Gothic ARCHITECTURE

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Gothic ARCHITECTURE

  1. 1. Submitted To: ADITI JOSHI Submitted By: HARSH GONAWLA (0912)
  2. 2. Characteristics of Gothic churches and cathedrals In Gothic architecture, a unique combination of existing technologies established the emergence of a new building style. Those technologies were the ogival or pointed arch, the ribbed vault, and the flying buttress. The Gothic style, when applied to an ecclesiastical building, emphasizes verticality and light. This appearance was achieved by the development of certain architectural features, which together provided an engineering solution. The structural parts of the building ceased to be its solid walls, and became a stone skeleton comprising clustered columns, pointed ribbed vaults and flying buttresses. 1. LIGHT A Gothic cathedral or abbey was, prior to the 20th century, generally the landmark building in its town, rising high above all the domestic structures and often surmounted by one or more towers and pinnacles and perhaps tall spires. These cathedrals were the skyscrapers of that day and would have, by far, been the largest buildings that Europeans would have ever seen GOTHIC ARCHITECTURE
  3. 3. 2. PLAN •Most Gothic churches, unless they are entitled chapels, are of the Latin cross (or "cruciform") plan, with a long nave making the body of the church, a transverse arm called the transept and, beyond it, an extension which may be called the choir, chancel or presbytery. There are several regional variations on this plan. •The nave is generally flanked on either side by aisles, usually singly, but sometimes double. The nave is generally considerably taller than the aisles, having clerestory windows which light the central space. •In some churches with double aisles, like Notre Dame, Paris, the transept does not project beyond the aisles. In English cathedrals transepts tend to project boldly and there may be two of them, as at Salisbury Cathedral, though this is not the case with lesser churches. •The eastern arm shows considerable diversity. In England it is generally long and may have two distinct sections, both choir and presbytery. It is often square ended or has a projecting Lady Chapel, dedicated to the Virgin Mary. In France the eastern end is often polygonal and surrounded by a walkway called an ambulatory and sometimes a ring of chapels called a "chevet". While German churches are often similar to those of France, in Italy, the eastern projection beyond the transept is usually just a shallow apsidal chapel containing the sanctuary, as at Florence Cathedral. GOTHIC ARCHITECTURE
  4. 4. 3.HEIGHT •A characteristic of Gothic church architecture is its height, both absolute and in proportion to its width. •A section of the main body of a Gothic church usually shows the nave as considerably taller than it is wide. •In England the proportion is sometimes greater than 2:1, while the greatest proportional difference achieved is at Cologne Cathedral with a ratio of 3.6:1. •The highest internal vault is at Beauvais Cathedral at 48 metres (157 ft). •Externally, towers and spires are characteristic of Gothic churches both great and small, the number and positioning being one of the greatest variables in Gothic architecture. GOTHIC ARCHITECTURE
  5. 5. 4.VERTICAL EMPHASIS •The pointed arch lends itself to a suggestion of height. This appearance is characteristically further enhanced by both the architectural features and the decoration of the building. •On the exterior, the verticality is emphasized in a major way by the towers and spires and in a lesser way by strongly projecting vertical buttresses, by narrow half-columns called attached shafts which often pass through several storeys of the building, by long narrow windows, vertical mouldings around doors and figurative sculpture which emphasizes the vertical and is often attenuated. •The roofline, gable ends, buttresses and other parts of the building are often terminated by small pinnacles, Milan Cathedral being an extreme example in the use of this form of decoration. •On the interior of the building attached shafts often sweep unbroken from floor to ceiling and meet the ribs of the vault, like a tall tree spreading into branches. •The verticals are generally repeated in the treatment of the windows and wall surfaces. In many Gothic churches, the treatment of vertical elements in gallery and window tracery creates a strongly unifying feature that counteracts the horizontal divisions of the interior structure. GOTHIC ARCHITECTURE
  6. 6. Materials A further regional influence was the availability of materials. In France, limestone was readily available in several grades, the very fine white limestone of Caen being favoured for sculptural decoration. England had coarse limestone and red sandstone as well as dark green Pubic marble which was often used for architectural features. In Northern Germany, Netherlands, northern Poland, Scandinavia, and the Baltic countries local building stone was unavailable but there was a strong tradition of building in brick. The resultant style, Brick Gothic, is called "Backsteingotik" in Germany and Scandinavia and is associated with the Hanseatic League. In Italy, stone was used for fortifications, but brick was preferred for other buildings. Because of the extensive and varied deposits of marble, many buildings were faced in marble, or were left with undecorated façade so that this might be achieved at a later date. The availability of timber also influenced the style of architecture. It is thought that the magnificent hammer-beam roofs of England were devised as a direct response to the lack of long straight seasoned timber by the end of the Medieval period, when forests had been decimated not only for the construction of vast roofs but also for ship building.
  7. 7. The central part of a church, extending from the narthex to the chancel and flanked by aisles. 1. The middle aisle of a church. 2. By extension, both middle and side aisles of a church from the entrance to the crossing or chancel. 3. That part of the church intended primarily for the laity. NAVE
  8. 8. The transverse portion of a church crossing the main axis at a right angle and producing a cruciform plan. 1. The transverse part of a cruciform church, crossing the nave at right angles. 2. Either of the two lateral arms of such a part. TRANSEPT
  9. 9. 1. A longitudinal passage between sections of seats in an auditorium or church. 2. In a church, the space flanking and parallel to the nave; usually separated from it by columns, intended primarily for circulation but sometimes containing seats. AISLE
  10. 10. •A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. •In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir on the east. •The crossing is sometimes surmounted by a tower or dome. CROSSING
  11. 11. A slender spire, especially one on a church above the intersection of the nave and transepts. A spire, usually comparatively small and slender, above the ridge of a roof, particularly one rising from the intersection of the nave and transept roofs of Gothic churches. FLÈCHE AMBULATORY 1. A passageway around the apse of a church, or for circumambulating a shrine. 2. A covered walk of a cloister.
  12. 12. NARTHEX A portico or lobby of an early Christian or Byzantine church or basilica, originally separated from the nave by a railing or screen. An entrance hall leading to the nave of a church. PILASTER An engaged pier or pillar, often with capital and base. A rectangular column with a capital and base, projecting only slightly from a wall as an ornamental motif. ARCADE A series of arches supported by columns, piers, or pillars, either freestanding or attached to a wall to form a gallery.
  13. 13. ALTAR An altar is any structure upon which offerings such as sacrifices and votive offerings are made for religious purposes, or some other sacred place where ceremonies take place. ALTAR RAILS Altar rails are a set of railings, sometimes ornate and frequently of marble or wood, delimiting the chancel in a church,[1] the part of the sanctuary that contains the altar. ALTAR PIECE/RETABLE A retable is an altar-ledge[clarification needed] or shelf, raised slightly above the back of the altar or communion table, on which are placed the cross, ceremonial candlesticks and other ornaments. ALTAR STONE An altar stone is a solid piece of natural stone, consecrated by a bishop.
  14. 14. VAULT •A structure based on the principle of the arch, often constructed of masonry; typically consists of an arrangement of arches that cover the space below •A burial chamber, especially one under a church. 1, barrel vault; 2, intersecting vault; 3, domed vault;4, stilted vault
  15. 15. THANK YOU

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