TAVE 2008

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    TAVE 2008 - Presentation Transcript

    1. Visual Ethnography Fall 2008 9 13 2008
    2. p. kerim friedman kerim.oxus.net
    3. ci.ndhu.edu.tw
    4. savageminds.org
    5. fournineandahalf.com
    6. Visual Ethnography Fall Theory Spring Production
    7. Visual Ethnography (Fall 2008)
    8. Visual Literacy
    9. The Gaze
    10. The Documentary Tradition (in Anthropology)
    11. Indigenous Films
    12. New Media
    13. Visual Literacy • Narrative • Mise en Scene • Editing • Alternative Forms
    14. Narrative
    15. Three-Act Structure
    16. When Harry Met Sally
    17. Boys Don't Cry
    18. Mise en Scene
    19. Interpreting the Frame
    20. Citizen Kane
    21. Goodfellas
    22. Editing
    23. Structure
    24. Battleship Potemkin
    25. Breathless
    26. Alternative Forms
    27. Avant Garde
    28. Run Lola Run
    29. Flowers of Shanghai
    30. Meshes in the Afternoon
    31. The Gaze • The Gendered Gaze • The Western Gaze
    32. The Gendered Gaze
    33. • Berger, J. 1977. Ways of seeing. • hooks, bell. 1993. The oppositional gaze. • Metz, Christian. 1986. The imaginary signifier. • Mulvey, Laura. 1975. Visual Pleasure and Narrative Cinema.
    34. Rear Window
    35. Red Road
    36. The Western Gaze
    37. • Cohn, B. 1996. Colonialism and its forms of knowledge. • Fabian, J. 1983. Time and the other. • Said, E. 1979. Orientalism. • Williamson, J. 1986. Woman is an Island.
    38. Black Narcissus
    39. The Lover
    40. The Documentary Tradition • Kino-Pravda • Changing Rules • Transcultural Cinema • Jean Rouch
    41. Kino Pravda
    42. • Barnouw, E. 1993. Documentary. • MacDougall, D. 1998. Transcultural cinema. (Chapters 1 & 2) • Ruby, J. 1995. Out of Sync:The Cinema of Tim Asch. • ———. 2000. The Aggie Must Come First: Robert Flaherty's Place in Ethnographic Film History.
    43. Nanook of the North
    44. Man with a Movie Camera
    45. Changing Rules
    46. • MacDougall, D. 1998. Transcultural cinema. (Chapters 3-6) • Nichols, B. 1991. The Ethnographer's Tale. • Ruby, J. 1991. Speaking For, Speaking About, Speaking With, or Speaking Alongside.
    47. The Ax Fight
    48. Lorang's Way
    49. Dead Birds
    50. Transcultural Cinema
    51. • MacDougall, D. 1998. Transcultural cinema. (Chapters 7-13)
    52. Cannibal Tours
    53. N!ai : The Story of a !Kung Woman
    54. Jean Rouch
    55. • Loizos, P. 1993. Innovation in ethnographic film: From innocence to self-consciousness. • Stoller, P. 1992. The cinematic griot:The ethnography of jean rouch.
    56. Les Maitres Fous
    57. Moi un Noir
    58. Jaguar
    59. Indigenous Films
    60. • Ginsburg, F. 1991. Indigenous Media: Faustian Contract or Global Village? • Michaels, E. 1994a. Aboriginal Content:Who's Got It - Who Needs It? • ———. 1994b. For a Cultural Future: Francis Jupurrurla Makes TV at Yuendumu. • Turner, T. 1992. Defiant Images:The Kayapo Appropriation of Video.
    61. Video in the Villages Presents Itself
    62. Marangmotxingmo Mirang
    63. The Fast Runner
    64. New Media
    65. • Friedman, P. 2008. Massively Multiplayer Online Anthropology. • Shirky, C. 2008. Here comes everybody:The power of organizing without organizations.
    66. The Machine is Us/Ing Us
    67. Steal This Film II
    68. Student Presentations Taiwanese Documentary Films
    69. ! slideshare.com/kerim
    70. Note: The following Creative Commons license only refers to the original work I have contributed to this slide show. It does not cover the images used for each of the films mentioned in my syllabus, as they are copyrighted works and are reproduced here under fair use. This work is licensed under the Creative Commons Attribution-Noncommercial- Share Alike 3.0 United States License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

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