Graphic Design

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  • Graphic Design

    1. 1. Thursday, March 19, 2009
    2. 2. What is Graphic Design? Who are Graphic Designers? Thursday, March 19, 2009
    3. 3. What is Graphic Design? Who are Graphic Designers? And how do I become one? Thursday, March 19, 2009
    4. 4. What is Graphic Design? Who are Graphic Designers? And how do I become one? An introduction to Graphic Design Thursday, March 19, 2009
    5. 5. commercial artists, illustrators, graphic artists, photographers, typographers, visualisers, type setters, creative directors … An introduction to Graphic Design Thursday, March 19, 2009
    6. 6. An introduction to Graphic Design Thursday, March 19, 2009
    7. 7. Graphic Design? An introduction to Graphic Design Thursday, March 19, 2009
    8. 8. Graphic Design? The activity of combining typography, illustration, photography and printing for the purpose of persuasion, information or instruction. An introduction to Graphic Design Thursday, March 19, 2009
    9. 9. Richard Hollis – Graphic Design Thursday, March 19, 2009
    10. 10. The meaning conveyed by images and alphabetic signs has little to do with who made or chose them: they do not express their designers’ ideas. Richard Hollis – Graphic Design Thursday, March 19, 2009
    11. 11. The meaning conveyed by images and alphabetic signs has little to do with who made or chose them: they do not express their designers’ ideas. The designer’s message serves the expressed needs of the client who is paying for it. Richard Hollis – Graphic Design Thursday, March 19, 2009
    12. 12. Richard Hollis – Graphic Design Thursday, March 19, 2009
    13. 13. Although its form may be determined or modified by the designer’s aesthetic preferences or prejudice, Richard Hollis – Graphic Design Thursday, March 19, 2009
    14. 14. Although its form may be determined or modified by the designer’s aesthetic preferences or prejudice, the message has to be put in a language recognized and understood by its intended audience. Richard Hollis – Graphic Design Thursday, March 19, 2009
    15. 15. Richard Hollis – Graphic Design Thursday, March 19, 2009
    16. 16. This is the first way in which graphic design is significantly different from art (even though a large number of the early pioneers of graphic design were themselves artists). Richard Hollis – Graphic Design Thursday, March 19, 2009
    17. 17. This is the first way in which graphic design is significantly different from art (even though a large number of the early pioneers of graphic design were themselves artists). Secondly, unlike the artist, the designer plans for mechanical production. Richard Hollis – Graphic Design Thursday, March 19, 2009
    18. 18. Richard Hollis – Graphic Design Thursday, March 19, 2009
    19. 19. After commissioning, designs begin as layouts on paper or on a computer screen. Richard Hollis – Graphic Design Thursday, March 19, 2009
    20. 20. After commissioning, designs begin as layouts on paper or on a computer screen. The designer often works in a team, acting as an art director, supervising commissioned photography or other illustrations. Richard Hollis – Graphic Design Thursday, March 19, 2009
    21. 21. After commissioning, designs begin as layouts on paper or on a computer screen. The designer often works in a team, acting as an art director, supervising commissioned photography or other illustrations. Proposals discussed with a client are often revised in several stages, before the final form of the design is prepared with instructions for production. Richard Hollis – Graphic Design Thursday, March 19, 2009
    22. 22. Thursday, March 19, 2009
    23. 23. Reflecting powerful text Thursday, March 19, 2009
    24. 24. Reflecting powerful text Thursday, March 19, 2009
    25. 25. Reflecting powerful text Herb Lubalin Thursday, March 19, 2009
    26. 26. Sam Smidt Thursday, March 19, 2009
    27. 27. Already powerful images Sam Smidt Thursday, March 19, 2009
    28. 28. Already powerful images Sam Smidt Thursday, March 19, 2009
    29. 29. Already powerful images Sam Smidt Thursday, March 19, 2009
    30. 30. Thursday, March 19, 2009
    31. 31. Dealing with powerful concepts and ideas Thursday, March 19, 2009
    32. 32. Dealing with powerful concepts and ideas Thursday, March 19, 2009
    33. 33. Dealing with powerful concepts and ideas Thursday, March 19, 2009
    34. 34. Dealing with powerful concepts and ideas Sam Smidt Assoc. Thursday, March 19, 2009
    35. 35. Pentagram Thursday, March 19, 2009
    36. 36. Apparently simple but highly sophisticated Pentagram Thursday, March 19, 2009
    37. 37. Pentagram Thursday, March 19, 2009
    38. 38. Modifying negative space with sparkling results Pentagram Thursday, March 19, 2009
    39. 39. Modifying negative space with sparkling results Pentagram Thursday, March 19, 2009
    40. 40. Heinz Beier Thursday, March 19, 2009
    41. 41. Slightly mocking Hockney to great effect Heinz Beier Thursday, March 19, 2009
    42. 42. Thursday, March 19, 2009
    43. 43. Words as pictures Using ‘bits’ of the words to create a ‘catalogue’ Thursday, March 19, 2009
    44. 44. Words as pictures Using ‘bits’ of the words to create a ‘catalogue’ Thursday, March 19, 2009
    45. 45. Words as pictures Using ‘bits’ of the words to create a ‘catalogue’ Roland Denaeyer Thursday, March 19, 2009
    46. 46. Thursday, March 19, 2009
    47. 47. Thursday, March 19, 2009
    48. 48. Words as pictures: Modifying letter forms to create an illustration within the text Thursday, March 19, 2009
    49. 49. Words as pictures: Modifying letter forms to create an illustration within the text Herb Lubalin Thursday, March 19, 2009
    50. 50. Herb Lubalin Thursday, March 19, 2009
    51. 51. Herb Lubalin Thursday, March 19, 2009
    52. 52. Words as pictures: Modifying letter forms in sequence to create a story which describes the word Herb Lubalin Thursday, March 19, 2009
    53. 53. Herb Lubalin Thursday, March 19, 2009
    54. 54. Words as pictures: Modifying letter forms in sequence to create a story – a complete title episode within one word Herb Lubalin Thursday, March 19, 2009
    55. 55. Words as pictures: Modifying letter forms in sequence to create a story – a complete title episode within one word Herb Lubalin Thursday, March 19, 2009
    56. 56. Cunningham Cook Assoc. Thursday, March 19, 2009
    57. 57. Visually punning Cunningham Cook Assoc. Thursday, March 19, 2009
    58. 58. Various Thursday, March 19, 2009
    59. 59. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    60. 60. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    61. 61. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    62. 62. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    63. 63. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    64. 64. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    65. 65. Despite their elegance it would be hard in some cases to guess what these trademarks stood for. Various Thursday, March 19, 2009
    66. 66. Maya Stange Thursday, March 19, 2009
    67. 67. A strange type alignment which some how seems quite natural Maya Stange Thursday, March 19, 2009
    68. 68. John Castle – wrapping paper Thursday, March 19, 2009
    69. 69. Exploiting traditional design values for a traditional holiday John Castle – wrapping paper Thursday, March 19, 2009
    70. 70. Thursday, March 19, 2009
    71. 71. Deep and meaningless typography? Thursday, March 19, 2009
    72. 72. Deep and meaningless typography? Thursday, March 19, 2009
    73. 73. Deep and meaningless typography? Franco Grignani – Technical Review Thursday, March 19, 2009
    74. 74. Robert Nemser – Annual Report Thursday, March 19, 2009
    75. 75. Dramatic illustration of a robot creates a sense of dynamism Robert Nemser – Annual Report Thursday, March 19, 2009
    76. 76. Ken Rang – Annual Report Thursday, March 19, 2009
    77. 77. Working hard to make more of the simple facts Ken Rang – Annual Report Thursday, March 19, 2009
    78. 78. Patrick Burke - Editor Thursday, March 19, 2009
    79. 79. Actively engaged in the sharing of professional ideas Patrick Burke - Editor Thursday, March 19, 2009
    80. 80. Patrick Burke - Editor Thursday, March 19, 2009
    81. 81. Seriously engaged in the advancement of visual languages Patrick Burke - Editor Thursday, March 19, 2009
    82. 82. Dane Wilson and Sue Ross Thursday, March 19, 2009
    83. 83. An enlightened London Council giving designers the initiative Dane Wilson and Sue Ross Thursday, March 19, 2009
    84. 84. Michael Peters & Partners Thursday, March 19, 2009
    85. 85. Diversity unified by design Michael Peters & Partners Thursday, March 19, 2009
    86. 86. Paul Sample for Civic News Thursday, March 19, 2009
    87. 87. The message in this illustration is crystal clear – how else could you do that? Paul Sample for Civic News Thursday, March 19, 2009
    88. 88. Leslie A Segal – Annual Report Thursday, March 19, 2009
    89. 89. The common place seen from another point of view … Leslie A Segal – Annual Report Thursday, March 19, 2009
    90. 90. Ola Laiho Thursday, March 19, 2009
    91. 91. making the familiar strange Ola Laiho Thursday, March 19, 2009
    92. 92. Thursday, March 19, 2009
    93. 93. Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    94. 94. Alan Fletcher asked Milton Glaser Which practicing designer’s work would he recommend a graphics student to look at? Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    95. 95. Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    96. 96. Milton Glaser answers “I probably don’t feel that watching other designers work is crucial, I’d rather students developed a sense of history.” Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    97. 97. Milton Glaser answers “I probably don’t feel that watching other designers work is crucial, I’d rather students developed a sense of history.” “My heroes weren’t people of the ‘fifties’. What was important were people who were not contemporary.” Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    98. 98. The student, Glaser feels, ought to be looking at Magritte just as earnestly as at Herb Lubalin Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    99. 99. The student, Glaser feels, ought to be looking at Magritte just as earnestly as at Herb Lubalin “It seems to me that there is too much information about the work of contemporary designers. What is more useful is some understanding of the history of graphics.” Milton Glaser talking to Alan Fletcher Thursday, March 19, 2009
    100. 100. Thursday, March 19, 2009
    101. 101. Armin Hoffman Thursday, March 19, 2009
    102. 102. One of the most interesting and perhaps least understood phenomenon is the relationship between words and future events Armin Hoffman Thursday, March 19, 2009
    103. 103. One of the most interesting and perhaps least understood phenomenon is the relationship between words and future events When we say “Danger ahead!” we are not really describing a situation in the real world so much as make something happen in the mind of the viewer of our warning Armin Hoffman Thursday, March 19, 2009
    104. 104. One of the most interesting and perhaps least understood phenomenon is the relationship between words and future events When we say “Danger ahead!” we are not really describing a situation in the real world so much as make something happen in the mind of the viewer of our warning With words, or with pictures, we can seek to influence and to a certain extent control future events. Armin Hoffman Thursday, March 19, 2009
    105. 105. Thursday, March 19, 2009
    106. 106. Thanks Thursday, March 19, 2009
    107. 107. Thanks Keith Gillies Thursday, March 19, 2009

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