Cultural Production In A Digital Age

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    Cultural Production In A Digital Age - Presentation Transcript

    1. Cultural Production In The Digital Age: Barriers and Incentives
      • COM302
      • 21 May 2008 Kathy E. Gill
    2. Framing Web 2.0 Technologies
    3.  
      • These technologies change how we interact with (digital) cultural objects.
      • We are no longer merely a consumer; we can also be a producer.
    4. This is a shift from the late 20th century model:
    5.  
    6. In Our Digital World, It Is Easier to Borrow, Copy, Manipulate
    7. This means it is technically easier to express ourselves in new, creative ways.
    8. Traditional Model
      • Mediated Communication was a one-way Mass Communication Model
    9. New Model
        • Mediated communication is transitioning to a circular (Osgood & Schramm) interpersonal model
    10. What are the cultural industries?
      • News media
      • Advertising industry
      • Television & movies
      • Music
      • Fashion
      • What else?
    11. Quotable
      • “ [N]on-commercial cultural production and unconstrained expression within the Internet undermines capitalism’s production of meaning.” p135 - from Michael Strangelove, The Empire of Mind (University of Toronto Press, 2005)
    12. The pejorative: The cult of the amateur
      • SuperBowl Commercials
      • YouTube Democratic Presidential Debate
    13. The Clash
      • Culture as a freely flowing current of ideas and practices runs head first into culture as intellectual property
    14.  
    15. Ask permission each time Ask permission each use
    16. Framing
      • A 10-minute explanation of copyright … using words from one of the largest copyright owners in the world
    17. The Barrier
      • Copyright originated in a time when the view of authors was romantic: "originality was elevated to being located in and belonging to the self of the author" ... words created by these authors were considered "original" and thus distinguishable from mass-produced commodities. (Lessig, presentation, Copyright, Cultural Production and Open Content Licensing)
    18. Important Terms
      • Copyright
        • Exclusive Rights
        • First Sale
        • Infringement
        • Fair Use
      • Public Domain
    19. Terms: Copyright
      • Copyright law protects “creative and expressive works”
        • Automatic (do not have to file, register)
        • Scope: http://copyright.gov/
        • Does not extend to ideas or facts
    20. How Long Does It Last?
      • A Long Time!
        • In 1709, copyright lasted 14 years
        • Prior to 1923, content public domain (probably)
        • After 1978, the life of the author + 70 years OR work-for-hire, 95 years from publication or 125 years from creation
        • Between 1923 and 1978 … talk to a lawyer!
    21. Rights Happen On Creation
      • Copyright is an exclusive right: you control reproduction, distribution, derivative works, public display, performance
      • Who owns? Biz or employee?
        • On company time, the company
        • Contract – specify if first sale or exclusive
    22. Copyright Reach
      • Originality was required in copyright law, historically
      • Today, only de minimis originality
      • Watch YouTube Clip of Canadian Student Project (offline copy)
    23. Infringement
      • "Copyright infringement" means exercising one of the copyright holder's exclusive rights without permission.
      • Should a copyright holder sue on grounds of infringement, the defendent may argue that the use was "fair use"
        • The fair use doctrine allows copyrighted works to be used in some circumstances, such as commentary, criticism, news reporting or educational use.
    24. The Enforcer
      • Digital Rights Management
        • tend to think of this with movies and songs, but also can be pay-to-view sections of any website like nyt select
      • RIAA “cease and desist” letters
    25. Fair Use Details
      • See Section 107 of the Copyright Act; fair use determined by:
        • The purpose and character of the use;
        • The nature of the copyrighted work;
        • The amount and substantiality of the portion used; and
        • The effect of the use on the potential market for or value of the copyrighted work.
    26. Terms: Public Domain
        • When the copyright term expires, works revert to public domain.
        • The copyright holder may dedicate works to the public domain; eg, works funded by the US Government.
        • PD works are freely available for use by anyone for anything.
    27. Controversy
      • Copyright purpose is to “ promote the progress of science and the useful arts ” … and the duration for exclusivity is to be “ limited ” … - US Constitution
    28. Incentives
      • Change the licenses
        • Creative Commons
        • Free Art
        • GNU
    29. some rights reserved no rights reserved all rights reserved
    30. attribution non-commercial no derivative works
    31. share alike: remix-ready, derivatives licensed on same terms
    32. General Characteristics
      • Right to access or use
      • Right to make copies
      • Right to make modifications
      • Right to distribute
      • Right to create derivative works
    33. Digital technologies enable a "Tinkering culture" -- a "read write rip burn culture"
    34. Sources
      • Copyright, Fair Use & The Evolution of Creative Commons: http://www.slideshare.net/cliotech/copyright-the-evolution-of-creative-commonshttp:/www.slideshare.net/cliotech/copyright-the-evolution-of-creative-commons
      • Copyright and Options for Creative Practitioners: http://www.slideshare.net/creativecommonsaustralia/creative-copyright-copyright-and-options-for-creative-practitioners
      • A Fair(y) Use Tale: http://youtube.com/watch?v=CJn_jC4FNDo
      • Image: Consume. Be silent. Die. (unknown)
      • Web 2.0 Image (1): http://joevans.pbwiki.com/Web+2+Point+O+Tools
      • Web 2.0 Image (2): http://www.robmillard.com/archives/tools-for-strategists-web-20-confusion-hindering-firms.html
      • Kathy E. Gill
      • http://wiredpen.com and http://faculty.washington.edu
      • Some Rights Reserved:

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