biblioteken, information & digitala medier <ul><li>Mathias Klang </li></ul>
Fyra huvudproblem
1. illusionen av kunskap
2.  “EXPERTER”
3. Hur smarta är vi när våra smart phones dör?
4. det vi får gratis värderar vi inte
Bibliotek härstammar från informationsunderskott
Fokus på tillgång i en värld av brist
Alexandria,  Boklistor & bål
informationskontrol <ul><li>Kunskap, ägande & integritet </li></ul>
Things change
Digitalisering Uppkoppling lagring devices
Flickr 2000 2001 2002 2003 2005 2004 2006 Wikipedia Linkedin Blogger 1999 Second Life My Space Skype Digg Facebook Ning Yo...
Betydelse?
Up to 3500 books <ul><li>Shop and download books in less than 60 seconds  </li></ul>
It's Not Information Overload.  It's Filter Failure. <ul><li>Clay Shirky </li></ul>
 
 
 
 
 
Värför behövs bibliotek i en värld av informationsöverflöd?
Vi har “ löst ”  tillgångsproblemet men kunskap & folkbildning viktigare än någonsin
Kunskapsskifte: Döda samlingar    Deltagande? <ul><li>(Var det skrivna ordet en parantes i talspråkets historia?) </li></ul>
Teknik skapar samhälle
Affordance etisk dilemma eller bara teknik
Kunskap (wikipedia som exempel)
Burkina faso
OUAGADOUGOU [citation needed]
 
 
 
 
upphovsrätt
 
“ Ingen ”  användning utan lov
VERKSHÖJD <ul><li>BIRD RED SLICE  by Koko (1984) </li></ul>
idé/uttryck Donald Duck av Walt Disney Arne Anka av Charlie Christensen
<ul><li>70 år post mortem (dödsår + 71) </li></ul><ul><ul><li>foto bilder: 50 år från bilden </li></ul></ul><ul><ul><li>fo...
 
fyra  beGRÄNSningar
 
<ul><li>Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges. </li></ul><ul><li>Namnet på ...
 
 
 
 
Stort?
<ul><li>14 april 2011 finns det  180 639 543  CC licensierade bilder på Flickr </li></ul>
Riksantikvarieämbetet
2 år senare
 
& 34 taggar
Hitta material…
CC SÖK <ul><li>http://www.archive.org/index.php </li></ul><ul><li>http://search.creativecommons.org/ </li></ul><ul><li>htt...
AUDIO <ul><li>http://artistserver.com/ </li></ul><ul><li>http://ccmixter.org/ </li></ul><ul><li>http://free-loops.com/ </l...
BILDER <ul><li>http://animalphotos.info/a/ </li></ul><ul><li>http://carpictures.cc/cars/photo/ </li></ul><ul><li>http://ww...
TEXT <ul><li>http://www.intratext.com/ </li></ul><ul><li>http://www.travellerspoint.com/ </li></ul><ul><li>http://www.unea...
VIDEO <ul><li>http://blip.tv/ </li></ul><ul><li>http://www.ourmedia.org/ </li></ul><ul><li>http://one.revver.com/ </li></ul>
Integritet
Surveillance: blicken från ovan
Storebror – stat eller företag
 
Sousveillance:  blicken underifrån
“ friends”
Autoveillance:  blicken inifrån
Exhibitionism?
Vi  ” läcker ”  information
Compartmentalization
Analoga sociala normer
Skydd från blicken utifrån
Today we have a mix of sur, sous & autoveillance. regulation mainly focuses on surveillance.
Privatlivets död
The Hive-mind
If you have  done nothing wrong,  you have nothing to fear
We have (theoretical) control over Big Brother
If you are not paying for it, you're not the customer; you're the product being sold
personalization
The internet is shows us what it thinks that we want to see – not what we need to see <ul><li>Eli Pariser </li></ul>
Identitet & Information skräpmat
It will be very hard for people to watch or consume something that has not in some sense been tailored for them. <ul><li>E...
Teknologi är inte demokratiskt
Biblioteken som demokratins försvarare
Tack!
Information <ul><li>All images from  www.flickr.com  (unless specifically stated) </li></ul><ul><li>Image & licensing info...
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  • Empire State Pigeon from ZeroOne cc by sa
  • Introspection. from e³°°° cc by sa
  • Winning against graffiti? from Esther Gibbons cc by nd This, said Theuth, will make the Egyptians wiser and give them better memories; it is a specific both for the memory and for the wit. Thamus replied: O most ingenious Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a quality which they cannot have; for this discovery of yours will create forgetfulness in the learners ’ souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality. Phaedrus by Plato
  • anthony selonke vi from gsgeorge cc by nc
  • Then he laughed into my eyes. by Josh Pesavento (broma) Then he laughed into my eyes. from Josh Pesavento (broma) cc by
  • Malcom X from Keoki Seu cc by nc sa
  • Library from ellen forsyth cc by nc sa
  • Law and Prophets from Lawrence OP cc by nc nd
  • Mine by Amarand Agasi cc by nc sa A possibly apocryphal or exaggerated story concerns how the library&apos;s collection grew so large. By decree of Ptolemy III of Egypt, all visitors to the city were required to surrender all books and scrolls, as well as any form of written media in any language in their possession which, according to Galen, were listed under the heading &amp;quot;books of the ships&amp;quot;.[11] Official scribes then swiftly copied these writings, some copies proving so precise that the originals were put into the library, and the copies delivered to the unsuspecting owners.[12] This process also helped to create a reservoir of books in the relatively new city.
  • Library Closed from bigoteetoe cc by nc sa
  • my wallpaper by baboon™ cc by nc
  • Not only our island nation that is... from nattu cc by
  • Screenshot from Apple Store 2011 – image not Creative Commons licensed.
  • Image from Amazon website. Not Creative Commons licensed.
  • old man grumbling ... by * hiro008 cc by nc sa
  • Source: Jenise Uehara Henrikson, Growth of Social Media - Search Engine Journal http://www.searchenginejournal.com/the-growth-of-social-media-an-infographic/32788/
  • Source: Jenise Uehara Henrikson, Growth of Social Media - Search Engine Journal http://www.searchenginejournal.com/the-growth-of-social-media-an-infographic/32788/
  • Source: Jenise Uehara Henrikson, Growth of Social Media - Search Engine Journal http://www.searchenginejournal.com/the-growth-of-social-media-an-infographic/32788/
  • Source: Jenise Uehara Henrikson, Growth of Social Media - Search Engine Journal http://www.searchenginejournal.com/the-growth-of-social-media-an-infographic/32788/
  • Source: Jenise Uehara Henrikson, Growth of Social Media - Search Engine Journal http://www.searchenginejournal.com/the-growth-of-social-media-an-infographic/32788/
  • That&apos;s life, that&apos;s what all the... from mohammadali cc by nc sa
  • The Afeman&apos;s socks from Andrea Marutti cc by nc sa
  • The last storyteller from Daniel Tellman cc by
  • XKCD CC BY NC http://xkcd.com/898/
  • image from Yumiko Hayakawa essay Public Benches Turn ‘ Anti-Homeless ’ (also recommend Design with Intent ) Source http://architectures.danlockton.co.uk/2006/10/05/anti-homeless-benches-in-tokyo/
  • Pried open tin can marked &amp;quot;science&amp;quot; from judy_breck cc by sa
  • Denna bild har släppts fri (eller släpps härmed fri) till public domain av dess skapare, Vardion på English Wikipedia-projektet. Detta gäller över hela världen. http://commons.wikimedia.org/wiki/File:LocationBurkinaFaso.png?uselang=sv
  • Iceberg from sweart cc by nc sa The answer is only the tip of the iceberg
  • Not Everybody Understands by Skinned Mink Not Everybody Understands from Skinned Mink cc by sa
  • Upphovsrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta.
  • Untitled from warrenski cc by sa
  • BIRD RED SLICE by Koko Abstract by Koko. 10 x 12 acrylic on canvas, 1984 http://www.koko.org/world/art_abstracts.html#UNTITLED2 Koko (born July 4, 1971, at San Francisco Zoo ) is a Western Lowland Gorilla who, according to Francine &apos;Penny&apos; Patterson , is able to understand more than 1,000 signs based on American Sign Language , [1] and understand approximately 2,000 words of spoken English . [2] . As with other ape language experiments, the degree to which Koko masters these signs has been controversial, as has been the degree to which such mastery demonstrates language abilities. Koko has lived most of her life in Woodside, California , although a move to a sanctuary in Maui, Hawaii , has been planned since the 1990s. [3] . Koko is short for the name Hanabiko ( 花火子 , lit. &amp;quot;fireworks child&amp;quot; ? ) in Japanese, a reference to her date of birth, the Fourth of July . http://en.wikipedia.org/wiki/Koko_%28gorilla%29
  • Swing time from Dave-F cc by Olsson (2006) ger två exempel på fotografiska bilder, nämligen nyhetsbilder från Hindenburgkatastrofen och mordet på president Kennedy. Nordell (1997) räknar upp amatörfotografier och bilder som tagits i stor hast och som återger en aktuell händelse. In this hole II by Ko_An cc by nc sa
  • Creative Commons from karindalziel cc by.jpg
  • Crocodile&apos;s eye from Tambako the Jaguar cc by nd
  • Boring is Beautiful from Bright Tal cc by nc sa
  • Day 78 - Peace by lintmachine cc by nc sa
  • The Happiest Days of our Lives... in Kenosha by angie k cc by nc sa
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Butterfly (Oases Egypt) from Ahron de Leeuw cc by
  • Howl from CaptPiper cc by
  • Theory of Relaxitivity from zetson cc by nc sa
  • Brown Bagged Goof from privatenobby cc by nc sa
  • Day 14 - Visual Representation of a Reading List by margolove cc by nc sa
  • _ 凝望幸福,看不荒的恆海 。 by eliot. cc by nc sa
  • plan- dont panic bitstream vera serif 2 from Idhren cc by sa
  • He&apos;s Givin&apos; Me The Evil Eye from Sister72 cc by
  • LESSON #3- ON STARTING SMALL from theshanghaieye cc by sa
  • Thursday, September 29, 2011 Mathias Klang klang@ituniv.se Foucault (1926-1984) &amp; Benthams ( 1748 – 1832) ) model prison – The Panopticon Övervakningsarkitektur This shapes how individuals see themselves and leads them to behave differently than they might if they weren ’ t being observed
  • things are looking up this year from LOLren cc by
  • Kansas Jayhawks 2008 NCAA Basketball National Champions--Street Party from M31. cc by
  • Introspection. from e³°°° cc by sa
  • Bathroom Narcissism from Shermeee cc by
  • Past Times... from Steve-h cc by sa
  • Salt pans from dachalan cc by nc sa
  • Generational Fights from Pensiero cc by nc nd
  • And what are you doing? from San Diego Shooter cc by nc nd
  • Face Paint from Alyssa L. Miller cc by
  • Rough days from bayat cc by nc sa
  • All these images are © but NOT licensed under Creative Commons licenses
  • Life from gfpeck cc by nd
  • PESSIMISM OF THE INTELLECT, OPTIMISM OF THE WILL by ruSSeLL hiGGs cc by nc sa
  • Little One from Sukanto Debnath cc by
  • Taking The World By Storm from JD Hancock cc by
  • I Need to Lose Weight!!! from Benson Kua cc by sa
  • 1.11.09- CHD, here we come! from thedalogs cc by
  • empty suits from paul goyette cc by nc sa
  • Facebook Is The Opium Of The People from tacoekkel cc by sa
  • Superman in North Dakota from Fonzie&apos;s cousin cc by nc sa
  • Two of a Kind by Ali A cc by nc sa
  • Bibliotek, information & digitala medier

    1. 1. biblioteken, information & digitala medier <ul><li>Mathias Klang </li></ul>
    2. 2. Fyra huvudproblem
    3. 3. 1. illusionen av kunskap
    4. 4. 2. “EXPERTER”
    5. 5. 3. Hur smarta är vi när våra smart phones dör?
    6. 6. 4. det vi får gratis värderar vi inte
    7. 7. Bibliotek härstammar från informationsunderskott
    8. 8. Fokus på tillgång i en värld av brist
    9. 9. Alexandria, Boklistor & bål
    10. 10. informationskontrol <ul><li>Kunskap, ägande & integritet </li></ul>
    11. 11. Things change
    12. 12. Digitalisering Uppkoppling lagring devices
    13. 13. Flickr 2000 2001 2002 2003 2005 2004 2006 Wikipedia Linkedin Blogger 1999 Second Life My Space Skype Digg Facebook Ning YouTube Twitter Spotify Google c:a 1998 2008 2007 2009 Farmville iphone Wikileaks Angry Birds
    14. 14. Betydelse?
    15. 15. Up to 3500 books <ul><li>Shop and download books in less than 60 seconds </li></ul>
    16. 16. It's Not Information Overload. It's Filter Failure. <ul><li>Clay Shirky </li></ul>
    17. 22. Värför behövs bibliotek i en värld av informationsöverflöd?
    18. 23. Vi har “ löst ” tillgångsproblemet men kunskap & folkbildning viktigare än någonsin
    19. 24. Kunskapsskifte: Döda samlingar  Deltagande? <ul><li>(Var det skrivna ordet en parantes i talspråkets historia?) </li></ul>
    20. 25. Teknik skapar samhälle
    21. 26. Affordance etisk dilemma eller bara teknik
    22. 27. Kunskap (wikipedia som exempel)
    23. 28. Burkina faso
    24. 29. OUAGADOUGOU [citation needed]
    25. 34. upphovsrätt
    26. 36. “ Ingen ” användning utan lov
    27. 37. VERKSHÖJD <ul><li>BIRD RED SLICE by Koko (1984) </li></ul>
    28. 38. idé/uttryck Donald Duck av Walt Disney Arne Anka av Charlie Christensen
    29. 39. <ul><li>70 år post mortem (dödsår + 71) </li></ul><ul><ul><li>foto bilder: 50 år från bilden </li></ul></ul><ul><ul><li>foto verk: 70 år från dödsår </li></ul></ul>SKYDDSTIDER
    30. 41. fyra beGRÄNSningar
    31. 43. <ul><li>Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges. </li></ul><ul><li>Namnet på verket : Om verket saknar namn faller naturligtvis kravet. </li></ul><ul><li>Länk till verket : Om det är praktiskt möjligt bör man länka till verket. </li></ul><ul><li>Bearbetade Verk : För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats. </li></ul><ul><li>Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text. </li></ul><ul><li>Länk till licensen. </li></ul>
    32. 48. Stort?
    33. 49. <ul><li>14 april 2011 finns det 180 639 543 CC licensierade bilder på Flickr </li></ul>
    34. 50. Riksantikvarieämbetet
    35. 51. 2 år senare
    36. 53. & 34 taggar
    37. 54. Hitta material…
    38. 55. CC SÖK <ul><li>http://www.archive.org/index.php </li></ul><ul><li>http://search.creativecommons.org/ </li></ul><ul><li>http://www.freebase.com/signin/ </li></ul><ul><li>http://www.google.com/advanced_search </li></ul><ul><li>http://www.spinxpress.com/getmedia </li></ul><ul><li>http://commons.wikimedia.org/wiki/ </li></ul><ul><li>http://search.yahoo.com/cc </li></ul>
    39. 56. AUDIO <ul><li>http://artistserver.com/ </li></ul><ul><li>http://ccmixter.org/ </li></ul><ul><li>http://free-loops.com/ </li></ul><ul><li>http://www.freesound.org/ </li></ul><ul><li>http://www.jamendo.com/en/ </li></ul><ul><li>http://www.jamglue.com/ </li></ul><ul><li>http://www.soundclick.com/ </li></ul><ul><li>http://www.tribeofnoise.com/ </li></ul><ul><li>http://librivox.org/ </li></ul>
    40. 57. BILDER <ul><li>http://animalphotos.info/a/ </li></ul><ul><li>http://carpictures.cc/cars/photo/ </li></ul><ul><li>http://www.compfight.com/ </li></ul><ul><li>http://creativity103.com/ </li></ul><ul><li>http://flickr.com/creativecommons/ </li></ul><ul><li>http://www.geograph.org.uk/ </li></ul><ul><li>http://photoeverywhere.co.uk/ </li></ul><ul><li>http://en.sevenload.com/ </li></ul><ul><li>http://www.wikihow.com/Main-Page </li></ul>
    41. 58. TEXT <ul><li>http://www.intratext.com/ </li></ul><ul><li>http://www.travellerspoint.com/ </li></ul><ul><li>http://www.unearthtravel.com/ </li></ul><ul><li>http://www.wisdomcommons.org/ </li></ul><ul><li>http://wikipedia.org </li></ul>
    42. 59. VIDEO <ul><li>http://blip.tv/ </li></ul><ul><li>http://www.ourmedia.org/ </li></ul><ul><li>http://one.revver.com/ </li></ul>
    43. 60. Integritet
    44. 61. Surveillance: blicken från ovan
    45. 62. Storebror – stat eller företag
    46. 64. Sousveillance: blicken underifrån
    47. 65. “ friends”
    48. 66. Autoveillance: blicken inifrån
    49. 67. Exhibitionism?
    50. 68. Vi ” läcker ” information
    51. 69. Compartmentalization
    52. 70. Analoga sociala normer
    53. 71. Skydd från blicken utifrån
    54. 72. Today we have a mix of sur, sous & autoveillance. regulation mainly focuses on surveillance.
    55. 73. Privatlivets död
    56. 74. The Hive-mind
    57. 75. If you have done nothing wrong, you have nothing to fear
    58. 76. We have (theoretical) control over Big Brother
    59. 77. If you are not paying for it, you're not the customer; you're the product being sold
    60. 78. personalization
    61. 79. The internet is shows us what it thinks that we want to see – not what we need to see <ul><li>Eli Pariser </li></ul>
    62. 80. Identitet & Information skräpmat
    63. 81. It will be very hard for people to watch or consume something that has not in some sense been tailored for them. <ul><li>Eric Schmidt, Google </li></ul>
    64. 82. Teknologi är inte demokratiskt
    65. 83. Biblioteken som demokratins försvarare
    66. 84. Tack!
    67. 85. Information <ul><li>All images from www.flickr.com (unless specifically stated) </li></ul><ul><li>Image & licensing info in the notes section of slides </li></ul><ul><li>Presentation licensed: Creative Commons BY-NC-SA </li></ul><ul><li>The presentation can be downloaded from: www.slideshare.net/klang </li></ul><ul><li>More information about me: www.techrisk.se & www.digital-rights.net </li></ul><ul><li>Mathias Klang. [email_address] or @klang67 </li></ul>
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