Visual Literacy
• Narrative
• Mise en Scene
• Editing
• Alternative Forms
Narrative
Three-Act Structure
When Harry Met Sally
Boys Don't Cry
Mise en Scene
Interpreting the Frame
Citizen Kane
Goodfellas
Editing
Structure
Battleship Potemkin
Breathless
Alternative Forms
Avant Garde
Run Lola Run
Flowers of Shanghai
Meshes in the Afternoon
The Gaze
• The Gendered Gaze
• The Western Gaze
The Gendered Gaze
• Berger, J. 1977. Ways of seeing.
• hooks, bell. 1993. The oppositional gaze.
• Metz, Christian. 1986. The imaginary
signifier.
• Mulvey, Laura. 1975. Visual Pleasure and
Narrative Cinema.
Rear Window
Red Road
The Western Gaze
• Cohn, B. 1996. Colonialism and its forms of
knowledge.
• Fabian, J. 1983. Time and the other.
• Said, E. 1979. Orientalism.
• Williamson, J. 1986. Woman is an Island.
Black Narcissus
The Lover
The Documentary
Tradition
• Kino-Pravda
• Changing Rules
• Transcultural Cinema
• Jean Rouch
Kino Pravda
• Barnouw, E. 1993. Documentary.
• MacDougall, D. 1998. Transcultural cinema.
(Chapters 1 & 2)
• Ruby, J. 1995. Out of Sync:The Cinema of Tim
Asch.
• ———. 2000. The Aggie Must Come First:
Robert Flaherty's Place in Ethnographic Film
History.
Nanook of the North
Man with a Movie Camera
Changing Rules
• MacDougall, D. 1998. Transcultural cinema.
(Chapters 3-6)
• Nichols, B. 1991. The Ethnographer's Tale.
• Ruby, J. 1991. Speaking For, Speaking About,
Speaking With, or Speaking Alongside.
The Ax Fight
Lorang's Way
Dead Birds
Transcultural Cinema
• MacDougall, D. 1998. Transcultural cinema.
(Chapters 7-13)
Cannibal Tours
N!ai :
The Story of a !Kung Woman
Jean Rouch
• Loizos, P. 1993. Innovation in ethnographic
film: From innocence to self-consciousness.
• Stoller, P. 1992. The cinematic griot:The
ethnography of jean rouch.
Les Maitres Fous
Moi un Noir
Jaguar
Indigenous Films
• Ginsburg, F. 1991. Indigenous Media: Faustian
Contract or Global Village?
• Michaels, E. 1994a. Aboriginal Content:Who's
Got It - Who Needs It?
• ———. 1994b. For a Cultural Future: Francis
Jupurrurla Makes TV at Yuendumu.
• Turner, T. 1992. Defiant Images:The Kayapo
Appropriation of Video.
Video in the Villages Presents
Itself
Marangmotxingmo Mirang
The Fast Runner
New Media
• Friedman, P. 2008. Massively Multiplayer
Online Anthropology.
• Shirky, C. 2008. Here comes everybody:The
power of organizing without organizations.
The Machine is Us/Ing Us
Steal This Film II
Student Presentations
Taiwanese Documentary Films
!
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