Cultural Production & Consumption: If it ain’t broke, don’t fix it

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  • Cultural Production & Consumption: If it ain’t broke, don’t fix it

    1. 1. Mathias Klang@klang67Cultural Production & Consumption: If it ain’t broke, don’t fix it
    2. 2. Culture is inevitable, copyright is not
    3. 3. Copyright is all about fixation
    4. 4. I do not agree with what you have to say, but Illdefend to the death your right to say it. Voltaire Technology 300 years ago…
    5. 5. Statute of anne 1710
    6. 6. Don’t be greedy The expansion of copyright to include more forms ofexpression (may ultimately weaken copyright as a whole).
    7. 7. Modern copyright law is fixed in the 1950s
    8. 8. What happened?
    9. 9. The tools of production
    10. 10. Myths we regulate by
    11. 11. EMPIRICAL proof cash NOT A REQUIREMENT FORCREATION… But geeks are different?
    12. 12. PROVED STALLMAN’S IDEAS SCALED & APPLIEDTO NON-SPECIALIST GROUPS And still we cling to the economic & creative myth
    13. 13. Paying for cultural production
    14. 14. The theoretically possible becomes theinevitable
    15. 15. The end of scarcity “who told me” becomes more important than “who made it”. Sandra Snan
    16. 16. Blogger 1999Google 1999 End of communications monopoly
    17. 17. This is not a book
    18. 18. Changing the marketplace
    19. 19. More information
    20. 20. User generated content
    21. 21. Personal data & walled gardens
    22. 22. Pricing models & purpose ofcopyright
    23. 23. How we consume
    24. 24. Market failures
    25. 25. Free speech &private censors
    26. 26. Lag of analogue rules
    27. 27. A workaround
    28. 28. History of Creative Commons The duct tape of copyright
    29. 29. Four limitations
    30. 30. Why Share?
    31. 31. Sharing is caring
    32. 32. Swedish heritage board
    33. 33. 3.5 years later
    34. 34. OMG!!!
    35. 35. How to License
    36. 36. Want more information?
    37. 37. More informationwww.iis.se/docs/copyright_copyleft.pdf
    38. 38. If badstuff happens…
    39. 39. Germany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festival de Theatre deSpa)The Netherlands, 2006: Curry v. AudaxSpain 2006: SGAE v. Fernandez Case law
    40. 40. Cheats, nasty people, & evil corporations
    41. 41. #FAIL
    42. 42. Want morefree stuff?
    43. 43. http://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http://www.jamglue.com/http://www.soundclick.com/http://www.tribeofnoise.com/http://librivox.org/ AUDIO
    44. 44. http://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flickr.com/creativecommons/ BILDERhttp://www.geograph.org.uk/http://photoeverywhere.co.uk/http://en.sevenload.com/
    45. 45. http://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://wikipedia.orgTEXT
    46. 46. http://blip.tv/http://www.ourmedia.org/ http://one.revver.com/ http://youtube.com VIDEO
    47. 47. Thank you.
    48. 48. Mathias Klangklang@ituniv.se or @klang67 www.digital-rights.net Image & licensing info see notes section of slides.Images at www.flickr.com (or specifically stated). This ppt licensed: Creative Commons BY-NC-SA Download presentation www.slideshare.net/klang

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