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Digital StorytellingAmanda Kasey Langston-Wilson                   Dr. Toledo                 EDUC 7107-2      Diffusion o...
   According to CDS, digital storytelling is a    short, first person video-narrative created by    combining recorded vo...
   Element #1—Why was there a need for Digital    Storytelling   Element #2—The Research leading to Digital    Storytell...
   People needed a    way to tell a story    using video.   Technology    enabled those to    produce works    that told...
   A group of media    artists, designers, and    practitioners, including Joe    Lambert and Dana    Atchley, came toget...
Reference:Rogers, E. M. (2003). Diffusion of innovations (5th ed.). New York, NY: Free Press.
•   In 1986, Joe Lambert, the executive director of    the new Life On The Water Theater    Company, meet a local video pr...
   In 1993, Lambert and Atchely taught three    digital storytelling workshops for    documentary filmmakers at the Ameri...
In the years between 1994 and 1998,Atchley, Lambert and Lamber’s wife, NinaMullen created workshops whichconverted home mo...
In 1994, Digital storytelling was featured on CNN and MSNBC.The San Fransico Digital Media Center, SFDMC, collaborated wit...
Reference:Center for Digital Storytelling (2005). Retrieved December 20, 2011, from http://www.storycenter.org/timeline.html
   The intended users    were film makers    and people wanting    to create and to    share personal    narratives.
   primary and    secondary education   higher education   public health, social    services, and    international    d...
What is the S- Curve?               S-Curve – Innovation          The S-shaped curve of adoption is the normal curve      ...
The Adoption Process of Digital Storytelling2002200019981996199419921990198819861984                                      ...
   Administrators of    the school systems   ELA teachers   Reading teachers   Technology teachers   Computer teachers
   Teachers that    would include it in    their curriculum   Students that are    creating stories to    help them    u...
   Staff members that are             Strategies    not familiar with digital      Professional learning    storytelling...
Reference:Kieler, L. (2010). A Reflection: Trials in Using Digital Storytelling Effectively With the Gifted. Gifted Child ...
Story board part 4
Story board part 4
Story board part 4
Story board part 4
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Story board part 4

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  • Center for Digital Storytelling (2005). Retrieved December 12, 2011, fromhttp://www.storycenter.org/index1.html
  • http://en.wikipedia.org/wiki/Digital_storytelling
  • Center for Digital Storytelling (2005). Retrieved December 22, 2011, fromhttp://www.storycenter.org/history.htmlhttp://www.youtube.com/watch?feature=player_detailpage&v=kH07o8etvmI#t=21s
  • http://www.nextexit.com/dap/conv1.html
  • Reference:Center for Digital Storytelling. (2009). The evolution of digital storytelling:An abbreviated history of key moments during the first sixteen years (1993-2006). Retrieved January 10, 2012, from http://www.storycenter.org/timeline.html
  • Center for Digital Storytelling (2005). Retrieved December 22, 2011, fromhttp://www.storycenter.org/history.html
  • http://en.wikipedia.org/wiki/Digital_storytelling
  • http://thenjournal.org/feature/160/
  • Transcript of "Story board part 4"

    1. 1. Digital StorytellingAmanda Kasey Langston-Wilson Dr. Toledo EDUC 7107-2 Diffusion of Technology
    2. 2.  According to CDS, digital storytelling is a short, first person video-narrative created by combining recorded voice, still and moving images, and music or other sounds.
    3. 3.  Element #1—Why was there a need for Digital Storytelling Element #2—The Research leading to Digital Storytelling Element #3—Development of Digital Storytelling Element #4—How and when introduced to the public
    4. 4.  People needed a way to tell a story using video. Technology enabled those to produce works that told a story using images and sound that were very similar to a movie.
    5. 5.  A group of media artists, designers, and practitioners, including Joe Lambert and Dana Atchley, came together in the early 1990’s to San Francisco to explore how personal narrative and storytelling could be incorporated in a form of technology . Digital Storytelling was also Joe Lambert discussing digital used by Ken Burns in the storytelling documentary ―The Civil War‖
    6. 6. Reference:Rogers, E. M. (2003). Diffusion of innovations (5th ed.). New York, NY: Free Press.
    7. 7. • In 1986, Joe Lambert, the executive director of the new Life On The Water Theater Company, meet a local video producer named Dana Atchley after she viewed a production.• In 1988, Lambert and Atchley worked together to collaborate and develop Atchley’s Next Exit, an interactive theoretical performance (White, 2010).
    8. 8.  In 1993, Lambert and Atchely taught three digital storytelling workshops for documentary filmmakers at the American Film Institute in Los Angeles, California. These workshops were provided by the Center for Digital Storytelling (White, 2010).
    9. 9. In the years between 1994 and 1998,Atchley, Lambert and Lamber’s wife, NinaMullen created workshops whichconverted home movies into digitalstories that were created by Life on theWater (White, 2010).
    10. 10. In 1994, Digital storytelling was featured on CNN and MSNBC.The San Fransico Digital Media Center, SFDMC, collaborated withnumerous organizations in England, Germany, and Denmark during1994. (White, 2010). In 1996, the first Digital Storytelling Cookbook was publishedby SFDMC. It was a hands-on production tutorial using SFDMCnarration. ‚With support from Apple Computer, the SFDMCpublishes the first version of the Digital Storytelling Cookbook,outlining the ‘Seven Elements’ of digital storytelling and offeringhands-on production tutorials‛ (Center for Digital Storytelling).http://www.storycenter.org/cookbook.html Preview of a digital copy of the Digital Storytelling Cookbook
    11. 11. Reference:Center for Digital Storytelling (2005). Retrieved December 20, 2011, from http://www.storycenter.org/timeline.html
    12. 12.  The intended users were film makers and people wanting to create and to share personal narratives.
    13. 13.  primary and secondary education higher education public health, social services, and international development museums libraries
    14. 14. What is the S- Curve? S-Curve – Innovation The S-shaped curve of adoption is the normal curve that ―accelerates to a maximum until half of the individuals on the systems have adopted. Then it increases at a gradually slower rate as fewer and fewer remaining individuals adopt the innovation.‖ (Rogers, 2003, p. 272). Digital storytelling began in the 1990’s. Digital storytelling hasn’t reached full potential or complete adoption due to it’s newness.
    15. 15. The Adoption Process of Digital Storytelling2002200019981996199419921990198819861984 Adoption Process
    16. 16.  Administrators of the school systems ELA teachers Reading teachers Technology teachers Computer teachers
    17. 17.  Teachers that would include it in their curriculum Students that are creating stories to help them understand standards in their grade level curriculum
    18. 18.  Staff members that are Strategies not familiar with digital  Professional learning storytelling opportunities Students that are not  Instructional videos of teachers using digital exposed to technology storytelling the classroom in regards to with their students understanding  Videos of students using digital storytelling to meet standards in core classes
    19. 19. Reference:Kieler, L. (2010). A Reflection: Trials in Using Digital Storytelling Effectively With the Gifted. Gifted Child Today, 33(3), 48-52.Retreived fromhttp://ezp.waldenulibrary.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=trh&AN=52217362&site=ehost-live&scope=site
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