Copyright culture technology

Culture, copyright, technology
Mathias Klang

CULTURAL RELATIVISM

“ ...civilization is not something absolute, but ... is relative, and ... our ideas and conceptions are true only so far as our civilization goes.”
Franz Boas (1887)

Siberian/Thuvan throat singing
http://www.youtube.com/watch?v=VTCJ5hedcVA&p=A3A6044F015358F7&playnext=1&index=7

STEP 1: STATE THE OBVIOUS

DIGITALIZATION CHANGED EVERYTHING

TECHNOLOGY controls how and what we interact, create & THINK

Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you’re thirty-five is against the natural order of things.

AFFORDANCES spot the ethical dilemma?

Language technology

Exodus 20:14
THE WICKED BIBLE (1631)

STATUTE OF ANNE (1710)
Wheras printers, booksellers, and other persons, have of late frequently taken the liberty of printing... books, and other writings, without the consent of the authors... to their very great detriment, and too often to the ruin of them and their families : For preventing therefore such practices for the future, and for the encouragement of learned men to compose and write useful books…

Expanding rights

Oscar Wilde nr 18 av Napoleon Sarony
“ entirely from his own mental conception, to which he gave visible form”
” useful, new, harmonious, characteristic, and graceful picture.”

THE SOCIAL CENTURY
User generated
content

Monopolies in copying & delivery systems

Lag (1960) om upphovsrätt till litterära och konstnärliga verk

LAG (1960) OM UPPHOVSRÄTT TILL LITTERÄRA OCH KONSTNÄRLIGA VERK

Vad skyddas?
Teater
Musik
Film
Databaser
Konstverk
Byggnader
Brukskonst
Kartor
Fotografiska verk
Litteratur

VERKSHÖJD
BIRD RED SLICE by Koko (1984)

idea/expression dichotomy Donald Duck av Walt Disney Arne Anka av Charlie Christensen

STADIGVARANDE

copying

digitalization

Analog / Digital
Copy inferior
Limited nr of copies
Copying in real time
Cost
There is no copy
Infinite nr
Timeless
Without cost

LIFE & DEATH OF BUSINESS MODELS

DIGITALIZATION CONNECTIVITY DEVICES STORAGE

LAW & MORALITY

LAW REGULATES WHAT IS, NOT WHAT SHOULD BE

WE NEED MORE POETS

Two roads diverged in a wood, and I - I took the one less traveled by,’ And that has made all the difference.
Robert Frost

STEP 2: LAW & ETHICS TAXONOMY

ethical unethical legal illegal Homage

The Battleship Potemkin 1925 - Odessa Steps scene – director Sergei M. Eisenstein

The Untouchables (1987) film directed by Brian De Palma

ethical unethical legal illegal Cross Culture Homage

Kill Bill part 1 & 2 (2003) & (2004) by writer/director Quentin Tarantino

ethical unethical legal illegal AMV Homage Cross Culture

FMA AMV Gimme a Man After Midnight - Abba
http://www.youtube.com/watch?v=V_xB-RFOZDs

ethical unethical legal illegal Homage ? Cross Culture AMV

creating artificial barriers

Samir by Max Gustafson

Law Contextual & programmed social rules Architecture

Contextual & programmed social rules

NORMS FROM ABOVE

Anti-Piracy Advertisement
http://www.youtube.com/watch?v=l5SmrHNWhak
ANTI-PIRACY AD

REACTION “FROM BELOW”

The IT Crowd - Series 2 - Episode 3: Piracy warning parody
http://www.youtube.com/watch?v=VUNfynI8bdA
IT CROWD PARODY

WHAT TO DO?

“ THE FIRST THING WE DO, LET'S KILL ALL THE LAWYERS”

dead TRee as NORM

two dominant truths
1. No cash , No Creation 2. Everything Is property

DIGITALIZATION CONNECTIVITY DEVICES STORAGE

the theoretically possible becomes the inevitable…

Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you’re thirty-five is against the natural order of things.

the (slow) death of the analog age… or is it?

four incredible & strange ideas … that WORKED

STALLMAN PROVED EMPIRICALLY THAT ECONOMIC RETURNS WERE NOT A REQUIREMENT FOR CREATION…
But geeks are different?

WALES PROVED STALLMAN’S IDEAS SCALED & APPLIED TO NON-SPECIALIST GROUPS
Men fortfarande klänger vi oss fast vid kulturens skapelsemyt

OSTROM påvisar effektivitet och betydelsen i alternativa modeller av EGENDOM förvandlar TRAGEDI till KOMEDI

LESSIG VILLE HJÄLPA SKAPARE ATT DELA MED SIG AV SITT MATERIAL UTAN ATT FÖRLORA KONTROLLEN
Inget nytt men helt annorlunda!

vi, användare!

Lunarstormdecenniet 2000 2001 2002 2003 2005 2004 2006 Wikipedia Blogger 1999

2000 2001 2002 2003 2005 2004 2006 Wikipedia Linkedin Blogger 1999 Second Life My Space Skype Digg Facebook YouTube Flickr Ning Google c:a 1998

Flickr 2000 2001 2002 2003 2005 2004 2006 Wikipedia Linkedin Blogger 1999 Second Life My Space Skype Digg Facebook Ning YouTube Twitter Spotify Google c:a 1998 2008 2007 2009 Farmville iphone Wikileaks

THEORETICAL & POSSIBLE BECOMES INEVITABLE

2006 2007

12 timmar senare

THE LICENSING APPROACH

Och om jag vill lägga ut mitt material på nätet – hur kan jag ”skydda” materialet från att användas på ett olämpligt sätt?

Det kan du INTE!

att LÅTA BLI är det bästa skyddet

Lev som (intellektuell) CELIBAT

Att KOMMUNICERA är att våga tro att NÅGON kommer förstå…

att minska risker

Strategi nr 1

Strategi nr 2

dela FRITT & ÖPPET

RISKMINIMERING

fyra beGRÄNSningar

Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges.
Namnet på verket : Om verket saknar namn faller naturligtvis kravet.
Länk till verket : Om det är praktiskt möjligt bör man länka till verket.
Bearbetade Verk : För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats.
Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text.
Länk till licensen.

THANKS!

Information
All images from/alla bilder från www.flickr.com (unless specifically stated), (om ej annat anges)
Image & licensing info in the notes section of slides/bild & licensinfo finns i anteckningsdelen för varje slide
Presentation licensed/Presentation licensierad under: Creative Commons BY-NC-SA
The presentation can be downloaded from/Presentationen kan laddas ner från: www.slideshare.net/klang
More information about me/för mer information om mig: www.techrisk.se & www.digital-rights.net

Copyright culture technology

by Mathias Klang

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