First meeting

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First meeting

  1. 1. REFERENCES <ul><li>Leech, Geoffrey N. 2005. A Linguistic Guide to English Poetry. London: Longman </li></ul><ul><li>Alexander, L.G. 1973. Poetry and Prose Appreciation for Overseas Students. London: Longman </li></ul><ul><li>Kennedy, X.J. 1971. An Introduction to Poetry. Boston: Little, Brown & Co. </li></ul><ul><li>Perrine, Lawrence. 1969. Sound and Sense. New York: Harcourt, Brace & World Inc. </li></ul><ul><li>Chatman, Seymour. 1968. An Introduction to the Language of Poetry. Boston: Houghton Mifflin Company. </li></ul><ul><li>Steinmann, Martin et al. 1967. Literature for Writing. Belmont: Wadsworth Publishing Company, Inc. </li></ul><ul><li>Volpe, N. 1967. Poetry: An Introduction. New York: Random House </li></ul><ul><li>Maline, Julian et al (editors). 1967. Studies in Poetry. New York: The L.W. Singer Company, Inc. </li></ul><ul><li>Summers, Hollis and Edgar Whan. 1960. Literature: An Introduction. New York: McGraw Hill Book Co., Inc. </li></ul><ul><li>Reaske, Christopher Russel. Nd. Hoe to Analyze Poetry. London: Monarch Press </li></ul>
  2. 2. POETRY I (SSE220) DISCUSSING ENGLISH POEMS FROM VICTORIAN PERIOD TO TWENTIETH CENTURY, AND AMERICAN ONES FROM NINETEENTH TO TWENTIETH CENTURY THROUGH ELEMENTS AND VALUES COVERING CONTENTS AND PROSODY
  3. 3. LECTURE CONTRACT <ul><li>Rules of attending the subject: </li></ul><ul><li>13 meetings </li></ul><ul><li>students should attend 75% = 3 times absence </li></ul><ul><li>● Percentage of scoring: </li></ul><ul><li>midterm test 30% </li></ul><ul><li>final test 40% </li></ul><ul><li>assignments 30% </li></ul><ul><li>Tolerable lateness: 10 minutes </li></ul>
  4. 4. LECTURE CONTRACT <ul><li>Assignments weekly </li></ul><ul><li>in groups </li></ul><ul><li>individual </li></ul><ul><li>Quiz: once in each mid-semester </li></ul><ul><li>Presentation: twice in each mid-semester </li></ul>
  5. 5. REFERENCES <ul><li>Alexander, L.G. 1973. Poetry and Prose Appreciation for Overseas Students. London: Longman. </li></ul><ul><li>Perrine, Lawrence. 2000. Structure, Sound and Sense. New York: Harcourt, Brace & World Inc. </li></ul><ul><li>Kennedy, X.J. and Dana Gioia.1994. An Introduction to Poetry. New York: Harper Collins College. </li></ul><ul><li>Volpe, N. 1967. Poetry: An Introduction. New York: Random House. </li></ul><ul><li>Reaske, Christopher R. Nd. How to Analyze Poetry. London: Monarch Press. </li></ul><ul><li>Chatman, Seymour. 1968. An Introduction to the Language of Poetry. </li></ul><ul><li>Boulton, Marjorie. 1970. The Anatomy of Poetry. London: Routledge and Keagan Paul Ltd. </li></ul><ul><li>Summers, Hollis and Edgar Whan. 1960. Literature: An Introduction. New York: McGraw-Hill Book Company, Inc. </li></ul><ul><li>Maline, Julian L. and James Berkley. 1967. Studies in Poetry. New York: The L.W. Singer Company Inc. </li></ul><ul><li>Leech, Geoffrey N. 2004. A Linguistic Guide to English Poetry . London: Longman. </li></ul><ul><li>Gill, Richard. 1995. Mastering English Literature . London: Macmillan. </li></ul>
  6. 6. WHAT IS POETRY <ul><li>Says more and says it more intensely than does ordinary language </li></ul><ul><li>Language is to communicate information </li></ul><ul><li>Language is an instrument of persuasion </li></ul><ul><li>Brings us a sense of life </li></ul><ul><li>Brings us a perception of life </li></ul><ul><li>Widens and sharpens our contact with existence </li></ul><ul><li>Concerns with experience </li></ul>
  7. 7. <ul><li>VERSE </li></ul><ul><li>BLANK VERSE FREE VERSE </li></ul><ul><li>. iambic pentameter . no syllabic stress pattern </li></ul><ul><li>. unrhymed/blank . irregular line length </li></ul><ul><li> . lack of rhyme </li></ul>
  8. 8. THE EAGLE Alfred, Lord Tennyson (1809 – 1892) <ul><li>He clasps the crag with crooked hands; </li></ul><ul><li>Close to the sun in lonely lands, </li></ul><ul><li>Ringed with the azure world, he stands. </li></ul><ul><li>The wrinkled sea beneath him crawls; </li></ul><ul><li>He watches from his mountain walls, </li></ul><ul><li>And like a thunderbolt he falls. </li></ul>
  9. 9. LOVELIEST OF TREES, THE CHERRY NOW A.E. Housman (1859 – 1936) <ul><li>Loveliest of trees, the cherry now </li></ul><ul><li>Is hung with bloom along the bough, </li></ul><ul><li>And stands about the woodland ride </li></ul><ul><li>Wearing white for Eastertide. </li></ul><ul><li>Now, of my threescore years and ten, </li></ul><ul><li>Twenty will not come again, </li></ul><ul><li>And take from seventy springs a score, </li></ul><ul><li>If only leaves me fifty more. </li></ul><ul><li>And since to look at things in bloom </li></ul><ul><li>Fifty springs are little room, </li></ul><ul><li>About the woodlands I will go </li></ul><ul><li>To see the cherry hung with snow. </li></ul><ul><li>(1896) </li></ul>

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