ﺠﻤﻴﻠﺔ..ﺘﺨﺭﺝ ﻤﻥ ﺍﻟﻤﻁﺒﺦ ﺤﺎﻤﻠﺔ ﺼﻴﻨﻴﺔ ﻁﻌﺎﻡ ﺒﻬﺎ ﻓﺭﺍﺥ‬ ‫−‬ ‫ﻭﺃﺭﺯ ﻭﺃﺸﻴﺎﺀ ﺃﺨﺭﻯ ﻴﻅﻬﺭ ﺃﻨﻬﺎ ﺘـﻡ ﺇﻋـﺩﺍﺩﻫﺎ ﺒﻌﻨﺎﻴـﺔ‬ ‫ﺨﺎﺼﺔ..‬ ‫: )ﻤﺒﺘﻬﺠﺔ( ﺍﻷﻜل ﺃﻫﻭﻭﻭﻭﻭﻭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻀﻊ ﺍﻟﻁﻌﺎﻡ ﺒﻴﻨﻤﺎ ﻴﻀﺭﺏ ﺃﺤﻤﺩ ﺒﻴـﺩﻩ ﺍﻟﻁﺎﻭﻟـﺔ ﻓـﻲ‬ ‫−‬ ‫ﻓﺭﺡ..‬ ‫ﻴﺤﺭﻙ ﻴﺩﻩ ﺒﺎﺤﺜﺎ ﻋﻥ ﺍﻷﻁﺒﺎﻕ ﻭ ﻫﻲ ﺃﻤﺎﻤﻪ )ﻨﻜﺘﺸﻑ ﺃﻨﻪ‬ ‫−‬ ‫ﺃﻋﻤﻰ(.. ﺠﻤﻴﻠﺔ ﺘﻨﻅﺭ ﻟﻪ ﻓﻲ ﺨﺒﺙ ﺒﻌﻴﻭﻥ ﺸـﻴﻁﺎﻨﻴﺔ ﻭ‬ ‫ﺘﺒﻌﺩ ﺍﻷﻁﺒﺎﻕ ﻋﻥ ﻴﺩﻩ ﻜﻠﻤﺎ ﺍﻗﺘﺭﺏ ﻤﻨﻬﺎ..‬ ‫: )ﻓﻲ ﻀﻴﻕ( ﻓﻴﻥ ﺍﻷﻜل.. ﺃﻨﺎ ﺠﻌﺎﻥ؟‬ ‫ﺃﺤﻤﺩ‬ ‫- ٥٢ -‬
‫ﻓﻲ ﺨﺒﺙ..‬ ‫−‬ ‫: ﻤﺎ ﻫﻭ ﺃﺩﺍﻤﻙ ﺃﻫﻭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫: ﻓﻴﻴﻴﻥ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﻴﻤﺩ ﻴﺩﻩ ﻨﺤﻭﻩ.. ﺘﺒﻌﺩﻩ ﻋﻨﻪ ﻜﻠﻤﺎ ﺃﻗﺘﺭﺏ ﻤﻨﻪ..‬ ‫−‬ ‫: ﺍﻷﻜل ﺃﻫﻭ.. ﺇﻤﺴﻙ.. ﻜل.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻀﻌﻪ ﻓﻲ ﺍﻟﻨﻬﺎﻴﺔ ﺃﻤﺎﻤﻪ..‬ ‫−‬ ‫ﺘﺭﺒﺕ ﻋﻠﻰ ﻅﻬﺭﻩ ﻓﻲ ﺤﻨﻭ ﻭﻫﻭ ﻴﺄﻜل.. ﺒﻌﺩ ﻟﺤﻅـﺎﺕ..‬ ‫−‬ ‫ﻴﺘﺭﻙ ﺃﺤﻤﺩ ﺍﻟﻁﻌﺎﻡ.. ﻴﺤﺎﻭل ﺍﻟﻨﺯﻭل ﻤﻥ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ ﻭ‬ ‫ﻟﻜﻥ ﺠﻤﻴﻠﺔ ﺘﻤﻨﻌﻪ..‬ ‫: ﺭﺍﻴﺢ ﻓﻴﻥ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺭﺍﻴﺢ ﺃﻨﺎﺩﻯ ﺃﺨﻭﻴﺎ ﻴﺎﻜل ﻤﻌﺎﻴﺎ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫: ﻤﺎﻟﻜﺵ ﺩﻋﻭﻩ ﺒﺄﺨﻭﻙ..)ﻓﻲ ﻫﺩﻭﺀ( ﻫـﻭﺍ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺸﺒﻌﺎﻥ.‬ ‫- ٦٢ -‬
‫ﻡ١١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ(‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﺍﻟﻐﺭﻓﺔ..ﻴﺩﺨل ﺍﻟﻀﻭﺀ ﻫﺎﺯﻤﺎ ﻅﻼﻡ ﺍﻟﻐﺭﻓـﺔ‬ ‫−‬ ‫ﺍﻟﺩﺍﻤﺱ ﺍﻟﺫﻱ ﻴﺅﻨﺴﻪ ﺫﻟﻙ ﺍﻟﻀﻭﺀ ﺍﻟﻘـﺎﺩﻡ ﻤـﻥ ﻨﺎﻓـﺫﺓ‬ ‫ﺼﻐﻴﺭﺓ ﻓﻲ ﺃﻋﻠﻰ ﺍﻟﺤﺠﺭﺓ ﺍﻟﻤﻐﻠﻘﺔ ﺘﻤﺎﻤـﺎ ﺒﻘﻁـﻊ ﻤـﻥ‬ ‫ﺍﻟﺨﺸﺏ ﺒﻴﻨﻬﺎ ﻓﺭﻭﻕ ﺘﺴﻤﺢ ﻟﺨﻴﻭﻁ ﺒﺴﻴﻁﺔ ﺠﺩﺍ ﺒﺎﻟﺘﺴﻠل..‬ ‫ﺠﻤﻴﻠﺔ ﺘﺭﻯ ﺃﻤﺎﻤﻬﺎ..ﺼﺎﺒﺭ ﻭ ﻫﻭ ﻨﺎﺌﻡ ﻤﻨﻜﻤﺸﺎ ﺒﺠـﻭﺍﺭ‬ ‫−‬ ‫ﺍﻟﺤﺎﺌﻁ ﺍﻟﻤﻘﺎﺒل ﻭﻋﻠﻰ ﻤﻼﺒﺴﺔ ﻭﻭﺠﻬـﻪ ﺃﺜـﺎﺭ ﺍﺘﺴـﺎﺥ‬ ‫ﺒﺴﻴﻁ..‬ ‫ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻌﺘﺩﻻ.. ﻴﻤﺴـﺢ ﺩﻤﻭﻋـﻪ‬ ‫−‬ ‫ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﺠﻤﻴﻠﺔ ﻭﻋﻠﻰ ﻭﺠﻬﻪ ﺍﺒﺘﺴﺎﻤﺔ ﺨﺎﺌﻔﺔ..ﻋﻴﻭﻨـﻪ‬ ‫ﻤﺘﺭﻗﺒﺔ.. ﻴﺴﺘﻤﺭ ﺼﺎﺒﺭ ﺩﺍﺨل ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺃﻗﺩﺍﻡ ﻤﻨﺘﻅﻤﺔ.‬ ‫ﻴﺩﺨل ﻓﻲ ﺍﻟﻜﺎﺩﺭ ﺴﻴﻘﺎﻥ ﺠﻤﻴﻠﺔ ﺍﻟﺒﺩﻴﻌﺔ.. ﺘﻅﻬـﺭ ﻤـﻥ‬ ‫−‬ ‫ﺨﻼل ﻓﺴﺘﺎﻨﻬﺎ ﺍﻟﺫﻱ ﻴﺼل ﺤﺘﻰ ﺭﻜﺒﺘﻬﺎ ﻓﻘـﻁ.. ﺼـﺎﺒﺭ‬ ‫ﻴﻨﻅﺭ ﺇﻟﻰ ﺃﻋﻠﻰ ﺒﻌﻴﻭﻥ ﻤﺘﺭﻗﺒﺔ.. ﺘﻨـﺯل ﻋﻠـﻰ ﺍﻷﺭﺽ‬ ‫ﺒﺭﻜﺒﺘﻴﻬﺎ ﺘﻠﻤﺱ ﺭﺃﺴﻪ ﻭﺸﻌﺭﺓ ﻓﻲ ﺤﻨﻭ ﻤﺼﻁﻨﻊ..‬ ‫- ٧٢ -‬
‫: ﻋﺎﻤل ﺇﻴﻪ ﻴﺎ ﺼﺒﻭﺭ ﻴﺎ ﺤﺒﻴﺒﻲ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻓﻲ ﺨﻭﻑ..‬ ‫−‬ ‫: ﺃﻨﺎ ﻜﻭﻴﺱ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺠﻤﻴل.. ﺠﻤﻴل.. ﺁﻩ ﺒﺎﻟﺤﻕ.. ﻓﺎﻜﺭ ﺇﻴـﻪ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺤﺼل ﺇﻤﺒﺎﺭﺡ؟‬ ‫ﻤﺴﺘﻤﺭﺓ ﻓﻲ ﻟﻤﺱ ﺸﻌﺭﺓ ﻭ ﺭﺃﺴﻪ ﻓﻲ ﺤﻨﺎﻥ..‬ ‫−‬ ‫: )ﻓﻲ ﺘﺭﺩﺩ( ﺃﻴﻭﻩ ﻴﺎ ﻤﺎﻤﺎ ﺠﻤﻴﻠﺔ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺤﺼل ﺇﻴﻪ ﻴﺎ ﺤﺒﻴﺒﻲ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: )ﻓﻲ ﺃﻤﺎﻥ( ﺸـﻔﺘﻙ ﻤـﻊ ﻋﻤـﻭ ﻭﻫـﻭﺍ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﻴﺒﻭﺴﻙ.‬ ‫ﺘﺘﺤﻭل ﺇﻟﻰ ﻭﺤﺵ ﻭ ﺘﻀﺭﺒﻪ ﺒﻌﻨﻑ..‬ ‫−‬ ‫: ﻏﺒﻲ.. ﻏﺒﻲ..ﺤﺘﻔﻀل ﻫﻨﺎ ﻟﺤﺩ ﻤﺎ ﺘﻌﺭﻑ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻷﺠﺎﺒﺔ ﺍﻟﺼﺢ.‬ ‫− ﺘﺩﻓﻌﻪ ﻨﺤﻭ ﺍﻟﺤﺎﺌﻁ ﺒﻌﻨﻑ ﻟﻴﺼﻁﺩﻡ ﻭﻴﻠﺘﺼﻕ ﺒﻪ..‬ ‫− ﺘﺨﺭﺝ ﻤﻥ ﺍﻟﺒﺎﺏ ﻭ ﺘﻐﻠﻘﻪ ﺒﻌﻨﻑ..‬ ‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻟﺒﺎﺏ.‬ ‫− ﺼﺎﺒﺭ ﻤﻠﺘﺼﻕ ﺒﺎﻟﺤﺎﺌﻁ ﻤﺎ ﻴﻠﺒﺙ ﺃﻥ ﻴﻘﻊ )ﺴـﻠﻭ( ﻋﻠـﻰ‬ ‫ﺍﻷﺭﺽ ﺘﺎﺭﻜﺎ ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ..‬ ‫- ٨٢ -‬
‫ﻴﺴﻜﻥ ﻨﺎﺌﻤـﺎ ﻋﻠـﻰ ﺍﻷﺭﺽ.. ﻨﺭﻜـﺯ ﻋﻠـﻰ ﻭﺠﻬـﻪ‬ ‫−‬ ‫ﻟﻠﺤﻅﺎﺕ..‬ ‫ﺘﻅﻠﻡ ﺍﻟﻐﺭﻓﺔ..‬ ‫−‬ ‫- ٩٢ -‬
‫ﻡ٢١ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻓﺼل ﻓﻲ ﻤﺩﺭﺴﺔ ﺍﺒﺘﺩﺍﺌﻲ‬ ‫ﻅﻼﻡ‬ ‫−‬ ‫)ﺼﻭﺕ ﻜﺘﺎﺒﺔ ﺒﺎﻟﻁﺒﺎﺸﻴﺭ ﻋﻠﻰ ﺴﺒﻭﺭﺓ(‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﻤﺸﻬﺩ.. ﺴﺒﻭﺭﺓ ﺴﻭﺩﺍﺀ.. ﻤﻌﻠﻤﺔ ﺼﻐﻴﺭﺓ ﺍﻟﺴـﻥ‬ ‫−‬ ‫ﺘﻜﺘﺏ ﻭ ﺍﻟﻀﻴﻕ ﻴﻌﺘﺭﻴﻬﺎ.. ﻴﻨﻜﺴﺭ ﻓـﻲ ﻴـﺩﻫﺎ ﺇﺼـﺒﻊ‬ ‫ﺍﻟﻁﺒﺎﺸﻴﺭ ﻭﺍﺤﺩﺍ ﺘﻠﻭ ﺍﻵﺨﺭ..‬ ‫ﺘﺴﺘﺩﻴﺭ.. ﺍﻟﺴﺒﻭﺭﺓ ﻜﺘﺏ ﻋﻠﻴﻬﺎ ﺒﻌﺽ ﺠﺩﺍﻭل ﺍﻟﻀﺭﺏ..‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭﻫﺎ.. ﺍﻷﻁﻔـﺎل ﻴﺠﻠﺴـﻭﻥ ﻓـﻲ ﺜـﻼﺙ‬ ‫−‬ ‫ﺼﻔﻭﻑ.. ﺘﺴﺘﻌﺭﻀﻬﻡ ﻓﻲ ﻫﺩﻭﺀ.. ﻤـﻥ ﺒﻴـﻨﻬﻡ ﻋﻠـﻰ‬ ‫ﺍﻟﻴﻤﻴﻥ ﻓﻲ ﺃﻭل ﺼﻑ ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﻓﻲ ﻫﺩﻭﺀ ﺘﺎﻡ ﺒﺠﺎﻨﺏ‬ ‫ﻁﻔل ﺁﺨﺭ..‬ ‫ﺘﺸﻴﺭ ﺒﺈﺼﺒﻌﻬﺎ ﻷﺤﺩ ﺍﻷﻁﻔﺎل ﻓﻲ ﺍﻟﺨﻠﻑ ﻓﻲ ﻋﺼﺒﻴﺔ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ﻗﻭﻡ.. ٥×٣ ﻴﺴﺎﻭﻯ ﻜﺎﻡ؟‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ٥×٣ ﻴﺴﺎﻭﻯ ٥١.‬ ‫ﻁﻔل ١‬ ‫: ﺇﻗﻌـﺩ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫- ٠٣ -‬
‫ﻴﺠﻠﺱ ﺍﻟﻁﻔل ﻭﺘﺸﻴﺭ ﺍﻟﻤﻌﻠﻤﺔ ﺇﻟﻰ ﻁﻔل ﺁﺨﺭ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ٤×٣؟‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ٢١ ﻴﺎ ﻤﻴـﺱ.‬ ‫ﻁﻔل ٢‬ ‫ﺍﻟﻤﻌﻠﻤﺔ: ﺇﻗﻌـﺩ.‬ ‫ﺘﺒﺤﺙ ﺒﻌﻴﻨﻴﻬﺎ ﻟﻠﺤﻅﺎﺕ ﺒﻴﻥ ﺍﻷﻁﻔﺎل.. ﺘﺸﻴﺭ ﻓﺠﺄﺓ ﻨﺤـﻭ‬ ‫−‬ ‫ﺼﺎﺒﺭ ﺍﻟﺫﻱ ﻴﻔﺯﻉ..‬ ‫ﺍﻟﻤﻌﻠﻤﺔ ﻓﻲ ﻋﺼﺒﻴﺔ ﺸﺩﻴﺩﺓ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ﻗﻭﻡ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: )ﻓﻲ ﺨﻭﻑ ﻭﺘﺭﺩﺩ( ﺃﻨﺎ.. ﺃﻨﺎ ﻴﺎ ﻤﻴﺱ؟‬ ‫ﺼﺎﺒﺭ‬ ‫: )ﺼﺎﺭﺨﺎ( ﺃﻴﻭﻩ ﺇﻨﺕ.. ﺇﻁﻠﻊ ﻉ ﺍﻟﺴﺒﻭﺭﺓ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻘﻭﻡ ﺼﺎﺒﺭ ﻤﻥ ﻤﻜﺎﻨﺔ ﺨﺎﺌﻔـﺎ ﻤﺭﺘﻌـﺩﺍ ﻤﺘﺠﻬـﺎ ﻨﺤـﻭ‬ ‫−‬ ‫ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﺴﻴﺭ ﺒﺨﻁﻰ ﺜﻘﻴﻠﺔ.. ﺒﻴﻨﻤﺎ ﻫﻭ ﺴـﺎﺌﺭﺍ ﻨﺤـﻭ‬ ‫ﺍﻟﺴﺒﻭﺭﺓ ﻴﺤﺩﺙ ﻨﻔﺴﻪ..‬ ‫: )ﻟﻨﻔﺴ ـﺔ( ٥×٦ ﺏ٠٣.. ٤×٤ ﺏ ٦١..‬ ‫ـ‬ ‫ﺼﺎﺒﺭ‬ ‫٤×٥ ﺏ ٠٢.‬ ‫ﻴﻘﺘﺭﺏ ﺼﺎﺒﺭ ﻤﻥ ﺍﻟﻤﻌﻠﻤﺔ.. ﺘﻌﻁﻴﻪ ﺇﺼﺒﻊ ﺍﻟﻁﺒﺎﺸـﻴﺭ..‬ ‫−‬ ‫ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺴﺒﻭﺭﺓ ﺒﻴﻨﻤﺎ ﺘﺭﺘﻌﺩ ﻓﺭﺍﺌﺴﻪ..‬ ‫- ١٣ -‬
‫: )ﺼﺎﺭﺨﻪ( ﺇﻜــﺘﺏ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻀﻊ ﺇﺼﺒﻊ ﺍﻟﻁﺒﺎﺸﻴﺭ ﻋﻠﻰ ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﺩﻩ ﺘـﺭﺘﻌﺵ..‬ ‫−‬ ‫ﻴﺴﺘﻌﺩ ﻟﻠﻜﺘﺎﺒﺔ..‬ ‫: ﺍﻜـــﺘﺏ ٤×٣.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻭﻴﻜﺘﺏ ﺼﺎﺒﺭ‬ ‫−‬ ‫: ٥×٤.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻜﺘﺏ ﺼﺎﺒﺭ ﺒﺠﺎﻨﺒﻬﺎ.. ﻭﺘﺴﺭﻉ ﺍﻟﻤﻌﻠﻤﺔ ﺒﻀﺭﺒﺔ ﺒﻌﺼﻰ‬ ‫−‬ ‫ﺘﻠﺘﻘﻁﻬﺎ ﻤﻥ ﻋﻠﻰ ﺩﻴﺴﻙ ﺍﻟﺘﻼﻤﻴﺫ ﺃﻤﺎﻤﻬﺎ ﻤﺒﺎﺸﺭﺓ..‬ ‫: )ﺼﺎﺭﺨﺔ( ﺘﺤﺘﻬﺎ.. ﺘﺤﺘﻬﺎ ﻤﺵ ﺠﻨﺒﻬﺎ ﻴﺎ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻏﺒﻲ.‬ ‫ﻴﻜﺘﺏ ﺼﺎﺒﺭ ﺘﺤﺘﻬﺎ.. ﻋﻴﻭﻨﻪ ﺘﺩﻤﻊ..‬ ‫−‬ ‫: ﻭ ٦×٣.. ﻴﺎﻟﻼ ﺍﻜﺘﺏ ﺍﻟﺤل.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﺭﻓﻊ ﺼﺎﺒﺭ ﻴﺩﻩ ﻭﻫﻲ ﺘﺭﺘﻌﺵ ﻟﻴﻜﺘﺏ..‬ ‫−‬ ‫ـﺎﻭﻯ ٢١.. ٥×٤‬ ‫ـﺔ( ٤×٣ ﺒﻴﺴـ‬ ‫: )ﻟﻨﻔﺴـ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﻴﺴﺎﻭﻯ ٠٢..٦×٣ ﺒﻴﺴﺎﻭﻯ ٨١.‬ ‫ﻴﺨﻁ ﺒﺎﻟﻁﺒﺎﺸﻴﺭ ﺃﻭﻟﻰ ﺤﺭﻭﻓﻪ.. ﻴﻨﻜﺴﺭ ﺍﻹﺼﺒﻊ ﺒﺴـﺒﺏ‬ ‫−‬ ‫ﺍﺭﺘﻌﺎﺵ ﻴﺩﻴﻪ..‬ ‫- ٢٣ -‬
‫: )ﺼﺎﺭﺨﺔ( ﺇﻴﻪ ﺩﻩ ﻴﺎ ﻏﺒﻲ.. ﻴﺎ ﺤﻤﺎﺭ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺘﺘﺠﻪ ﻨﺤﻭﻩ.. ﺘﻀﺭﺒﻪ ﺒﻌﻨﻑ.. ﻴﻨﻜﺴﺭ ﻅﻔﺭﻫﺎ.. ﺘﺘـﺄﻟﻡ..‬ ‫−‬ ‫ﻴﻀﺤﻙ ﺍﻷﻁﻔﺎل.‬ ‫ﻴﻌﻠﻭ ﺍﻟﻐﻀﺏ ﻭﺠﻬﻬﺎ.. ﻋﻴﻨﻴﻬﺎ ﺘﻨﻅﺭ ﻨﺤـﻭﻩ ﻭ ﺍﻟﺸـﺭﺭ‬ ‫−‬ ‫ﻴﺘﻁﺎﻴﺭ ﻤﻨﻬﺎ..‬ ‫: )ﺼﺎﺭﺨﻪ ﺒﺸﺩﺓ( ﻴﺎ ﺤﻤﺎﺭ ﻴﺎ ﺤﻴﻭﺍﻥ.. ﻴﺎ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻜﻠﺏ.‬ ‫ﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻟﻔﺼل ﻭﻴﺩﺨل ﺭﺠل ﻗﻭﻯ ﺍﻟﺒﻨﻴﺔ ﻓـﻲ ﻴﺩﻴـﻪ‬ ‫−‬ ‫ﺨﺭﺯﺍﻥ ﻁﻭﻴل ﻭﻋﻠﻰ ﻴﺩﻴﻪ ﺃﺜﺭ ﺍﻟﻁﺒﺎﺸﻴﺭ )ﻤﻌﻠﻡ(..‬ ‫: ﺤﺼل ﺇﻴﻪ.. ﺼـﺭﻴﺨﻙ ﺠﺎﻴـﺏ ﺁﺨـﺭ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺍﻟﻤﺩﺭﺴﺔ؟‬ ‫: ﺍﻟﺤﻴﻭﺍﻥ ﺩﻩ ﻤﺵ ﻋﺎﺭﻑ ﻴﺠﺎﻭﺏ ﻭﺒﺴﺒﺒﺔ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻀﻔﺭﻯ ﺇﻨﺴﻜﺭ.‬ ‫ﻴﻤﺴﻙ ﺍﻟﻤﻌﻠﻡ ﻴﺩﻫﺎ ﻓﻲ ﺤﻨﻭ..‬ ‫−‬ ‫: ﺴﻼﻤﺘﻙ.. ﺴﻼﻤﺘﻙ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﻴﻨﻅﺭ ﻨﺤﻭ ﺼﺎﺒﺭ ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫- ٣٣ -‬
‫: ﺇﻨﺕ ﺘﺘﻌﺒﻲ ﻨﻔﺴﻙ ﻟﻴﻪ ﻤﻊ ﺸﻭﻴﺔ ﺍﻷﻏﺒﻴـﺎ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺍﻟﻠﻰ ﺯﻴﺔ.. ﺩﻭل ﻤﺎ ﻴﺴﺘﻬﻠﻭﺵ.‬ ‫: )ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ( ﻋﺎﺭﻑ.. ﻋـﺎﺭﻑ..‬ ‫ﺼﺎﺒﺭ‬ ‫ﻭﺍﷲ.‬ ‫ﻴﻤﺴﻜﻪ.. ﻴﺩﻓﻌﻪ ﺍﻟﻤﻌﻠﻡ ﻨﺤﻭ ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﻠﺼـﻕ ﻭﺠﻬـﻪ‬ ‫−‬ ‫ﺒﻬﺎ..‬ ‫: ﻁﺏ ﺤل.. ﺤل ﻴﺎ ﺃﺨﻭﻴﺎ.. ﺤل ﻤﺎ ﻫـﻭ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺃﻫﺎﻟﻴﻜﻭﺍ ﺒﺎﻟﻭﻨﺎ ﺒﻴﻜﻭﺍ.‬ ‫ﻴﺭﻓﻊ ﻴﺩﻩ ﻟﻴﻜﺘﺏ.. ﺘﺭﺘﻌﺵ ﺒﺸـﺩﻩ.. ﻴﻤﺴـﻙ ﺍﻟﻤـﺩﺭﺱ‬ ‫−‬ ‫ﺍﻟﻁﺒﺎﺸﻴﺭ ﻤﻥ ﻴﺩﻩ.. ﻴﻤﺴﻙ ﺍﻟﻌﺼﺎ..ﻴﻀﺭﺒﻪ ﻋﻠﻰ ﻴـﺩﻩ..‬ ‫ﻴﺭﺠﻊ ﺼﺎﺒﺭ ﺇﻟﻰ ﺍﻟﺨﻠﻑ ﻋﻠﻰ ﺃﺜﺭ ﻀﺭﺏ ﺍﻟﻤﻌﻠﻡ ﻟﻪ..‬ ‫: ﺇﻨ ـﺕ ﻭﺍﻟﻠ ـﻰ ﺯﻴ ـﻙ ﻤ ـﺎ ﺘﺴ ـﺘﺤﻘﻭﺵ‬ ‫ـ ـ ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﻤﺩﺭﺴﺔ..ﺇﻨﺘﻭﺍ ﺒﻜﺘﻴﺭﻭ ﺘﺸﺘﻐﻠﻭﺍ ﺼﺒﻴﺎﻥ ﻋﻨﺩ‬ ‫ﻤﻴﻜﺎﻨﻴﻜﻲ ﻭﺃﻻ ﺴﻤﻜﺭﻱ.‬ ‫ﺼﺎﺒﺭ ﻴﺘﺭﺍﺠﻊ ﺇﻟﻰ ﺍﻟﺨﻠﻑ ﻭ ﻫﻭ ﻴﻨﻅﺭ ﺇﻟﻰ ﺍﻟﻤﻌﻠﻡ ﻓـﻲ‬ ‫−‬ ‫ﺨﻭﻑ ﺸﺩﻴﺩ.. ﻴﺘﻭﻗﻑ ﺒﺴﺒﺏ ﺍﻟﺤﺎﺌﻁ ﺨﻠﻔﺔ.. ﻴﻨﻅﺭ ﺨﻠﻔﺔ‬ ‫ﺒﺎﺤﺜﺎ ﻋﻥ ﻤﻜﺎﻥ ﻴﻬﺭﺏ ﺇﻟﻴﻪ.. ﻻ ﻤﻬﺭﺏ..‬ ‫- ٤٣ -‬
‫ﻴﺭﻯ..ﺃﻤﺎﻤﻪ ﻓﺠﺄﺓ ﻭﺠﻪ ﺍﻟﻤﻌﻠﻤـﺔ..ﺍﻟﻤﻌﻠـﻡ..ﺍﻟﻤﻌﻠﻤـﺔ..‬ ‫−‬ ‫ﺍﻟﻤﻌﻠﻡ.. ﻴﻌﻨﻔﻭﻨﻪ ﻭﻫﻭ ﻴﻔﺯﻉ ﻋﻨﺩﻤﺎ ﻴﻭﺠﻪ ﻜـل ﻤﻨﻬﻤـﺎ‬ ‫ﻜﻠﻤﺎﺘﻪ ﻟﻪ..‬ ‫: ﻏﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ﺤﻴﻭﺍﻥ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺍﻟﻠﻰ ﺯﻴﻙ ﻤﻜﺎﻨﺔ ﻓﻲ ﺍﻟﺸﺎﺭﻉ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻅﻠﻡ ﺍﻟﻤﻜﺎﻥ ﻜﻠﻪ.. ﺇﻻ ﻤﻥ ﻭﺠﻪ ﺼﺎﺒﺭ ﻭﺍﻟﻤﻌﻠﻡ ﻭﺍﻟﻤﻌﻠﻤﺔ‬ ‫−‬ ‫ﺍﻟﺫﻱ ﻨﺭﻯ ﻭﺠﻭﻫﻬﻡ ﺒﻭﻀﻭﺡ.. ﺘﺘﺒﺎﺩل ﺍﻟﻠﻘﻁـﺎﺕ ﺒـﻴﻥ‬ ‫ﻭﺠﻪ ﻜل ﻤﻥ ﺍﻟﻤﻌﻠﻡ ﻭﺍﻟﻤﻌﻠﻤﺔ..‬ ‫: ﺒﻨﻲ ﺁﺩﻡ ﻏﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺠﺒﺎﻥ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ﻏــﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺠﺒﺎﻥ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺘﻤﺘﺩ ﻴﺩ ﺍﻟﻤﻌﻠﻤﺔ ﺇﻟﻰ ﺸﻌﺭ ﺼﺎﺒﺭ ﻟﺘﻤﺴﻙ ﺒﻪ..‬ ‫−‬ ‫ﺘﻼﺸﻲ ﺍﻟﺼﻭﺕ..‬ ‫- ٥٣ -‬
‫ﻡ٣١ - ﻨﻬﺎﺭ/ﺨﺎﺭﺠﻲ‬ ‫ﺸـــﺎﺭﻉ‬ ‫ﺼﺎﺒﺭ ﻴﺴﻴﺭ ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﺒﻤﻼﺒـﺱ ﺍﻟﻤﺩﺭﺴـﺔ ﻤﻨﻜﺴـﺭ‬ ‫−‬ ‫ﺍﻟﺭﺃﺱ ﻴﺒﻜﻲ ﺩﺍﺨﻠﺔ.. ﻴﻤﺴـﺢ ﺩﻤﻭﻋـﻪ ﺒﻴﺩﻴـﻪ ﺤـﺎﻤﻼ‬ ‫ﺸﻨﻁﺘﺔ..‬ ‫ﻴﺯﺩﺍﺩ ﺇﻴﻘﺎﻉ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭﺓ ﻭﻫﻭ ﻴﺴﻴﺭ )ﺴﻠﻭ(..‬ ‫−‬ ‫ﻭﺭﺸﺔ ﻤﻴﻜﺎﻨﻴﻜﻲ ﺒﻬﺎ ﺍﻷﻭﺴﻁﻲ ﻴﻤﺴﻙ ﺒﻁﻔل ﻓـﻲ ﻤﺜـل‬ ‫−‬ ‫ﻋﻤﺭﺓ ﻴﻌﻨﻔﻪ ﻭ ﻴﻌﺎﻤﻠﻪ ﺒﻘﺴﻭﺓ.. ﻴﻌﻠﻤﻪ ﻜﻴﻑ ﻴﻤﺴﻙ ﺒﺂﻟـﺔ‬ ‫ﺃﻜﺒﺭ ﻤﻥ ﺤﺠﻤﻪ.. ﻴﺩﻓﻌﻪ ﻟﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ ﻋﻠـﻰ‬ ‫ﻭﺠﻬﻪ.. ﻴﺭﻓﻊ ﺍﻟﻁﻔل ﻭﺠﻬﻪ ﻟﻴﻨﻅـﺭ ﻟﺼـﺎﺒﺭ ﺒﻌﻴـﻭﻥ‬ ‫ﻤﻜﺴﻭﺭﺓ ﺩﺍﻤﻌﺔ..‬ ‫ﺼﺎﺒﺭ )ﺴﻠﻭ( ﻴﺤﻴل ﺒﻭﺠﻬﻪ ﺒﻌﻴﺩﺍ ﻋﻥ ﻫـﺫﺍ ﺍﻟﻤﻨﻅـﺭ..‬ ‫−‬ ‫ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺴﻴﺭ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ..‬ ‫ﻤﻥ ﺠﻬﺔ ﻨﻅﺭ ﺼﺎﺒﺭ )ﺴﻠﻭ( ﻋﺭﺒﺔ ﺸﺭﻁﺔ ﺒﻭﻜﺱ ﻴﻘـﻑ‬ ‫−‬ ‫ﺨﻠﻔﻬﺎ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻤﺨﺒﺭﻴﻥ ﻴﻔﺘﺸﻭﻥ ﺸـﺎﺏ ﻤﻬﻨـﺩﻡ‬ ‫ﺍﻟﻤﻼﺒﺱ.. ﻴﺤﺎﻭل ﺃﻥ ﻴﺒﻌﺩ ﺃﻴﺩﻴﻬﻡ.. ﻴﺩﻓﻌﻪ ﺃﺤﺩﻫﻡ ﻓـﻲ‬ ‫ﻜﺘﻔﻪ ﺒﻌﻨﻑ ﻓﻴﺭﺘﺩ ﺍﻟﺸﺎﺏ ﺍﻟﺨﻠﻑ..‬ ‫- ٦٣ -‬
‫)ﺴﻠﻭ( ﺼﺎﺒﺭ ﻭﻫﻭ ﻴﺤﻴل ﺒﻭﺠﻬﻪ ﻋﻥ ﺍﻟﻤﻨﻅﺭ ﻭﻴﻨﻅﺭ ﺇﻟﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ ﻜﺎﺴﺭﺍ ﺭﺃﺴﻪ ﺒﺸﺩﺓ ﻴﻌﺘﺼﺭ ﺍﻟﺩﻤﻊ ﻋﻴﻨﺎﻩ ﻴﺯﻴـﺩ‬ ‫ﺍﻟﺨﻁﻰ.. ﻴﻤﺩ ﻗﺩﻤﻴﻪ.. ﻴﺠﺭﻯ.. ﻭﻴﺠﺭﻱ.. ﻭﻴﺠـﺭﻱ..‬ ‫ﻜﺄﻨﻪ.. ﻫﺎﺭﺏ ﻤﻥ ﺍﻟﻤﻭﺕ..‬ ‫- ٧٣ -‬
‫ﻡ٤١ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ)ﻏﺭﻓﺔ ﻨﻭﻡ ﺠﻤﻴﻠﺔ(‬ ‫ﻴﺩ.. ﺠﻤﻴﻠﺔ ﺘﻤﺴﻙ ﺒﺎﻟﻤﺸﻁ.. ﺘﻤﺸﻁ ﺸﻌﺭﻫﺎ ﻓﻲ ﻫـﺩﻭﺀ‬ ‫−‬ ‫ﻭﻨﻌﻭﻤﺔ..‬ ‫ﺘﺠﻠﺱ ﺃﻤﺎﻡ ﺍﻟﻤﺭﺁﻩ ﺤﻭﻟﻬﺎ ﺇﻀﺎﺀﺓ ﻗﻭﻴﺔ ﺒﻴﻨﻤﺎ..‬ ‫−‬ ‫)ﺘﺩﻨﺩﻥ ﺒﺄﻏﻨﻴﺔ ﻤﺭﺤﺔ(‬ ‫ﻓﺠﺄﺓ.. ﻴﺘﺤﻭل ﻭﺠﻬﻬﺎ ﺇﻟﻰ ﺸﺊ ﺃﺼـﻡ ﻻ ﺤﻴـﺎﻩ ﻓﻴـﻪ..‬ ‫−‬ ‫ﻭﺘﺴﺭﺡ ﺒﺨﻴﺎﻟﻬﺎ..‬ ‫: ﻨﺘﻴﺠﺔ ﺍﻟﺘﺤﺎﻟﻴل ﻅﻬﺭﺕ ﻴﺎ ﺩﻜﺘﻭﺭ؟‬ ‫ﺼﻭﺕ ﺠﻤﻴﻠﺔ‬ ‫: ﺃﻴﻭﻩ.. ﻟﻸﺴﻑ.‬ ‫ﺼﻭﺕ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫: )ﻓﻲ ﺘﺭﻗﺏ( ﻟﻸﺴﻑ ﻟﻴﻪ.. ﻟﻴﻪ ﻴﺎ ﺩﻜﺘﻭﺭ؟‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻟﻨﺘﻴﺠﺔ ﺴﻠﺒﻴﺔ.‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫: )ﻓﻲ ﺤﺯﻥ ﺸﺩﻴﺩ( ﻴﻌﻨـﻰ ﻤـﺵ ﺤﺄﻗـﺩﺭ‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫ﺃﺨﻠﻑ.. ﻤﺎ ﻓﻴﺵ ﻋﻼﺝ..ﺃﻨﺎ ﻤﻤﻜﻥ ﺃﻋﻤـل‬ ‫ﺃﻱ..‬ ‫- ٨٣ -‬
‫: ﻟﻸﺴﻑ ﻤﺎ ﻓﻴﺵ ﻓﺎﻴﺩﺓ.. ﻤﺭﻀﻙ ﻤﺎ ﻟﻭﺵ‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫ﻋﻼﺝ.‬ ‫: ﻴﻌﻨﻲ ﺃﻨﺎ..‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫: ﺃﻨﺎ ﺤﺯﻴﻥ ﻟﻠﻜﻼﻡ ﺍﻟﻠﻰ ﺒﻘﻭﻟﻪ ﻟﻴﻜﻲ.. ﻟﻜﻥ‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫ﻫﻴﻪ ﺩﻱ ﺍﻟﺤﻘﻴﻘﺔ..ﻤﺩﺍﻡ ﺠﻤﻴﻠﺔ ﺇﻨﺘﻲ ﻋﻘﻴﻤﺔ.‬ ‫)ﺘﺘﺭﺩﺩ ﻜﻠﻤﺔ ﺍﻟﺩﻜﺘﻭﺭ " ﻋﻘﻴﻤﺔ " ﻋﺩﺓ ﻤﺭﺍﺕ(‬ ‫ﻓﻲ ﺍﻟﻤﺭﺁﻩ ﻋﻴﻭﻨﻬﺎ ﻴﻤﻠﺅﻫﺎ ﺍﻟﻐﻀﺏ..‬ ‫−‬ ‫ﻓﺠﺄﺓ.. ﺘﺩﻓﻊ ﺒﻴﺩﻫﺎ ﻜل ﻤﺎ ﺃﻤﺎﻤﻬﺎ ﻓﻲ ﻋﻨﻑ ﻟﻴﻘـﻊ ﻋﻠـﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ.. ﺘﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﺯﺠﺎﺠﺔ ﺍﻟﻌﻁﺭ..‬ ‫ﺼﻭﺕ ﻜﺴﺭﻫﺎ.‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٩٣ -‬
‫ﻡ٥١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ‬ ‫ﺼﻭﺕ ﻜﺭﺒﺎﺝ‬ ‫ﺠﻤﻴﻠﺔ ﺘﻤﺴﻙ ﻜﺭﺒﺎﺝ.. ﺘﻀﺭﺏ ﺼـﺎﺒﺭ ﺍﻟﻤﻠﻘـﻰ ﻋﻠـﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ ﺒﻌﻨﻑ ﺸﺩﻴﺩ ﻓﻲ ﺍﻨﺘﻘﺎﻡ.. ﺒﻌـﺩ ﻟﺤﻅـﺎﺕ ﺘﻘـﻑ‬ ‫ﺴﺎﻜﻨﺔ ﻟﺤﻅﺎﺕ ﺘﻠﺘﻘﻁ ﺃﻨﻔﺎﺴﻬﺎ ﺜﻡ..‬ ‫: ﻋﻘﻴﻤﺔ.‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫)ﻴﺘﺭﺩﺩ ﺼﺩﺍﻩ ﻓﻲ ﻋﻘﻠﻬﺎ ﻋﺩﺓ ﻤﺭﺍﺕ(‬ ‫ﺘﻨﺘﺎﺒﻬﺎ ﺤﺎﻟﺔ ﻤﻥ ﺍﻟﻬﻴﺎﺝ ﺍﻟﺸﺩﻴﺩ.. ﺘﻌﻭﺩ ﻤﺭﺓ ﺃﺨﺭﻯ ﺇﻟـﻰ‬ ‫−‬ ‫ﻀﺭﺒﺔ ﺒﻌﻨﻑ ﺃﺸﺩ..‬ ‫)ﺼﻭﺕ ﺍﻟﻜﺭﺒﺎﺝ ﺍﻟﺤﺎﺩ(‬ ‫: ﺇﻨﺘﻭﺍ ﺃﻭﻻﺩﻩ.. ﻁﺏ ﻭﺃﻨﺎ.. ﺃﻨﺎ ﻓﻴﻥ.. ﻤـﺎ‬ ‫ﺹ ﻀﻤﻴﺭﻫﺎ‬ ‫ﻟﻴﺵ ﺠﺩﺭ ﺒﻴﻨﻜﻡ.‬ ‫− ﻜﺎﺩﺭ ﺜﺎﺒﺕ.. ﻴﺩﻫﺎ )ﺴﻠﻭ( ﺘﺭﺘﻔﻊ ﻓﻲ ﺍﻟﻬﻭﺍﺀ.. ﺘﺨﺭﺝ ﻤﻥ‬ ‫ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺼﻭﺕ ﺍﻟﻜﺭﺒﺎﺝ ﺫﻭ ﺍﻟﻌﻤﻕ.‬ ‫− ﺘﻌﻭﺩ.. ﺘﺨﺭﺝ ﻤﺭﺓ ﺃﺨﺭﻯ ﻤﻥ ﺍﻟﻜﺎﺩﺭ..‬ ‫- ٠٤ -‬
‫ﻡ٦١ ﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ )ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩ(‬ ‫ﻴﺩ ﺠﻤﻴﻠﺔ ﺘﻌﻭﺩ ﺇﻟﻰ ﺍﻟﻜﺎﺩﺭ ﺤﺎﻤﻠﺔ ﻜﺭﺒﺎﺝ ﺃﻜﺒﺭ ﻭﺠﺩﻴﺩ..‬ ‫−‬ ‫ﻭ ﻴﺤﻴﻁ ﻴﺩﻫﺎ ﺃﺴﺎﻭﺭ ﻜﺜﻴﺭﺓ ﻤﻥ ﺍﻟﺫﻫﺏ..‬ ‫ﺼﻭﺕ ﺼﺭﺍﺥ ﺼﺎﺒﺭ ﻤﺴﺘﻤﺭ.‬ ‫ﺠﻤﻴﻠﺔ ﺃﻤﺎﻡ ﺼﺎﺒﺭ ﻓﻲ ﻏﺭﻓﺔ ﻨﻭﻤﺔ ﻓﻲ ﺸﻘﺘﻬﻡ ﺍﻟﺠﺩﻴﺩﺓ..‬ ‫−‬ ‫ﻫﻭ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ ﻤﻜﺘﺒﺔ ﻴﺭﺘـﺩﻱ ﻨﻔـﺱ ﻗﻤـﺎﺵ‬ ‫ﺒﻴﺠﺎﻤﺘﺔ ﺍﻟﻘﺩﻴﻤﺔ ﺒﻌﺩ ﺃﻥ ﺃﺼﺒﺢ ﻋﻤﺭﺓ ٠٢ ﻋﺎﻤﺎ ﺠﺎﻟﺴـﺎ‬ ‫ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ.. ﺘﺘﻭﻗﻑ ﻋﻥ ﻀـﺭﺒﺔ..‬ ‫ﺘﻘﻑ ﺘﺘﻨﻔﺱ ﻓﻲ ﺘﻌﺏ.. ﺘﻌﺩل ﻤﻥ ﺸﻌﺭﻫﺎ..‬ ‫: )ﻓﻲ ﺘﻬﺩﻴﺩ( ﺍﻴﺎﻙ ﺃﺒـﻭﻙ ﻴﻌـﺭﻑ ﺍﻨـﻙ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺴﻘﻁﺕ ﺍﻟﺴﻨﺔ ﺩﻱ ﻓﻲ ﺍﻟﺠﺎﻤﻌﻪ..ﻓﺎﻫﻡ..‬ ‫ﺼﺎﺒﺭ ﻴﻘﻑ.. ﻁﻭﻴﻼ ﻀﺨﻤﺎ ﻗﻭﻯ ﺍﻟﺒﻨﻴﺔ.. ﻴﻘـﻑ ﺒـﻴﻥ‬ ‫−‬ ‫ﻴﺩﻴﻬﺎ ﻜﺎﻟﻔﺄﺭ.. ﻴﻀﻊ ﻴﺩﻴﻪ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺨﻭﻓﺎ ﻤﻥ ﺒﻁﺸﻬﺎ..‬ ‫- ١٤ -‬
‫ﻨﺘﺤﺭﻙ ﺤﻭﻟﻬﻡ ﻟﻴﻅﻬﺭ ﺨﻠﻔﻴﺔ ﻟﻬﻡ ﺘﻠﻙ ﺍﻟﻐﺭﻓﺔ ﺫﺍﺕ ﺍﻷﺜﺎﺙ‬ ‫−‬ ‫ﺍﻟﻔﺎﺨﺭ.. ﺃﺤﻤﺩ ﻴﺠﻠﺱ ﻋﻠﻰ ﺴﺭﻴﺭﻩ ﻤﻨﺩﻫﺸﺎ ﻤﻤﺎ ﻴﺤﺩﺙ..‬ ‫ﻭﻴﺤﺭﻙ ﻴﺩﻩ ﺤﻭﻟﻪ..‬ ‫: ﻓﻴﻪ ﺇﻴﻪ.. ﻓﻴﻪ ﺇﻴﻪ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﺘﺨﺭﺝ ﺠﻤﻴﻠﺔ ﻭﺘﻘﻑ ﻋﻨﺩ ﺍﻟﺒﺎﺏ ﻭﺘﻨﻅﺭ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ ﻨﺤﻭ‬ ‫−‬ ‫ﺼﺎﺒﺭ..‬ ‫: ﺍﻴﻪ ﺍﻟﻠﻰ ﺒﻴﺤﺼل؟‬ ‫ﺃﺤﻤﺩ‬ ‫: )ﻓﻲ ﺤﺩﻩ( ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﺔ.. ﻨﺎﺍﺍﻡ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﺨﺭﺝ ﻭﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ‬ ‫−‬ ‫- ٢٤ -‬
‫ﻡ٧١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ)ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﺍﻟﻔﺎﺨﺭ.. ﺃﻤﺎﻤﻨﺎ ﻋﺒﺩ ﺍﻟﻘـﺎﺩﺭ ﻤﺒﺘﺴـﻤﺎ‬ ‫−‬ ‫ﻴﺤﻤل ﻓﻲ ﻴﺩﻩ ﺃﻜﻴﺎﺱ ﻓﺎﻜﻬﺔ ﻜﺜﻴﺭﺓ ﻭﻓﻴـﺭﺓ.. ﻴـﺩﺨل..‬ ‫ﺠﻤﻴﻠﺔ ﺘﻘﻑ ﺃﻤﺎﻤﻪ ﻤﺭﺘﺩﻴﺔ ﻤﻼﺒﺱ ﻤﺤﺘﺸـﻤﺔ ﻟﻠﻐﺎﻴـﺔ..‬ ‫ﺘﻐﻁﻲ ﺭﺃﺴﻬﺎ.. ﺴﺭﻋﺎﻥ ﻤﺎ ﺘﻠﺘﻘﻁ ﻤﻨﻪ ﺍﻷﻜﻴﺎﺱ.. ﺘﻘﺒﻠﻪ..‬ ‫ﺘﻀﻊ ﺍﻷﺸﻴﺎﺀ ﻋﻠﻰ ﺃﺤﺩ ﺠﻭﺍﻨﺏ ﺍﻟﺼﺎﻟﺔ ﺍﻟﻤﺘﺴﻌﺔ ﺍﻟﻔﺎﺨﺭﺓ‬ ‫ﺍﻷﺜﺎﺙ.. ﺘﻘﻑ ﻭﺍﻀﻌﺔ ﻴﺩﻫﺎ ﻋﻠﻰ ﺼﺩﺭﻩ.. ﺘﻨﻅـﺭ ﻓـﻲ‬ ‫ﻋﻴﻨﻴﺔ..‬ ‫: ﺠﻬﺯﺘﻲ ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩﺓ ﺒﺴﺭﻋﺔ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﻋﺠﺒﻙ ﺫﻭﻗﻰ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻻﺯﻡ ﻴﻌﺠﺒﻨﻲ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: )ﻓﻲ ﻨﻌﻭﻤﺔ( ﻭﺤﺸﺘﻨﻲ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺇﻨﺘﻰ ﺃﻜﺘﺭ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﺤﺭﻙ ﺠﻤﻴﻠﺔ ﻴﺩﻫﺎ ﺍﻟﻴﻤﻨﻲ ﻓﻲ ﺤﻨﻭ ﺸﺩﻴﺩ ﺤﻭل ﺭﻗﺒﺘﻪ..‬ ‫−‬ ‫- ٣٤ -‬
‫ﻡ٨١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ(‬ ‫ﺴﻜﻴﻨﺔ.. ﺘﻘﻁﻊ ﻗﻁﻌﺔ ﻤﻥ ﺩﻴﻙ ﺭﻭﻤﻲ ﻜﺒﻴﺭ.. ﻴﺩ ﺠﻤﻴﻠـﺔ‬ ‫−‬ ‫ﻤﻤﺴﻜﺔ ﺒﻬﺎ.. ﺘﻘﻁﻊ ﺍﻟﺩﻴﻙ ﻭﺘﻀﻊ ﺃﻤﺎﻡ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻗﻁﻌﺔ‬ ‫ﻜﺒﻴﺭﺓ ﻤﻨﻪ.. ﺘﻌﻁﻲ ﻓﺘﺎﺘﺎ ﻷﺤﻤﺩ ﻭﺼﺎﺒﺭ ﺍﻟﺠﺎﻟﺴﻴﻥ ﻋﻠـﻰ‬ ‫ﺍﻟﻤﺎﺌﺩﺓ ﺍﻟﺘﻲ ﺘﻤﺘﻠﺊ ﺒﻤﺎ ﻟﺫ ﻭﻁﺎﺏ ﻤﻥ ﺍﻟﻁﻌﺎﻡ ﻭﺍﻟﻔﺎﻜﻬﺔ..‬ ‫ﺠﻤﻴﻠﺔ ﺃﻤﺎﻤﻬﺎ ﻁﺒﻕ ﻤﻤﻠﻭﺀ ﻵﺨـﺭﻩ ﺒﺎﻟﻁﻌـﺎﻡ.. ﺃﻁﺒـﺎﻕ‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻭﺃﺤﻤﺩ ﺸﺒﺔ ﻓﺎﺭﻏﺔ.. ﻴﺄﻜل ﺍﻟﺠﻤﻴﻊ..‬ ‫: ﻤﺎ ﺘﺯﻭﺩﻟﻬﻡ ﻴﺎ ﺠﻤﻴﻠﺔ )ﻓﻲ ﻀﺤﻙ( ﺇﻨﺘﻲ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺒﺨﻴﻠﺔ ﻭﺃﻻ ﺇﻴﻪ؟‬ ‫ﻤﺒﺘﺴﻤﺔ..‬ ‫−‬ ‫: ﺃﺼﻠﻬﻡ ﺃﻜﻠﻭﺍ ﻗﺒل ﻤﺎ ﺘﻴﺠﻲ )ﻓﻲ ﻨﻅـﺭﺓ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻨﺎﺭﻴﺔ ﻟﻬﻡ( ﻤﺵ ﻜﺩﺓ؟‬ ‫: )ﻓﻲ ﺨﻭﻑ( ﺃﻴﻭﺓ ﺃﻴﻭﺓ ﺇﺤﻨﺎ.. ﺸﺒﻌﺎﻨﻴﻥ.‬ ‫ﺼﺎﺒﺭ‬ ‫)ﺼﻤﺕ ﻟﻠﺤﻅﺎﺕ(‬ ‫: ﻭﻋﻤﻠﺕ ﺇﻴﻪ ﺍﻟﺴﻨﻪ ﺩﻱ ﻓﻲ ﺍﻟﺠﺎﻤﻌﻪ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫- ٤٤ -‬
‫: ﺃﻨﺎ..‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻁﺒﻌﺎ ﻨﺠﺢ.. ﺤﺘﻰ ﺸﻭﻑ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻘﻭﻡ ﺠﻤﻴﻠﺔ ﻤﻥ ﻤﻜﺎﻨﻬﺎ ﻭ ﺘﺤﻀـﺭ ﺸـﻬﺎﺩﺓ ﻤﺨﺘﻭﻤـﺔ‬ ‫−‬ ‫ﻭﺘﻌﻁﻴﻬﺎ ﻟﻌﺒﺩ ﺍﻟﻘﺎﺩﺭ..‬ ‫: ﺒﺭﺍﻓﻭ.. ﺩﺭﺠﺎﺘﻙ ﻋﺎﻟﻴﺔ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﻨﻅﺭ ﻟﺼﺎﺒﺭ.‬ ‫−‬ ‫: ﺇﺤﻨﺎ ﻤﺎ ﻋﻨـﺩﻨﺎﺵ ﺤـﺩ ﻴﺴـﻘﻁ.. ﻜﻠـﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻴﻨﺠﺢ.. ﻭﺒﺘﻔﻭﻕ.‬ ‫: )ﻭﻫﻭ ﻴﺄﻜل( ﺍﻟﻤﻬﻡ ﺇﻥ ﻜﻠﻪ ﺘﻤﺎﻡ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﻨﻅﺭ ﺠﻤﻴﻠﺔ ﺇﻟﻰ ﺼﺎﺒﺭ ﻓﻲ ﺤﺩﺓ..‬ ‫−‬ ‫: ﻜﻠﻪ ﺘﻤﺎﻡ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.. ﻤﺎ ﺘﺘﺼﻭﺭﺵ ﺃﻨﺎ ﻓﺭﺤﺎﻥ ﺒﻴﻙ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺃﺩ ﺇﻴﻪ.. ﺘﻌﺎﻟﻰ ﺃﻤﺎ ﺃﺒﻭﺴﻙ.‬ ‫ﻴﻨﻅﺭ ﺼﺎﺒﺭ ﺇﻟﻰ ﺠﻤﻴﻠﺔ ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ..‬ ‫−‬ ‫: ﻓﻴﻪ ﺇﻴﻪ.. ﺘﻌﺎﻟﻰ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﺸﻴﺭ ﺇﻟﻴﻪ ﺠﻤﻴﻠﺔ ﺒﻌﻴﻨﻴﻬﺎ ﺃﻥ ﻴﺫﻫﺏ.. ﻴﺴـﺭﻉ ﺼـﺎﺒﺭ..‬ ‫−‬ ‫ﻴﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻥ ﻭﺍﻟﺩﺓ.. ﻴﺒﻜﻲ ﺒﺤﺭﻗﺔ.. ﻴﻘﻭﻡ ﺃﺤﻤـﺩ‬ ‫- ٥٤ -‬
‫ﻤﻥ ﻤﻜﺎﻨﺔ.. ﻴﺘﺤﺴﺱ ﺍﻟﻤﻜﺎﻥ ﺤﺘﻰ ﻴﺼل ﺇﻟـﻰ ﻭﺍﻟـﺩﺓ..‬ ‫ﻴﺤﺘﻀﻨﻬﻡ ﺠﻤﻴﻌﺎ.. ﻴﺒﻜﻭﻥ ﻓﻲ ﺤﻀﻨﻪ..‬ ‫: ﺇﻴﻪ ﻤﺎ ﻟﻜﻡ ﻴﺎ ﻭﻻﺩ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺇﺤﻨﺎ ﺒﻨﺤﺒﻙ ﻗﻭﻯ ﻴﺎ ﺒﺎﺒﺎ ﻟﻴﻪ ﺒﻘﻴﺕ ﺒﻌﻴـﺩ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻋﻨﺎ؟‬ ‫: ﻤﺎ ﺘﺒﻌﺩﺵ ﻋﻨﺎ ﺘﺎﻨﻲ.‬ ‫ﺃﺤﻤﺩ‬ ‫ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﻴﻤﻠﺅﻩ ﺍﻟﻐﻀﺏ.. ﻋﻴﻭﻨﻬﺎ ﺘﻤﺘﻠـﺊ ﺒﺎﻟﺤﻘـﺩ..‬ ‫−‬ ‫ﺘﺘﺤﺴﺱ ﺤﺩ ﺍﻟﺴﻜﻴﻨﺔ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻓﺠﺄﺓ ﺘﻨـﺘﻔﺽ..‬ ‫ﻴﺩﻫﺎ ﺠﺭﺤﺘﻬﺎ ﺍﻟﺴﻜﻴﻥ.. ﺍﻟﺩﻡ ﻴﻨـﺯﻑ ﺒﺸـﺩﺓ.. ﻻ ﺃﺤـﺩ‬ ‫ﻴﻌﻴﺭﻫﺎ ﺍﻻﻫﺘﻤﺎﻡ.. ﺘﻨﻅﺭ ﺇﻟﻰ ﻴﺩﻫﺎ ﺍﻟﻨﺎﺯﻓﺔ ﻓﻲ ﺒـﺭﻭﺩ..‬ ‫ﺘﻨﻅﺭ ﺇﻟﻴﻬﻡ..‬ ‫- ٦٤ -‬
‫ﻡ٩١ – ﻤﺸﻬﺩ ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻊ ﺼﺎﺒﺭ ﻴﻠﻌﺒﻭﻥ ﺍﻟﻜﺭﺓ ﻓـﻲ ﺍﻟﻨـﺎﺩﻱ ﻓـﻲ‬ ‫−‬ ‫ﺒﻬﺠﺔ..‬ ‫ﻤﻊ ﺃﺤﻤﺩ ﻭﺼﺎﺒﺭ ﻓﻲ ﺍﻟﺒﺤﺭ ﻴﻠﻬﻭﻥ ﺒﺎﻟﻤﺎﺀ ﻓﻲ ﻓﺭﺡ..‬ ‫−‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻊ ﺃﻭﻻﺩﻩ ﻓﻲ ﺍﻟﻤﻼﻫﻲ ﻓﻲ ﺍﻟﻌﺠﻠﺔ ﺍﻟﻜﺒﻴﺭﺓ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﻤﻊ ﻤﺤﻴﻁ ﻤﻅﻠﻡ ﻟﻬﺎ.. ﻻ ﻴﻅﻬﺭ ﺴﻭﺍﻫﺎ.. ﻨﻘﺘـﺭﺏ‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﻬﺎ ﻓﻲ ﺒﻁﺊ.. ﻋﻴﻭﻨﻬﺎ ﺘﻨﻅﺭ ﺒﺤﻘﺩ ﻭﻏل ﺩﻓﻴﻥ..‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻭ ﺃﻭﻻﺩﺓ ﻴﺨﺭﺠـﻭﻥ ﻤـﻥ ﻋﺭﺒـﺔ ﺍﻟﻠﻌﺒـﺔ‬ ‫−‬ ‫ﺍﻟﺩﻭﺍﺭﺓ.. ﻴﻘﻭﻡ ﻋﺎﻤل ﺍﻟﻠﻌﺒﺔ ﺒﺈﺨﺭﺍﺠﻬﻡ ﺒﻔﺘﺢ ﺍﻟﺒﺎﺏ.. ﻴﺩ‬ ‫ﺍﻟﻌﺎﻤل ﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ..‬ ‫- ٧٤ -‬
‫ﻡ٠٢- ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻟﺒﺎﺏ‬ ‫ﻏﻠﻕ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﺒﻌﻨﻑ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﺘﻘﻑ ﺘﻨﻅﺭ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ.. ﺼﺎﺒﺭ ﻴﻘﻑ ﺒﻤﻼﺒـﺱ‬ ‫−‬ ‫ﻨﻭﻡ ﺠﺩﻴﺩﻩ ﻴﻨﻅﺭ ﻟﻬﺎ ﺒﻭﺠﻪ ﺒﺎﺭﺩ.. ﺘﺘﺤﺭﻙ ﻨﺤﻭﻩ ﻨﺎﻅﺭﺓ‬ ‫ﺇﻟﻴﺔ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ..‬ ‫: ﺇﻭﻋﻰ ﺘﻔﺘﻜﺭ ﺇﻥ ﻋﺸـﺎﻥ ﺇﺘﻨﻘﻠﻨـﺎ ﻟﺸـﻘﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺠﺩﻴﺩﻩ ﻴﺒﻘﻰ ﺨﻼﺹ.‬ ‫ﺘﻘﻑ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺘﻨﻅﺭ ﻓﻲ ﻋﻴﻨﻴﺔ.. ﻴﺜﻴﺭﻫﺎ ﺃﻻ ﺘﺠﺩ ﻓﻴﻬﺎ‬ ‫−‬ ‫ﻨﻅﺭ ﺍﻟﺨﻭﻑ ﺍﻟﻤﻌﺘﺎﺩﺓ.. ﺘﺘﺠﻪ ﺇﻟﻰ ﺃﺤﺩ ﺍﻷﺩﺭﺍﺝ ﺒﺠﺎﻨﺒﻬﺎ..‬ ‫ﺘﻔﺘﺤﻪ.. ﺘﺨﺭﺝ ﻤﻨﻪ ﺍﻟﻜﺭﺒﺎﺝ.. ﺘﻨﻅﺭ ﻟـﻪ ﻓـﻲ ﻨﻅـﺭﺓ‬ ‫ﻤﺴﺘﺄﺴﺩﺓ..‬ ‫: ﻟﻜل ﺒﻴﺕ.. ﺃﻭﻀﺔ ﻓﺭﺍﻨﺔ )ﻓﺌﺭﺍﻨﻪ(.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻰ ﺤﻴﻥ ﻏﺭﺓ ﺘﻀﺭﺒﻪ ﻀﺭﺒﺔ ﻗﻭﻴﺔ ﺒﺎﻟﻜﺭﺒﺎﺝ.‬ ‫−‬ ‫- ٨٤ -‬
‫ﻡ١٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺤﺩﻴﻘﺔ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﺠﻤﻴﻠﺔ ﺘﺠﻠﺱ ﺒﻤﻼﺒﺴﻬﺎ ﺍﻟﻔﺎﺭﻫﻪ ﺍﻟﺘﻲ ﺘﻜﺸﻑ ﻋﻥ ﻤﻔـﺎﺘﻥ‬ ‫−‬ ‫ﺠﺴﺩﻫﺎ.. ﺒﺠﺎﻨﺒﻬﺎ ﺃﺨﺘﻬﺎ )ﻋﺩﻴﻠﻪ( ﺘﺭﺘﺩﻱ ﻤﻼﺒـﺱ ﺘـﺩل‬ ‫ﻋﻠﻰ ﻤﺤﺎﻭﻟﺔ ﺘﻘﻠﻴﺩ ﺍﻷﻏﻨﻴـﺎﺀ.. ﺯﻭﺝ ﺃﺨﺘﻬـﺎ )ﺨﻠﻴـل(‬ ‫ﺍﻟﻀﺌﻴل ﺍﻟﺠﺴـﺩ ﻴﺠﻠـﺱ ﻓـﻲ ﻋﻨﻁـﺯﺓ ﻭ ﻋﻨﺠﻬﻴـﺔ‬ ‫ﻤﺼﻁﻨﻌﺔ.. ﺍﺒﻨﺘﻬﻡ )ﺃﻤﻴﻨﺔ( ﺍﻟﺠﻤﻴﻠﺔ ﺍﻟﻭﺠﻪ ﺍﻟﻬﺎﺩﺌﺔ.. ﻜﻠﻬﻡ‬ ‫ﺠﺎﻟﺴﻴﻥ ﺤﻭل ﻁﺎﻭﻟﺔ ﻓﻲ ﺍﻟﺤﺩﻴﻘﺔ.. ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻴـﺄﺘﻲ‬ ‫ﺨﺎﺩﻡ.. ﻴﻀﻊ ﺃﻤﺎﻤﻬﻡ ﺍﻟﺸﺎﻱ..ﻁﻌﺎﻡ ﺍﻹﻓﻁﺎﺭ.. ﻴﻌﻭﺩ ﺇﻟﻰ‬ ‫ﺩﺍﺨل ﺍﻟﻔﻴﻼ..‬ ‫: ﻜﺎﻡ ﻤﻌﻠﻘﺔ ﺴﻜﺭ ﻴﺎ ﺍﺴﺘﺎﺫ ﺨﻠﻴل.‬ ‫ﻋﺩﻴﻠﺔ‬ ‫: )ﻓﻲ ﻋﻨﻅﺯﺓ( ﺨﻤﺴﺔ ﻴﺎ ﻋﺩﻴﻠﺔ ﻫﺎﻨﻡ.‬ ‫ﺨﻠﻴل‬ ‫: ﻤﺎ ﺘﺯﻭﺩﻭﻫﺎﺵ ﻗﻭﻯ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻤﺵ ﺇﻨﺘﻰ ﻴﺎ ﺃﺨﺘﻰ ﺍﻟﻠﻰ ﻗﻠﺘﻰ ﻨﺒﻘﻰ ﻫﺎﻯ‬ ‫ﻋﺩﻴﻠﺔ‬ ‫ﻜﻼﺱ.‬ ‫: ﻋﺸﺎﻥ ﻨﺸﺭﻓﻙ ﺃﺩﺍﻡ ﺠﻭﺯﻙ.‬ ‫ﺨﻠﻴل‬ ‫- ٩٤ -‬
‫: ﺇﻨﺕ ﺘﻌﺭ ﺒﻠﺩ ﻴﺎ ﺠﻭﺯ ﺃﺨﺘﻰ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻀﻁﺭﺏ ﺨﻠﻴل ﻭﻴﻨﻔﺦ ﺼﺩﺭﻩ ﻓﻲ ﻏﺭﻭﺭ..‬ ‫−‬ ‫: )ﻓﻲ ﻏﻀﺏ( ﺇﻗﻌﺩ ﻋﺩل.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻌﺘﺩل ﺨﻠﻴل ﻓﻲ ﺠﻠﺴﺘﻪ.. ﻨﺩﻭﺭ ﺤﻭﻟﻬﻡ ﻓﻲ ﻟﻘﻁﺔ ﻋﺎﻟﻴـﺔ‬ ‫−‬ ‫ﻟﻤﺴﺘﻭﻯ ﺨﻠﻴل ﻭﻋﺩﻴﻠﻪ.. ﻨﻨﺨﻔﺽ ﻓﻲ‬ ‫ﺤﺭﻜﺔ ﺤﻠﺯﻭﻨﻴﺔ ﻟﺘﺼل ﺇﻟﻰ ﻤﺴﺘﻭﻯ ﻟﻘﻁﺔ ﻤﻨﺨﻔﻀـﺔ ﺠـﺩﺍ‬ ‫ﻟﺠﻤﻴﻠﺔ ﺒﻴﻨﻤﺎ ﺘﺘﺤﺩﺙ..‬ ‫: ﺇﻨﺘﻭﺍ ﻫﻨﺎ ﻋﺸﺎﻥ ﺘﻜﻭﻨﻭﺍ ﺇﻴـﺩﻴﺎ ﺍﻟﻁﻭﻴﻠـﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻠﻰ ﺘﺨﺭﺒﺵ..ﻋﻨﻴﺎ ﺍﻟﻠﻰ ﺘﺸﻭﻑ ﺍﻟﻠﻰ ﻭﺭﺍ‬ ‫ﻀﻬﺭﻯ.. ﻭ ﺘﻨﻔﺫﻭﺍ ﺃﻭﺍﻤﺭﻯ.. ﺃﻭﺍﻤﺭﻯ ﺃﻨﺎ‬ ‫ﺒﺱ.‬ ‫ﻤﻥ ﺒﻌﻴﺩ.. ﺼﺎﺒﺭ ﻴﺄﺘﻲ ﻤﺭﺘﺩﻴﺎ ﻨﻔﺱ ﻗﻤـﺎﺵ ﺒﻴﺠﺎﻤﺘـﺔ‬ ‫−‬ ‫ﺍﻟﻘﺩﻴﻤﺔ ﺍﻟﺒﺎﻫﺘﺔ ﻴﺴﻴﺭ ﻤﻨﻜﺴﺭ ﺍﻟـﺭﺃﺱ.. ﻴﻘـﻑ ﺒﺠﺎﻨـﺏ‬ ‫ﺠﻤﻴﻠﺔ ﻤﻁﺄﻁﺊ ﺍﻟﺭﺃﺱ..‬ ‫: ﺤﻀﺭﺘﻙ ﻁﻠﺒﺘﻴﻨﻲ‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺃﻴﻭﺓ.. ﺘﻌﺎﻟﻰ ﻴﺎ ﺃﻤﻴﻨـﺔ ﺴـﻠﻤﻲ ﻋﻠـﻰ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﺭﻴﺴﻙ.‬ ‫- ٠٥ -‬
‫ﺼﺎﺒﺭ ﻴﺭﻓﻊ ﺭﺃﺴﻪ ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﺃﻤﻴﻨﺔ.. ﺘﻨﻅﺭ ﻨﺤﻭﻩ ﻓـﻲ‬ ‫−‬ ‫ﺤﺏ.. ﺘﻘﻭﻡ ﺃﻤﻴﻨﺔ ﻤﻥ ﻤﻜﺎﻨﻬﺎ.. ﺘﻤﺩ ﻴﺩﻫﺎ ﻟﺘﺴﻠﻡ ﻋﻠﻴـﻪ..‬ ‫ﻴﻤﺩ ﻴﺩﻩ ﻟﻴﺴﻠﻡ ﻋﻠﻴﻬﺎ..‬ ‫ﺇﺤﺴﺎﺱ ﻏﺭﻴﺏ ﻴﺴﺭﻯ ﻓﻲ ﺠﺴﺩﻩ.. ﺍﻟﺴـﻌﺎﺩﺓ ﺍﻟﻐـﺎﻤﺭﺓ‬ ‫−‬ ‫ﺍﻟﻤﻜﺒﻭﺘﺔ ﺘﻅﻬﺭ ﻋﻠﻰ ﻤﻼﻤﺢ ﻭﺠﻬﻪ..‬ ‫- ١٥ -‬
‫ﻡ٢٢ – ﺩﺍﺨﻠﻲ‬ ‫ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ(‬ ‫ﻴﺩ ﺼﺎﺒﺭ ﺍﻟﻤﻤﺘﺩﺓ.. ﺘﺘﻨﺎﻭل ﻁﺒﻘﺎ ﻤﻥ ﺍﻟﻁﻌﺎﻡ ﻤﻥ ﺠﻤﻴﻠﺔ..‬ ‫−‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﻤﺸﻬﺩ.. ﻴﺠﻠﺴﻭﻥ ﺠﻤﻴﻌﺎ )ﺃﺨﺘﻬﺎ ﻭﺯﻭﺠﻬﺎ ﻭﺍﺒﻨﺘﻬﺎ(‬ ‫ﺤﻭل ﺍﻟﻤﺎﺌﺩﺓ ﻭﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻋﻠﻰ ﺭﺃﺱ ﺍﻟﻤﺎﺌﺩﺓ.. ﻴﺘﻨـﺎﻭل‬ ‫ﺍﻟﺠﻤﻴﻊ ﺍﻟﻁﻌﺎﻡ ﻓﻲ ﻫﺩﻭﺀ..‬ ‫: ﺍﻨﺎ ﺨﻁﺒﺕ ﺃﻤﻴﻨﺔ ﻟﺼﺎﺒﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻤﺵ ﻟﺴﻪ ﺼﻐﻴﺭﻴﻥ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺍﻟﺠﻭﺍﺯ ﻭﻫﻤﺎ ﺼﻐﻴﺭﻴﻥ ﻴﺤﻤﻴﻬﻡ ﻤﻥ ﺍﻟﻠﻰ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻴﺤﺼل ﻟﻠﺸﺒﺎﺏ ﺍﻟﻴﻭﻤﻴﻥ ﺩﻭل.‬ ‫: ﻋﻨﺩﻙ ﺤﻕ ﻭﺍﷲ.. ﻋﻠﻰ ﺨﻴﺭﺓ ﺍﷲ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺼﺎﺒﺭ ﻴﻨﻅﺭ ﻨﺤﻭ ﺃﻤﻴﻨﺔ ﻓﻲ ﺤﺏ..‬ ‫−‬ ‫ﻟﻘﻁﺔ ﻤﻌﺎﻜﺴﺔ ﻟﻭﺠﻪ ﺃﻤﻴﻨﺔ ﺘﻨﻅﺭ ﺇﻟﻴﻪ ﻨﻅﺭﺓ ﺤﺏ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﻭﻗﺩ ﻻﺤﻅﺕ ﻨﻅﺭﺍﺘﻬﻡ.. ﺘﺘﺤﻭل ﻨﻅﺭﺓ ﻋﻴﻨﻴﻬﺎ ﺇﻟﻰ‬ ‫−‬ ‫ﻨﻅﺭﺓ ﺘﻭﺤﺵ..‬ ‫- ٢٥ -‬
‫ﻡ٣٢- ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺒﺎﻟﻔﻴﻼ‬ ‫ﺃﻤﻴﻨﺔ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ.. ﺘﻘﻑ ﺃﻤﺎﻤﻬﺎ ﺠﻤﻴﻠﺔ..‬ ‫−‬ ‫: ﺤﺏ ﻷ.. ﻋﺸـﻕ ﻷ.. ﺍﻟﺸـﺊ ﺍﻟﻭﺤﻴـﺩ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻤﺴﻤﻭﺡ ﻟﻴﻜﻲ ﺒﻴﻪ ﻫﻭﺍ ﺇﻨﻙ ﺘﺘﺠﻭﺯﻴـﺔ..‬ ‫ﻤﺵ ﻻﺯﻡ ﻴﺤﺱ ﺒﺤﺒﻙ ﻟﻴﻪ.. ﺴـﻴﺒﻴﺔ ﻫـﻭﺍ‬ ‫ﻴﺤﺒﻙ.. ﻴﺘﺫﻟل ﻟﻴﻜﻲ.. ﻴﻠﺤﺱ ﺍﻟﺘﺭﺍﺏ ﺍﻟﻠـﻰ‬ ‫ﺒﺘﻤﺸﻲ ﻋﻠﻴﻪ.. ﻤﺎ ﺘﺩﻟﻭﺵ ﺩﺍﻴﻤﺎ ﺇﻻ ﺃﻗل ﻤﻥ‬ ‫ﺍﻟﻠﻰ ﻫﻭﺍ ﻋـﺎﻴﺯﺓ.. ﻻﺯﻡ ﺘﺒﻘـﻲ ﻗﻭﻴـﺔ..‬ ‫ﺼﻠﺒﺔ.. ﻗﻠﺒﻙ ﻗﻠﺏ ﺤﺠﺭ.. ﻋﻘﻠﻙ.. ﻋﻘـل‬ ‫ﺨﻠﺘﻙ.‬ ‫ﻟﻘﻁﺔ ﻤﻥ ﺃﺴﻔل ﺠﺩﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺃﻤﻴﻨﺔ.. ﻨﺭﻯ ﻤـﻥ‬ ‫−‬ ‫ﺨﻼﻟﻬﺎ ﻋﻴﻭﻥ ﺠﻤﻴﻠﺔ ﺫﺍﺕ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺸﻴﻁﺎﻨﻲ..‬ ‫: ﺤﺎﻀﺭ ﻴﺎ ﺨﻠﺘﻰ.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫- ٣٥ -‬
‫ﻡ٤٢ - ﺩﺍﺨﻠﻲ‬ ‫ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻤﻜﺘﺏ(‬ ‫ﺠﻤﻴﻠﺔ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻤﻜﺘﺏ ﺍﻟﻔﺨﻡ ﺒﺠﺎﻨﺒﻬﺎ ﺍﻟﺨﺯﻨﺔ ﺘﻘـﻭﻡ‬ ‫−‬ ‫ﺒﻌﺩ ﺍﻟﻨﻘﻭﺩ ﺍﻟﻜﺜﻴﺭﺓ ﺍﻟﻤﺘﺭﺍﺼﺔ ﺃﻤﺎﻤﻬﺎ ﻭﻫﻲ ﺘـﺘﻜﻠﻡ ﻓـﻲ‬ ‫ﺍﻟﺘﻠﻴﻔﻭﻥ..‬ ‫: ﻤﺒﺭﻭﻙ ﻴﺎ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺃﻤﻴﻨﺔ ﺤﺎﻤـل.. ﻷ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺤﺎﺨﺩ ﺒﺎﻟﻰ ﻤﻨﻬﺎ ﻁﺒﻌﺎ.. ﺘﺭﺠﻌﻠﻨـﺎ ﺒـﺄﻟﻑ‬ ‫ﺴﻼﻤﺔ.‬ ‫ﺼﺎﺒﺭ ﻴﺩﺨل ﺍﻟﻐﺭﻓﺔ ﻴﺤﻤل ﻤﺒﻠﻐﺎ ﻤـﻥ ﺍﻟﻨﻘـﻭﺩ.. ﻴﻘـﻑ‬ ‫−‬ ‫ﺒﺠﺎﻨﺒﻬﺎ ﻓﻲ ﺇﺫﻻل.. ﻴﺭﺘـﺩﻱ ﻨﻔـﺱ ﻗﻤـﺎﺵ ﺒﻴﺠﺎﻤﺘـﺔ‬ ‫ﺍﻟﻘﺩﻴﻤﺔ..‬ ‫: ﺘﺎﺠﺭ ﺍﻟﻔﺎﻜﻬـﺔ ﺸـﺎل ﺍﻟﺒﻀـﺎﻋﺔ ﻜﻠﻬـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻭﺍﻟﻔﻠﻭﺱ ﺃﻫﻲ.‬ ‫ﺘﻤﺴﻙ ﺠﻤﻴﻠﺔ ﺒﺎﻟﻤﺎل.. ﺘﻌﺩﻩ.. ﺘﺠﺩﻩ ﻨﺎﻗﺼﺎ..‬ ‫−‬ ‫: )ﻓﻲ ﻏﻀﺏ(ﺍﻟﻔﻠﻭﺱ ﺩﻱ ﻨﺎﻗﺼﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫- ٤٥ -‬
‫: ﻜﻨﺕ ﻤﺤﺘﺎﺝ ٠٠١ ﺠﻨﻴﺔ ﻋﺸﺎﻥ ﺃﺠﻴـﺏ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻫﺩﻭﻡ ﺠﺩﻴﺩﻩ.‬ ‫ﺘﻨﻅﺭ ﺇﻟﻴﻪ ﻟﻠﺤﻅﺎﺕ.. ﻓﺠﺄﺓ.. ﺘﺼﻔﻌﻪ ﻋﻠﻰ ﻭﺠﻬﻪ ﺼﻔﻌﺔ‬ ‫−‬ ‫ﻗﻭﻴﺔ..‬ ‫: ﺇﻴﺎﻙ ﺘﻤﺩ ﺇﻴﺩﻙ ﻋﻠﻰ ﻗﺭﺵ ﻭﺍﺤﺩ ﻤﻥ ﻏﻴﺭ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺇﺫﻨﻰ.‬ ‫: )ﺒﺎﻜﻴﺎ( ﻤﺤﺘﺎﺝ ﻫﺩﻭﻡ ﺠﺩﻴﺩﺓ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻭﻤﺎﻟﻬﺎ ﻫـﺩﻭﻤﻙ ﺩﻱ.. ﻤـﺵ ﺴـﺘﺭﺍﻙ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻭﺨﻼﺹ‬ ‫ﻴﺘﺤﺴﺱ ﻤﻼﺒﺴﻪ ﻭﻴﻌﺩل ﺯﺭ..‬ ‫−‬ ‫: ﺒﺱ..‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻤﺎ ﻓﻴﺵ ﺒﺱ.. ﺇﺤﻨﺎ ﺒﻨﻼﻗﻲ ﺍﻟﻔﻠﻭﺱ ﻓـﻲ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻷﺭﺽ ﻫﺎﺕ ﺍل٠٠١ ﺠﻨﻴﺔ.‬ ‫ﻴﻤﺩ ﺼﺎﺒﺭ ﻴﺩﻩ.. ﻴﺨﺭﺝ ﺍﻟﻨﻘﻭﺩ.. ﻴﻌﻁﻴﻬﺎ ﻟﻬﺎ.. ﺘﺄﺨـﺫﻫﻡ‬ ‫−‬ ‫ﻤﻨﻪ ﺒﻌﻨﻑ..‬ ‫: ﻴﺎﻟﻼ ﺭﻭﺡ ﻓﻲ ﺩﺍﻫﻴﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺼﺎﺒﺭ ﻴﺨﺭﺝ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ..‬ ‫−‬ ‫- ٥٥ -‬
‫ﺠﻤﻴﻠﺔ ﺘﻀﻊ ﺭﺯﻡ ﺍﻟﻤﺎل ﻓﻲ ﺍﻟﺨﺯﺍﻨﺔ.. ﺘﻐﻠـﻕ ﻋﻠﻴﻬـﺎ..‬ ‫−‬ ‫ﺘﻀﻊ ﺭﺃﺴﻬﺎ ﻋﻠﻰ ﺍﻟﻤﻜﺘﺏ ﻟﻠﺤﻅﺎﺕ ﺜﻡ ﺘﺭﻓﻌﻬﺎ..‬ ‫: ﻓﻜﺭﻨﺎ ﺒﻨﻼﻗﻲ ﺍﻟﻔﻠﻭﺱ ﻓﻲ ﺍﻟﺸﺎﺭﻉ.. ﻤﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻜﻔﺎﻴﺔ ﺒﻨﺄﻜﻠﻪ.‬ ‫- ٦٥ -‬
‫ﻡ٥٢ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸـــﺎﺭﻉ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻭﺠﻤﻴﻠﺔ.. ﺨﻠﻔﻬﻡ ﺃﻤﻴﻨـﺔ )ﺤﺎﻤـل( ﻭﺼـﺎﺒﺭ‬ ‫−‬ ‫ﻴﺴﻴﺭﻭﻥ ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﺍﻟﺨﺎﻟﻲ ﻤﻥ ﺍﻟﻤﺎﺭﻩ..‬ ‫ﻓﻘﻁ ﺒﻌﺩ ﺍﻟﻤﺸﺭﺩﻴﻥ ﻋﻠﻰ ﺠﺎﻨﺏ ﺍﻟﻁﺭﻴﻕ ﻨﺎﺌﻤﻴﻥ..‬ ‫−‬ ‫: ﻋﺠﺒﻜﻭﺍ ﺍﻟﻔﻴﻠﻡ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺠﻤﻴل ﻴﺎ ﻋﻤﻲ.. ﻨﻔﺴﻲ ﺍﻟﻭﺍﺩ ﻴﻁﻠﻊ ﺸـﺒﺔ‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﻠﻰ ﻜﺎﻥ ﻓﻲ ﺍﻟﻔﻴﻠﻡ.‬ ‫: ﻋﺎﻴﺯﻴﻨﺔ ﻴﻁﻠﻊ ﺸﺒﺔ ﺠﺩﻩ.. ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻀﺤﻙ..‬ ‫−‬ ‫ﻴﻤﺭ ﺒﺠﻭﺍﺭﻫﻡ ﺸﺨﺹ ﻤﺎ.. ﻴﺭﻯ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ..‬ ‫−‬ ‫: ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻤﺵ ﻤﻌﻘﻭﻟﺔ.‬ ‫ﺭﺠل‬ ‫: ﻤﺵ ﻤﻤﻜﻥ.. ﺇﻨﺕ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻴﺤﺘﻀﻥ ﻜل ﻤﻨﻬﻡ ﺍﻵﺨﺭ ﻓﻲ ﺤﺏ ﺸﺩﻴﺩ..‬ ‫−‬ ‫: ﺇﺴﺒﻘﻭﻨﻰ ﻋﻠﻰ ﺍﻟﺒﻴﺕ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫- ٧٥ -‬
‫: )ﻟﺼﺎﺒﺭ( ﻴﺎﻟﻼ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﺴﺭﻉ ﺼﺎﺒﺭ ﻟﻴﺴﻴﺭ ﺒﺠﻭﺍﺭﻫﺎ ﻭﺠﻭﺍﺭ ﺯﻭﺠﺘﻪ ﻤﻨﻜﺴـﺭﺍ‬ ‫−‬ ‫ﻤﻁﺄﻁﺊ ﺍﻟﺭﺃﺱ..ﺒﻴﻨﻤﺎ ﺘﺄﻜل ﺠﻤﻴﻠﺔ ﺍﻟﻠﺏ ﻭﻫـﻲ ﺘﺴـﻴﺭ‬ ‫ﺘﺴﺘﻌﺭﺽ ﻤﻔﺎﺘﻨﻬﺎ.. ﻴﺼﻠﻭﺍ ﺇﻟﻰ..‬ ‫- ٨٥ -‬
‫ﻡ٦٢ - ﻟﻴل/ﺨﺎﺭﺠﻲ‬ ‫ﺸﺎﺭﻉ ﺁﺨﺭ‬ ‫ﺸﺎﺭﻉ ﺠﺎﻨﺒﻲ ﺫﻭ ﻤﻨﺎﺯل ﻋﺘﻴﻘﺔ ﺍﻟﻁﺭﺍﺯ ﺨﺎﻟﻲ ﻤﻥ ﺍﻟﻤﺎﺭﺓ..‬ ‫ﺍﺜﻨﻴﻥ ﻤﻥ ﺍﻟﺸﺒﺎﺏ ﻀﺌﻴﻠﻲ ﺍﻟﺤﺠﻡ ﻟﻠﻐﺎﻴﺔ ﻴﻘﻔﺎﻥ ﻴﺸـﺭﺒﺎﻥ‬ ‫−‬ ‫ﺍﻟﺨﻤﺭ.. ﻴﻅﻬﺭ ﻤـﻥ ﺸـﻜﻠﻬﻤﺎ ﺍﻟﺒﻠﻁﺠـﺔ.. ﻭﺘﻌـﺎﻁﻴﻬﻡ‬ ‫ﺍﻟﻤﺨﺩﺭﺍﺕ..‬ ‫ﻴﻨﺘﻬﻭﺍ ﻤﻥ ﺸﺭﺏ ﺯﺠﺎﺠﺔ ﺒﻴﺭﺓ.. ﺘﺩﻭﺭ ﺭﺃﺴﻬﻡ..‬ ‫−‬ ‫ﻴﺭﻭﺍ.. ﺠﻤﻴﻠﺔ ﺒﻤﻔﺎﺘﻨﻬﺎ ﻭﻤﻌﻬﺎ ﺃﻤﻴﻨﺔ..‬ ‫−‬ ‫ﻴﺘﺠﻬﻭﺍ ﻨﺤﻭﻫﻥ..ﻴﻤﺴﻜﺎ ﺒﺄﻴﺩﻴﻬﻥ..‬ ‫−‬ ‫ﺘﻀﻁﺭﺏ ﺠﻤﻴﻠﺔ.. ﺘﻔﺯﻉ ﺃﻤﻴﻨﺔ..‬ ‫−‬ ‫: ﺇﻴﻪ ﺩﻩ.. ﺇﺒﻌﺩﻭﺍ ﻋﻨﻰ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺇﻟﺤﻘﻨﻰ ﻴﺎ ﺼﺎﺒﺭ.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﻴﻘﻑ ﺃﻤﺎﻤﻬﻡ ﺼﺎﺒﺭ ﺒﺠﺴﺩﻩ ﺍﻟﻀﺨﻡ ﺍﻟﺫﻱ ﻴﻅﻬﺭ ﺒﺠﺎﻨﺒـﻪ‬ ‫−‬ ‫ﻀﺂﻟﺔ ﺤﺠﻤﻬﻡ.. ﻴﺤﺎﻭل ﻤﻨﻌﻬﻡ ﻓﻲ ﻀﻌﻑ.. ﺘﻘﻑ ﺃﻤﻴﻨﺔ‬ ‫ﻭﺠﻤﻴﻠﺔ ﺨﻠﻔﺔ ﻴﺤﺘﻤﻭﻥ ﺒﻪ..‬ ‫- ٩٥ -‬
‫ﻴﻀﺭﺒﺔ ﻜل ﻤﻨﻬﻡ ﻀـﺭﺒﺎﺕ ﻀـﻌﻴﻔﺔ ﺠـﺩﺍ.. ﻻ ﻴـﺭﺩ‬ ‫−‬ ‫ﻋﻠﻴﻬﻡ.. ﻴﻀﻊ ﻴﺩﻩ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺨﻭﻓـﺎ.. ﻴﺘﻀـﺎﺤﻜﻭﻥ..‬ ‫ﻴﺯﻴﺩﻭﻥ ﻤﻥ ﻀﺭﺒﻬﻡ ﻋﻠﻰ..‬ ‫ﺠﺴﺩﻩ..‬ ‫ﺴﺎﻗﻪ..‬ ‫ﻭﺠﻬﻪ..‬ ‫ﻴﻨﻬ ـﺎﺭ.. ﻴﺴ ـﺘﻤﺭﻭﺍ ﻓ ـﻲ ﻀ ـﺭﺒﺔ ﺒ ـﺄﺭﺠﻠﻬﻡ ﻭﻫ ـﻡ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫−‬ ‫ﻴﺘﻀﺎﺤﻜﻭﻥ.. ﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ ﻜﺎﻟﻔـﺄﺭ ﺒﺠﺎﻨـﺏ‬ ‫ﺍﻟﺭﺼﻴﻑ..‬ ‫: ﻗﻭﻭﻭﻭﻡ.. )ﺼﺎﺭﺨﺔ( ﺍﻨﺠﺩﻨﺎ..‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻘﺘﺭﺒﺎ ﻤﻨﻬﻥ ﺒﻌﻴﻭﻥ ﻴﻤﻸﻫﺎ ﺍﻟﺸﻬﻭﺓ..‬ ‫−‬ ‫: )ﺘﺼﺭﺥ(.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﻴﻤﺴﻙ ﻜل ﻤﻨﻬﻡ ﺒﻭﺍﺤﺩﺓ ﺒﻘﻭﻩ..‬ ‫−‬ ‫ﺘﻘﺎﻭﻤﻪ..‬ ‫−‬ ‫ﻴﺸﺩﻫﺎ..‬ ‫−‬ ‫ﺴﻠﻭ..‬ ‫−‬ ‫ﺃﻤﻴﻨﺔ ﻭﺍﻟﺭﺠل ﻤﺤﺘﻀﻨﻬﺎ ﻭﻫﻲ ﺤﺎﻤل.. ﻴﻘﺒﻠﻬﺎ ﻓﻲ ﺸـﻬﻭﺓ..‬ ‫ﻴﺴﺤﺒﻬﺎ ﻨﺤﻭ ﻤﺩﺨل ﺍﻟﺸﻘﺔ.. ﺘﻘﺎﻭﻤﻪ..‬ ‫- ٠٦ -‬
‫ﺠﻤﻴﻠﺔ.. ﺘﻨﻅﺭ ﻨﺤﻭ ﺼﺎﺒﺭ ﻭﺍﻟﺭﺠل ﻴﺴﺤﺏ ﺇﻴﺎﻫـﺎ ﻤـﻥ‬ ‫−‬ ‫ﻭﺴﻁﻬﺎ ﻭﻫﻲ ﺘﻘﺎﻭﻡ..‬ ‫ﺼﻭﺕ ﺼﺭﺨﺎﺘﻬﻡ ﺍﻟﻌﺎﻟﻴﺔ.‬ ‫ﻟﻘﻁﺔ ﻋﻤﻭﺩﻴﺔ.. ﻋﻴﻥ ﻁﺎﺌﺭ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﺒﺠﺎﻨﺏ ﺍﻟﺭﺼﻴﻑ ﻤﻨﻜﻤﺸﺎ ﻓﻲ ﻨﻔﺴﻪ.. ﻨﻘﺘﺭﺏ‬ ‫ﻤﻨﻪ ﻓﻲ ﺤﺭﻜﺔ ﻫﺠﻭﻤﻴﺔ.. ﻭﻫﻭ ﻴﺠﻠﺱ ﻤﺭﺘﻌﺩﺍ ﻴﻨﻅﺭ ﻨﺤـﻭﻫﻥ‬ ‫ﺒﻌﻴﻭﻥ ﺩﺍﻤﻌﺔ ﻭﺍﻀﻌﺎ ﺴﺎﻗﻪ ﺃﻤﺎﻡ ﺼﺩﺭﻩ ﻴﻬﺘﺯ ﻓﻲ ﺠﻨﻭﻥ ﺇﻟـﻰ‬ ‫ﺍﻷﻤﺎﻡ ﻭﺍﻟﺨﻠﻑ ﻓﻲ ﺤﺭﻜﺔ ﺜﺎﺒﺘﺔ..‬ ‫ﺒﺎﺏ ﻤﺩﺨل ﺍﻟﺸﻘﺔ ﻴﻐﻠﻕ..‬ ‫−‬ ‫)ﺼﻭﺕ ﺼﺭﺨﺎﺘﻬﻥ ﻴﺨﺘﻔﻲ ﻓﺠﺄﺓ(‬ ‫)ﻓﻘﻁ ﺃﻨﻴﻥ ﻤﻜﺘﻭﻡ ﻭﻫﻥ ﻴﻐﺘﺼﺒﻥ(‬ ‫ﻟﻘﻁﺔ ﺒﻌﻴﺩﺓ ﻤﻭﺠﻬﻪ ﻓﻲ ﻤﺴﺘﻭﻯ..‬ ‫−‬ ‫ﺼﺎﺒﺭ.. ﺘﺘﺤﺭﻙ ﺍﻟﻜﺎﻤﻴﺭﺍ ﻤﺤﺎﺫﻴﺔ ﻟﻠﺭﺼـﻴﻑ.. ﺘﺘﺨﻁـﺎﻩ..‬ ‫ﺘﺴﺘﻤﺭ ﻤﺭﻜﺯﺓ ﻋﻠﻴﺔ.. ﺘﺘﻭﻗﻑ ﻓﺠﺄﺓ.. ﺘﻘﺘﺭﺏ ﻤﻨﻪ ﻓﻲ ﺤﺭﻜـﺔ‬ ‫ﺯﺍﺤﻔﺔ ﻤﺒﺎﺸﺭﺓ.. ﻴﺯﺩﺍﺩ ﺍﻫﺘﺯﺍﺯﺍ ﺇﻟﻰ ﺍﻷﻤﺎﻡ ﻭﺍﻟﺨﻠﻑ..‬ ‫ﻴﻌﻠﻭ ﺃﻨﻴﻨﺔ.‬ ‫ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﻤﺩﺨل ﺍﻟﺸﻘﺔ ﻓﻲ ﺘﺭﻜﻴﺯ ﺸﺩﻴﺩ..‬ ‫−‬ ‫- ١٦ -‬
‫ﻓﺠﺄﺓ ﻴﺸﺘﺩ ﺍﻫﺘﺯﺍﺯﻩ.. ﻴﻤﺴﻙ ﺭﺃﺴـﻪ ﺒﻜﻔـﺔ ﻨـﺎﻅﺭﺍ ﺇﻟـﻰ‬ ‫ﺍﻷﻋﻠﻰ..‬ ‫ﺘﺭﺘﻔﻊ ﺍﻟﻜﺎﻤﻴﺭﺍ.. ﻟﻨﺭﻯ ﻭﺠﻬﻪ ﻤﻥ ﻟﻘﻁﺔ ﻋﺎﻟﻴﺔ..‬ ‫−‬ ‫: )ﺼﺎﺭﺨﺎ( ﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﻩ.‬ ‫ﺼﺎﺒﺭ‬ ‫ﺍﻟﺭﺠﻼﻥ.. ﻴﺨﺭﺠﺎﻥ ﻤﻥ ﻤﺩﺨل ﺍﻟﺸـﻘﺔ ﻴﻌـﺩﻻﻥ ﻤـﻥ‬ ‫−‬ ‫ﻤﻼﺒﺴﻬﻤﺎ.. ﻴﺘﻀﺤﺎﻜﺎﻥ.. ﻴﺒﺘﻌﺩﺍﻥ ﻋﻥ ﺍﻟﻤﻜﺎﻥ..‬ ‫ﺘﺨﺭﺝ ﺃﻤﻴﻨﺔ ﺒﻤﻼﺒﺱ ﻤﻬﻠﻬﻠﺔ ﻻ ﺘﻘﻭﻯ ﻋﻠﻰ ﺍﻟﻭﻗﻭﻑ ﻋﻠﻰ‬ ‫−‬ ‫ﻗﺩﻤﻴﻬﺎ.. ﺘﺴﺘﻨﺩ ﺇﻟﻰ ﺍﻟﺒﺎﺏ.. ﻋﻠﻰ ﻭﺠﻬﻬﺎ ﺃﺜﺎﺭ ﻀﺭﺏ..‬ ‫ﺘﻨﺯﻑ ﻤﻥ ﻓﻤﻬﺎ ﻭ ﺃﻨﻔﻬﺎ ﻭﻤﻥ ﻭﺴﻁﻬﺎ ﺍﻟﺴـﻔﻠﻲ.. ﺘﺒﻜـﻲ‬ ‫ﺒﻜﺎﺀﺍ ﻤﻜﺘﻭﻤﺎ..‬ ‫ﺠﻤﻴﻠﺔ ﺘﺨﺭﺝ.. ﺒﻭﺠﻪ ﻤﻤﺘﻠﺊ ﺒﺎﻟﻜﺩﻤﺎﺕ ﻤﻬﻠﻬﻠﺔ ﺍﻟﺜﻴﺎﺏ..‬ ‫−‬ ‫ﺘﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﻓﺭﻁ ﺍﻹﻋﻴﺎﺀ.. ﺘﻨﻅﺭ ﻨﺤﻭ ﺸﺨﺹ‬ ‫ﻤﺎ ﻴﻘﺘﺭﺏ ﻤﻥ ﺒﻌﻴﺩ..‬ ‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺸﺨﺹ)ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ(.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻘﻑ ﻤﺫﻫﻭﻻ.. ﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻟﺤـﺎﺌﻁ ﻴﺴـﺘﻨﺩ‬ ‫−‬ ‫ﻋﻠﻴﻪ ﻤﺘﺄﻟﻤﺎ.. ﻀﺎﺭﺒﺎ ﺇﻴﺎﻩ ﺒﻴﺩﻩ ﺒﺎﻜﻴﺎ..‬ ‫ﻟﻘﻁﺔ ﺭﺃﺴﻴﺔ ﻤﻥ ﺃﻋﻠﻰ ﻤﻭﺠﻬﻪ..‬ ‫−‬ ‫- ٢٦ -‬
‫ﺼﺎﺒﺭ.. ﻤﻠﻘﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ ﺍﻟﺭﺼـﻴﻑ.. ﻨﻘﺘـﺭﺏ‬ ‫ﻤﻨﻪ.. ﻨﺎﺯﻓﺎ ﻤﻥ ﻜل ﻓﺘﺤﺎﺕ ﺭﺃﺴﻪ )ﻭﻜﺄﻥ ﺭﺃﺴﻪ ﻗﺩ ﺍﻨﻔﺠﺭﺕ(..‬ ‫ﻨﻘﺘﺭﺏ ﺃﻜﺜﺭ ﻓﻲ ﺤﺭﻜﺔ ﻟﻭﻟﺒﻴـﺔ.. ﻨﺼـل ﻟﻭﺠﻬـﻪ ﺍﻟﻤﻐﻁـﻰ‬ ‫ﺒﺎﻟﺩﻤﺎﺀ.. ﻨﻘﺘﺭﺏ ﻤﻨﻪ ﺒﺸﺩﺓ ﺤﺘﻰ ﺘﻅﻠﻡ ﺍﻟﺸﺎﺸﺔ..‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٣٦ -‬
‫ﻡ٨٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻓﺠﺄﺓ..ﺘﻀﺎﺀ ﺍﻷﺒﺎﺠﻭﺭﺓ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ ﺒﺠﺎﻨﺏ ﺍﻟﻌﺠـﻭﺯ‬ ‫−‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل(..‬ ‫ﻴﻨﻅﺭ ﺇﻟﻴﻬﺎ ﻤﺒﺘﺴﻤﺎ..‬ ‫−‬ ‫ﻫﺩﻭﺀ ﺘﺎﻡ.‬ ‫: ﺍﻟﻨﻬﺎﻴﺔ.. ﻴﻤﻜﻥ ﺘﻜﻭﻥ ﺍﻟﻨﻬﺎﻴﺔ.‬ ‫ﺹ ﺍﻟﻌﺠﻭﺯ‬ ‫ﺍﻟﻜﺘﺎﺏ ﻴﻐﻠﻘﻪ ﻓﻲ ﻫﺩﻭﺀ.. ﻴﻀﻌﻪ ﺒﺠﺎﻨﺒﻪ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟـﺔ‬ ‫−‬ ‫ﺒﻴﺩﻩ ﺍﻟﻤﺭﺘﺸﻌﺔ..‬ ‫ﻴﻁﻔﺊ ﺍﻷﺒﺎﺠﻭﺭﺓ..‬ ‫−‬ ‫ﻴﻘﻭﻡ ﻤﻥ ﻤﻜﺎﻨﺔ ﻤﺘﻜﺌﺎ ﻋﻠﻰ ﻋﺼﺎﻩ..‬ ‫−‬ ‫ﻓﺠﺄﺓ ﻴﻨﻅﺭ ﻓﻲ ﺍﺘﺠﺎﻩ ﺍﻟﻨﺎﻓﺫﺓ )ﺸﺊ ﻤﺎ ﻟﻔﺕ ﻨﻅﺭﺓ(.. ﻴﺘﺠﻪ‬ ‫−‬ ‫ﻨﺤﻭﻫﺎ.. ﻴﻘﻑ ﺃﻤﺎﻤﻬﺎ..‬ ‫ﻴﻀﻊ ﻜﻔﺔ ﻋﻠﻰ ﺍﻟﺯﺠﺎﺝ..‬ ‫−‬ ‫ﻨﺘﺤﺭﻙ ﻓﻲ ﻟﻘﻁﺔ ﻤﻭﺠﻬﻪ ﺒﺠﻭﺍﺭ ﺍﻟﺤﺎﺌﻁ ﻤﻘﺘـﺭﺒﻴﻥ ﻤـﻥ‬ ‫−‬ ‫ﻭﺠﻬﻪ ﺍﻟﺫﻱ ﻴﺤﻤل ﻨﻅﺭﺓ ﺘﻌﺠﺏ ﻭﺴﺨﺭﻴﺔ..‬ ‫- ٤٦ -‬
‫ﻴﺘﺤﺭﻙ ﻤﺒﺘﻌﺩﺍ ﻓﻲ ﺘﺜﺎﻗل ﺤﺎﻤﻼ ﻋﻠـﻰ ﻭﺠﻬـﻪ ﻋﻼﻤـﺔ‬ ‫−‬ ‫ﺍﻟﺴﺨﺭﻴﺔ..‬ ‫ﺼﻭﺕ ﺩﻗﺎﺕ ﻋﺼﺎﻩ ﻋﻠﻰ ﺍﻷﺭﺽ.‬ ‫ﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻟﺸﻤﻌﺔ.. ﻴﻨﺤﻨﻲ ﺃﻤﺎﻤﻬﺎ.. ﻴﻁﻔﺌﻬﺎ..‬ ‫−‬ ‫ﻅﻼﻡ ﺘﺎﻡ.. ﻀﻭﺀ ﺒﺴﻴﻁ ﻴﺘﺴﻠل ﻤﻥ ﺍﻟﻨﺎﻓﺫﺓ..‬ ‫−‬ ‫ﻨﺘﺤﺭﻙ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻨﻤﻴل ﻴﻤﻴﻨﺎ ﻭﻴﺴﺎﺭﺍ ﻓﻲ ﺒﻁـﺊ‬ ‫−‬ ‫ﻋﻠﻰ ﻤﺤﻭﺭﻨﺎ ﺍﻷﻓﻘﻲ ﻨﺤﻭ ﺍﻟﻨﺎﻓﺫﺓ )ﺍﻟﺩﻭﺭ ﺍﻟﺜﺎﻨﻲ(..‬ ‫ﺍﻟﺸﺎﺭﻉ ﺨﺎل..‬ ‫−‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻘﻑ )ﻨﻔﺱ ﺍﻟﻤﺸﻬﺩ ﺍﻟﺴﺎﺒﻕ( ﻴﻨﻅﺭ ﺇﻟـﻰ ﻤـﺎ‬ ‫−‬ ‫ﺤﺩﺙ ﻴﻘﻠﺏ ﻜﻔﻴﺔ ﻏﻴﺭ ﻤﺼﺩﻕ ﻤﺎ ﺤﺩﺙ..‬ ‫ﺘﻔﺘﺢ ﺍﻟﻨﺎﻓﺫﺓ..ﺘﺨﺭﺝ ﺍﻟﻜﺎﻤﻴﺭﺍ )ﻜﺭﻴﻥ( ﻤﻨﻬﺎ.. ﺘﻨﺯل ﺇﻟـﻰ‬ ‫−‬ ‫ﻤﺴﺘﻭﻯ ﺍﻷﺭﺽ ﺍﻟﻌﺎﺩﻱ..‬ ‫: ﻴﻤﻜﻥ ﺘﻜﻭﻥ ﺍﻟﻨﻬﺎﻴﺔ.. ﻭﻴﻤﻜـﻥ.. ﻜﺎﻨـﺕ‬ ‫ﺹ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻤﺠﺭﺩ ﺒﺩﺍﻴﺔ ﻋﺸﺎﻥ ﺃﻓﻬﻡ.... ﻨﻔﻬﻡ.‬ ‫ﺘﺭﺠﻊ ﺍﻟﻜﺎﻤﻴﺭﺍ )ﻜﺭﻴﻥ( ﺇﻟﻰ ﺍﻟﻤﺴﺘﻭﻯ ﺍﻟﻌﺎﻟﻲ.. )ﺤﺭﻜـﺔ‬ ‫−‬ ‫ﻋﻜﺴﻴﺔ ﺒﻅﻬﺭﻨﺎ( ﺘﺩﺨل ﻤﻥ ﺍﻟﻨﺎﻓﺫﺓ.. ﺘﻐﻠﻕ.. ﺘﺘﺭﺍﺠﻊ ﻋﻥ‬ ‫ﺍﻟﻨﺎﻓﺫﺓ ﻓﻲ ﺒﻁﺊ ﺸﺩﻴﺩ.. ﺘﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺘﺭﺍﺠﻊ..‬ ‫- ٥٦ -‬
‫ﺘﻀﺎﺀ ﺍﻷﺒﺎﺠﻭﺭﺓ.. ﺘﺘﻭﻗﻑ ﺍﻟﻜﺎﻤﻴﺭﺍ ﻓﺠـﺄﺓ.. ﺘﻌـﻭﺩ ﻭ‬ ‫−‬ ‫ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻜﺘﺎﺏ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ.. ﺘﺴﺘﻤﺭ ﻓﻲ ﺍﻻﻗﺘﺭﺍﺏ‬ ‫ﺤﺘﻰ ﻨﺼل ﺇﻟﻰ ﻟﻘﻁﺔ ﻜﺒﻴﺭﺓ.. ﻴﻨﻔﺘﺢ ﺍﻟﻜﺘﺎﺏ ﻋﻠﻰ ﺁﺨـﺭ‬ ‫ﺼﻔﺤﺔ..‬ ‫ﺘﺩﺨل ﻴﺩ ﺩﺍﺨل ﺍﻟﻜﺎﺩﺭ ﺘﻤﺴﻙ ﻗﻠﻤﺎ ﺤﺒﺭﺍ ﻭ ﺘﻜﺘﺏ‬ ‫−‬ ‫)ﻻ ﺘﻬﺩﻤﻭﻫﺎ.. ﻓﺒﺩﻭﻨﻬﺎ..(‬ ‫ﺍﻟﻴﺩ.. ﺘﻐﻠﻕ ﺍﻟﻜﺘﺎﺏ.. ﺘﻀﻊ ﺍﻟﻘﻠﻡ ﺒﺠﻭﺍﺭﻩ..‬ ‫−‬ ‫ﺘﻁﻔﺊ ﺍﻷﺒﺎﺠﻭﺭﺓ.‬ ‫−‬ ‫ﺼﻭﺕ ﺯﺭﻫﺎ..‬ ‫- ٦٦ -‬

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  • 1.
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﻡ١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ ............................. - ٥ -‬ ‫ﻡ٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻑ ﺍﻷﻁﻔﺎل( ............... - ٩ -‬ ‫ﻡ٣ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻷﺏ ﻭ ﺍﻷﻡ( ........- ١١ -‬ ‫ﻡ٤ - ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ....................- ٣١ -‬ ‫ﻡ٥ – ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ....................- ٥١ -‬ ‫ﻡ٦ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ – ﺒﻌﺩ ﺯﻤﻥ.......- ٦١ -‬ ‫ﻡ٧ - ﻟﻴل/ ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ......................- ٧١ -‬ ‫ﻡ٨ - ﻟﻴل/ ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ﺒﻌﺩ ﺯﻤﻥ ﻗﺼﻴﺭ - ٨١ -‬ ‫ﻡ٩ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ( ............- ١٢ -‬ ‫ﻡ٠١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ( ......................- ٥٢ -‬ ‫ﻡ١١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ( ...........- ٧٢ -‬ ‫ﻡ٢١ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﻓﺼل ﻓﻲ ﻤﺩﺭﺴﺔ ﺍﺒﺘﺩﺍﺌﻲ ......................- ٠٣ -‬ ‫ﻡ٣١ - ﻨﻬﺎﺭ/ﺨﺎﺭﺠﻲ ﺸـــﺎﺭﻉ ....................................- ٦٣ -‬ ‫ﻡ٤١ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ)ﻏﺭﻓﺔ ﻨﻭﻡ ﺠﻤﻴﻠﺔ(............- ٨٣ -‬ ‫ﻡ٥١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ ................................- ٠٤ -‬ ‫ﻡ٦١ - ﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ )ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩ( ..............- ١٤ -‬ ‫ﻡ٧١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ)ﺍﻟﺼﺎﻟﺔ( ...............- ٣٤ -‬ ‫ﻡ٨١ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ( .....- ٤٤ -‬ ‫ﻡ٩١ – ﻤﺸﻬﺩ ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ .............................................- ٧٤ -‬ ‫-٣-‬
  • 5. ‫ﻡ٠٢ - ﺩﺍﺨﻠﻲ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ..............................- ٨٤ -‬ ‫ﻡ١٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﺤﺩﻴﻘﺔ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ ..................- ٩٤ -‬ ‫ﻡ٢٢ – ﺩﺍﺨﻠﻲ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ( .....................- ٢٥ -‬ ‫ﻡ٣٢ - ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻨﻭﻡ ﺒﺎﻟﻔﻴﻼ .......................................- ٣٥ -‬ ‫ﻡ٤٢ - ﺩﺍﺨﻠﻲ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻤﻜﺘﺏ( ...................- ٤٥ -‬ ‫ﻡ٥٢ – ﻟﻴل/ﺩﺍﺨﻠﻲ ﺸـــﺎﺭﻉ .......................................- ٧٥ -‬ ‫ﻡ٦٢ - ﻟﻴل/ﺨﺎﺭﺠﻲ ﺸﺎﺭﻉ ﺁﺨﺭ .....................................- ٩٥ -‬ ‫ﻡ٨٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ .............................- ٤٦ -‬ ‫-٤-‬
  • 6. ‫ﻡ١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻅﻼﻡ.. ﻋﻭﺩ ﺜﻘﺎﺏ ﻴﺸﺘﻌل.. ﺘﻤﺴـﻙ ﺒـﻪ ﻴـﺩ ﻋﺠـﻭﺯ‬ ‫−‬ ‫ﻤﺭﺘﻌﺸﺔ.. ﻴﺘﺠﻪ ﺒﻬﺎ ﻨﺤﻭ ﺸـﻤﻌﻪ ﻜﺒﻴـﺭﺓ.. ﻴﺸـﻌﻠﻬﺎ..‬ ‫ﻴﺤﻤﻠﻬﺎ ﻭ ﻴﺴﻴﺭ ﺒﻬﺎ..‬ ‫ﻋﻠﻰ ﻀﻭﺀ ﺍﻟﺸﻤﻌﺔ ﺍﻟﺨﺎﻓﺕ ﻨﺭﻯ ﺠﺴﺩ ﺭﺠل ﻋﺠﻭﺯ ﻻ‬ ‫−‬ ‫ﺘﻅﻬﺭ ﻤﻼﻤﺢ ﻭﺠﻬﻪ.. ﻴﺭﺘﺩﻱ ﺭﻭﺏ ﺜﻘﻴل.. ﻓـﻲ ﻴـﺩﻩ‬ ‫ﻋﺼﺎ ﻴﺘﻜﺊ ﻋﻠﻴﻬﺎ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﺘﺜﺎﻗﻼ ﺒﻴﻥ ﺠﻨﺒﺎﺕ ﻏﺭﻓﺔ‬ ‫ﻤﻜﺘﺏ ﺫﺍﺕ ﺃﺜﺎﺙ ﻤﺘﻤﻴﺯ ﻗﺩﻴﻡ.. ﻴﺼل ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﺇﻟـﻰ‬ ‫ﻤﻜﺘﺒﺔ ﻜﺒﻴﺭﺓ..‬ ‫ﻴﺘﺭﻙ ﻋﺼﺎﻩ ﻤﺘﺄﻟﻤﺎ.. ﻴﺘﻜﺊ ﻋﻠﻰ ﺭﻑ ﺍﻟﻜﺘﺏ ﺒﻴﺩ ﺤﺎﻤﻼ‬ ‫−‬ ‫ﺍﻟﺸﻤﻌﺔ ﻓﻲ ﻴﺩﻩ ﺍﻷﺨﺭﻯ ﺍﻟﻤﺭﺘﻌﺸـﺔ.. ﻴﺤﺭﻜﻬـﺎ ﺃﻤـﺎﻡ‬ ‫ﻋﻨﺎﻭﻴﻥ ﺍﻟﻜﺘﺏ )ﺒﺎﺤﺜﺎ ﻋﻥ ﻜﺘﺎﺏ ﻴﻘﺭﺃﻩ(..‬ ‫-٥-‬
  • 7. ‫: ﻤﺎ ﻋﺭﻓﺘﺵ ﺃﻋﻤل ﺇﻴـﻪ ﻟﻤـﺎ ﺍﻟﻨـﻭﺭ‬ ‫ﺼﻭﺘﻪ )ﺫﻭ ﺍﻟﻌﻤﻕ(‬ ‫ﺇﻨﻘﻁﻊ.. ﺤﺎﻭﻟﺕ ﺃﻨﺎﻡ.. ﻟﻜﻥ.. ﻤـﺎﻓﻴﺵ‬ ‫ﻓﺎﻴﺩﺓ.‬ ‫ﺒﺎﻟﺸﻤﻌﺔ ﻴﻤﺭ ﺃﻤﺎﻡ ﻜﺘﺎﺏ ﺒـﻼ ﻋﻨـﻭﺍﻥ )ﺍﻟﻭﺤﻴـﺩ ﺒـﻼ‬ ‫−‬ ‫ﻋﻨﻭﺍﻥ(.. ﻻ ﻴﻬﺘﻡ.. ﻴﻠﺘﻘﻁ ﻋﺼﺎﻩ.. ﻴﺒﺘﻌﺩ ﻤﺸﻴﺭﺍ ﺒﻴﺩﻩ ﻓﻲ‬ ‫ﻀﻴﻕ ﻭﺤﻨﻕ..‬ ‫: ﻟﻴﻠﻪ ﻤﻤﻠﺔ.. ﺍﻟﺴﻥ ﻭﺍﻟﻭﺤﺩﺓ ﺨﻼﻨﻲ ﺃﻗـﺭﺍ‬ ‫ﺼﻭﺘﻪ‬ ‫ﻜل ﺍﻟﻠﻰ ﻜﻨﺕ ﺒﺄﻜﺭﻩ ﻗﺭﺍﻴﺘﺔ..ﻤﺎ ﺒﻘﺎﺵ ﻓﻴـﻪ‬ ‫ﺤﺎﺠﺔ ﻤﺎ ﻗﺭﺘﻬﺎﺵ.‬ ‫ﺒﻌﺩ ﺨﻁﻭﺓ ﺃﻭ ﺨﻁﻭﺘﻴﻥ ﻴﺘﻭﻗﻑ )ﺘﺫﻜﺭ ﺸﻴﺌﺎ(.. ﻴﻌﻭﺩ ﺇﻟﻰ‬ ‫−‬ ‫ﺭﻑ ﺍﻟﻜﺘﺏ.. ﻴﺭﻓﻊ ﺸﻤﻌﺘﻪ ﻤﺭﺓ ﺃﺨﺭﻯ ﺃﻤﺎﻡ ﺫﻟﻙ ﺍﻟﻜﺘﺎﺏ‬ ‫ﺍﻟﺫﻱ ﻻ ﻴﺤﻤل ﻋﻨﻭﺍﻨﺎ ﻭﻴﺘﻭﻗﻑ ﻋﻨﺩﻩ..‬ ‫: ﻟﻜﻥ.. ﻤﺎ ﺃﻋﺭﻓﺵ ﺇﻴﻪ ﺍﻟﻠﻰ ﺸﺩﻨﻲ ﻟﻠﻜﺘﺎﺏ‬ ‫ﺼﻭﺘﻪ‬ ‫ﺩﻩ.. ﻤﺎﻟﻭﺵ ﻋﻨﻭﺍﻥ ﻟﻜﻥ ﻜـﺄﻨﻲ.. ﻜـﺄﻨﻲ‬ ‫ﺒﺄﺴﻤﻌﺔ ﺒﻴﻨﺎﺩﻴﻨﻲ.‬ ‫ﻴﺘﺭﻙ ﻋﺼﺎﻩ.. ﻴﻤﺩ ﻴﺩﻩ ﻴﺨﺭﺝ ﺍﻟﻜﺘﺎﺏ ﻤﻥ ﻭﺴﻁ ﺍﻟﻜﺘـﺏ‬ ‫−‬ ‫ﺍﻟﻜﺜﻴﺭﺓ.. ﻴﻤﺴﻜﻪ ﻓﻲ ﻨﻔﺱ ﺍﻟﻴﺩ ﺍﻟﻤﻤﺴﻜﺔ ﺒﺎﻟﻌﺼﺎ..‬ ‫-٦-‬
  • 8. ‫ﻴﺴﻴﺭ ﺒﻪ ﻤﺘﺜﺎﻗﻼ ﻨﺤﻭ ﻜﺭﺴﻲ ﻜﺒﻴﺭ ﻋﻠﻴﻪ ﺒﻁﺎﻨﻴﺔ ﺒﺠـﻭﺍﺭ‬ ‫−‬ ‫ﻨﺎﻓﺫﺓ ﻤﻐﻠﻘﺔ ﺍﻟﻨﻭﺍﻓﺫ ﻋﻠﻴﻬﺎ ﺴﺘﺎﺭﺓ ﻗﺩﻴﻤـﺔ.. ﻭ ﺒﺠـﻭﺍﺭﻩ‬ ‫ﻁﺎﻭﻟﺔ ﺼﻐﻴﺭﺓ ﻋﻠﻴﻬﺎ ﻨﻅﺎﺭﺓ ﻭ ﺃﺒﺎﺠﻭﺭﺓ.. ﻴﻀﻊ ﻋﻠﻴﻬـﺎ‬ ‫ﺍﻟﺸﻤﻌﺔ..‬ ‫ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻜﺭﺴﻲ.. ﻴﻀﻊ ﺒﻁﺎﻨﻴﺔ ﺜﻘﻴﻠﺔ ﻋﻠﻰ ﻗﺩﻤﻴﻪ..‬ ‫−‬ ‫ﻴﻠﺘﻘﻁ ﻨﻅﺎﺭﺘﻪ..‬ ‫ﺒﻴﺩﻩ ﺍﻟﻤﺭﺘﻌﺸﺔ ﻴﻀـﻌﻬﺎ ﻋﻠـﻰ ﻋﻴﻨﻴـﺔ ﺩﻭﻥ ﺃﻥ ﻨـﺭﻯ‬ ‫−‬ ‫ﻭﺠﻬﻪ..‬ ‫ﻴﻤﺴﻙ ﺍﻟﻜﺘﺎﺏ.. ﻴﻤﺴﺢ ﺍﻟﺘﺭﺍﺏ ﻤﻥ ﻓﻭﻗﻪ.. ﻴﻘﻠﺒﻪ ﻴﻤﻴﻨـﺎ‬ ‫−‬ ‫ﻭﻴﺴﺎﺭﺍ ﻤﺘﻌﺠﺒﺎ..‬ ‫: ﺃﻨ ـﺎ ﻤ ـﺎ ﺍﺸ ـﺘﺭﺘﺵ ﺍﻟﻜﺘ ـﺎﺏ ﺩﻩ..ﻤ ـﺎ‬ ‫ـ‬ ‫ـ‬ ‫ـ ـ ـ‬ ‫ﺼﻭﺘﻪ‬ ‫ﻴﻬﻤﺵ..ﺤﺄﻓﺘﺤﺔ.‬ ‫ﻴﻔﺘﺢ ﺍﻟﻜﺘﺎﺏ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻟﻨـﺭﻯ ﻓـﻲ ﺼـﻔﺤﺎﺘﻪ‬ ‫−‬ ‫ﺍﻟﺩﺍﺨﻠﻴﺔ ﺍﻟﻤﺘﺂﻜﻠﺔ ﺍﻟﺘﻲ ﻴﻅﻬﺭ ﻤـﻥ ﺸـﻜﻠﻬﺎ ﺸـﺩﺓ ﻗـﺩﻡ‬ ‫ﺍﻟﻜﺘﺎﺏ..‬ ‫ﻋﻨﻭﺍﻥ ﻜﺒﻴﺭ ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺼﻔﺤﺔ )ﻭﻤـﺎ ﺯﻟـﺕ ﺘﻠـﻙ‬ ‫ِ‬ ‫−‬ ‫ﺍﻷﻨﺜﻰ(..‬ ‫: )ﻤﺘﻌﺠﺒﺎ( ﻭﻤﺎ ﺯﻟﺕ ﺘﻠﻙ ﺍﻷﻨﺜﻰ!‬ ‫ﺼﻭﺘﻪ‬ ‫-٧-‬
  • 9. ‫ﻴﻘﻠﺏ ﺍﻟﺼﻔﺤﺔ.. ﻴﺠﺩ ﻋﻨﻭﺍﻨﺎ ﺁﺨﺭ ﻤﻜﺘﻭﺒﺎ ﺒﺨﻁ ﺼـﻐﻴﺭ‬ ‫−‬ ‫ﻓﻲ ﻭﺴﻁ ﺍﻟﺼﻔﺤﺔ )ﻗﺼﺔ ﺇﻨﺴﺎﻥ(.‬ ‫: ﻗﺼﺔ ﺇﻨﺴﺎﻥ!‬ ‫ﺼﻭﺘﻪ‬ ‫ﻨﻘﺘﺭﺏ ﻤﻨﻪ ﻓﻲ ﻫﺩﻭﺀ ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﺎﻟﻜﺘﺎﺏ ﻓﻲ ﺍﻫﺘﻤـﺎﻡ‬ ‫−‬ ‫ﻴﻘﻠﺏ ﺍﻟﺼﻔﺤﺔ ﺍﻟﺘﺎﻟﻴﺔ ﻓﻲ ﺘﺭﻗﺏ.. ﻴﻤﺴﻙ ﺒﺎﻟﻜﺘﺎﺏ ﺠﻴﺩﺍ ﻭ‬ ‫ﻴﺒﺩﺃ ﻓﻲ ﻗﺭﺍﺀﺘﻪ ﻓﻲ ﺘﻤﻌﻥ..‬ ‫: ﻓﻲ ﺃﺤﺩ ﺍﻷﻴﺎﻡ..ﻤﻨﺫ ﺯﻤﻥ ﺒﻌﻴﺩ..ﺍﺴﺘﻴﻘﻅ‬ ‫ﺼﻭﺘﻪ‬ ‫ﺇﻨﺴﺎﻥ ﻟﺘﺒﺩﺃ ﻗﺼﺔ..‬ ‫ﺘﻼﺸﻲ..‬ ‫-٨-‬
  • 10. ‫ﻡ٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻑ ﺍﻷﻁﻔﺎل(‬ ‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻲ ﻫﺩﻭﺀ ﺘﺎﻡ.‬ ‫−‬ ‫ﻏﺭﻓﺔ ﺃﻁﻔﺎل ﻤﺘﻭﺴﻁﺔ ﺍﻟﺤـﺎل ﺨﻔﻴﻔـﺔ ﺍﻹﻀـﺎﺀﺓ ﺒﻬـﺎ‬ ‫−‬ ‫ﺴﺭﻴﺭﻴﻥ.. ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻤﻥ ﺍﻟﺴﻜﻭﻥ ﺍﻟﺘﺎﻡ..‬ ‫)ﻨﺴﻤﻊ ﺼﻭﺕ ﻫﻤﺴﺎﺕ ﺤﺸﺩ ﻜﺒﻴﺭ ﻤﻥ ﺍﻟﻨﺎﺱ(‬ ‫ﻭﺠﻪ ﻁﻔل ﻨﺎﺌﻡ)ﺃﺤﻤﺩ ٧ﺴﻨﻭﺍﺕ(.. ﺒﺠﻭﺍﺭﻩ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ‬ ‫−‬ ‫ﺍﻵﺨﺭ.. ﻭﺠﻪ ﻁﻔل ﺁﺨﺭ ﻨﺎﺌﻡ ﺼﺎﺒﺭ )٠١ ﺴﻨﻭﺍﺕ(..‬ ‫)ﺼﻭﺕ ﺍﻟﻬﻤﺴﺎﺕ ﻴﻌﻠﻭ ﻤﻌﺒﺭﺍ ﻋﻥ ﺍﻟﺤﺯﻥ(‬ ‫ﺼﺎﺒﺭ ﻴﻔﺘﺢ ﻋﻴﻨﻴﺔ ﻓﻲ ﺒﻁﺊ.. ﻋﻠﻰ ﻭﺠﻬـﻪ ﻋﻼﻤـﺎﺕ‬ ‫−‬ ‫ﺍﺴﺘﻐﺭﺍﺏ ﻨﺘﺒﻴﻥ ﻤﻥ ﺨﻼﻟﻬﺎ ﺒﺭﺍﺀﺓ ﻤﻼﻤﺤـﻪ.. ﻴﺘﺒﻌﻬـﺎ‬ ‫ﺒﺎﺒﺘﺴﺎﻤﺔ ﺠﻤﻴﻠﺔ..‬ ‫ﻴﻨﻬﺽ.. ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺒﺎﺏ ﻓﻲ ﺒﻁـﺊ ﻤﺭﺘـﺩﻴﺎ ﺒﻴﺠﺎﻤـﺔ‬ ‫−‬ ‫ﻤﺨﻁﻁﺔ.. ﻨﺭﺍﻩ ﻤﻥ ﺒﻌﻴﺩ ﻭﻫﻭ ﻴﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻟﺘﻅﻬﺭ ﺍﻟﺼﺎﻟﺔ‬ ‫ﺫﺍﺕ ﺍﻹﻀﺎﺀﺓ ﺍﻟﺨﺎﻓﺘﺔ.. ﺒﻬﺎ ﻋﺩﺩ ﻜﺒﻴﺭ ﻤـﻥ ﺍﻟﻨـﺎﺱ ﻻ‬ ‫ﻨﺘﺒﻴﻥ ﻤﻼﻤﺤﻬﻡ..‬ ‫-٩-‬
  • 11. ‫ﻨﻅل ﻨﺘﺎﺒﻌﻪ ﻤﻥ ﺒﻌﻴﺩ ﻭﻫﻭ ﻴﺨﺘﺭﻗﻬﻡ ﻭﻫﻡ ﻴﻔﺴـﺤﻭﻥ ﻟـﻪ‬ ‫−‬ ‫ﺍﻟﻁﺭﻴﻕ ﻟﻴﻘﻑ ﻋﻨﺩ ﺒﺎﺏ ﻏﺭﻓﺔ )ﻏﺭﻓﺔ ﻭﺍﻟﺩﺘـﻪ( ﺘﺨـﺭﺝ‬ ‫ﻤﻨﻬﺎ ﺇﻀﺎﺀﺓ ﻗﻭﻴﺔ.. ﻴﻘﻑ ﻓﻲ ﺼﻤﺕ ﺩﻭﻥ ﺤﺭﺍﻙ ﻴﻐﻤﺭﻩ‬ ‫ﺍﻟﻀﻭﺀ..‬ ‫- ٠١ -‬
  • 12. ‫ﻡ٣ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻷﺏ ﻭ ﺍﻷﻡ(‬ ‫ﺼﺎﺒﺭ ﻴﺭﻯ..‬ ‫−‬ ‫ﺤﻭﻟﻪ ﺭﺠﺎل ﻭﻨﺴﺎﺀ ﻤﺭﺘﺩﻴﻥ ﺠﻤﻴﻌﺎ ﺍﻟﺴﻭﺍﺩ ﻴﻘﻔـﻭﻥ ﻋﻠـﻰ‬ ‫ﺠﺎﻨﺒﻲ ﺴﺭﻴﺭ.. ﻴﻅﻬﺭﻭﻥ ﻜﺄﻨﻬﻡ ﺃﺸﺒﺎﺡ..‬ ‫ﺍﻤﺭﺃﺓ ﺠﻤﻴﻠﺔ ﺠﺩﺍ ﺸﺎﺒﺔ )ﻭﺍﻟﺩﺓ ﺼﺎﺒﺭ( ﺘﻨﺎﻡ ﺒـﻼ ﺤـﺭﺍﻙ‬ ‫−‬ ‫ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ ﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻫﺎ ﺭﺠل ﺒﻬﻲ ﺍﻟﻁﻠﻌﺔ )ﻭﺍﻟـﺩ‬ ‫ﺼﺎﺒﺭ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ( ﺤﺯﻴﻨﺎ..‬ ‫ﺍﻟﻐﺭﻓﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻋﺎﻟﻴﺔ ﻤﺎﺌﻠﺔ ﻋﻠﻰ ﻤﺤﻭﺭﻫﺎ ﺍﻷﻓﻘـﻲ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺘﺤﺭﻙ ﻓﻲ ﻫﺩﻭﺀ ﺒﺠـﻭﺍﺭ ﺍﻟﺴـﺭﻴﺭ ﺍﻟﻨﺤﺎﺴـﻲ‬ ‫ﺍﻟﻼﻤﻊ..ﻴﺘﺴﻠﻘﻪ.. ﻴﺴﺘﻘﺭ ﻓﻭﻗﻪ ﺠﺎﻟﺴﺎ ﻓﻲ ﻫﺩﻭﺀ ﻴﻨﻅﺭ ﺇﻟﻰ‬ ‫ﻤﻥ ﺤﻭﻟﻪ ﻓﻲ ﺍﺴﺘﻐﺭﺍﺏ ﺒﻌﻴﻭﻥ ﺒﺭﻴﺌﺔ..‬ ‫ﻴﺭﻜﺯ ﻨﻅﺭﺓ ﻋﻠﻰ ﺃﻤﻪ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ.. ﺴﺭﻋﺎﻥ ﻤﺎ ﺘـﺩﻤﻊ‬ ‫−‬ ‫ﻋﻴﻨﺎﻩ.. ﻴﻌﻡ ﺍﻟﻤﻜﺎﻥ ﺍﻟﺼﻤﺕ ﺍﻟﺘﺎﻡ.‬ ‫- ١١ -‬
  • 13. ‫ﻴﺩﻩ.. ﺘﻤﺘﺩ ﻨﺤﻭ ﻴﺩ ﺃﻤﺔ ﻓﻲ ﻫﺩﻭﺀ.. ﻤﺎ ﺃﻥ ﺘﻠﻤﺴﻬﺎ ﺤﺘـﻰ‬ ‫−‬ ‫ﺘﺩﺨل ﻓﻲ ﺍﻟﻜﺎﺩﺭ ﻴﺩ ﺍﻤﺭﺃﺓ ﺫﺍﺕ ﺃﻅﺎﻓﺭ ﻁﻭﻴﻠـﺔ )ﻜﺄﻨﻬـﺎ‬ ‫ﻤﺨﺎﻟﺏ(.. ﺘﻤﺴﻙ ﺒﻴﺩﻩ ﺒﻘﻭﺓ..ﺘﺨﺭﺠﻪ ﻤﻥ ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺍﻤﺭﺃﺓ ﻓﺎﺘﻨﺔ ﺫﺍﺕ ﻨﻅﺭﺓ ﺨﺒﻴﺜﺔ )ﺠﻤﻴﻠﺔ(.. ﺘﺤﻤل ﺼﺎﺒﺭ..‬ ‫−‬ ‫ﺘﺤﺘﻀﻨﻪ ﻓﻲ ﻋﻨﻑ ﺘﺭﺘﺩﻱ ﻓﺴﺘﺎﻥ ﺃﺒﻴﺽ ﻴﻜﺸﻑ ﺠﺴﺩﻫﺎ‬ ‫ﻭﻴﻅﻬﺭ ﻤﻥ ﺘﺤﺕ ﻓﺴﺘﺎﻨﻬﺎ ﻋﻨﺩ ﺍﻟﻘﻠـﺏ ﺒﻘﻌـﺔ ﺴـﻭﺩﺍﺀ‬ ‫ﻅﺎﻫﺭﺓ..‬ ‫: )ﺒﺼﻭﺕ ﺒﺎﻜﻲ ﻤﺼﻁﻨﻊ( ﻤﺎ ﺘﺯﻋﻠﺵ ﻴـﺎ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺼﺎﺒﺭ ﻋﻠﻰ ﻤﺎﻤﺎ.‬ ‫ﺼﺎﺒﺭ ﻴﻤﺩ ﻴﺩﻩ ﻟﻭﺍﻟﺩﺓ ﻓﺘﻤﺴﻜﻬﺎ ﻤﺭﺓ ﺃﺨـﺭﻯ ﺠﻤﻴﻠـﺔ..‬ ‫−‬ ‫ﺘﻤﺴﻙ ﺒﻌﺩﻫﺎ ﻭﺠﻪ ﺼﺎﺒﺭ ﻭ ﺘﻘﺒﻠﻪ ﻭﻫﻰ ﺘﻨﻅﺭ ﺇﻟﻰ ﻋﺒـﺩ‬ ‫ﺍﻟﻘﺎﺩﺭ ﻓﻲ ﺇﻏﺭﺍﺀ..‬ ‫: )ﻓﻲ ﺨﺒﺙ( ﺃﻨﺎ ﻫﻨﺎ ﻴﺎ ﺤﺒﻴﺒﻲ.. ﺍﻟﺠﻴـﺭﺍﻥ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻟﺒﻌﻀﻴﻬﺎ.‬ ‫ﺘﻨﻅﺭ ﻟﻌﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻴﻨﻅﺭ ﻟﻬﺎ.. ﺘﻨﻅﺭ ﻟﻪ.. ﻴﻨﻅﺭ ﻟﻬﺎ..‬ ‫−‬ ‫- ٢١ -‬
  • 14. ‫ﻡ٤ - ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺒﺠﻭﺍﺭ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﻴﺠﻠﺱ ﻋﻠﻰ ﻜﺭﺴﻲ ﻴﺭﺘﺩﻱ‬ ‫−‬ ‫ﺤﺫﺍﺌﻪ.. ﺒﺠﻭﺍﺭﻩ ﺘﻘﻑ ﺠﻤﻴﻠﺔ ﺘﺭﺘﺩﻱ ﺭﻭﺏ ﺃﺴﻭﺩ ﻴﻐﻁﻲ‬ ‫ﻜل ﺠﺴﺩﻫﺎ.. ﺸﻌﺭﻫﺎ ﺘﺠﻤﻌـﻪ ﻗﻁﻌـﺔ ﻤـﻥ ﺍﻟﻘﻤـﺎﺵ‬ ‫ﺍﻟﺤﺭﻴﺭﻱ.. ﺘﻘﻑ ﺒﺠﺎﻨﺒﻪ ﻓﻲ ﺃﺩﺏ ﺸﺩﻴﺩ ﻭﺨﺸﻭﻉ..‬ ‫: ﺨﺩﻱ ﺒﺎﻟﻙ ﻤﻥ ﺍﻟﻭﻻﺩ ﺃﻨـﺎ ﻋـﺎﺭﻑ ﺇﻥ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺠﻭﺍﺯﻯ ﻤﻨﻙ ﺤﻴﺘﻌﺒﻙ ﺒـﺱ ﺃﻋﻤـل ﺇﻴـﻪ‬ ‫ﻤﻀﻁﺭ ﺃﻗﻌﺩ ﻓﻲ ﺍﻟﺒﻠﺩ ﺸﻭﻴﺔ.‬ ‫ﻓﻲ ﻟﻬﻔﺔ..‬ ‫−‬ ‫: ﺍﻻﺭﺽ ﺠﺭﻯ ﻟﻬﺎ ﺤﺎﺠﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻷﺭﺽ.. ﻭﻤﺸــﺎﻜل ﺇﺨــﻭﺍﺘﻰ ﻭﻭﻻﺩ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻋﻤﻲ.. ﻫﻡ ﺘﻘﻴل.‬ ‫: ﺇﻨﺕ ﺃﺩﻩ ﻭﺃﺩﻭﺩ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫- ٣١ -‬
  • 15. ‫ﻤﻥ ﺒﻌﻴﺩ.. ﻨﻘﺘﺭﺏ ﻓﻲ ﺒﻁﺊ ﺸﺩﻴﺩ ﻨﺤـﻭ ﻋﺒـﺩ ﺍﻟﻘـﺎﺩﺭ‬ ‫−‬ ‫ﻭﺠﻤﻴﻠﺔ.. ﻗﺒل ﺃﻥ ﻨﺼل ﻴﻨﺘﻬﻲ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻥ ﺍﺭﺘـﺩﺍﺀ‬ ‫ﺤﺫﺍﺌﻪ.. ﻴﻘﻑ..‬ ‫: ﺨﺩﻱ ﺒﺎﻟﻙ ﻤﻥ ﻨﻔﺴﻙ ﻭﻤﻥ ﺍﻟﻭﻻﺩ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻴﺄﺨﺫ ﺤﻘﻴﺒﺔ ﻤﻼﺒﺴﺔ ﺍﻟﺼﻐﻴﺭﺓ ﻤﻥ ﻋﻠﻰ ﺍﻷﺭﺽ.. ﺘﺴﺭﻉ‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﺒﺘﻘﺒﻴل ﻴﺩﻩ ﻓﻲ ﺨﺒﺙ ﻭﺘﺭﺘﻤﻲ ﻓﻲ ﺤﻀﻨﻪ ﻭﺘﺒﻜـﻲ‬ ‫ﺒﻜﺎﺀﺍ ﻤﺼﻁﻨﻌﺎ..‬ ‫: ﺤﺘﻭﺤﺸﻨﻰ ﻴﺎ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻤـﺎ ﺘﻐـﺒﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻴﺎ.‬ ‫ﻴﻘﺒل ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺭﺃﺴﻬﺎ ﻭﻫﻲ ﻓﻲ ﺃﺤﻀـﺎﻨﻪ ﻭ ﻴﻜﺘﻤـل‬ ‫−‬ ‫ﺍﻗﺘﺭﺍﺒﻨﺎ.. ﻨﺘﺒﻌﻪ ﻭ..‬ ‫- ٤١ -‬
  • 16. ‫ﻡ٥ – ﻨﻬﺎﺭ/ﺩﺍﺨﻠﻲ‬ ‫ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻨﺴﻴﺭ ﺨﻠﻔﺔ ﻤﺴﺎﻓﺔ ﺼﻐﻴﺭﺓ ﺤﺘﻰ ﻴﺼل ﺇﻟـﻰ ﺩﺭﺠـﺎﺕ‬ ‫−‬ ‫ﺍﻟﺴﻠﻡ ﺍﻷﻭﻟﻰ..‬ ‫ﺘﺴﺘﺩﻴﺭ ﺍﻟﻜﺎﻤﻴﺭﺍ ﺤﻭل ﻤﺤﻭﺭﻫﺎ ﻓﻲ ﻫﺩﻭﺀ..ﺠﻤﻴﻠﺔ ﻤـﻥ‬ ‫−‬ ‫ﺒﻌﻴﺩ.. ﺘﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻟﺒﺎﺏ ﺘﻐﻠﻘﻪ ﻓﻲ ﺒﻁﺊ.. ﺒﻴﻨﻤﺎ ﻨﻘﺘﺭﺏ‬ ‫ﻤﻨﻬﺎ ﻓﻲ ﺤﺭﻜﺔ ﻫﺎﺩﺌﺔ.. ﻭﻗﺒل ﺍﻗﺘﺭﺍﺒﻨـﺎ ﺘﻐﻠـﻕ ﺍﻟﺒـﺎﺏ‬ ‫ﺘﻤﺎﻤﺎ..‬ ‫ﻨﺴﺘﻤﺭ ﻓﻲ ﺍﻻﻗﺘﺭﺍﺏ..‬ ‫−‬ ‫- ٥١ -‬
  • 17. ‫ﻡ٦ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺃﻤﺎﻡ ﺒﺎﺏ ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ – ﺒﻌﺩ ﺯﻤﻥ‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﺒﺎﺏ.. ﺘﻅﻬﺭ ﺠﻤﻴﻠﺔ ﻤﺴﺘﻨﺩﺓ ﺇﻟﻴﻪ ﻤﺭﺘﺩﻴﺔ ﻤﻼﺒﺱ‬ ‫−‬ ‫ﻤﺜﻴﺭﺓ ﺘﻜﺸﻑ ﺠﺴﺩﻫﺎ ﻭﻗﺩ ﺃﺭﺴﻠﺕ ﺸﻌﺭﻫﺎ ﻤﺎﻀﻐﺔ ﻟﺒﺎﻥ‬ ‫ﺒﺄﺴﻠﻭﺏ ﺴﺎﻗﻁ..ﺘﻨﻅﺭ ﻨﺤﻭﻨﺎ ﻤﺒﺎﺸﺭﺓ..‬ ‫: )ﻓﻰ ﺘﺩﻟل ﻭﺇﻏﺭﺍﺀ( ﺇﺘﺄﺨﺭﺕ ﻟﻴﻪ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻤﻥ ﺍﻟﻨﻅﺭﺍﺕ ﺍﻟﻤﺘﻔﺭﺴﺔ ﺇﻟﻰ ﺃﺴﻔل ﻭﺃﻋﻠﻰ..‬ ‫−‬ ‫ﺘﻤﺩ ﻴﺩﻫﺎ ﺨﺎﺭﺝ ﺍﻟﻜﺎﺩﺭ ﻟﺘﺩﺨل ﻤﺭﺓ ﺃﺨﺭﻯ ﻓﻴﻬﺎ ﻤﻼﺒـﺱ‬ ‫ﺘﺴﺤﺒﻬﺎ ﻟﻨﺭﻯ ﺭﺠل ﻭﺴﻴﻡ )ﺸﻌﺭ ﺃﺼﻔﺭ ﻭﻋﻴﻭﻥ ﺯﺭﻗﺎﺀ(‬ ‫ﺘﺠﺫﺒﻪ ﺠﻤﻴﻠﺔ ﻨﺤﻭ ﺍﻟﺩﺍﺨل ﻭ..‬ ‫- ٦١ -‬
  • 18. ‫ﻡ٧ - ﻟﻴل/ ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻨﺘﺎﺒﻌﻬﻡ.. ﻨﺩﺨل ﺨﻠﻔﻬﻡ.. ﻭﻫﻲ ﺘﺴﺤﺒﻪ ﺒﻴﺩﻫﺎ ﻤﻥ ﺨﻠﻔﻬﺎ..‬ ‫−‬ ‫ﺘﺼل ﻟﺒﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ.. ﺘﻔﺘﺤﻪ.. ﺘﺩﺨل ﻭﺘﻘـﻑ ﺃﻤـﺎﻡ‬ ‫ﺍﻟﺭﺠل.. ﺘﻨﻅﺭ ﺇﻟﻴﺔ ﻓﻲ ﺸﻬﻭﺓ ﻭﺘﺘﺩﻟل ﻋﻠﻴﺔ..‬ ‫: )ﻓﻲ ﺼﻭﺕ ﻨﺎﻋﻡ( ﺘﺎﻨﻰ ﻤﺭﺓ ﻤﺎ ﺘﺘﺄﺨﺭﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻴﺎ.. ﺃﻨﺎ ﺩﺍﻴﻤﺎ ﺒﺄﺴﺘﻨﺎﻙ.‬ ‫ﺠﻤﻴﻠﺔ ﺘﻐﻠﻕ ﺒﺎﺏ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ ﻓـﻲ ﻭﺠﻬﻨـﺎ.. ﻨﺘﻭﻗـﻑ‬ ‫−‬ ‫ﻋﻨﺩﻩ..‬ ‫- ٧١ -‬
  • 19. ‫ﻡ٨ - ﻟﻴل/ ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﺒﻌﺩ ﺯﻤﻥ ﻗﺼﻴﺭ‬ ‫ﻫﺩﻭﺀ ﺘﺎﻡ‬ ‫ﻀﻭﺀ ﺨﺎﻓﺕ..‬ ‫−‬ ‫ﻤﻥ ﺃﺤﺩ ﺃﺭﻜﺎﻥ ﺍﻟﺼﺎﻟﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻋﺎﻟﻴـﺔ ﻤﺎﺌﻠـﺔ ﻤـﻥ‬ ‫−‬ ‫ﺒﻌﻴﺩ.. ﺒﺎﺏ ﻏﺭﻓﺔ ﺼـﺎﺒﺭ ﻤﻐﻠـﻕ.. ﺃﺜـﺎﺙ ﺍﻟﺼـﺎﻟﺔ‬ ‫ﺍﻟﻤﺘﻭﺍﻀﻊ.. ﺘﻠﻴﻔﺯﻴﻭﻥ.. ﺜﻼﺠﺔ ﻓﻲ ﺃﻗﺼﻰ ﺍﻟﻴﺴﺎﺭ..‬ ‫ﻨﻨﺯل ﺇﻟﻰ ﻤﺴﺘﻭﻯ ﺴﻁﺢ ﺍﻷﺭﺽ ﺍﻟﻤﻨﺨﻔﺽ ﺠـﺩﺍ ﻓـﻲ‬ ‫−‬ ‫ﻫﺩﻭﺀ )ﻋﻴﻥ ﻨﻤﻠﻪ(..‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﻏﺭﻓﺔ ﺼﺎﺒﺭ.. ﻴﺨﺭﺝ ﺴﺎﺌﺭﺍ ﺒﺨﻁﻰ ﺒﻁﻴﺌـﺔ‬ ‫−‬ ‫ﻭﺃﺜﺎﺭ ﺍﻟﻨﻭﻡ ﺘﻌﻠﻭ ﻭﺠﻬﻪ.. ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺜﻼﺠـﺔ.. ﺒﻴﻨﻤـﺎ‬ ‫ﻨﻘﺘﺭﺏ ﻤﻨﻪ..‬ ‫ﻨﺭﺘﻔﻊ ﻓﻲ ﺒﻁﺊ ﻋﻥ ﻤﺴﺘﻭﻯ ﺍﻷﺭﺽ.. ﻴﻔـﺘﺢ ﺍﻟﺜﻼﺠـﺔ‬ ‫−‬ ‫ﻴﻐﻤﺭﻩ ﻀﻭﺀﻫﺎ.. ﻴﺨﺭﺝ ﺯﺠﺎﺠﺔ ﻜﺒﻴﺭﺓ ﻤـﻥ ﺍﻟﻤـﺎﺀ..‬ ‫- ٨١ -‬
  • 20. ‫ﻴﺭﻓﻌﻬﺎ ﻟﻴﺸﺭﺏ ﻭﻫﻭ ﻏﻴﺭ ﻤﺘﻤﻜﻥ ﻤﻨﻬﺎ.. ﻗﺒل ﺃﻥ ﺘﺼـل‬ ‫ﻟﻔﻤﻪ..‬ ‫)ﺼﻭﺕ ﺠﻤﻴﻠﺔ ﺘﻀﺤﻙ ﺒﺼﻭﺕ ﻋﺎﻟﻰ ﻓﻲ ﺸﻬﻭﺍﻨﻴﺔ(‬ ‫ﺘﺨﺘل ﺍﻟﺯﺠﺎﺠﺔ.. ﺘﻘﻊ ﻤﻥ ﻴﺩﻩ..‬ ‫−‬ ‫)ﺴﻠﻭ(..‬ ‫−‬ ‫ﺘﺴﻘﻁ ﻋﻠﻰ ﺍﻷﺭﺽ.. ﺘﺘﺤﻁﻡ ﺃﺠﺯﺍﺌﻬﺎ ﺇﻟﻰ ﻗﻁـﻊ ﺼـﻐﻴﺭﺓ‬ ‫ﻤﺘﻨﺎﺜﺭﺓ ﻋﻠﻰ ﻤﺴﺎﺤﺔ ﻜﺒﻴﺭﺓ ﻤﻥ ﺍﻷﺭﺽ..‬ ‫ﺼﻭﺕ ﻜﺴﺭ.‬ ‫ﺼﺎﺒﺭ ﻴﻨﻅﺭ ﺘﺠﺎﻩ ﻏﺭﻓﺔ ﺍﻟﻨﻭﻡ ﻓﺎﺘﺤﺎ ﻓﻤﻪ ﻓﻲ ﻋﺩﻡ ﻓﻬـﻡ‬ ‫−‬ ‫ﺒﻤﺎ ﻴﺠﺭﻯ.. ﻴﺴﻴﺭ ﻨﺤﻭ ﻏﺭﻓﺔ ﺠﻤﻴﻠﺔ ﺒﺨﻁﻰ ﻫﺎﺩﺌﺔ..‬ ‫)ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﺍﻟﻤﻨﺨﻔﻀﺔ ﺍﻟﺼﻭﺕ ﺍﻟﺩﺍﻟـﺔ ﻋﻠـﻰ‬ ‫ﺍﻟﺘﺭﻗﺏ(‬ ‫ﻗﺩﻤﻴﻪ.. ﺘﺘﺤﺭﻙ ﺘﺎﺭﻜﺔ ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﺃﺜﺭ‬ ‫−‬ ‫ﺒﻘﺎﻴﺎ ﺍﻟﺯﺠﺎﺝ ﺍﻟﻤﺘﻨﺎﺜﺭ.. ﺩﻭﻥ ﺃﻥ ﻴﺸﻌﺭ ﺒﻬـﺎ ﺃﻭ ﻴﻬﺒﻬـﺎ‬ ‫ﺍﻨﺘﺒﺎﻫﻪ.. ﻨﺘﺒﻌﻪ ﺒﻴﻨﻤﺎ ﺘﻤﻴل ﺍﻟﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﺎ ﻭ ﻴﺴﺎﺭﺍ ﻋﻠﻰ‬ ‫ﻤﺤﻭﺭﻫﺎ ﺍﻷﻓﻘﻲ ﻓﻲ ﻫﺩﻭﺀ ﻭ ﺒﻁﺊ..‬ ‫ﻴﻘﻑ ﺃﻤﺎﻡ ﺍﻟﺒﺎﺏ.. ﻴﻤﺩ ﻴﺩﻩ.. ﻴﻔﺘﺤﻪ..‬ ‫−‬ ‫)ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﻴﺭﺘﻔﻊ ﺇﻴﻘﺎﻋﻬﺎ ﻭﺼﻭﺘﻬﺎ(‬ ‫- ٩١ -‬
  • 21. ‫ﺠﻤﻴﻠﺔ ﺘﺄﻜل ﺍﻟﺭﺠل ﺍﻟﺫﻱ ﻤﻌﻬﺎ..‬ ‫−‬ ‫ﺘﺭﻯ ﺼﺎﺒﺭ ﻋﻨﺩ ﺍﻟﺒﺎﺏ..‬ ‫−‬ ‫)ﺼﻭﺕ ﺠﻤﻴﻠﺔ ﻭﻫﻲ ﺘﻀﺤﻙ ﻭﺘﺘﻭﻗﻑ ﻓﺠﺄﺓ.(‬ ‫ﺍﻟﻐﻀﺏ ﻴﻌﺘﺭﻴﻬﺎ ﻭﺍﻟﺸﺭﺭ ﻴﺘﻁﺎﻴﺭ ﻤﻥ ﻋﻴﻭﻨﻬﺎ..ﺘﻐﻁـﻲ‬ ‫−‬ ‫ﺼﺩﺭﻫﺎ ﺍﻟﻌﺎﺭﻱ ﺒﺎﻟﻤﻼﺀﺓ..‬ ‫ﺼﺎﺒﺭ ﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻟﺒﺎﺏ ﻤﻤﺴﻜﺎ ﺒﻤﻘﺒﺽ ﺍﻟﺒﺎﺏ.. ﻴﻨﻅﺭ‬ ‫−‬ ‫ﺇﻟﻴﻬﺎ ﻓﻲ ﺒﺭﺍﺀﺓ ﻭﻋﺩﻡ ﻓﻬﻡ..‬ ‫ﻭﺠﻪ ﺼﺎﺒﺭ..ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﺍﻟﻐﺎﻀﺏ..‬ ‫−‬ ‫ﻭﺠﻪ ﺼﺎﺒﺭ..ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﺍﻟﻐﺎﻀﺏ..‬ ‫−‬ ‫ﻤﻥ ﺒﻌﻴﺩ.. ﺼﺎﺒﺭ ﻤﻥ ﻅﻬﺭﻩ.. ﻴﻘﻑ ﻭﺍﻟﻀﻭﺀ ﺍﻷﺤﻤـﺭ‬ ‫−‬ ‫ﻴﻐﻤﺭﻩ ﻜﺄﻨﻪ ﺍﻟﺩﻡ..‬ ‫ﻨﻘﺘﺭﺏ ﻓﻲ ﻫﺩﻭﺀ ﻨﺤﻭ ﺸﻌﺭ ﺭﺃﺴﻪ .. ﻅﻼﻡ..‬ ‫−‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٠٢ -‬
  • 22. ‫ﻡ٩ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ(‬ ‫ﻅﻼﻡ‬ ‫−‬ ‫ﺼﻭﺕ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ ﻤﺴﺘﻤﺭ‬ ‫ﻓﻲ ﺴﺭﻋﻪ..ﻴﻀﺎﺀ ﺍﻟﻨﻭﺭ ﻓﻲ ﺍﻟﻐﺭﻓﺔ.. ﻴﻨﻔـﺘﺢ ﺒﺎﺒﻬـﺎ..‬ ‫−‬ ‫ﺘﺩﺨل ﺠﻤﻴﻠﺔ ﻤﻠﺘﻔﺔ ﺒﺎﻟﻤﻼﺀﺓ ﻤﻤﺴﻜﺎ ﺇﻴﺎﻫﺎ ﺒﺈﺤﺩﻯ ﻴـﺩﻴﻬﺎ‬ ‫ﺴﺎﺤﺒﺔ ﺼﺎﺒﺭ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﺇﺤﺩﻯ ﻴﺩﻴﻪ ﻓﻲ ﻗﺴـﻭﺓ‬ ‫ﻭﻫﻭ ﻴﻨﻅﺭ ﻟﻬﺎ ﺒﻌﻴﻭﻥ ﻤﺘﺴﺎﺌﻠﺔ ﻤﺴﺘﺴﻠﻤﺎ ﺘﻤﺎﻤﺎ..‬ ‫ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻗﺩﻤﻴﻪ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻫﻲ ﺘﺠﺭﻩ ﺩﺍﺨل ﺍﻟﻐﺭﻓﺔ‬ ‫−‬ ‫ﺍﻟﻭﺍﺴﻌﺔ ﺍﻟﻤﻤﺘﻠﺌﺔ ﺒﺎﻷﺜﺎﺙ ﺍﻟﻤﻜﺴﻭﺭ ﻭﻤﻬﻤـﻼﺕ ﻋﺩﻴـﺩﺓ‬ ‫ﻴﻌﻠﻭﻫﺎ ﺍﻟﺘﺭﺍﺏ ﻭ ﺍﻟﻌﻨﻜﺒﻭﺕ..‬ ‫ﺘﺼل ﺒﻪ ﺇﻟﻰ ﺠﺎﻨﺏ ﻓﻲ ﺩﺍﺨل ﺍﻟﻐﺭﻓﺔ ﻭﺘﺭﻤﻲ ﻴﺩﻴﻪ.. ﻴﻘﻊ‬ ‫−‬ ‫ﻋﻠﻰ ﺍﻷﺭﺽ.. ﻴﻘﻭﻡ ﺠﺎﻟﺴﺎ ﻨﺎﻅﺭﺍ ﻟﻬﺎ ﻭﻫﻲ ﺘﺘﺤﺭﻙ ﻨﺤﻭ‬ ‫ﺍﻟﺒﺎﺏ..‬ ‫ﻴﻨﻅﺭ ﺤﻭﻟﻪ.. ﺘﻅﻬﺭ ﻋﻠﻴﻪ ﻋﻼﻤﺎﺕ ﺍﻟﺨﻭﻑ ﻭﺍﻟﺭﻋﺏ..‬ ‫−‬ ‫- ١٢ -‬
  • 23. ‫: )ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ( ﻤﺎﻤﺎ ﺠﻤﻴﻠـﺔ.. ﻤﺎﻤـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺠﻤﻴﻠﺔ.‬ ‫ﻴﻘﻭﻡ ﻤﻥ ﻤﻜﺎﻨﺔ ﻤﺴﺭﻋﺎ ﻨﺤﻭﻫﺎ ﻭﻴﻤﺴﻙ ﺒﻁﺭﻑ ﺍﻟﻤـﻼﺀﺓ‬ ‫−‬ ‫ﺍﻟﺘﻲ ﺘﻐﻁﻴﻬﺎ.. ﻴﻀﻊ ﺭﺃﺴﻪ ﻋﻠﻴﻬﺎ ﻓﻲ ﺇﺤﺴﺎﺱ ﺒﺎﻷﻤﺎﻥ..‬ ‫ﻴﺒﺘﺴﻡ ﺍﺒﺘﺴﺎﻤﺔ ﺒﺭﻴﺌﺔ..‬ ‫ﺘﺘﻭﻗﻑ ﺠﻤﻴﻠﺔ ﻋﻥ ﺍﻟﺤﺭﻜﺔ.. ﺘﻤﺴﻙ ﺒﻪ ﻟﺘﻘﺫﻓﻪ ﻓﻲ ﻋﻨﻑ‬ ‫−‬ ‫ﻨﺤﻭ ﺠﺎﻨﺏ ﻤﻥ ﺍﻟﻐﺭﻓﺔ.. ﺘﺴﺘﻤﺭ ﻟﺘﺨﺭﺝ..‬ ‫ﻴﻨﻬﺽ ﺼﺎﺒﺭ.. ﻴﻤﺴﻙ ﺒﻬﺎ ﻤـﺭﺓ ﺃﺨـﺭﻯ.. ﺘﻀـﺭﺒﻪ‬ ‫−‬ ‫ﺒﻘﺩﻤﻴﻬﺎ ﻓﻲ ﺼﺩﺭﻩ ﻟﻴﻨﺩﻓﻊ ﺒﻌﻨﻑ ﻨﺤﻭ ﺍﻟﺤﺎﺌﻁ..ﻴﻘﻊ ﻋﻠﻰ‬ ‫ﺍﻷﺭﺽ ﻤﺘﺄﻟﻤﺎ ﺒﺸﺩﺓ..‬ ‫: )ﻤﺘﺄﻟﻤﺎ ﺒﺎﻜﻴﺎ(ﻤﺎ ﺘﺴـﺒﻨﻴﺵ ﻫﻨـﺎ.. ﻤـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺘﺴﺒﻨﻴﺵ ﻫﻨﺎ.‬ ‫: ﺴﻴﺒﻴﺔ ﻤﺵ ﺤﻴﻘﻭل ﻟﺤﺩ.‬ ‫ﺍﻟﺭﺠل‬ ‫ﻋﻨﺩ ﺍﻟﺒﺎﺏ.. ﺘﻌﺩل ﻤﻥ ﺸﻌﺭﻫﺎ ﻭﺃﺤﻤﺭ ﺸﻔﺎﻫﺎ.. ﺘﻨﻅـﺭ‬ ‫−‬ ‫ﺇﻟﻰ ﺍﻟﺭﺠل ﻭﺍﻀﻌﺔ ﻴﺩﻫﺎ ﺤﻭل ﺭﻗﺒﺘﻪ..‬ ‫: ﻟﻭ ﻤﺎ ﻗﺎﻟﺵ ﺍﻟﻤﺭﺓ ﺩﻱ.. ﺤﻴﻘﻭل ﺍﻟﻤـﺭﻩ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﺠﺎﻴﺔ.‬ ‫- ٢٢ -‬
  • 24. ‫ﺘﻀﻊ ﺭﺃﺴﻬﺎ ﻋﻠﻰ ﻜﺘﻑ ﺍﻟﺭﺠل.. ﻴﺨﺭﺝ ﻜـل ﻤﻨﻬﻤـﺎ..‬ ‫−‬ ‫ﻴﺯﺤﻑ ﺼﺎﺒﺭ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﺘﺄﻟﻤﺎ ﺒﻅﻬﺭﻩ ﻓﻲ ﺒﻁـﺊ..‬ ‫ﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ ﺒﺴﺭﻋﺔ..‬ ‫ﺼﺎﺒﺭ ﻴﺼل ﻋﻨﺩ ﺍﻟﺒﺎﺏ.. ﻴﻀﺭﺒﻪ ﻭﻫﻭ ﻤﺭﻋﻭﺏ..‬ ‫−‬ ‫: ﻤﺎ ﺘﺴﺒﻨﻴﺵ ﻫﻨﺎ.. ﺃﻨﺎ ﺨـﺎﻴﻑ ﺨـﺎﻴﻑ..‬ ‫ﺼﺎﺒﺭ‬ ‫)ﻴﺒﻜﻲ(.‬ ‫ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺒﻜﺎﺀ ﻓﻲ ﺍﻟﻅﻼﻡ ﻟﻠﺤﻅﺎﺕ.. ﺨﻴﻭﻁ ﺍﻟﻀـﻭﺀ‬ ‫−‬ ‫ﺍﻟﻤﺘﺴﻠﻠﺔ ﻋﺒﺭ ﻋﻘﺏ ﺍﻟﺒﺎﺏ.. ﻴﻼﺤﻅﻬﺎ.. ﻴﻤﺴﺢ ﺩﻤﻭﻋـﻪ‬ ‫ﺒﻴﺩﻩ.. ﻴﻨﺎﻡ ﻋﻠﻰ ﺒﻁﻨﻪ ﻭﺍﻀﻌﺎ ﺭﺃﺴﻪ ﺃﻤﺎﻡ ﻋﻘﺏ ﺍﻟﺒﺎﺏ..‬ ‫ﻴﺩﺍﻋﺏ ﺒﺄﺼﺎﺒﻌﻪ ﺍﻟﺼﻐﻴﺭﺓ ﺨﻴـﻭﻁ ﺍﻟﻀـﻭﺀ ﺍﻟﻤﺘﺴـﻠﻠﺔ‬ ‫ﻤﺅﺘﻨﺴﺎ ﺒﻬﺎ..‬ ‫)ﻴﺩﻨﺩﻥ ﻓﻲ ﺭﻗﺔ.. ﺼﻭﺕ ﺩﻨﺩﻨﺘﻪ ﻴﻌﻠﻭ ﻭﻜﺄﻨﻪ ﻤﻭﺴﻴﻘﻰ(‬ ‫ﺒﻌﺩ ﻟﺤﻅﺎﺕ‬ ‫−‬ ‫: )ﻤﻥ ﺒﻌﻴﺩ( ﺇﺴﺘﻨﻰ ﻟﻤﺎ ﺃﻁﻔﻰ ﺍﻟﻨﻭﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫:)ﺃﻭﻑ ﺴﻜﺭﻴﻥ( ﻤﺎ ﺘﺴﻴﺒﻴﻠﻪ ﺍﻟﻨﻭﺭ.‬ ‫ﺍﻟﺭﺠل‬ ‫: )ﺃﻭﻑ ﺴﻜﺭﻴﻥ( ﺃﻨﺎ ﻋﺭﻓﺎﻩ ﺃﻜﺘﺭ ﻤﻨـﻙ..‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻀﻠﻤﺔ ﺤﺘﺭﺒﻴﺔ.. ﻭﺤﺘﺨﺭﺴﺔ.‬ ‫ﻟﻘﻁﺔ ﺇﻋﺘﺭﺍﻀﻴﻪ..‬ ‫−‬ ‫- ٣٢ -‬
  • 25. ‫ﻟﺠﻤﻴﻠﺔ ﺨﺎﺭﺝ ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ.. ﺘﺤﺘﻀﻥ ﺍﻟﺭﺠل ﺒﺠـﻭﺍﺭ‬ ‫ﺯﺭ ﺍﻟﻜﻬﺭﺒﺎﺀ..‬ ‫: ﺃﺴﺘﺎﺫﺓ.‬ ‫ﺍﻟﺭﺠل‬ ‫: ﺘﺤﺏ ﺃﺭﺒﻴﻙ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻤﺩ ﻴﺩﻫﺎ ﻨﺤﻭ ﺯﺭ ﺍﻹﻀﺎﺀﺓ..‬ ‫ﺼﺎﺒﺭ ﺃﻤﺎﻡ ﻋﻘﺏ ﺍﻟﺒﺎﺏ ﻴﺩﺍﻋﺏ ﺨﻴﻭﻁ ﺍﻟﻀﻭﺀ ﻓﺭﺤﺎ..‬ ‫ﺼﻭﺕ ﻀﺤﻜﺎﺘﻬﻡ.‬ ‫ﻴﻁﻔﺄ ﺍﻟﻨﻭﺭ ﻓﺠﺄﺓ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺜﻭﺭ.. ﻴﻤﺩ ﻴﺩﻩ ﺘﺤﺕ ﻋﻘﺏ ﺍﻟﺒﺎﺏ ﻓـﻲ ﺠﻨـﻭﻥ‬ ‫−‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺨﻴﻭﻁ ﺍﻟﻀﻭﺀ..‬ ‫ﻴﻴﺌﺱ.. ﻴﺠﻠﺱ ﺒﺄﻨﻔﺎﺴﻪ ﺍﻟﻤﺘﺼﺎﻋﺩﺓ ﻤﺴﺘﻨﺩﺍ ﺒﻅﻬﺭﻩ ﺇﻟـﻰ‬ ‫−‬ ‫ﺍﻟﺒﺎﺏ ﻨﺎﻅﺭﺍ ﺤﻭﻟﻪ ﻓﻲ ﺭﻋﺏ..‬ ‫: )ﻜﻼﻤﺔ ﻤﺘﻘﻁﻊ( ﺴﻲ ﺒﻴﻪ.. ﺴﻴﺒﻴﺔ.. ﺃﻨـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﺨﺎﻑ ﻡ ﺍﻟﻀﻠﻤﺔ ﺤﺄﺴﻤﻊ ﻜﻼﻤـﻙ )ﻴﺒﻜـﻲ‬ ‫ﺒﺤﺭﻗﺔ( ﺤﺄﺴﻤﻊ ﻜﻼﻤﻙ.‬ ‫− ﻨﻘﺘﺭﺏ ﻤﻥ ﺼﺎﺒﺭ ﻭﻫﻭ ﺠﺎﻟﺱ ﻓﻲ ﺍﻟﻅﻼﻡ..‬ ‫− ﺼﺎﺒﺭ..ﻴﺒﻜﻲ..ﺨﺎﺌﻑ.. ﻤﺭﻋﻭﺏ..ﻴﺭﻓـﻊ ﻴـﺩﻩ ﻜﺄﻨﻬـﺎ‬ ‫ﻤﺨﺎﻟﺏ ﻨﻤﺭ..‬ ‫: )ﺼﺎﺭﺨﺎ( ﻻﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍﺍ.‬ ‫ﺼﺎﺒﺭ‬ ‫- ٤٢ -‬
  • 26. ‫ﻡ٠١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻅﻬﺭ ﻁﻔل ﺼﻐﻴﺭ)ﺃﺤﻤﺩ ﺃﺨﻭ ﺼﺎﺒﺭ(.. ﻴﺠﻠـﺱ ﺃﻤـﺎﻡ‬ ‫−‬ ‫ﻁﺎﻭﻟﺔ ﺍﻟﻁﻌﺎﻡ ﻓﻲ ﻫﺩﻭﺀ ﺘﺎﻡ..‬ ‫: )ﺃﻭﻑ ﺴﻜﺭﻴﻥ..ﻤﺒﺘﻬﺠﺔ( ﺍﻷﻜل ﺠﻪ ﻴـﺎ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻭﺍﺩ ﻴﺎ ﺤﻤﺎﺩﺓ.‬ ‫ﺠﻤﻴﻠﺔ..ﺘﺨﺭﺝ ﻤﻥ ﺍﻟﻤﻁﺒﺦ ﺤﺎﻤﻠﺔ ﺼﻴﻨﻴﺔ ﻁﻌﺎﻡ ﺒﻬﺎ ﻓﺭﺍﺥ‬ ‫−‬ ‫ﻭﺃﺭﺯ ﻭﺃﺸﻴﺎﺀ ﺃﺨﺭﻯ ﻴﻅﻬﺭ ﺃﻨﻬﺎ ﺘـﻡ ﺇﻋـﺩﺍﺩﻫﺎ ﺒﻌﻨﺎﻴـﺔ‬ ‫ﺨﺎﺼﺔ..‬ ‫: )ﻤﺒﺘﻬﺠﺔ( ﺍﻷﻜل ﺃﻫﻭﻭﻭﻭﻭﻭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻀﻊ ﺍﻟﻁﻌﺎﻡ ﺒﻴﻨﻤﺎ ﻴﻀﺭﺏ ﺃﺤﻤﺩ ﺒﻴـﺩﻩ ﺍﻟﻁﺎﻭﻟـﺔ ﻓـﻲ‬ ‫−‬ ‫ﻓﺭﺡ..‬ ‫ﻴﺤﺭﻙ ﻴﺩﻩ ﺒﺎﺤﺜﺎ ﻋﻥ ﺍﻷﻁﺒﺎﻕ ﻭ ﻫﻲ ﺃﻤﺎﻤﻪ )ﻨﻜﺘﺸﻑ ﺃﻨﻪ‬ ‫−‬ ‫ﺃﻋﻤﻰ(.. ﺠﻤﻴﻠﺔ ﺘﻨﻅﺭ ﻟﻪ ﻓﻲ ﺨﺒﺙ ﺒﻌﻴﻭﻥ ﺸـﻴﻁﺎﻨﻴﺔ ﻭ‬ ‫ﺘﺒﻌﺩ ﺍﻷﻁﺒﺎﻕ ﻋﻥ ﻴﺩﻩ ﻜﻠﻤﺎ ﺍﻗﺘﺭﺏ ﻤﻨﻬﺎ..‬ ‫: )ﻓﻲ ﻀﻴﻕ( ﻓﻴﻥ ﺍﻷﻜل.. ﺃﻨﺎ ﺠﻌﺎﻥ؟‬ ‫ﺃﺤﻤﺩ‬ ‫- ٥٢ -‬
  • 27. ‫ﻓﻲ ﺨﺒﺙ..‬ ‫−‬ ‫: ﻤﺎ ﻫﻭ ﺃﺩﺍﻤﻙ ﺃﻫﻭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫: ﻓﻴﻴﻴﻥ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﻴﻤﺩ ﻴﺩﻩ ﻨﺤﻭﻩ.. ﺘﺒﻌﺩﻩ ﻋﻨﻪ ﻜﻠﻤﺎ ﺃﻗﺘﺭﺏ ﻤﻨﻪ..‬ ‫−‬ ‫: ﺍﻷﻜل ﺃﻫﻭ.. ﺇﻤﺴﻙ.. ﻜل.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻀﻌﻪ ﻓﻲ ﺍﻟﻨﻬﺎﻴﺔ ﺃﻤﺎﻤﻪ..‬ ‫−‬ ‫ﺘﺭﺒﺕ ﻋﻠﻰ ﻅﻬﺭﻩ ﻓﻲ ﺤﻨﻭ ﻭﻫﻭ ﻴﺄﻜل.. ﺒﻌﺩ ﻟﺤﻅـﺎﺕ..‬ ‫−‬ ‫ﻴﺘﺭﻙ ﺃﺤﻤﺩ ﺍﻟﻁﻌﺎﻡ.. ﻴﺤﺎﻭل ﺍﻟﻨﺯﻭل ﻤﻥ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ ﻭ‬ ‫ﻟﻜﻥ ﺠﻤﻴﻠﺔ ﺘﻤﻨﻌﻪ..‬ ‫: ﺭﺍﻴﺢ ﻓﻴﻥ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺭﺍﻴﺢ ﺃﻨﺎﺩﻯ ﺃﺨﻭﻴﺎ ﻴﺎﻜل ﻤﻌﺎﻴﺎ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫: ﻤﺎﻟﻜﺵ ﺩﻋﻭﻩ ﺒﺄﺨﻭﻙ..)ﻓﻲ ﻫﺩﻭﺀ( ﻫـﻭﺍ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺸﺒﻌﺎﻥ.‬ ‫- ٦٢ -‬
  • 28. ‫ﻡ١١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻜﺭﺍﻜﻴﺏ(‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﺍﻟﻐﺭﻓﺔ..ﻴﺩﺨل ﺍﻟﻀﻭﺀ ﻫﺎﺯﻤﺎ ﻅﻼﻡ ﺍﻟﻐﺭﻓـﺔ‬ ‫−‬ ‫ﺍﻟﺩﺍﻤﺱ ﺍﻟﺫﻱ ﻴﺅﻨﺴﻪ ﺫﻟﻙ ﺍﻟﻀﻭﺀ ﺍﻟﻘـﺎﺩﻡ ﻤـﻥ ﻨﺎﻓـﺫﺓ‬ ‫ﺼﻐﻴﺭﺓ ﻓﻲ ﺃﻋﻠﻰ ﺍﻟﺤﺠﺭﺓ ﺍﻟﻤﻐﻠﻘﺔ ﺘﻤﺎﻤـﺎ ﺒﻘﻁـﻊ ﻤـﻥ‬ ‫ﺍﻟﺨﺸﺏ ﺒﻴﻨﻬﺎ ﻓﺭﻭﻕ ﺘﺴﻤﺢ ﻟﺨﻴﻭﻁ ﺒﺴﻴﻁﺔ ﺠﺩﺍ ﺒﺎﻟﺘﺴﻠل..‬ ‫ﺠﻤﻴﻠﺔ ﺘﺭﻯ ﺃﻤﺎﻤﻬﺎ..ﺼﺎﺒﺭ ﻭ ﻫﻭ ﻨﺎﺌﻡ ﻤﻨﻜﻤﺸﺎ ﺒﺠـﻭﺍﺭ‬ ‫−‬ ‫ﺍﻟﺤﺎﺌﻁ ﺍﻟﻤﻘﺎﺒل ﻭﻋﻠﻰ ﻤﻼﺒﺴﺔ ﻭﻭﺠﻬـﻪ ﺃﺜـﺎﺭ ﺍﺘﺴـﺎﺥ‬ ‫ﺒﺴﻴﻁ..‬ ‫ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻌﺘﺩﻻ.. ﻴﻤﺴـﺢ ﺩﻤﻭﻋـﻪ‬ ‫−‬ ‫ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﺠﻤﻴﻠﺔ ﻭﻋﻠﻰ ﻭﺠﻬﻪ ﺍﺒﺘﺴﺎﻤﺔ ﺨﺎﺌﻔﺔ..ﻋﻴﻭﻨـﻪ‬ ‫ﻤﺘﺭﻗﺒﺔ.. ﻴﺴﺘﻤﺭ ﺼﺎﺒﺭ ﺩﺍﺨل ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺃﻗﺩﺍﻡ ﻤﻨﺘﻅﻤﺔ.‬ ‫ﻴﺩﺨل ﻓﻲ ﺍﻟﻜﺎﺩﺭ ﺴﻴﻘﺎﻥ ﺠﻤﻴﻠﺔ ﺍﻟﺒﺩﻴﻌﺔ.. ﺘﻅﻬـﺭ ﻤـﻥ‬ ‫−‬ ‫ﺨﻼل ﻓﺴﺘﺎﻨﻬﺎ ﺍﻟﺫﻱ ﻴﺼل ﺤﺘﻰ ﺭﻜﺒﺘﻬﺎ ﻓﻘـﻁ.. ﺼـﺎﺒﺭ‬ ‫ﻴﻨﻅﺭ ﺇﻟﻰ ﺃﻋﻠﻰ ﺒﻌﻴﻭﻥ ﻤﺘﺭﻗﺒﺔ.. ﺘﻨـﺯل ﻋﻠـﻰ ﺍﻷﺭﺽ‬ ‫ﺒﺭﻜﺒﺘﻴﻬﺎ ﺘﻠﻤﺱ ﺭﺃﺴﻪ ﻭﺸﻌﺭﺓ ﻓﻲ ﺤﻨﻭ ﻤﺼﻁﻨﻊ..‬ ‫- ٧٢ -‬
  • 29. ‫: ﻋﺎﻤل ﺇﻴﻪ ﻴﺎ ﺼﺒﻭﺭ ﻴﺎ ﺤﺒﻴﺒﻲ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻓﻲ ﺨﻭﻑ..‬ ‫−‬ ‫: ﺃﻨﺎ ﻜﻭﻴﺱ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺠﻤﻴل.. ﺠﻤﻴل.. ﺁﻩ ﺒﺎﻟﺤﻕ.. ﻓﺎﻜﺭ ﺇﻴـﻪ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺤﺼل ﺇﻤﺒﺎﺭﺡ؟‬ ‫ﻤﺴﺘﻤﺭﺓ ﻓﻲ ﻟﻤﺱ ﺸﻌﺭﺓ ﻭ ﺭﺃﺴﻪ ﻓﻲ ﺤﻨﺎﻥ..‬ ‫−‬ ‫: )ﻓﻲ ﺘﺭﺩﺩ( ﺃﻴﻭﻩ ﻴﺎ ﻤﺎﻤﺎ ﺠﻤﻴﻠﺔ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺤﺼل ﺇﻴﻪ ﻴﺎ ﺤﺒﻴﺒﻲ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: )ﻓﻲ ﺃﻤﺎﻥ( ﺸـﻔﺘﻙ ﻤـﻊ ﻋﻤـﻭ ﻭﻫـﻭﺍ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﻴﺒﻭﺴﻙ.‬ ‫ﺘﺘﺤﻭل ﺇﻟﻰ ﻭﺤﺵ ﻭ ﺘﻀﺭﺒﻪ ﺒﻌﻨﻑ..‬ ‫−‬ ‫: ﻏﺒﻲ.. ﻏﺒﻲ..ﺤﺘﻔﻀل ﻫﻨﺎ ﻟﺤﺩ ﻤﺎ ﺘﻌﺭﻑ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻷﺠﺎﺒﺔ ﺍﻟﺼﺢ.‬ ‫− ﺘﺩﻓﻌﻪ ﻨﺤﻭ ﺍﻟﺤﺎﺌﻁ ﺒﻌﻨﻑ ﻟﻴﺼﻁﺩﻡ ﻭﻴﻠﺘﺼﻕ ﺒﻪ..‬ ‫− ﺘﺨﺭﺝ ﻤﻥ ﺍﻟﺒﺎﺏ ﻭ ﺘﻐﻠﻘﻪ ﺒﻌﻨﻑ..‬ ‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻟﺒﺎﺏ.‬ ‫− ﺼﺎﺒﺭ ﻤﻠﺘﺼﻕ ﺒﺎﻟﺤﺎﺌﻁ ﻤﺎ ﻴﻠﺒﺙ ﺃﻥ ﻴﻘﻊ )ﺴـﻠﻭ( ﻋﻠـﻰ‬ ‫ﺍﻷﺭﺽ ﺘﺎﺭﻜﺎ ﺁﺜﺎﺭ ﺩﻤﺎﺀ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ..‬ ‫- ٨٢ -‬
  • 30. ‫ﻴﺴﻜﻥ ﻨﺎﺌﻤـﺎ ﻋﻠـﻰ ﺍﻷﺭﺽ.. ﻨﺭﻜـﺯ ﻋﻠـﻰ ﻭﺠﻬـﻪ‬ ‫−‬ ‫ﻟﻠﺤﻅﺎﺕ..‬ ‫ﺘﻅﻠﻡ ﺍﻟﻐﺭﻓﺔ..‬ ‫−‬ ‫- ٩٢ -‬
  • 31. ‫ﻡ٢١ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻓﺼل ﻓﻲ ﻤﺩﺭﺴﺔ ﺍﺒﺘﺩﺍﺌﻲ‬ ‫ﻅﻼﻡ‬ ‫−‬ ‫)ﺼﻭﺕ ﻜﺘﺎﺒﺔ ﺒﺎﻟﻁﺒﺎﺸﻴﺭ ﻋﻠﻰ ﺴﺒﻭﺭﺓ(‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﻤﺸﻬﺩ.. ﺴﺒﻭﺭﺓ ﺴﻭﺩﺍﺀ.. ﻤﻌﻠﻤﺔ ﺼﻐﻴﺭﺓ ﺍﻟﺴـﻥ‬ ‫−‬ ‫ﺘﻜﺘﺏ ﻭ ﺍﻟﻀﻴﻕ ﻴﻌﺘﺭﻴﻬﺎ.. ﻴﻨﻜﺴﺭ ﻓـﻲ ﻴـﺩﻫﺎ ﺇﺼـﺒﻊ‬ ‫ﺍﻟﻁﺒﺎﺸﻴﺭ ﻭﺍﺤﺩﺍ ﺘﻠﻭ ﺍﻵﺨﺭ..‬ ‫ﺘﺴﺘﺩﻴﺭ.. ﺍﻟﺴﺒﻭﺭﺓ ﻜﺘﺏ ﻋﻠﻴﻬﺎ ﺒﻌﺽ ﺠﺩﺍﻭل ﺍﻟﻀﺭﺏ..‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭﻫﺎ.. ﺍﻷﻁﻔـﺎل ﻴﺠﻠﺴـﻭﻥ ﻓـﻲ ﺜـﻼﺙ‬ ‫−‬ ‫ﺼﻔﻭﻑ.. ﺘﺴﺘﻌﺭﻀﻬﻡ ﻓﻲ ﻫﺩﻭﺀ.. ﻤـﻥ ﺒﻴـﻨﻬﻡ ﻋﻠـﻰ‬ ‫ﺍﻟﻴﻤﻴﻥ ﻓﻲ ﺃﻭل ﺼﻑ ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﻓﻲ ﻫﺩﻭﺀ ﺘﺎﻡ ﺒﺠﺎﻨﺏ‬ ‫ﻁﻔل ﺁﺨﺭ..‬ ‫ﺘﺸﻴﺭ ﺒﺈﺼﺒﻌﻬﺎ ﻷﺤﺩ ﺍﻷﻁﻔﺎل ﻓﻲ ﺍﻟﺨﻠﻑ ﻓﻲ ﻋﺼﺒﻴﺔ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ﻗﻭﻡ.. ٥×٣ ﻴﺴﺎﻭﻯ ﻜﺎﻡ؟‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ٥×٣ ﻴﺴﺎﻭﻯ ٥١.‬ ‫ﻁﻔل ١‬ ‫: ﺇﻗﻌـﺩ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫- ٠٣ -‬
  • 32. ‫ﻴﺠﻠﺱ ﺍﻟﻁﻔل ﻭﺘﺸﻴﺭ ﺍﻟﻤﻌﻠﻤﺔ ﺇﻟﻰ ﻁﻔل ﺁﺨﺭ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ٤×٣؟‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ٢١ ﻴﺎ ﻤﻴـﺱ.‬ ‫ﻁﻔل ٢‬ ‫ﺍﻟﻤﻌﻠﻤﺔ: ﺇﻗﻌـﺩ.‬ ‫ﺘﺒﺤﺙ ﺒﻌﻴﻨﻴﻬﺎ ﻟﻠﺤﻅﺎﺕ ﺒﻴﻥ ﺍﻷﻁﻔﺎل.. ﺘﺸﻴﺭ ﻓﺠﺄﺓ ﻨﺤـﻭ‬ ‫−‬ ‫ﺼﺎﺒﺭ ﺍﻟﺫﻱ ﻴﻔﺯﻉ..‬ ‫ﺍﻟﻤﻌﻠﻤﺔ ﻓﻲ ﻋﺼﺒﻴﺔ ﺸﺩﻴﺩﺓ..‬ ‫−‬ ‫: ﺇﻨﺕ.. ﻗﻭﻡ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: )ﻓﻲ ﺨﻭﻑ ﻭﺘﺭﺩﺩ( ﺃﻨﺎ.. ﺃﻨﺎ ﻴﺎ ﻤﻴﺱ؟‬ ‫ﺼﺎﺒﺭ‬ ‫: )ﺼﺎﺭﺨﺎ( ﺃﻴﻭﻩ ﺇﻨﺕ.. ﺇﻁﻠﻊ ﻉ ﺍﻟﺴﺒﻭﺭﺓ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻘﻭﻡ ﺼﺎﺒﺭ ﻤﻥ ﻤﻜﺎﻨﺔ ﺨﺎﺌﻔـﺎ ﻤﺭﺘﻌـﺩﺍ ﻤﺘﺠﻬـﺎ ﻨﺤـﻭ‬ ‫−‬ ‫ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﺴﻴﺭ ﺒﺨﻁﻰ ﺜﻘﻴﻠﺔ.. ﺒﻴﻨﻤﺎ ﻫﻭ ﺴـﺎﺌﺭﺍ ﻨﺤـﻭ‬ ‫ﺍﻟﺴﺒﻭﺭﺓ ﻴﺤﺩﺙ ﻨﻔﺴﻪ..‬ ‫: )ﻟﻨﻔﺴ ـﺔ( ٥×٦ ﺏ٠٣.. ٤×٤ ﺏ ٦١..‬ ‫ـ‬ ‫ﺼﺎﺒﺭ‬ ‫٤×٥ ﺏ ٠٢.‬ ‫ﻴﻘﺘﺭﺏ ﺼﺎﺒﺭ ﻤﻥ ﺍﻟﻤﻌﻠﻤﺔ.. ﺘﻌﻁﻴﻪ ﺇﺼﺒﻊ ﺍﻟﻁﺒﺎﺸـﻴﺭ..‬ ‫−‬ ‫ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻟﺴﺒﻭﺭﺓ ﺒﻴﻨﻤﺎ ﺘﺭﺘﻌﺩ ﻓﺭﺍﺌﺴﻪ..‬ ‫- ١٣ -‬
  • 33. ‫: )ﺼﺎﺭﺨﻪ( ﺇﻜــﺘﺏ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻀﻊ ﺇﺼﺒﻊ ﺍﻟﻁﺒﺎﺸﻴﺭ ﻋﻠﻰ ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﺩﻩ ﺘـﺭﺘﻌﺵ..‬ ‫−‬ ‫ﻴﺴﺘﻌﺩ ﻟﻠﻜﺘﺎﺒﺔ..‬ ‫: ﺍﻜـــﺘﺏ ٤×٣.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻭﻴﻜﺘﺏ ﺼﺎﺒﺭ‬ ‫−‬ ‫: ٥×٤.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻜﺘﺏ ﺼﺎﺒﺭ ﺒﺠﺎﻨﺒﻬﺎ.. ﻭﺘﺴﺭﻉ ﺍﻟﻤﻌﻠﻤﺔ ﺒﻀﺭﺒﺔ ﺒﻌﺼﻰ‬ ‫−‬ ‫ﺘﻠﺘﻘﻁﻬﺎ ﻤﻥ ﻋﻠﻰ ﺩﻴﺴﻙ ﺍﻟﺘﻼﻤﻴﺫ ﺃﻤﺎﻤﻬﺎ ﻤﺒﺎﺸﺭﺓ..‬ ‫: )ﺼﺎﺭﺨﺔ( ﺘﺤﺘﻬﺎ.. ﺘﺤﺘﻬﺎ ﻤﺵ ﺠﻨﺒﻬﺎ ﻴﺎ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻏﺒﻲ.‬ ‫ﻴﻜﺘﺏ ﺼﺎﺒﺭ ﺘﺤﺘﻬﺎ.. ﻋﻴﻭﻨﻪ ﺘﺩﻤﻊ..‬ ‫−‬ ‫: ﻭ ٦×٣.. ﻴﺎﻟﻼ ﺍﻜﺘﺏ ﺍﻟﺤل.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﺭﻓﻊ ﺼﺎﺒﺭ ﻴﺩﻩ ﻭﻫﻲ ﺘﺭﺘﻌﺵ ﻟﻴﻜﺘﺏ..‬ ‫−‬ ‫ـﺎﻭﻯ ٢١.. ٥×٤‬ ‫ـﺔ( ٤×٣ ﺒﻴﺴـ‬ ‫: )ﻟﻨﻔﺴـ‬ ‫ﺼﺎﺒﺭ‬ ‫ﺒﻴﺴﺎﻭﻯ ٠٢..٦×٣ ﺒﻴﺴﺎﻭﻯ ٨١.‬ ‫ﻴﺨﻁ ﺒﺎﻟﻁﺒﺎﺸﻴﺭ ﺃﻭﻟﻰ ﺤﺭﻭﻓﻪ.. ﻴﻨﻜﺴﺭ ﺍﻹﺼﺒﻊ ﺒﺴـﺒﺏ‬ ‫−‬ ‫ﺍﺭﺘﻌﺎﺵ ﻴﺩﻴﻪ..‬ ‫- ٢٣ -‬
  • 34. ‫: )ﺼﺎﺭﺨﺔ( ﺇﻴﻪ ﺩﻩ ﻴﺎ ﻏﺒﻲ.. ﻴﺎ ﺤﻤﺎﺭ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺘﺘﺠﻪ ﻨﺤﻭﻩ.. ﺘﻀﺭﺒﻪ ﺒﻌﻨﻑ.. ﻴﻨﻜﺴﺭ ﻅﻔﺭﻫﺎ.. ﺘﺘـﺄﻟﻡ..‬ ‫−‬ ‫ﻴﻀﺤﻙ ﺍﻷﻁﻔﺎل.‬ ‫ﻴﻌﻠﻭ ﺍﻟﻐﻀﺏ ﻭﺠﻬﻬﺎ.. ﻋﻴﻨﻴﻬﺎ ﺘﻨﻅﺭ ﻨﺤـﻭﻩ ﻭ ﺍﻟﺸـﺭﺭ‬ ‫−‬ ‫ﻴﺘﻁﺎﻴﺭ ﻤﻨﻬﺎ..‬ ‫: )ﺼﺎﺭﺨﻪ ﺒﺸﺩﺓ( ﻴﺎ ﺤﻤﺎﺭ ﻴﺎ ﺤﻴﻭﺍﻥ.. ﻴﺎ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻜﻠﺏ.‬ ‫ﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻟﻔﺼل ﻭﻴﺩﺨل ﺭﺠل ﻗﻭﻯ ﺍﻟﺒﻨﻴﺔ ﻓـﻲ ﻴﺩﻴـﻪ‬ ‫−‬ ‫ﺨﺭﺯﺍﻥ ﻁﻭﻴل ﻭﻋﻠﻰ ﻴﺩﻴﻪ ﺃﺜﺭ ﺍﻟﻁﺒﺎﺸﻴﺭ )ﻤﻌﻠﻡ(..‬ ‫: ﺤﺼل ﺇﻴﻪ.. ﺼـﺭﻴﺨﻙ ﺠﺎﻴـﺏ ﺁﺨـﺭ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺍﻟﻤﺩﺭﺴﺔ؟‬ ‫: ﺍﻟﺤﻴﻭﺍﻥ ﺩﻩ ﻤﺵ ﻋﺎﺭﻑ ﻴﺠﺎﻭﺏ ﻭﺒﺴﺒﺒﺔ‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻀﻔﺭﻯ ﺇﻨﺴﻜﺭ.‬ ‫ﻴﻤﺴﻙ ﺍﻟﻤﻌﻠﻡ ﻴﺩﻫﺎ ﻓﻲ ﺤﻨﻭ..‬ ‫−‬ ‫: ﺴﻼﻤﺘﻙ.. ﺴﻼﻤﺘﻙ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﻴﻨﻅﺭ ﻨﺤﻭ ﺼﺎﺒﺭ ﻓﻲ ﻏﻀﺏ..‬ ‫−‬ ‫- ٣٣ -‬
  • 35. ‫: ﺇﻨﺕ ﺘﺘﻌﺒﻲ ﻨﻔﺴﻙ ﻟﻴﻪ ﻤﻊ ﺸﻭﻴﺔ ﺍﻷﻏﺒﻴـﺎ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺍﻟﻠﻰ ﺯﻴﺔ.. ﺩﻭل ﻤﺎ ﻴﺴﺘﻬﻠﻭﺵ.‬ ‫: )ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ( ﻋﺎﺭﻑ.. ﻋـﺎﺭﻑ..‬ ‫ﺼﺎﺒﺭ‬ ‫ﻭﺍﷲ.‬ ‫ﻴﻤﺴﻜﻪ.. ﻴﺩﻓﻌﻪ ﺍﻟﻤﻌﻠﻡ ﻨﺤﻭ ﺍﻟﺴﺒﻭﺭﺓ.. ﻴﻠﺼـﻕ ﻭﺠﻬـﻪ‬ ‫−‬ ‫ﺒﻬﺎ..‬ ‫: ﻁﺏ ﺤل.. ﺤل ﻴﺎ ﺃﺨﻭﻴﺎ.. ﺤل ﻤﺎ ﻫـﻭ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﺃﻫﺎﻟﻴﻜﻭﺍ ﺒﺎﻟﻭﻨﺎ ﺒﻴﻜﻭﺍ.‬ ‫ﻴﺭﻓﻊ ﻴﺩﻩ ﻟﻴﻜﺘﺏ.. ﺘﺭﺘﻌﺵ ﺒﺸـﺩﻩ.. ﻴﻤﺴـﻙ ﺍﻟﻤـﺩﺭﺱ‬ ‫−‬ ‫ﺍﻟﻁﺒﺎﺸﻴﺭ ﻤﻥ ﻴﺩﻩ.. ﻴﻤﺴﻙ ﺍﻟﻌﺼﺎ..ﻴﻀﺭﺒﻪ ﻋﻠﻰ ﻴـﺩﻩ..‬ ‫ﻴﺭﺠﻊ ﺼﺎﺒﺭ ﺇﻟﻰ ﺍﻟﺨﻠﻑ ﻋﻠﻰ ﺃﺜﺭ ﻀﺭﺏ ﺍﻟﻤﻌﻠﻡ ﻟﻪ..‬ ‫: ﺇﻨ ـﺕ ﻭﺍﻟﻠ ـﻰ ﺯﻴ ـﻙ ﻤ ـﺎ ﺘﺴ ـﺘﺤﻘﻭﺵ‬ ‫ـ ـ ـ‬ ‫ـ‬ ‫ـ‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫ﻤﺩﺭﺴﺔ..ﺇﻨﺘﻭﺍ ﺒﻜﺘﻴﺭﻭ ﺘﺸﺘﻐﻠﻭﺍ ﺼﺒﻴﺎﻥ ﻋﻨﺩ‬ ‫ﻤﻴﻜﺎﻨﻴﻜﻲ ﻭﺃﻻ ﺴﻤﻜﺭﻱ.‬ ‫ﺼﺎﺒﺭ ﻴﺘﺭﺍﺠﻊ ﺇﻟﻰ ﺍﻟﺨﻠﻑ ﻭ ﻫﻭ ﻴﻨﻅﺭ ﺇﻟﻰ ﺍﻟﻤﻌﻠﻡ ﻓـﻲ‬ ‫−‬ ‫ﺨﻭﻑ ﺸﺩﻴﺩ.. ﻴﺘﻭﻗﻑ ﺒﺴﺒﺏ ﺍﻟﺤﺎﺌﻁ ﺨﻠﻔﺔ.. ﻴﻨﻅﺭ ﺨﻠﻔﺔ‬ ‫ﺒﺎﺤﺜﺎ ﻋﻥ ﻤﻜﺎﻥ ﻴﻬﺭﺏ ﺇﻟﻴﻪ.. ﻻ ﻤﻬﺭﺏ..‬ ‫- ٤٣ -‬
  • 36. ‫ﻴﺭﻯ..ﺃﻤﺎﻤﻪ ﻓﺠﺄﺓ ﻭﺠﻪ ﺍﻟﻤﻌﻠﻤـﺔ..ﺍﻟﻤﻌﻠـﻡ..ﺍﻟﻤﻌﻠﻤـﺔ..‬ ‫−‬ ‫ﺍﻟﻤﻌﻠﻡ.. ﻴﻌﻨﻔﻭﻨﻪ ﻭﻫﻭ ﻴﻔﺯﻉ ﻋﻨﺩﻤﺎ ﻴﻭﺠﻪ ﻜـل ﻤﻨﻬﻤـﺎ‬ ‫ﻜﻠﻤﺎﺘﻪ ﻟﻪ..‬ ‫: ﻏﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ﺤﻴﻭﺍﻥ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺍﻟﻠﻰ ﺯﻴﻙ ﻤﻜﺎﻨﺔ ﻓﻲ ﺍﻟﺸﺎﺭﻉ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﻴﻅﻠﻡ ﺍﻟﻤﻜﺎﻥ ﻜﻠﻪ.. ﺇﻻ ﻤﻥ ﻭﺠﻪ ﺼﺎﺒﺭ ﻭﺍﻟﻤﻌﻠﻡ ﻭﺍﻟﻤﻌﻠﻤﺔ‬ ‫−‬ ‫ﺍﻟﺫﻱ ﻨﺭﻯ ﻭﺠﻭﻫﻬﻡ ﺒﻭﻀﻭﺡ.. ﺘﺘﺒﺎﺩل ﺍﻟﻠﻘﻁـﺎﺕ ﺒـﻴﻥ‬ ‫ﻭﺠﻪ ﻜل ﻤﻥ ﺍﻟﻤﻌﻠﻡ ﻭﺍﻟﻤﻌﻠﻤﺔ..‬ ‫: ﺒﻨﻲ ﺁﺩﻡ ﻏﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺠﺒﺎﻥ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫: ﻏــﺒﻲ.‬ ‫ﺍﻟﻤﻌﻠﻡ‬ ‫: ﺠﺒﺎﻥ.‬ ‫ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺘﻤﺘﺩ ﻴﺩ ﺍﻟﻤﻌﻠﻤﺔ ﺇﻟﻰ ﺸﻌﺭ ﺼﺎﺒﺭ ﻟﺘﻤﺴﻙ ﺒﻪ..‬ ‫−‬ ‫ﺘﻼﺸﻲ ﺍﻟﺼﻭﺕ..‬ ‫- ٥٣ -‬
  • 37. ‫ﻡ٣١ - ﻨﻬﺎﺭ/ﺨﺎﺭﺠﻲ‬ ‫ﺸـــﺎﺭﻉ‬ ‫ﺼﺎﺒﺭ ﻴﺴﻴﺭ ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﺒﻤﻼﺒـﺱ ﺍﻟﻤﺩﺭﺴـﺔ ﻤﻨﻜﺴـﺭ‬ ‫−‬ ‫ﺍﻟﺭﺃﺱ ﻴﺒﻜﻲ ﺩﺍﺨﻠﺔ.. ﻴﻤﺴـﺢ ﺩﻤﻭﻋـﻪ ﺒﻴﺩﻴـﻪ ﺤـﺎﻤﻼ‬ ‫ﺸﻨﻁﺘﺔ..‬ ‫ﻴﺯﺩﺍﺩ ﺇﻴﻘﺎﻉ ﺍﻟﻤﻭﺴﻴﻘﻰ ﺍﻟﺘﺼﻭﻴﺭﻴﺔ‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭﺓ ﻭﻫﻭ ﻴﺴﻴﺭ )ﺴﻠﻭ(..‬ ‫−‬ ‫ﻭﺭﺸﺔ ﻤﻴﻜﺎﻨﻴﻜﻲ ﺒﻬﺎ ﺍﻷﻭﺴﻁﻲ ﻴﻤﺴﻙ ﺒﻁﻔل ﻓـﻲ ﻤﺜـل‬ ‫−‬ ‫ﻋﻤﺭﺓ ﻴﻌﻨﻔﻪ ﻭ ﻴﻌﺎﻤﻠﻪ ﺒﻘﺴﻭﺓ.. ﻴﻌﻠﻤﻪ ﻜﻴﻑ ﻴﻤﺴﻙ ﺒﺂﻟـﺔ‬ ‫ﺃﻜﺒﺭ ﻤﻥ ﺤﺠﻤﻪ.. ﻴﺩﻓﻌﻪ ﻟﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ ﻋﻠـﻰ‬ ‫ﻭﺠﻬﻪ.. ﻴﺭﻓﻊ ﺍﻟﻁﻔل ﻭﺠﻬﻪ ﻟﻴﻨﻅـﺭ ﻟﺼـﺎﺒﺭ ﺒﻌﻴـﻭﻥ‬ ‫ﻤﻜﺴﻭﺭﺓ ﺩﺍﻤﻌﺔ..‬ ‫ﺼﺎﺒﺭ )ﺴﻠﻭ( ﻴﺤﻴل ﺒﻭﺠﻬﻪ ﺒﻌﻴﺩﺍ ﻋﻥ ﻫـﺫﺍ ﺍﻟﻤﻨﻅـﺭ..‬ ‫−‬ ‫ﻴﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺴﻴﺭ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ..‬ ‫ﻤﻥ ﺠﻬﺔ ﻨﻅﺭ ﺼﺎﺒﺭ )ﺴﻠﻭ( ﻋﺭﺒﺔ ﺸﺭﻁﺔ ﺒﻭﻜﺱ ﻴﻘـﻑ‬ ‫−‬ ‫ﺨﻠﻔﻬﺎ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻟﻤﺨﺒﺭﻴﻥ ﻴﻔﺘﺸﻭﻥ ﺸـﺎﺏ ﻤﻬﻨـﺩﻡ‬ ‫ﺍﻟﻤﻼﺒﺱ.. ﻴﺤﺎﻭل ﺃﻥ ﻴﺒﻌﺩ ﺃﻴﺩﻴﻬﻡ.. ﻴﺩﻓﻌﻪ ﺃﺤﺩﻫﻡ ﻓـﻲ‬ ‫ﻜﺘﻔﻪ ﺒﻌﻨﻑ ﻓﻴﺭﺘﺩ ﺍﻟﺸﺎﺏ ﺍﻟﺨﻠﻑ..‬ ‫- ٦٣ -‬
  • 38. ‫)ﺴﻠﻭ( ﺼﺎﺒﺭ ﻭﻫﻭ ﻴﺤﻴل ﺒﻭﺠﻬﻪ ﻋﻥ ﺍﻟﻤﻨﻅﺭ ﻭﻴﻨﻅﺭ ﺇﻟﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ ﻜﺎﺴﺭﺍ ﺭﺃﺴﻪ ﺒﺸﺩﺓ ﻴﻌﺘﺼﺭ ﺍﻟﺩﻤﻊ ﻋﻴﻨﺎﻩ ﻴﺯﻴـﺩ‬ ‫ﺍﻟﺨﻁﻰ.. ﻴﻤﺩ ﻗﺩﻤﻴﻪ.. ﻴﺠﺭﻯ.. ﻭﻴﺠﺭﻱ.. ﻭﻴﺠـﺭﻱ..‬ ‫ﻜﺄﻨﻪ.. ﻫﺎﺭﺏ ﻤﻥ ﺍﻟﻤﻭﺕ..‬ ‫- ٧٣ -‬
  • 39. ‫ﻡ٤١ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ)ﻏﺭﻓﺔ ﻨﻭﻡ ﺠﻤﻴﻠﺔ(‬ ‫ﻴﺩ.. ﺠﻤﻴﻠﺔ ﺘﻤﺴﻙ ﺒﺎﻟﻤﺸﻁ.. ﺘﻤﺸﻁ ﺸﻌﺭﻫﺎ ﻓﻲ ﻫـﺩﻭﺀ‬ ‫−‬ ‫ﻭﻨﻌﻭﻤﺔ..‬ ‫ﺘﺠﻠﺱ ﺃﻤﺎﻡ ﺍﻟﻤﺭﺁﻩ ﺤﻭﻟﻬﺎ ﺇﻀﺎﺀﺓ ﻗﻭﻴﺔ ﺒﻴﻨﻤﺎ..‬ ‫−‬ ‫)ﺘﺩﻨﺩﻥ ﺒﺄﻏﻨﻴﺔ ﻤﺭﺤﺔ(‬ ‫ﻓﺠﺄﺓ.. ﻴﺘﺤﻭل ﻭﺠﻬﻬﺎ ﺇﻟﻰ ﺸﺊ ﺃﺼـﻡ ﻻ ﺤﻴـﺎﻩ ﻓﻴـﻪ..‬ ‫−‬ ‫ﻭﺘﺴﺭﺡ ﺒﺨﻴﺎﻟﻬﺎ..‬ ‫: ﻨﺘﻴﺠﺔ ﺍﻟﺘﺤﺎﻟﻴل ﻅﻬﺭﺕ ﻴﺎ ﺩﻜﺘﻭﺭ؟‬ ‫ﺼﻭﺕ ﺠﻤﻴﻠﺔ‬ ‫: ﺃﻴﻭﻩ.. ﻟﻸﺴﻑ.‬ ‫ﺼﻭﺕ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫: )ﻓﻲ ﺘﺭﻗﺏ( ﻟﻸﺴﻑ ﻟﻴﻪ.. ﻟﻴﻪ ﻴﺎ ﺩﻜﺘﻭﺭ؟‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻟﻨﺘﻴﺠﺔ ﺴﻠﺒﻴﺔ.‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫: )ﻓﻲ ﺤﺯﻥ ﺸﺩﻴﺩ( ﻴﻌﻨـﻰ ﻤـﺵ ﺤﺄﻗـﺩﺭ‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫ﺃﺨﻠﻑ.. ﻤﺎ ﻓﻴﺵ ﻋﻼﺝ..ﺃﻨﺎ ﻤﻤﻜﻥ ﺃﻋﻤـل‬ ‫ﺃﻱ..‬ ‫- ٨٣ -‬
  • 40. ‫: ﻟﻸﺴﻑ ﻤﺎ ﻓﻴﺵ ﻓﺎﻴﺩﺓ.. ﻤﺭﻀﻙ ﻤﺎ ﻟﻭﺵ‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫ﻋﻼﺝ.‬ ‫: ﻴﻌﻨﻲ ﺃﻨﺎ..‬ ‫ﺹ ﺠﻤﻴﻠﺔ‬ ‫: ﺃﻨﺎ ﺤﺯﻴﻥ ﻟﻠﻜﻼﻡ ﺍﻟﻠﻰ ﺒﻘﻭﻟﻪ ﻟﻴﻜﻲ.. ﻟﻜﻥ‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫ﻫﻴﻪ ﺩﻱ ﺍﻟﺤﻘﻴﻘﺔ..ﻤﺩﺍﻡ ﺠﻤﻴﻠﺔ ﺇﻨﺘﻲ ﻋﻘﻴﻤﺔ.‬ ‫)ﺘﺘﺭﺩﺩ ﻜﻠﻤﺔ ﺍﻟﺩﻜﺘﻭﺭ " ﻋﻘﻴﻤﺔ " ﻋﺩﺓ ﻤﺭﺍﺕ(‬ ‫ﻓﻲ ﺍﻟﻤﺭﺁﻩ ﻋﻴﻭﻨﻬﺎ ﻴﻤﻠﺅﻫﺎ ﺍﻟﻐﻀﺏ..‬ ‫−‬ ‫ﻓﺠﺄﺓ.. ﺘﺩﻓﻊ ﺒﻴﺩﻫﺎ ﻜل ﻤﺎ ﺃﻤﺎﻤﻬﺎ ﻓﻲ ﻋﻨﻑ ﻟﻴﻘـﻊ ﻋﻠـﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ.. ﺘﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﺯﺠﺎﺠﺔ ﺍﻟﻌﻁﺭ..‬ ‫ﺼﻭﺕ ﻜﺴﺭﻫﺎ.‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٩٣ -‬
  • 41. ‫ﻡ٥١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ‬ ‫ﺼﻭﺕ ﻜﺭﺒﺎﺝ‬ ‫ﺠﻤﻴﻠﺔ ﺘﻤﺴﻙ ﻜﺭﺒﺎﺝ.. ﺘﻀﺭﺏ ﺼـﺎﺒﺭ ﺍﻟﻤﻠﻘـﻰ ﻋﻠـﻰ‬ ‫−‬ ‫ﺍﻷﺭﺽ ﺒﻌﻨﻑ ﺸﺩﻴﺩ ﻓﻲ ﺍﻨﺘﻘﺎﻡ.. ﺒﻌـﺩ ﻟﺤﻅـﺎﺕ ﺘﻘـﻑ‬ ‫ﺴﺎﻜﻨﺔ ﻟﺤﻅﺎﺕ ﺘﻠﺘﻘﻁ ﺃﻨﻔﺎﺴﻬﺎ ﺜﻡ..‬ ‫: ﻋﻘﻴﻤﺔ.‬ ‫ﺹ ﺍﻟﺩﻜﺘﻭﺭ‬ ‫)ﻴﺘﺭﺩﺩ ﺼﺩﺍﻩ ﻓﻲ ﻋﻘﻠﻬﺎ ﻋﺩﺓ ﻤﺭﺍﺕ(‬ ‫ﺘﻨﺘﺎﺒﻬﺎ ﺤﺎﻟﺔ ﻤﻥ ﺍﻟﻬﻴﺎﺝ ﺍﻟﺸﺩﻴﺩ.. ﺘﻌﻭﺩ ﻤﺭﺓ ﺃﺨﺭﻯ ﺇﻟـﻰ‬ ‫−‬ ‫ﻀﺭﺒﺔ ﺒﻌﻨﻑ ﺃﺸﺩ..‬ ‫)ﺼﻭﺕ ﺍﻟﻜﺭﺒﺎﺝ ﺍﻟﺤﺎﺩ(‬ ‫: ﺇﻨﺘﻭﺍ ﺃﻭﻻﺩﻩ.. ﻁﺏ ﻭﺃﻨﺎ.. ﺃﻨﺎ ﻓﻴﻥ.. ﻤـﺎ‬ ‫ﺹ ﻀﻤﻴﺭﻫﺎ‬ ‫ﻟﻴﺵ ﺠﺩﺭ ﺒﻴﻨﻜﻡ.‬ ‫− ﻜﺎﺩﺭ ﺜﺎﺒﺕ.. ﻴﺩﻫﺎ )ﺴﻠﻭ( ﺘﺭﺘﻔﻊ ﻓﻲ ﺍﻟﻬﻭﺍﺀ.. ﺘﺨﺭﺝ ﻤﻥ‬ ‫ﺍﻟﻜﺎﺩﺭ..‬ ‫ﺼﻭﺕ ﺍﻟﻜﺭﺒﺎﺝ ﺫﻭ ﺍﻟﻌﻤﻕ.‬ ‫− ﺘﻌﻭﺩ.. ﺘﺨﺭﺝ ﻤﺭﺓ ﺃﺨﺭﻯ ﻤﻥ ﺍﻟﻜﺎﺩﺭ..‬ ‫- ٠٤ -‬
  • 42. ‫ﻡ٦١ ﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺼﺎﺒﺭ )ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩ(‬ ‫ﻴﺩ ﺠﻤﻴﻠﺔ ﺘﻌﻭﺩ ﺇﻟﻰ ﺍﻟﻜﺎﺩﺭ ﺤﺎﻤﻠﺔ ﻜﺭﺒﺎﺝ ﺃﻜﺒﺭ ﻭﺠﺩﻴﺩ..‬ ‫−‬ ‫ﻭ ﻴﺤﻴﻁ ﻴﺩﻫﺎ ﺃﺴﺎﻭﺭ ﻜﺜﻴﺭﺓ ﻤﻥ ﺍﻟﺫﻫﺏ..‬ ‫ﺼﻭﺕ ﺼﺭﺍﺥ ﺼﺎﺒﺭ ﻤﺴﺘﻤﺭ.‬ ‫ﺠﻤﻴﻠﺔ ﺃﻤﺎﻡ ﺼﺎﺒﺭ ﻓﻲ ﻏﺭﻓﺔ ﻨﻭﻤﺔ ﻓﻲ ﺸﻘﺘﻬﻡ ﺍﻟﺠﺩﻴﺩﺓ..‬ ‫−‬ ‫ﻫﻭ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ ﻤﻜﺘﺒﺔ ﻴﺭﺘـﺩﻱ ﻨﻔـﺱ ﻗﻤـﺎﺵ‬ ‫ﺒﻴﺠﺎﻤﺘﺔ ﺍﻟﻘﺩﻴﻤﺔ ﺒﻌﺩ ﺃﻥ ﺃﺼﺒﺢ ﻋﻤﺭﺓ ٠٢ ﻋﺎﻤﺎ ﺠﺎﻟﺴـﺎ‬ ‫ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ.. ﺘﺘﻭﻗﻑ ﻋﻥ ﻀـﺭﺒﺔ..‬ ‫ﺘﻘﻑ ﺘﺘﻨﻔﺱ ﻓﻲ ﺘﻌﺏ.. ﺘﻌﺩل ﻤﻥ ﺸﻌﺭﻫﺎ..‬ ‫: )ﻓﻲ ﺘﻬﺩﻴﺩ( ﺍﻴﺎﻙ ﺃﺒـﻭﻙ ﻴﻌـﺭﻑ ﺍﻨـﻙ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺴﻘﻁﺕ ﺍﻟﺴﻨﺔ ﺩﻱ ﻓﻲ ﺍﻟﺠﺎﻤﻌﻪ..ﻓﺎﻫﻡ..‬ ‫ﺼﺎﺒﺭ ﻴﻘﻑ.. ﻁﻭﻴﻼ ﻀﺨﻤﺎ ﻗﻭﻯ ﺍﻟﺒﻨﻴﺔ.. ﻴﻘـﻑ ﺒـﻴﻥ‬ ‫−‬ ‫ﻴﺩﻴﻬﺎ ﻜﺎﻟﻔﺄﺭ.. ﻴﻀﻊ ﻴﺩﻴﻪ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺨﻭﻓﺎ ﻤﻥ ﺒﻁﺸﻬﺎ..‬ ‫- ١٤ -‬
  • 43. ‫ﻨﺘﺤﺭﻙ ﺤﻭﻟﻬﻡ ﻟﻴﻅﻬﺭ ﺨﻠﻔﻴﺔ ﻟﻬﻡ ﺘﻠﻙ ﺍﻟﻐﺭﻓﺔ ﺫﺍﺕ ﺍﻷﺜﺎﺙ‬ ‫−‬ ‫ﺍﻟﻔﺎﺨﺭ.. ﺃﺤﻤﺩ ﻴﺠﻠﺱ ﻋﻠﻰ ﺴﺭﻴﺭﻩ ﻤﻨﺩﻫﺸﺎ ﻤﻤﺎ ﻴﺤﺩﺙ..‬ ‫ﻭﻴﺤﺭﻙ ﻴﺩﻩ ﺤﻭﻟﻪ..‬ ‫: ﻓﻴﻪ ﺇﻴﻪ.. ﻓﻴﻪ ﺇﻴﻪ؟‬ ‫ﺃﺤﻤﺩ‬ ‫ﺘﺨﺭﺝ ﺠﻤﻴﻠﺔ ﻭﺘﻘﻑ ﻋﻨﺩ ﺍﻟﺒﺎﺏ ﻭﺘﻨﻅﺭ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ ﻨﺤﻭ‬ ‫−‬ ‫ﺼﺎﺒﺭ..‬ ‫: ﺍﻴﻪ ﺍﻟﻠﻰ ﺒﻴﺤﺼل؟‬ ‫ﺃﺤﻤﺩ‬ ‫: )ﻓﻲ ﺤﺩﻩ( ﻤﺎ ﻓﻴﺵ ﺤﺎﺠﺔ.. ﻨﺎﺍﺍﻡ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﺨﺭﺝ ﻭﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ‬ ‫−‬ ‫- ٢٤ -‬
  • 44. ‫ﻡ٧١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ)ﺍﻟﺼﺎﻟﺔ(‬ ‫ﻴﻨﻔﺘﺢ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﺍﻟﻔﺎﺨﺭ.. ﺃﻤﺎﻤﻨﺎ ﻋﺒﺩ ﺍﻟﻘـﺎﺩﺭ ﻤﺒﺘﺴـﻤﺎ‬ ‫−‬ ‫ﻴﺤﻤل ﻓﻲ ﻴﺩﻩ ﺃﻜﻴﺎﺱ ﻓﺎﻜﻬﺔ ﻜﺜﻴﺭﺓ ﻭﻓﻴـﺭﺓ.. ﻴـﺩﺨل..‬ ‫ﺠﻤﻴﻠﺔ ﺘﻘﻑ ﺃﻤﺎﻤﻪ ﻤﺭﺘﺩﻴﺔ ﻤﻼﺒﺱ ﻤﺤﺘﺸـﻤﺔ ﻟﻠﻐﺎﻴـﺔ..‬ ‫ﺘﻐﻁﻲ ﺭﺃﺴﻬﺎ.. ﺴﺭﻋﺎﻥ ﻤﺎ ﺘﻠﺘﻘﻁ ﻤﻨﻪ ﺍﻷﻜﻴﺎﺱ.. ﺘﻘﺒﻠﻪ..‬ ‫ﺘﻀﻊ ﺍﻷﺸﻴﺎﺀ ﻋﻠﻰ ﺃﺤﺩ ﺠﻭﺍﻨﺏ ﺍﻟﺼﺎﻟﺔ ﺍﻟﻤﺘﺴﻌﺔ ﺍﻟﻔﺎﺨﺭﺓ‬ ‫ﺍﻷﺜﺎﺙ.. ﺘﻘﻑ ﻭﺍﻀﻌﺔ ﻴﺩﻫﺎ ﻋﻠﻰ ﺼﺩﺭﻩ.. ﺘﻨﻅـﺭ ﻓـﻲ‬ ‫ﻋﻴﻨﻴﺔ..‬ ‫: ﺠﻬﺯﺘﻲ ﺍﻟﺸﻘﺔ ﺍﻟﺠﺩﻴﺩﺓ ﺒﺴﺭﻋﺔ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﻋﺠﺒﻙ ﺫﻭﻗﻰ؟‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻻﺯﻡ ﻴﻌﺠﺒﻨﻲ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: )ﻓﻲ ﻨﻌﻭﻤﺔ( ﻭﺤﺸﺘﻨﻲ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺇﻨﺘﻰ ﺃﻜﺘﺭ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﺤﺭﻙ ﺠﻤﻴﻠﺔ ﻴﺩﻫﺎ ﺍﻟﻴﻤﻨﻲ ﻓﻲ ﺤﻨﻭ ﺸﺩﻴﺩ ﺤﻭل ﺭﻗﺒﺘﻪ..‬ ‫−‬ ‫- ٣٤ -‬
  • 45. ‫ﻡ٨١ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ(‬ ‫ﺴﻜﻴﻨﺔ.. ﺘﻘﻁﻊ ﻗﻁﻌﺔ ﻤﻥ ﺩﻴﻙ ﺭﻭﻤﻲ ﻜﺒﻴﺭ.. ﻴﺩ ﺠﻤﻴﻠـﺔ‬ ‫−‬ ‫ﻤﻤﺴﻜﺔ ﺒﻬﺎ.. ﺘﻘﻁﻊ ﺍﻟﺩﻴﻙ ﻭﺘﻀﻊ ﺃﻤﺎﻡ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻗﻁﻌﺔ‬ ‫ﻜﺒﻴﺭﺓ ﻤﻨﻪ.. ﺘﻌﻁﻲ ﻓﺘﺎﺘﺎ ﻷﺤﻤﺩ ﻭﺼﺎﺒﺭ ﺍﻟﺠﺎﻟﺴﻴﻥ ﻋﻠـﻰ‬ ‫ﺍﻟﻤﺎﺌﺩﺓ ﺍﻟﺘﻲ ﺘﻤﺘﻠﺊ ﺒﻤﺎ ﻟﺫ ﻭﻁﺎﺏ ﻤﻥ ﺍﻟﻁﻌﺎﻡ ﻭﺍﻟﻔﺎﻜﻬﺔ..‬ ‫ﺠﻤﻴﻠﺔ ﺃﻤﺎﻤﻬﺎ ﻁﺒﻕ ﻤﻤﻠﻭﺀ ﻵﺨـﺭﻩ ﺒﺎﻟﻁﻌـﺎﻡ.. ﺃﻁﺒـﺎﻕ‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻭﺃﺤﻤﺩ ﺸﺒﺔ ﻓﺎﺭﻏﺔ.. ﻴﺄﻜل ﺍﻟﺠﻤﻴﻊ..‬ ‫: ﻤﺎ ﺘﺯﻭﺩﻟﻬﻡ ﻴﺎ ﺠﻤﻴﻠﺔ )ﻓﻲ ﻀﺤﻙ( ﺇﻨﺘﻲ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺒﺨﻴﻠﺔ ﻭﺃﻻ ﺇﻴﻪ؟‬ ‫ﻤﺒﺘﺴﻤﺔ..‬ ‫−‬ ‫: ﺃﺼﻠﻬﻡ ﺃﻜﻠﻭﺍ ﻗﺒل ﻤﺎ ﺘﻴﺠﻲ )ﻓﻲ ﻨﻅـﺭﺓ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻨﺎﺭﻴﺔ ﻟﻬﻡ( ﻤﺵ ﻜﺩﺓ؟‬ ‫: )ﻓﻲ ﺨﻭﻑ( ﺃﻴﻭﺓ ﺃﻴﻭﺓ ﺇﺤﻨﺎ.. ﺸﺒﻌﺎﻨﻴﻥ.‬ ‫ﺼﺎﺒﺭ‬ ‫)ﺼﻤﺕ ﻟﻠﺤﻅﺎﺕ(‬ ‫: ﻭﻋﻤﻠﺕ ﺇﻴﻪ ﺍﻟﺴﻨﻪ ﺩﻱ ﻓﻲ ﺍﻟﺠﺎﻤﻌﻪ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫- ٤٤ -‬
  • 46. ‫: ﺃﻨﺎ..‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻁﺒﻌﺎ ﻨﺠﺢ.. ﺤﺘﻰ ﺸﻭﻑ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺘﻘﻭﻡ ﺠﻤﻴﻠﺔ ﻤﻥ ﻤﻜﺎﻨﻬﺎ ﻭ ﺘﺤﻀـﺭ ﺸـﻬﺎﺩﺓ ﻤﺨﺘﻭﻤـﺔ‬ ‫−‬ ‫ﻭﺘﻌﻁﻴﻬﺎ ﻟﻌﺒﺩ ﺍﻟﻘﺎﺩﺭ..‬ ‫: ﺒﺭﺍﻓﻭ.. ﺩﺭﺠﺎﺘﻙ ﻋﺎﻟﻴﺔ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﻨﻅﺭ ﻟﺼﺎﺒﺭ.‬ ‫−‬ ‫: ﺇﺤﻨﺎ ﻤﺎ ﻋﻨـﺩﻨﺎﺵ ﺤـﺩ ﻴﺴـﻘﻁ.. ﻜﻠـﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻴﻨﺠﺢ.. ﻭﺒﺘﻔﻭﻕ.‬ ‫: )ﻭﻫﻭ ﻴﺄﻜل( ﺍﻟﻤﻬﻡ ﺇﻥ ﻜﻠﻪ ﺘﻤﺎﻡ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﻨﻅﺭ ﺠﻤﻴﻠﺔ ﺇﻟﻰ ﺼﺎﺒﺭ ﻓﻲ ﺤﺩﺓ..‬ ‫−‬ ‫: ﻜﻠﻪ ﺘﻤﺎﻡ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺍﻟﺤﻤﺩ ﷲ.. ﻤﺎ ﺘﺘﺼﻭﺭﺵ ﺃﻨﺎ ﻓﺭﺤﺎﻥ ﺒﻴﻙ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺃﺩ ﺇﻴﻪ.. ﺘﻌﺎﻟﻰ ﺃﻤﺎ ﺃﺒﻭﺴﻙ.‬ ‫ﻴﻨﻅﺭ ﺼﺎﺒﺭ ﺇﻟﻰ ﺠﻤﻴﻠﺔ ﻓﻲ ﺨﻭﻑ ﺸﺩﻴﺩ..‬ ‫−‬ ‫: ﻓﻴﻪ ﺇﻴﻪ.. ﺘﻌﺎﻟﻰ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺘﺸﻴﺭ ﺇﻟﻴﻪ ﺠﻤﻴﻠﺔ ﺒﻌﻴﻨﻴﻬﺎ ﺃﻥ ﻴﺫﻫﺏ.. ﻴﺴـﺭﻉ ﺼـﺎﺒﺭ..‬ ‫−‬ ‫ﻴﺭﺘﻤﻲ ﻓﻲ ﺃﺤﻀﺎﻥ ﻭﺍﻟﺩﺓ.. ﻴﺒﻜﻲ ﺒﺤﺭﻗﺔ.. ﻴﻘﻭﻡ ﺃﺤﻤـﺩ‬ ‫- ٥٤ -‬
  • 47. ‫ﻤﻥ ﻤﻜﺎﻨﺔ.. ﻴﺘﺤﺴﺱ ﺍﻟﻤﻜﺎﻥ ﺤﺘﻰ ﻴﺼل ﺇﻟـﻰ ﻭﺍﻟـﺩﺓ..‬ ‫ﻴﺤﺘﻀﻨﻬﻡ ﺠﻤﻴﻌﺎ.. ﻴﺒﻜﻭﻥ ﻓﻲ ﺤﻀﻨﻪ..‬ ‫: ﺇﻴﻪ ﻤﺎ ﻟﻜﻡ ﻴﺎ ﻭﻻﺩ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺇﺤﻨﺎ ﺒﻨﺤﺒﻙ ﻗﻭﻯ ﻴﺎ ﺒﺎﺒﺎ ﻟﻴﻪ ﺒﻘﻴﺕ ﺒﻌﻴـﺩ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻋﻨﺎ؟‬ ‫: ﻤﺎ ﺘﺒﻌﺩﺵ ﻋﻨﺎ ﺘﺎﻨﻲ.‬ ‫ﺃﺤﻤﺩ‬ ‫ﻭﺠﻪ ﺠﻤﻴﻠﺔ ﻴﻤﻠﺅﻩ ﺍﻟﻐﻀﺏ.. ﻋﻴﻭﻨﻬﺎ ﺘﻤﺘﻠـﺊ ﺒﺎﻟﺤﻘـﺩ..‬ ‫−‬ ‫ﺘﺘﺤﺴﺱ ﺤﺩ ﺍﻟﺴﻜﻴﻨﺔ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻓﺠﺄﺓ ﺘﻨـﺘﻔﺽ..‬ ‫ﻴﺩﻫﺎ ﺠﺭﺤﺘﻬﺎ ﺍﻟﺴﻜﻴﻥ.. ﺍﻟﺩﻡ ﻴﻨـﺯﻑ ﺒﺸـﺩﺓ.. ﻻ ﺃﺤـﺩ‬ ‫ﻴﻌﻴﺭﻫﺎ ﺍﻻﻫﺘﻤﺎﻡ.. ﺘﻨﻅﺭ ﺇﻟﻰ ﻴﺩﻫﺎ ﺍﻟﻨﺎﺯﻓﺔ ﻓﻲ ﺒـﺭﻭﺩ..‬ ‫ﺘﻨﻅﺭ ﺇﻟﻴﻬﻡ..‬ ‫- ٦٤ -‬
  • 48. ‫ﻡ٩١ – ﻤﺸﻬﺩ ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻊ ﺼﺎﺒﺭ ﻴﻠﻌﺒﻭﻥ ﺍﻟﻜﺭﺓ ﻓـﻲ ﺍﻟﻨـﺎﺩﻱ ﻓـﻲ‬ ‫−‬ ‫ﺒﻬﺠﺔ..‬ ‫ﻤﻊ ﺃﺤﻤﺩ ﻭﺼﺎﺒﺭ ﻓﻲ ﺍﻟﺒﺤﺭ ﻴﻠﻬﻭﻥ ﺒﺎﻟﻤﺎﺀ ﻓﻲ ﻓﺭﺡ..‬ ‫−‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻤﻊ ﺃﻭﻻﺩﻩ ﻓﻲ ﺍﻟﻤﻼﻫﻲ ﻓﻲ ﺍﻟﻌﺠﻠﺔ ﺍﻟﻜﺒﻴﺭﺓ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﻤﻊ ﻤﺤﻴﻁ ﻤﻅﻠﻡ ﻟﻬﺎ.. ﻻ ﻴﻅﻬﺭ ﺴﻭﺍﻫﺎ.. ﻨﻘﺘـﺭﺏ‬ ‫−‬ ‫ﻤﻥ ﻭﺠﻬﻬﺎ ﻓﻲ ﺒﻁﺊ.. ﻋﻴﻭﻨﻬﺎ ﺘﻨﻅﺭ ﺒﺤﻘﺩ ﻭﻏل ﺩﻓﻴﻥ..‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻭ ﺃﻭﻻﺩﺓ ﻴﺨﺭﺠـﻭﻥ ﻤـﻥ ﻋﺭﺒـﺔ ﺍﻟﻠﻌﺒـﺔ‬ ‫−‬ ‫ﺍﻟﺩﻭﺍﺭﺓ.. ﻴﻘﻭﻡ ﻋﺎﻤل ﺍﻟﻠﻌﺒﺔ ﺒﺈﺨﺭﺍﺠﻬﻡ ﺒﻔﺘﺢ ﺍﻟﺒﺎﺏ.. ﻴﺩ‬ ‫ﺍﻟﻌﺎﻤل ﺘﻐﻠﻕ ﺍﻟﺒﺎﺏ..‬ ‫- ٧٤ -‬
  • 49. ‫ﻡ٠٢- ﺩﺍﺨﻠﻲ‬ ‫ﺸﻘﺔ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻟﺒﺎﺏ‬ ‫ﻏﻠﻕ ﺒﺎﺏ ﺍﻟﺸﻘﺔ ﺒﻌﻨﻑ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﺘﻘﻑ ﺘﻨﻅﺭ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ.. ﺼﺎﺒﺭ ﻴﻘﻑ ﺒﻤﻼﺒـﺱ‬ ‫−‬ ‫ﻨﻭﻡ ﺠﺩﻴﺩﻩ ﻴﻨﻅﺭ ﻟﻬﺎ ﺒﻭﺠﻪ ﺒﺎﺭﺩ.. ﺘﺘﺤﺭﻙ ﻨﺤﻭﻩ ﻨﺎﻅﺭﺓ‬ ‫ﺇﻟﻴﺔ ﺒﻌﻴﻭﻥ ﻨﺎﺭﻴﺔ..‬ ‫: ﺇﻭﻋﻰ ﺘﻔﺘﻜﺭ ﺇﻥ ﻋﺸـﺎﻥ ﺇﺘﻨﻘﻠﻨـﺎ ﻟﺸـﻘﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺠﺩﻴﺩﻩ ﻴﺒﻘﻰ ﺨﻼﺹ.‬ ‫ﺘﻘﻑ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺘﻨﻅﺭ ﻓﻲ ﻋﻴﻨﻴﺔ.. ﻴﺜﻴﺭﻫﺎ ﺃﻻ ﺘﺠﺩ ﻓﻴﻬﺎ‬ ‫−‬ ‫ﻨﻅﺭ ﺍﻟﺨﻭﻑ ﺍﻟﻤﻌﺘﺎﺩﺓ.. ﺘﺘﺠﻪ ﺇﻟﻰ ﺃﺤﺩ ﺍﻷﺩﺭﺍﺝ ﺒﺠﺎﻨﺒﻬﺎ..‬ ‫ﺘﻔﺘﺤﻪ.. ﺘﺨﺭﺝ ﻤﻨﻪ ﺍﻟﻜﺭﺒﺎﺝ.. ﺘﻨﻅﺭ ﻟـﻪ ﻓـﻲ ﻨﻅـﺭﺓ‬ ‫ﻤﺴﺘﺄﺴﺩﺓ..‬ ‫: ﻟﻜل ﺒﻴﺕ.. ﺃﻭﻀﺔ ﻓﺭﺍﻨﺔ )ﻓﺌﺭﺍﻨﻪ(.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﻠﻰ ﺤﻴﻥ ﻏﺭﺓ ﺘﻀﺭﺒﻪ ﻀﺭﺒﺔ ﻗﻭﻴﺔ ﺒﺎﻟﻜﺭﺒﺎﺝ.‬ ‫−‬ ‫- ٨٤ -‬
  • 50. ‫ﻡ١٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺤﺩﻴﻘﺔ ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﺠﻤﻴﻠﺔ ﺘﺠﻠﺱ ﺒﻤﻼﺒﺴﻬﺎ ﺍﻟﻔﺎﺭﻫﻪ ﺍﻟﺘﻲ ﺘﻜﺸﻑ ﻋﻥ ﻤﻔـﺎﺘﻥ‬ ‫−‬ ‫ﺠﺴﺩﻫﺎ.. ﺒﺠﺎﻨﺒﻬﺎ ﺃﺨﺘﻬﺎ )ﻋﺩﻴﻠﻪ( ﺘﺭﺘﺩﻱ ﻤﻼﺒـﺱ ﺘـﺩل‬ ‫ﻋﻠﻰ ﻤﺤﺎﻭﻟﺔ ﺘﻘﻠﻴﺩ ﺍﻷﻏﻨﻴـﺎﺀ.. ﺯﻭﺝ ﺃﺨﺘﻬـﺎ )ﺨﻠﻴـل(‬ ‫ﺍﻟﻀﺌﻴل ﺍﻟﺠﺴـﺩ ﻴﺠﻠـﺱ ﻓـﻲ ﻋﻨﻁـﺯﺓ ﻭ ﻋﻨﺠﻬﻴـﺔ‬ ‫ﻤﺼﻁﻨﻌﺔ.. ﺍﺒﻨﺘﻬﻡ )ﺃﻤﻴﻨﺔ( ﺍﻟﺠﻤﻴﻠﺔ ﺍﻟﻭﺠﻪ ﺍﻟﻬﺎﺩﺌﺔ.. ﻜﻠﻬﻡ‬ ‫ﺠﺎﻟﺴﻴﻥ ﺤﻭل ﻁﺎﻭﻟﺔ ﻓﻲ ﺍﻟﺤﺩﻴﻘﺔ.. ﺒﻌﺩ ﻟﺤﻅﺎﺕ ﻴـﺄﺘﻲ‬ ‫ﺨﺎﺩﻡ.. ﻴﻀﻊ ﺃﻤﺎﻤﻬﻡ ﺍﻟﺸﺎﻱ..ﻁﻌﺎﻡ ﺍﻹﻓﻁﺎﺭ.. ﻴﻌﻭﺩ ﺇﻟﻰ‬ ‫ﺩﺍﺨل ﺍﻟﻔﻴﻼ..‬ ‫: ﻜﺎﻡ ﻤﻌﻠﻘﺔ ﺴﻜﺭ ﻴﺎ ﺍﺴﺘﺎﺫ ﺨﻠﻴل.‬ ‫ﻋﺩﻴﻠﺔ‬ ‫: )ﻓﻲ ﻋﻨﻅﺯﺓ( ﺨﻤﺴﺔ ﻴﺎ ﻋﺩﻴﻠﺔ ﻫﺎﻨﻡ.‬ ‫ﺨﻠﻴل‬ ‫: ﻤﺎ ﺘﺯﻭﺩﻭﻫﺎﺵ ﻗﻭﻯ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻤﺵ ﺇﻨﺘﻰ ﻴﺎ ﺃﺨﺘﻰ ﺍﻟﻠﻰ ﻗﻠﺘﻰ ﻨﺒﻘﻰ ﻫﺎﻯ‬ ‫ﻋﺩﻴﻠﺔ‬ ‫ﻜﻼﺱ.‬ ‫: ﻋﺸﺎﻥ ﻨﺸﺭﻓﻙ ﺃﺩﺍﻡ ﺠﻭﺯﻙ.‬ ‫ﺨﻠﻴل‬ ‫- ٩٤ -‬
  • 51. ‫: ﺇﻨﺕ ﺘﻌﺭ ﺒﻠﺩ ﻴﺎ ﺠﻭﺯ ﺃﺨﺘﻰ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻀﻁﺭﺏ ﺨﻠﻴل ﻭﻴﻨﻔﺦ ﺼﺩﺭﻩ ﻓﻲ ﻏﺭﻭﺭ..‬ ‫−‬ ‫: )ﻓﻲ ﻏﻀﺏ( ﺇﻗﻌﺩ ﻋﺩل.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻌﺘﺩل ﺨﻠﻴل ﻓﻲ ﺠﻠﺴﺘﻪ.. ﻨﺩﻭﺭ ﺤﻭﻟﻬﻡ ﻓﻲ ﻟﻘﻁﺔ ﻋﺎﻟﻴـﺔ‬ ‫−‬ ‫ﻟﻤﺴﺘﻭﻯ ﺨﻠﻴل ﻭﻋﺩﻴﻠﻪ.. ﻨﻨﺨﻔﺽ ﻓﻲ‬ ‫ﺤﺭﻜﺔ ﺤﻠﺯﻭﻨﻴﺔ ﻟﺘﺼل ﺇﻟﻰ ﻤﺴﺘﻭﻯ ﻟﻘﻁﺔ ﻤﻨﺨﻔﻀـﺔ ﺠـﺩﺍ‬ ‫ﻟﺠﻤﻴﻠﺔ ﺒﻴﻨﻤﺎ ﺘﺘﺤﺩﺙ..‬ ‫: ﺇﻨﺘﻭﺍ ﻫﻨﺎ ﻋﺸﺎﻥ ﺘﻜﻭﻨﻭﺍ ﺇﻴـﺩﻴﺎ ﺍﻟﻁﻭﻴﻠـﺔ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻠﻰ ﺘﺨﺭﺒﺵ..ﻋﻨﻴﺎ ﺍﻟﻠﻰ ﺘﺸﻭﻑ ﺍﻟﻠﻰ ﻭﺭﺍ‬ ‫ﻀﻬﺭﻯ.. ﻭ ﺘﻨﻔﺫﻭﺍ ﺃﻭﺍﻤﺭﻯ.. ﺃﻭﺍﻤﺭﻯ ﺃﻨﺎ‬ ‫ﺒﺱ.‬ ‫ﻤﻥ ﺒﻌﻴﺩ.. ﺼﺎﺒﺭ ﻴﺄﺘﻲ ﻤﺭﺘﺩﻴﺎ ﻨﻔﺱ ﻗﻤـﺎﺵ ﺒﻴﺠﺎﻤﺘـﺔ‬ ‫−‬ ‫ﺍﻟﻘﺩﻴﻤﺔ ﺍﻟﺒﺎﻫﺘﺔ ﻴﺴﻴﺭ ﻤﻨﻜﺴﺭ ﺍﻟـﺭﺃﺱ.. ﻴﻘـﻑ ﺒﺠﺎﻨـﺏ‬ ‫ﺠﻤﻴﻠﺔ ﻤﻁﺄﻁﺊ ﺍﻟﺭﺃﺱ..‬ ‫: ﺤﻀﺭﺘﻙ ﻁﻠﺒﺘﻴﻨﻲ‬ ‫ﺼﺎﺒﺭ‬ ‫: ﺃﻴﻭﺓ.. ﺘﻌﺎﻟﻰ ﻴﺎ ﺃﻤﻴﻨـﺔ ﺴـﻠﻤﻲ ﻋﻠـﻰ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﺭﻴﺴﻙ.‬ ‫- ٠٥ -‬
  • 52. ‫ﺼﺎﺒﺭ ﻴﺭﻓﻊ ﺭﺃﺴﻪ ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﺃﻤﻴﻨﺔ.. ﺘﻨﻅﺭ ﻨﺤﻭﻩ ﻓـﻲ‬ ‫−‬ ‫ﺤﺏ.. ﺘﻘﻭﻡ ﺃﻤﻴﻨﺔ ﻤﻥ ﻤﻜﺎﻨﻬﺎ.. ﺘﻤﺩ ﻴﺩﻫﺎ ﻟﺘﺴﻠﻡ ﻋﻠﻴـﻪ..‬ ‫ﻴﻤﺩ ﻴﺩﻩ ﻟﻴﺴﻠﻡ ﻋﻠﻴﻬﺎ..‬ ‫ﺇﺤﺴﺎﺱ ﻏﺭﻴﺏ ﻴﺴﺭﻯ ﻓﻲ ﺠﺴﺩﻩ.. ﺍﻟﺴـﻌﺎﺩﺓ ﺍﻟﻐـﺎﻤﺭﺓ‬ ‫−‬ ‫ﺍﻟﻤﻜﺒﻭﺘﺔ ﺘﻅﻬﺭ ﻋﻠﻰ ﻤﻼﻤﺢ ﻭﺠﻬﻪ..‬ ‫- ١٥ -‬
  • 53. ‫ﻡ٢٢ – ﺩﺍﺨﻠﻲ‬ ‫ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻁﻌﺎﻡ(‬ ‫ﻴﺩ ﺼﺎﺒﺭ ﺍﻟﻤﻤﺘﺩﺓ.. ﺘﺘﻨﺎﻭل ﻁﺒﻘﺎ ﻤﻥ ﺍﻟﻁﻌﺎﻡ ﻤﻥ ﺠﻤﻴﻠﺔ..‬ ‫−‬ ‫ﻴﻨﻔﺘﺢ ﺍﻟﻤﺸﻬﺩ.. ﻴﺠﻠﺴﻭﻥ ﺠﻤﻴﻌﺎ )ﺃﺨﺘﻬﺎ ﻭﺯﻭﺠﻬﺎ ﻭﺍﺒﻨﺘﻬﺎ(‬ ‫ﺤﻭل ﺍﻟﻤﺎﺌﺩﺓ ﻭﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻋﻠﻰ ﺭﺃﺱ ﺍﻟﻤﺎﺌﺩﺓ.. ﻴﺘﻨـﺎﻭل‬ ‫ﺍﻟﺠﻤﻴﻊ ﺍﻟﻁﻌﺎﻡ ﻓﻲ ﻫﺩﻭﺀ..‬ ‫: ﺍﻨﺎ ﺨﻁﺒﺕ ﺃﻤﻴﻨﺔ ﻟﺼﺎﺒﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﻤﺵ ﻟﺴﻪ ﺼﻐﻴﺭﻴﻥ؟‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺍﻟﺠﻭﺍﺯ ﻭﻫﻤﺎ ﺼﻐﻴﺭﻴﻥ ﻴﺤﻤﻴﻬﻡ ﻤﻥ ﺍﻟﻠﻰ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺒﻴﺤﺼل ﻟﻠﺸﺒﺎﺏ ﺍﻟﻴﻭﻤﻴﻥ ﺩﻭل.‬ ‫: ﻋﻨﺩﻙ ﺤﻕ ﻭﺍﷲ.. ﻋﻠﻰ ﺨﻴﺭﺓ ﺍﷲ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﺼﺎﺒﺭ ﻴﻨﻅﺭ ﻨﺤﻭ ﺃﻤﻴﻨﺔ ﻓﻲ ﺤﺏ..‬ ‫−‬ ‫ﻟﻘﻁﺔ ﻤﻌﺎﻜﺴﺔ ﻟﻭﺠﻪ ﺃﻤﻴﻨﺔ ﺘﻨﻅﺭ ﺇﻟﻴﻪ ﻨﻅﺭﺓ ﺤﺏ..‬ ‫−‬ ‫ﺠﻤﻴﻠﺔ ﻭﻗﺩ ﻻﺤﻅﺕ ﻨﻅﺭﺍﺘﻬﻡ.. ﺘﺘﺤﻭل ﻨﻅﺭﺓ ﻋﻴﻨﻴﻬﺎ ﺇﻟﻰ‬ ‫−‬ ‫ﻨﻅﺭﺓ ﺘﻭﺤﺵ..‬ ‫- ٢٥ -‬
  • 54. ‫ﻡ٣٢- ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻨﻭﻡ ﺒﺎﻟﻔﻴﻼ‬ ‫ﺃﻤﻴﻨﺔ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ.. ﺘﻘﻑ ﺃﻤﺎﻤﻬﺎ ﺠﻤﻴﻠﺔ..‬ ‫−‬ ‫: ﺤﺏ ﻷ.. ﻋﺸـﻕ ﻷ.. ﺍﻟﺸـﺊ ﺍﻟﻭﺤﻴـﺩ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻟﻤﺴﻤﻭﺡ ﻟﻴﻜﻲ ﺒﻴﻪ ﻫﻭﺍ ﺇﻨﻙ ﺘﺘﺠﻭﺯﻴـﺔ..‬ ‫ﻤﺵ ﻻﺯﻡ ﻴﺤﺱ ﺒﺤﺒﻙ ﻟﻴﻪ.. ﺴـﻴﺒﻴﺔ ﻫـﻭﺍ‬ ‫ﻴﺤﺒﻙ.. ﻴﺘﺫﻟل ﻟﻴﻜﻲ.. ﻴﻠﺤﺱ ﺍﻟﺘﺭﺍﺏ ﺍﻟﻠـﻰ‬ ‫ﺒﺘﻤﺸﻲ ﻋﻠﻴﻪ.. ﻤﺎ ﺘﺩﻟﻭﺵ ﺩﺍﻴﻤﺎ ﺇﻻ ﺃﻗل ﻤﻥ‬ ‫ﺍﻟﻠﻰ ﻫﻭﺍ ﻋـﺎﻴﺯﺓ.. ﻻﺯﻡ ﺘﺒﻘـﻲ ﻗﻭﻴـﺔ..‬ ‫ﺼﻠﺒﺔ.. ﻗﻠﺒﻙ ﻗﻠﺏ ﺤﺠﺭ.. ﻋﻘﻠﻙ.. ﻋﻘـل‬ ‫ﺨﻠﺘﻙ.‬ ‫ﻟﻘﻁﺔ ﻤﻥ ﺃﺴﻔل ﺠﺩﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺃﻤﻴﻨﺔ.. ﻨﺭﻯ ﻤـﻥ‬ ‫−‬ ‫ﺨﻼﻟﻬﺎ ﻋﻴﻭﻥ ﺠﻤﻴﻠﺔ ﺫﺍﺕ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺸﻴﻁﺎﻨﻲ..‬ ‫: ﺤﺎﻀﺭ ﻴﺎ ﺨﻠﺘﻰ.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫- ٣٥ -‬
  • 55. ‫ﻡ٤٢ - ﺩﺍﺨﻠﻲ‬ ‫ﻓﻴﻼ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ )ﻏﺭﻓﺔ ﺍﻟﻤﻜﺘﺏ(‬ ‫ﺠﻤﻴﻠﺔ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻟﻤﻜﺘﺏ ﺍﻟﻔﺨﻡ ﺒﺠﺎﻨﺒﻬﺎ ﺍﻟﺨﺯﻨﺔ ﺘﻘـﻭﻡ‬ ‫−‬ ‫ﺒﻌﺩ ﺍﻟﻨﻘﻭﺩ ﺍﻟﻜﺜﻴﺭﺓ ﺍﻟﻤﺘﺭﺍﺼﺔ ﺃﻤﺎﻤﻬﺎ ﻭﻫﻲ ﺘـﺘﻜﻠﻡ ﻓـﻲ‬ ‫ﺍﻟﺘﻠﻴﻔﻭﻥ..‬ ‫: ﻤﺒﺭﻭﻙ ﻴﺎ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﺃﻤﻴﻨﺔ ﺤﺎﻤـل.. ﻷ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺤﺎﺨﺩ ﺒﺎﻟﻰ ﻤﻨﻬﺎ ﻁﺒﻌﺎ.. ﺘﺭﺠﻌﻠﻨـﺎ ﺒـﺄﻟﻑ‬ ‫ﺴﻼﻤﺔ.‬ ‫ﺼﺎﺒﺭ ﻴﺩﺨل ﺍﻟﻐﺭﻓﺔ ﻴﺤﻤل ﻤﺒﻠﻐﺎ ﻤـﻥ ﺍﻟﻨﻘـﻭﺩ.. ﻴﻘـﻑ‬ ‫−‬ ‫ﺒﺠﺎﻨﺒﻬﺎ ﻓﻲ ﺇﺫﻻل.. ﻴﺭﺘـﺩﻱ ﻨﻔـﺱ ﻗﻤـﺎﺵ ﺒﻴﺠﺎﻤﺘـﺔ‬ ‫ﺍﻟﻘﺩﻴﻤﺔ..‬ ‫: ﺘﺎﺠﺭ ﺍﻟﻔﺎﻜﻬـﺔ ﺸـﺎل ﺍﻟﺒﻀـﺎﻋﺔ ﻜﻠﻬـﺎ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻭﺍﻟﻔﻠﻭﺱ ﺃﻫﻲ.‬ ‫ﺘﻤﺴﻙ ﺠﻤﻴﻠﺔ ﺒﺎﻟﻤﺎل.. ﺘﻌﺩﻩ.. ﺘﺠﺩﻩ ﻨﺎﻗﺼﺎ..‬ ‫−‬ ‫: )ﻓﻲ ﻏﻀﺏ(ﺍﻟﻔﻠﻭﺱ ﺩﻱ ﻨﺎﻗﺼﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫- ٤٥ -‬
  • 56. ‫: ﻜﻨﺕ ﻤﺤﺘﺎﺝ ٠٠١ ﺠﻨﻴﺔ ﻋﺸﺎﻥ ﺃﺠﻴـﺏ‬ ‫ﺼﺎﺒﺭ‬ ‫ﻫﺩﻭﻡ ﺠﺩﻴﺩﻩ.‬ ‫ﺘﻨﻅﺭ ﺇﻟﻴﻪ ﻟﻠﺤﻅﺎﺕ.. ﻓﺠﺄﺓ.. ﺘﺼﻔﻌﻪ ﻋﻠﻰ ﻭﺠﻬﻪ ﺼﻔﻌﺔ‬ ‫−‬ ‫ﻗﻭﻴﺔ..‬ ‫: ﺇﻴﺎﻙ ﺘﻤﺩ ﺇﻴﺩﻙ ﻋﻠﻰ ﻗﺭﺵ ﻭﺍﺤﺩ ﻤﻥ ﻏﻴﺭ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺇﺫﻨﻰ.‬ ‫: )ﺒﺎﻜﻴﺎ( ﻤﺤﺘﺎﺝ ﻫﺩﻭﻡ ﺠﺩﻴﺩﺓ.‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻭﻤﺎﻟﻬﺎ ﻫـﺩﻭﻤﻙ ﺩﻱ.. ﻤـﺵ ﺴـﺘﺭﺍﻙ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻭﺨﻼﺹ‬ ‫ﻴﺘﺤﺴﺱ ﻤﻼﺒﺴﻪ ﻭﻴﻌﺩل ﺯﺭ..‬ ‫−‬ ‫: ﺒﺱ..‬ ‫ﺼﺎﺒﺭ‬ ‫: ﻤﺎ ﻓﻴﺵ ﺒﺱ.. ﺇﺤﻨﺎ ﺒﻨﻼﻗﻲ ﺍﻟﻔﻠﻭﺱ ﻓـﻲ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺍﻷﺭﺽ ﻫﺎﺕ ﺍل٠٠١ ﺠﻨﻴﺔ.‬ ‫ﻴﻤﺩ ﺼﺎﺒﺭ ﻴﺩﻩ.. ﻴﺨﺭﺝ ﺍﻟﻨﻘﻭﺩ.. ﻴﻌﻁﻴﻬﺎ ﻟﻬﺎ.. ﺘﺄﺨـﺫﻫﻡ‬ ‫−‬ ‫ﻤﻨﻪ ﺒﻌﻨﻑ..‬ ‫: ﻴﺎﻟﻼ ﺭﻭﺡ ﻓﻲ ﺩﺍﻫﻴﺔ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﺼﺎﺒﺭ ﻴﺨﺭﺝ ﻤﻨﻜﺴﺭ ﺍﻟﺭﺃﺱ..‬ ‫−‬ ‫- ٥٥ -‬
  • 57. ‫ﺠﻤﻴﻠﺔ ﺘﻀﻊ ﺭﺯﻡ ﺍﻟﻤﺎل ﻓﻲ ﺍﻟﺨﺯﺍﻨﺔ.. ﺘﻐﻠـﻕ ﻋﻠﻴﻬـﺎ..‬ ‫−‬ ‫ﺘﻀﻊ ﺭﺃﺴﻬﺎ ﻋﻠﻰ ﺍﻟﻤﻜﺘﺏ ﻟﻠﺤﻅﺎﺕ ﺜﻡ ﺘﺭﻓﻌﻬﺎ..‬ ‫: ﻓﻜﺭﻨﺎ ﺒﻨﻼﻗﻲ ﺍﻟﻔﻠﻭﺱ ﻓﻲ ﺍﻟﺸﺎﺭﻉ.. ﻤﺵ‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻜﻔﺎﻴﺔ ﺒﻨﺄﻜﻠﻪ.‬ ‫- ٦٥ -‬
  • 58. ‫ﻡ٥٢ – ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﺸـــﺎﺭﻉ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻭﺠﻤﻴﻠﺔ.. ﺨﻠﻔﻬﻡ ﺃﻤﻴﻨـﺔ )ﺤﺎﻤـل( ﻭﺼـﺎﺒﺭ‬ ‫−‬ ‫ﻴﺴﻴﺭﻭﻥ ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﺍﻟﺨﺎﻟﻲ ﻤﻥ ﺍﻟﻤﺎﺭﻩ..‬ ‫ﻓﻘﻁ ﺒﻌﺩ ﺍﻟﻤﺸﺭﺩﻴﻥ ﻋﻠﻰ ﺠﺎﻨﺏ ﺍﻟﻁﺭﻴﻕ ﻨﺎﺌﻤﻴﻥ..‬ ‫−‬ ‫: ﻋﺠﺒﻜﻭﺍ ﺍﻟﻔﻴﻠﻡ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫: ﺠﻤﻴل ﻴﺎ ﻋﻤﻲ.. ﻨﻔﺴﻲ ﺍﻟﻭﺍﺩ ﻴﻁﻠﻊ ﺸـﺒﺔ‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﻠﻰ ﻜﺎﻥ ﻓﻲ ﺍﻟﻔﻴﻠﻡ.‬ ‫: ﻋﺎﻴﺯﻴﻨﺔ ﻴﻁﻠﻊ ﺸﺒﺔ ﺠﺩﻩ.. ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻀﺤﻙ..‬ ‫−‬ ‫ﻴﻤﺭ ﺒﺠﻭﺍﺭﻫﻡ ﺸﺨﺹ ﻤﺎ.. ﻴﺭﻯ ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ..‬ ‫−‬ ‫: ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ.. ﻤﺵ ﻤﻌﻘﻭﻟﺔ.‬ ‫ﺭﺠل‬ ‫: ﻤﺵ ﻤﻤﻜﻥ.. ﺇﻨﺕ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫ﻴﺤﺘﻀﻥ ﻜل ﻤﻨﻬﻡ ﺍﻵﺨﺭ ﻓﻲ ﺤﺏ ﺸﺩﻴﺩ..‬ ‫−‬ ‫: ﺇﺴﺒﻘﻭﻨﻰ ﻋﻠﻰ ﺍﻟﺒﻴﺕ.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ‬ ‫- ٧٥ -‬
  • 59. ‫: )ﻟﺼﺎﺒﺭ( ﻴﺎﻟﻼ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﺴﺭﻉ ﺼﺎﺒﺭ ﻟﻴﺴﻴﺭ ﺒﺠﻭﺍﺭﻫﺎ ﻭﺠﻭﺍﺭ ﺯﻭﺠﺘﻪ ﻤﻨﻜﺴـﺭﺍ‬ ‫−‬ ‫ﻤﻁﺄﻁﺊ ﺍﻟﺭﺃﺱ..ﺒﻴﻨﻤﺎ ﺘﺄﻜل ﺠﻤﻴﻠﺔ ﺍﻟﻠﺏ ﻭﻫـﻲ ﺘﺴـﻴﺭ‬ ‫ﺘﺴﺘﻌﺭﺽ ﻤﻔﺎﺘﻨﻬﺎ.. ﻴﺼﻠﻭﺍ ﺇﻟﻰ..‬ ‫- ٨٥ -‬
  • 60. ‫ﻡ٦٢ - ﻟﻴل/ﺨﺎﺭﺠﻲ‬ ‫ﺸﺎﺭﻉ ﺁﺨﺭ‬ ‫ﺸﺎﺭﻉ ﺠﺎﻨﺒﻲ ﺫﻭ ﻤﻨﺎﺯل ﻋﺘﻴﻘﺔ ﺍﻟﻁﺭﺍﺯ ﺨﺎﻟﻲ ﻤﻥ ﺍﻟﻤﺎﺭﺓ..‬ ‫ﺍﺜﻨﻴﻥ ﻤﻥ ﺍﻟﺸﺒﺎﺏ ﻀﺌﻴﻠﻲ ﺍﻟﺤﺠﻡ ﻟﻠﻐﺎﻴﺔ ﻴﻘﻔﺎﻥ ﻴﺸـﺭﺒﺎﻥ‬ ‫−‬ ‫ﺍﻟﺨﻤﺭ.. ﻴﻅﻬﺭ ﻤـﻥ ﺸـﻜﻠﻬﻤﺎ ﺍﻟﺒﻠﻁﺠـﺔ.. ﻭﺘﻌـﺎﻁﻴﻬﻡ‬ ‫ﺍﻟﻤﺨﺩﺭﺍﺕ..‬ ‫ﻴﻨﺘﻬﻭﺍ ﻤﻥ ﺸﺭﺏ ﺯﺠﺎﺠﺔ ﺒﻴﺭﺓ.. ﺘﺩﻭﺭ ﺭﺃﺴﻬﻡ..‬ ‫−‬ ‫ﻴﺭﻭﺍ.. ﺠﻤﻴﻠﺔ ﺒﻤﻔﺎﺘﻨﻬﺎ ﻭﻤﻌﻬﺎ ﺃﻤﻴﻨﺔ..‬ ‫−‬ ‫ﻴﺘﺠﻬﻭﺍ ﻨﺤﻭﻫﻥ..ﻴﻤﺴﻜﺎ ﺒﺄﻴﺩﻴﻬﻥ..‬ ‫−‬ ‫ﺘﻀﻁﺭﺏ ﺠﻤﻴﻠﺔ.. ﺘﻔﺯﻉ ﺃﻤﻴﻨﺔ..‬ ‫−‬ ‫: ﺇﻴﻪ ﺩﻩ.. ﺇﺒﻌﺩﻭﺍ ﻋﻨﻰ.‬ ‫ﺠﻤﻴﻠﺔ‬ ‫: ﺇﻟﺤﻘﻨﻰ ﻴﺎ ﺼﺎﺒﺭ.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﻴﻘﻑ ﺃﻤﺎﻤﻬﻡ ﺼﺎﺒﺭ ﺒﺠﺴﺩﻩ ﺍﻟﻀﺨﻡ ﺍﻟﺫﻱ ﻴﻅﻬﺭ ﺒﺠﺎﻨﺒـﻪ‬ ‫−‬ ‫ﻀﺂﻟﺔ ﺤﺠﻤﻬﻡ.. ﻴﺤﺎﻭل ﻤﻨﻌﻬﻡ ﻓﻲ ﻀﻌﻑ.. ﺘﻘﻑ ﺃﻤﻴﻨﺔ‬ ‫ﻭﺠﻤﻴﻠﺔ ﺨﻠﻔﺔ ﻴﺤﺘﻤﻭﻥ ﺒﻪ..‬ ‫- ٩٥ -‬
  • 61. ‫ﻴﻀﺭﺒﺔ ﻜل ﻤﻨﻬﻡ ﻀـﺭﺒﺎﺕ ﻀـﻌﻴﻔﺔ ﺠـﺩﺍ.. ﻻ ﻴـﺭﺩ‬ ‫−‬ ‫ﻋﻠﻴﻬﻡ.. ﻴﻀﻊ ﻴﺩﻩ ﺃﻤﺎﻡ ﻭﺠﻬﻪ ﺨﻭﻓـﺎ.. ﻴﺘﻀـﺎﺤﻜﻭﻥ..‬ ‫ﻴﺯﻴﺩﻭﻥ ﻤﻥ ﻀﺭﺒﻬﻡ ﻋﻠﻰ..‬ ‫ﺠﺴﺩﻩ..‬ ‫ﺴﺎﻗﻪ..‬ ‫ﻭﺠﻬﻪ..‬ ‫ﻴﻨﻬ ـﺎﺭ.. ﻴﺴ ـﺘﻤﺭﻭﺍ ﻓ ـﻲ ﻀ ـﺭﺒﺔ ﺒ ـﺄﺭﺠﻠﻬﻡ ﻭﻫ ـﻡ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫ـ‬ ‫−‬ ‫ﻴﺘﻀﺎﺤﻜﻭﻥ.. ﻴﻘـﻊ ﻋﻠـﻰ ﺍﻷﺭﺽ ﻜﺎﻟﻔـﺄﺭ ﺒﺠﺎﻨـﺏ‬ ‫ﺍﻟﺭﺼﻴﻑ..‬ ‫: ﻗﻭﻭﻭﻭﻡ.. )ﺼﺎﺭﺨﺔ( ﺍﻨﺠﺩﻨﺎ..‬ ‫ﺠﻤﻴﻠﺔ‬ ‫ﻴﻘﺘﺭﺒﺎ ﻤﻨﻬﻥ ﺒﻌﻴﻭﻥ ﻴﻤﻸﻫﺎ ﺍﻟﺸﻬﻭﺓ..‬ ‫−‬ ‫: )ﺘﺼﺭﺥ(.‬ ‫ﺃﻤﻴﻨﺔ‬ ‫ﻴﻤﺴﻙ ﻜل ﻤﻨﻬﻡ ﺒﻭﺍﺤﺩﺓ ﺒﻘﻭﻩ..‬ ‫−‬ ‫ﺘﻘﺎﻭﻤﻪ..‬ ‫−‬ ‫ﻴﺸﺩﻫﺎ..‬ ‫−‬ ‫ﺴﻠﻭ..‬ ‫−‬ ‫ﺃﻤﻴﻨﺔ ﻭﺍﻟﺭﺠل ﻤﺤﺘﻀﻨﻬﺎ ﻭﻫﻲ ﺤﺎﻤل.. ﻴﻘﺒﻠﻬﺎ ﻓﻲ ﺸـﻬﻭﺓ..‬ ‫ﻴﺴﺤﺒﻬﺎ ﻨﺤﻭ ﻤﺩﺨل ﺍﻟﺸﻘﺔ.. ﺘﻘﺎﻭﻤﻪ..‬ ‫- ٠٦ -‬
  • 62. ‫ﺠﻤﻴﻠﺔ.. ﺘﻨﻅﺭ ﻨﺤﻭ ﺼﺎﺒﺭ ﻭﺍﻟﺭﺠل ﻴﺴﺤﺏ ﺇﻴﺎﻫـﺎ ﻤـﻥ‬ ‫−‬ ‫ﻭﺴﻁﻬﺎ ﻭﻫﻲ ﺘﻘﺎﻭﻡ..‬ ‫ﺼﻭﺕ ﺼﺭﺨﺎﺘﻬﻡ ﺍﻟﻌﺎﻟﻴﺔ.‬ ‫ﻟﻘﻁﺔ ﻋﻤﻭﺩﻴﺔ.. ﻋﻴﻥ ﻁﺎﺌﺭ..‬ ‫−‬ ‫ﺼﺎﺒﺭ ﻴﺠﻠﺱ ﺒﺠﺎﻨﺏ ﺍﻟﺭﺼﻴﻑ ﻤﻨﻜﻤﺸﺎ ﻓﻲ ﻨﻔﺴﻪ.. ﻨﻘﺘﺭﺏ‬ ‫ﻤﻨﻪ ﻓﻲ ﺤﺭﻜﺔ ﻫﺠﻭﻤﻴﺔ.. ﻭﻫﻭ ﻴﺠﻠﺱ ﻤﺭﺘﻌﺩﺍ ﻴﻨﻅﺭ ﻨﺤـﻭﻫﻥ‬ ‫ﺒﻌﻴﻭﻥ ﺩﺍﻤﻌﺔ ﻭﺍﻀﻌﺎ ﺴﺎﻗﻪ ﺃﻤﺎﻡ ﺼﺩﺭﻩ ﻴﻬﺘﺯ ﻓﻲ ﺠﻨﻭﻥ ﺇﻟـﻰ‬ ‫ﺍﻷﻤﺎﻡ ﻭﺍﻟﺨﻠﻑ ﻓﻲ ﺤﺭﻜﺔ ﺜﺎﺒﺘﺔ..‬ ‫ﺒﺎﺏ ﻤﺩﺨل ﺍﻟﺸﻘﺔ ﻴﻐﻠﻕ..‬ ‫−‬ ‫)ﺼﻭﺕ ﺼﺭﺨﺎﺘﻬﻥ ﻴﺨﺘﻔﻲ ﻓﺠﺄﺓ(‬ ‫)ﻓﻘﻁ ﺃﻨﻴﻥ ﻤﻜﺘﻭﻡ ﻭﻫﻥ ﻴﻐﺘﺼﺒﻥ(‬ ‫ﻟﻘﻁﺔ ﺒﻌﻴﺩﺓ ﻤﻭﺠﻬﻪ ﻓﻲ ﻤﺴﺘﻭﻯ..‬ ‫−‬ ‫ﺼﺎﺒﺭ.. ﺘﺘﺤﺭﻙ ﺍﻟﻜﺎﻤﻴﺭﺍ ﻤﺤﺎﺫﻴﺔ ﻟﻠﺭﺼـﻴﻑ.. ﺘﺘﺨﻁـﺎﻩ..‬ ‫ﺘﺴﺘﻤﺭ ﻤﺭﻜﺯﺓ ﻋﻠﻴﺔ.. ﺘﺘﻭﻗﻑ ﻓﺠﺄﺓ.. ﺘﻘﺘﺭﺏ ﻤﻨﻪ ﻓﻲ ﺤﺭﻜـﺔ‬ ‫ﺯﺍﺤﻔﺔ ﻤﺒﺎﺸﺭﺓ.. ﻴﺯﺩﺍﺩ ﺍﻫﺘﺯﺍﺯﺍ ﺇﻟﻰ ﺍﻷﻤﺎﻡ ﻭﺍﻟﺨﻠﻑ..‬ ‫ﻴﻌﻠﻭ ﺃﻨﻴﻨﺔ.‬ ‫ﻨﺎﻅﺭﺍ ﻨﺤﻭ ﻤﺩﺨل ﺍﻟﺸﻘﺔ ﻓﻲ ﺘﺭﻜﻴﺯ ﺸﺩﻴﺩ..‬ ‫−‬ ‫- ١٦ -‬
  • 63. ‫ﻓﺠﺄﺓ ﻴﺸﺘﺩ ﺍﻫﺘﺯﺍﺯﻩ.. ﻴﻤﺴﻙ ﺭﺃﺴـﻪ ﺒﻜﻔـﺔ ﻨـﺎﻅﺭﺍ ﺇﻟـﻰ‬ ‫ﺍﻷﻋﻠﻰ..‬ ‫ﺘﺭﺘﻔﻊ ﺍﻟﻜﺎﻤﻴﺭﺍ.. ﻟﻨﺭﻯ ﻭﺠﻬﻪ ﻤﻥ ﻟﻘﻁﺔ ﻋﺎﻟﻴﺔ..‬ ‫−‬ ‫: )ﺼﺎﺭﺨﺎ( ﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﺁﻩ.‬ ‫ﺼﺎﺒﺭ‬ ‫ﺍﻟﺭﺠﻼﻥ.. ﻴﺨﺭﺠﺎﻥ ﻤﻥ ﻤﺩﺨل ﺍﻟﺸـﻘﺔ ﻴﻌـﺩﻻﻥ ﻤـﻥ‬ ‫−‬ ‫ﻤﻼﺒﺴﻬﻤﺎ.. ﻴﺘﻀﺤﺎﻜﺎﻥ.. ﻴﺒﺘﻌﺩﺍﻥ ﻋﻥ ﺍﻟﻤﻜﺎﻥ..‬ ‫ﺘﺨﺭﺝ ﺃﻤﻴﻨﺔ ﺒﻤﻼﺒﺱ ﻤﻬﻠﻬﻠﺔ ﻻ ﺘﻘﻭﻯ ﻋﻠﻰ ﺍﻟﻭﻗﻭﻑ ﻋﻠﻰ‬ ‫−‬ ‫ﻗﺩﻤﻴﻬﺎ.. ﺘﺴﺘﻨﺩ ﺇﻟﻰ ﺍﻟﺒﺎﺏ.. ﻋﻠﻰ ﻭﺠﻬﻬﺎ ﺃﺜﺎﺭ ﻀﺭﺏ..‬ ‫ﺘﻨﺯﻑ ﻤﻥ ﻓﻤﻬﺎ ﻭ ﺃﻨﻔﻬﺎ ﻭﻤﻥ ﻭﺴﻁﻬﺎ ﺍﻟﺴـﻔﻠﻲ.. ﺘﺒﻜـﻲ‬ ‫ﺒﻜﺎﺀﺍ ﻤﻜﺘﻭﻤﺎ..‬ ‫ﺠﻤﻴﻠﺔ ﺘﺨﺭﺝ.. ﺒﻭﺠﻪ ﻤﻤﺘﻠﺊ ﺒﺎﻟﻜﺩﻤﺎﺕ ﻤﻬﻠﻬﻠﺔ ﺍﻟﺜﻴﺎﺏ..‬ ‫−‬ ‫ﺘﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﻥ ﻓﺭﻁ ﺍﻹﻋﻴﺎﺀ.. ﺘﻨﻅﺭ ﻨﺤﻭ ﺸﺨﺹ‬ ‫ﻤﺎ ﻴﻘﺘﺭﺏ ﻤﻥ ﺒﻌﻴﺩ..‬ ‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺸﺨﺹ)ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ(.‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻘﻑ ﻤﺫﻫﻭﻻ.. ﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻟﺤـﺎﺌﻁ ﻴﺴـﺘﻨﺩ‬ ‫−‬ ‫ﻋﻠﻴﻪ ﻤﺘﺄﻟﻤﺎ.. ﻀﺎﺭﺒﺎ ﺇﻴﺎﻩ ﺒﻴﺩﻩ ﺒﺎﻜﻴﺎ..‬ ‫ﻟﻘﻁﺔ ﺭﺃﺴﻴﺔ ﻤﻥ ﺃﻋﻠﻰ ﻤﻭﺠﻬﻪ..‬ ‫−‬ ‫- ٢٦ -‬
  • 64. ‫ﺼﺎﺒﺭ.. ﻤﻠﻘﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ ﺍﻟﺭﺼـﻴﻑ.. ﻨﻘﺘـﺭﺏ‬ ‫ﻤﻨﻪ.. ﻨﺎﺯﻓﺎ ﻤﻥ ﻜل ﻓﺘﺤﺎﺕ ﺭﺃﺴﻪ )ﻭﻜﺄﻥ ﺭﺃﺴﻪ ﻗﺩ ﺍﻨﻔﺠﺭﺕ(..‬ ‫ﻨﻘﺘﺭﺏ ﺃﻜﺜﺭ ﻓﻲ ﺤﺭﻜﺔ ﻟﻭﻟﺒﻴـﺔ.. ﻨﺼـل ﻟﻭﺠﻬـﻪ ﺍﻟﻤﻐﻁـﻰ‬ ‫ﺒﺎﻟﺩﻤﺎﺀ.. ﻨﻘﺘﺭﺏ ﻤﻨﻪ ﺒﺸﺩﺓ ﺤﺘﻰ ﺘﻅﻠﻡ ﺍﻟﺸﺎﺸﺔ..‬ ‫ﻗﻁﻊ ﻗﺎﻓﺯ ﺍﻟﻰ..‬ ‫- ٣٦ -‬
  • 65. ‫ﻡ٨٢ - ﻟﻴل/ﺩﺍﺨﻠﻲ‬ ‫ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻓﺠﺄﺓ..ﺘﻀﺎﺀ ﺍﻷﺒﺎﺠﻭﺭﺓ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ ﺒﺠﺎﻨﺏ ﺍﻟﻌﺠـﻭﺯ‬ ‫−‬ ‫)ﺍﻟﻤﺸﻬﺩ ﺍﻷﻭل(..‬ ‫ﻴﻨﻅﺭ ﺇﻟﻴﻬﺎ ﻤﺒﺘﺴﻤﺎ..‬ ‫−‬ ‫ﻫﺩﻭﺀ ﺘﺎﻡ.‬ ‫: ﺍﻟﻨﻬﺎﻴﺔ.. ﻴﻤﻜﻥ ﺘﻜﻭﻥ ﺍﻟﻨﻬﺎﻴﺔ.‬ ‫ﺹ ﺍﻟﻌﺠﻭﺯ‬ ‫ﺍﻟﻜﺘﺎﺏ ﻴﻐﻠﻘﻪ ﻓﻲ ﻫﺩﻭﺀ.. ﻴﻀﻌﻪ ﺒﺠﺎﻨﺒﻪ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟـﺔ‬ ‫−‬ ‫ﺒﻴﺩﻩ ﺍﻟﻤﺭﺘﺸﻌﺔ..‬ ‫ﻴﻁﻔﺊ ﺍﻷﺒﺎﺠﻭﺭﺓ..‬ ‫−‬ ‫ﻴﻘﻭﻡ ﻤﻥ ﻤﻜﺎﻨﺔ ﻤﺘﻜﺌﺎ ﻋﻠﻰ ﻋﺼﺎﻩ..‬ ‫−‬ ‫ﻓﺠﺄﺓ ﻴﻨﻅﺭ ﻓﻲ ﺍﺘﺠﺎﻩ ﺍﻟﻨﺎﻓﺫﺓ )ﺸﺊ ﻤﺎ ﻟﻔﺕ ﻨﻅﺭﺓ(.. ﻴﺘﺠﻪ‬ ‫−‬ ‫ﻨﺤﻭﻫﺎ.. ﻴﻘﻑ ﺃﻤﺎﻤﻬﺎ..‬ ‫ﻴﻀﻊ ﻜﻔﺔ ﻋﻠﻰ ﺍﻟﺯﺠﺎﺝ..‬ ‫−‬ ‫ﻨﺘﺤﺭﻙ ﻓﻲ ﻟﻘﻁﺔ ﻤﻭﺠﻬﻪ ﺒﺠﻭﺍﺭ ﺍﻟﺤﺎﺌﻁ ﻤﻘﺘـﺭﺒﻴﻥ ﻤـﻥ‬ ‫−‬ ‫ﻭﺠﻬﻪ ﺍﻟﺫﻱ ﻴﺤﻤل ﻨﻅﺭﺓ ﺘﻌﺠﺏ ﻭﺴﺨﺭﻴﺔ..‬ ‫- ٤٦ -‬
  • 66. ‫ﻴﺘﺤﺭﻙ ﻤﺒﺘﻌﺩﺍ ﻓﻲ ﺘﺜﺎﻗل ﺤﺎﻤﻼ ﻋﻠـﻰ ﻭﺠﻬـﻪ ﻋﻼﻤـﺔ‬ ‫−‬ ‫ﺍﻟﺴﺨﺭﻴﺔ..‬ ‫ﺼﻭﺕ ﺩﻗﺎﺕ ﻋﺼﺎﻩ ﻋﻠﻰ ﺍﻷﺭﺽ.‬ ‫ﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻟﺸﻤﻌﺔ.. ﻴﻨﺤﻨﻲ ﺃﻤﺎﻤﻬﺎ.. ﻴﻁﻔﺌﻬﺎ..‬ ‫−‬ ‫ﻅﻼﻡ ﺘﺎﻡ.. ﻀﻭﺀ ﺒﺴﻴﻁ ﻴﺘﺴﻠل ﻤﻥ ﺍﻟﻨﺎﻓﺫﺓ..‬ ‫−‬ ‫ﻨﺘﺤﺭﻙ ﻓﻲ ﻫﺩﻭﺀ ﺸﺩﻴﺩ.. ﻨﻤﻴل ﻴﻤﻴﻨﺎ ﻭﻴﺴﺎﺭﺍ ﻓﻲ ﺒﻁـﺊ‬ ‫−‬ ‫ﻋﻠﻰ ﻤﺤﻭﺭﻨﺎ ﺍﻷﻓﻘﻲ ﻨﺤﻭ ﺍﻟﻨﺎﻓﺫﺓ )ﺍﻟﺩﻭﺭ ﺍﻟﺜﺎﻨﻲ(..‬ ‫ﺍﻟﺸﺎﺭﻉ ﺨﺎل..‬ ‫−‬ ‫ﻋﺒﺩ ﺍﻟﻘﺎﺩﺭ ﻴﻘﻑ )ﻨﻔﺱ ﺍﻟﻤﺸﻬﺩ ﺍﻟﺴﺎﺒﻕ( ﻴﻨﻅﺭ ﺇﻟـﻰ ﻤـﺎ‬ ‫−‬ ‫ﺤﺩﺙ ﻴﻘﻠﺏ ﻜﻔﻴﺔ ﻏﻴﺭ ﻤﺼﺩﻕ ﻤﺎ ﺤﺩﺙ..‬ ‫ﺘﻔﺘﺢ ﺍﻟﻨﺎﻓﺫﺓ..ﺘﺨﺭﺝ ﺍﻟﻜﺎﻤﻴﺭﺍ )ﻜﺭﻴﻥ( ﻤﻨﻬﺎ.. ﺘﻨﺯل ﺇﻟـﻰ‬ ‫−‬ ‫ﻤﺴﺘﻭﻯ ﺍﻷﺭﺽ ﺍﻟﻌﺎﺩﻱ..‬ ‫: ﻴﻤﻜﻥ ﺘﻜﻭﻥ ﺍﻟﻨﻬﺎﻴﺔ.. ﻭﻴﻤﻜـﻥ.. ﻜﺎﻨـﺕ‬ ‫ﺹ ﺍﻟﻌﺠﻭﺯ‬ ‫ﻤﺠﺭﺩ ﺒﺩﺍﻴﺔ ﻋﺸﺎﻥ ﺃﻓﻬﻡ.... ﻨﻔﻬﻡ.‬ ‫ﺘﺭﺠﻊ ﺍﻟﻜﺎﻤﻴﺭﺍ )ﻜﺭﻴﻥ( ﺇﻟﻰ ﺍﻟﻤﺴﺘﻭﻯ ﺍﻟﻌﺎﻟﻲ.. )ﺤﺭﻜـﺔ‬ ‫−‬ ‫ﻋﻜﺴﻴﺔ ﺒﻅﻬﺭﻨﺎ( ﺘﺩﺨل ﻤﻥ ﺍﻟﻨﺎﻓﺫﺓ.. ﺘﻐﻠﻕ.. ﺘﺘﺭﺍﺠﻊ ﻋﻥ‬ ‫ﺍﻟﻨﺎﻓﺫﺓ ﻓﻲ ﺒﻁﺊ ﺸﺩﻴﺩ.. ﺘﺴﺘﻤﺭ ﻓﻲ ﺍﻟﺘﺭﺍﺠﻊ..‬ ‫- ٥٦ -‬
  • 67. ‫ﺘﻀﺎﺀ ﺍﻷﺒﺎﺠﻭﺭﺓ.. ﺘﺘﻭﻗﻑ ﺍﻟﻜﺎﻤﻴﺭﺍ ﻓﺠـﺄﺓ.. ﺘﻌـﻭﺩ ﻭ‬ ‫−‬ ‫ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻜﺘﺎﺏ ﻋﻠﻰ ﺍﻟﻁﺎﻭﻟﺔ.. ﺘﺴﺘﻤﺭ ﻓﻲ ﺍﻻﻗﺘﺭﺍﺏ‬ ‫ﺤﺘﻰ ﻨﺼل ﺇﻟﻰ ﻟﻘﻁﺔ ﻜﺒﻴﺭﺓ.. ﻴﻨﻔﺘﺢ ﺍﻟﻜﺘﺎﺏ ﻋﻠﻰ ﺁﺨـﺭ‬ ‫ﺼﻔﺤﺔ..‬ ‫ﺘﺩﺨل ﻴﺩ ﺩﺍﺨل ﺍﻟﻜﺎﺩﺭ ﺘﻤﺴﻙ ﻗﻠﻤﺎ ﺤﺒﺭﺍ ﻭ ﺘﻜﺘﺏ‬ ‫−‬ ‫)ﻻ ﺘﻬﺩﻤﻭﻫﺎ.. ﻓﺒﺩﻭﻨﻬﺎ..(‬ ‫ﺍﻟﻴﺩ.. ﺘﻐﻠﻕ ﺍﻟﻜﺘﺎﺏ.. ﺘﻀﻊ ﺍﻟﻘﻠﻡ ﺒﺠﻭﺍﺭﻩ..‬ ‫−‬ ‫ﺘﻁﻔﺊ ﺍﻷﺒﺎﺠﻭﺭﺓ.‬ ‫−‬ ‫ﺼﻭﺕ ﺯﺭﻫﺎ..‬ ‫- ٦٦ -‬