Negotiating Copyright: What isCreative Commons & how can ithelp you?Mathias Klang@klang67
Modern copyrightlawis fixed inthe 1950s
digitalization
Lag (1960) om upphovsrätt tilllitterära och konstnärliga verk
LAG (1960) OM UPPHOVSRÄTT TILL LITTERÄRA OCH KONSTNÄRLIGA VERK
Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world work...
Two incredible & strangeideas… that WORKED
STALLMAN PROVED EMPIRICALLY THATECONOMIC RETURNS WERE NOT AREQUIREMENT FOR CREATION…But geeks are different?
WALES PROVED STALLMAN’S IDEAS SCALED& APPLIED TO NON-SPECIALIST GROUPSYet we still cling to the analogue myths.
Social technology
Blogger1999Google1999End of communications monopoly
EXPECTATIONS
A workaround
Four limitations
Sharing is caring
In a world of noise…
Swedish heritage board
3.5 years later
OMG!!!OMG!!!
How to License
How to use?
Attribution
Name or pseudonymThe workLink if practicableDerivatives?
Image: Memphis Zoohttp://www.flickr.com/photos/loganzhunt/3730642895/by Logan Z. HuntCreative Commons Attribution 2.0http:...
Want more information?
More informationwww.iis.se/docs/copyright_copyleft.pdf
If badstuff happens…
Case lawGermany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasb...
Cheats, nasty people, & evil corporations
React to #FAIL?
Want more free stuff?
AUDIOhttp://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/...
BILDERhttp://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http:/...
TEXThttp://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http...
VIDEOhttp://blip.tv/http://www.ourmedia.org/http://one.revver.com/http://youtube.com
Thank you.
Mathias Klangklang@ituniv.se or @klang67www.digital-rights.netImage & licensing info in the notessection of slides.Images ...
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
Negotiating Copyright: What is Creative Commons & how can it help you?
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Negotiating Copyright: What is Creative Commons & how can it help you?

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  • Boppin' to Nothin' from craigmdennis cc by
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  • Law and Prophets from Lawrence OP cc by nc nd
  • Upphovsrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta.
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  • Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges. Namnet på verket : Om verket saknar namn faller naturligtvis kravet. Länk till verket : Om det är praktiskt möjligt bör man länka till verket. Bearbetade Verk : För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats. Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text. Länk till licensen.
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  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
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  • Negotiating Copyright: What is Creative Commons & how can it help you?

    1. 1. Negotiating Copyright: What isCreative Commons & how can ithelp you?Mathias Klang@klang67
    2. 2. Modern copyrightlawis fixed inthe 1950s
    3. 3. digitalization
    4. 4. Lag (1960) om upphovsrätt tilllitterära och konstnärliga verk
    5. 5. LAG (1960) OM UPPHOVSRÄTT TILL LITTERÄRA OCH KONSTNÄRLIGA VERK
    6. 6. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. Anything that’s invented between when you’re fifteen and thirty­five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you’re thirty­five is against the natural order of things.Douglas Adams, Salmon of Doubt
    7. 7. Two incredible & strangeideas… that WORKED
    8. 8. STALLMAN PROVED EMPIRICALLY THATECONOMIC RETURNS WERE NOT AREQUIREMENT FOR CREATION…But geeks are different?
    9. 9. WALES PROVED STALLMAN’S IDEAS SCALED& APPLIED TO NON-SPECIALIST GROUPSYet we still cling to the analogue myths.
    10. 10. Social technology
    11. 11. Blogger1999Google1999End of communications monopoly
    12. 12. EXPECTATIONS
    13. 13. A workaround
    14. 14. Four limitations
    15. 15. Sharing is caring
    16. 16. In a world of noise…
    17. 17. Swedish heritage board
    18. 18. 3.5 years later
    19. 19. OMG!!!OMG!!!
    20. 20. How to License
    21. 21. How to use?
    22. 22. Attribution
    23. 23. Name or pseudonymThe workLink if practicableDerivatives?
    24. 24. Image: Memphis Zoohttp://www.flickr.com/photos/loganzhunt/3730642895/by Logan Z. HuntCreative Commons Attribution 2.0http://creativecommons.org/licenses/by/2.0/deed.en_GB
    25. 25. Want more information?
    26. 26. More informationwww.iis.se/docs/copyright_copyleft.pdf
    27. 27. If badstuff happens…
    28. 28. Case lawGermany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festival de Theatre deSpa)The Netherlands, 2006: Curry v. AudaxSpain 2006: SGAE v. Fernandez
    29. 29. Cheats, nasty people, & evil corporations
    30. 30. React to #FAIL?
    31. 31. Want more free stuff?
    32. 32. AUDIOhttp://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http://www.jamglue.com/http://www.soundclick.com/http://www.tribeofnoise.com/http://librivox.org/
    33. 33. BILDERhttp://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flickr.com/creativecommons/http://www.geograph.org.uk/http://photoeverywhere.co.uk/http://en.sevenload.com/
    34. 34. TEXThttp://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://wikipedia.org
    35. 35. VIDEOhttp://blip.tv/http://www.ourmedia.org/http://one.revver.com/http://youtube.com
    36. 36. Thank you.
    37. 37. Mathias Klangklang@ituniv.se or @klang67www.digital-rights.netImage & licensing info in the notessection of slides.Images at www.flickr.com (orspecifically stated).This ppt licensed: CreativeCommons BY-NC-SADownload presentationwww.slideshare.net/klang

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