Voorbij de horizon<br />“Ja, maarlaten<br />we het eens van dichterbijbekijken..”<br />“Ziejij<br />datook?”<br />Non-fict...
“Ju!”<br />“Mi?”<br />
Hoe het was<br />Hoe het is/wordt<br />“Ja, ik<br />vind het <br />nu stukken<br />leuker...”<br />“Het was toch wel erg s...
24/7<br />Open<br />Gedistribueerd<br />Peer to peer<br />Immersive<br />Wisdom of crowds<br />The long tail<br />Crowd-fu...
9-5<br />24/7<br />
Dicht<br />Open<br /> <br /><br />€€€€€€€<br /><br /><br /><br /><br /><br />
Geconcentreerd<br />Gedistribueerd<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br ...
Top-down<br />Peer to peer<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /...
Afstandelijk<br />Immersive<br /><br /><br /><br /><br />
Wisdom of one<br />Wisdom of crowds<br /><br />
The happy few<br />The long tail<br /><br /><br />    <br />     <br />    <br />     <br />   ...
Subsidie<br />Crowd-funding<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br ...
Taxonomy<br />(professional)<br />Folksonomy<br />(amateur)<br /><br /><br />
Vrienden<br />Vrienden<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
Kunst<br />Kunst<br /><br /><br /><br /><br /><br /><br />
This is the Gesamtkunst of the future.<br />— Financial Times<br />
Plaatsgebonden<br />Alomtegenwoordig<br /><br /><br />
Organisatie<br />Organisatie<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
Watch and listen<br />Do it yourself<br />    <br />    <br />      <br />      <br />    <br...
Moreel<br />Sociaal<br /><br /><br />
Eendimensionaal<br />Multidimensionaal<br /><br /><br />
Acties<br />Wees vindbaar en bereikbaar<br />Denk en handel vanuit aanvragers<br />Sluit allianties met andere fondsen en ...
Websites<br />p. 6: http://www.uitzendinggemist.nl<br />p. 7: http://www.metoperafamily.org/metopera/broadcast/on_air.aspx...
Dank.<br />“Ikvind de volgende<br />keertochleuker...”<br />??<br />Non-fiction | Office for CulturalInnovation<br />
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Voorbij de horizon

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A presentation for three Dutch private art funds on online developments that are relevant for artists, art institutions and financial institutions.

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Voorbij de horizon

  1. 1. Voorbij de horizon<br />“Ja, maarlaten<br />we het eens van dichterbijbekijken..”<br />“Ziejij<br />datook?”<br />Non-fiction SNSPBCVSB2.0Office for Cultural Innovation Juha van ‘t Zelfde and Michiel van Iersel<br />
  2. 2. “Ju!”<br />“Mi?”<br />
  3. 3. Hoe het was<br />Hoe het is/wordt<br />“Ja, ik<br />vind het <br />nu stukken<br />leuker...”<br />“Het was toch wel erg saai vroeger”<br />
  4. 4. 24/7<br />Open<br />Gedistribueerd<br />Peer to peer<br />Immersive<br />Wisdom of crowds<br />The long tail<br />Crowd-funding<br />Folksonomy<br />Vrienden<br />Kunst<br />Alomtegenwoordig<br />Organisatie<br />Do it yourself<br />Sociaal<br />9-5<br />Dicht<br />Geconcentreerd<br />Top-down<br />Afstandelijk<br />Wisdom of one<br />The happy few<br />Subsidie<br />Taxonomy<br />Vrienden<br />Kunst<br />Plaatsgebonden<br />Organisatie<br />Watch and listen<br />Moreel<br />
  5. 5. 9-5<br />24/7<br />
  6. 6.
  7. 7.
  8. 8.
  9. 9. Dicht<br />Open<br /> <br /><br />€€€€€€€<br /><br /><br /><br /><br /><br />
  10. 10.
  11. 11.
  12. 12.
  13. 13.
  14. 14. Geconcentreerd<br />Gedistribueerd<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
  15. 15.
  16. 16.
  17. 17.
  18. 18.
  19. 19. Top-down<br />Peer to peer<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
  20. 20.
  21. 21.
  22. 22.
  23. 23. Afstandelijk<br />Immersive<br /><br /><br /><br /><br />
  24. 24.
  25. 25.
  26. 26.
  27. 27.
  28. 28. Wisdom of one<br />Wisdom of crowds<br /><br />
  29. 29.
  30. 30.
  31. 31.
  32. 32. The happy few<br />The long tail<br /><br /><br />    <br />     <br />    <br />     <br />    <br />    <br />    <br />    <br />    <br />    <br />    <br />    <br /><br /><br />    <br />     <br />  <br /> <br />    <br />    <br /><br /><br /> <br />    <br />     <br />
  33. 33.
  34. 34.
  35. 35.
  36. 36. Subsidie<br />Crowd-funding<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
  37. 37.
  38. 38.
  39. 39.
  40. 40. Taxonomy<br />(professional)<br />Folksonomy<br />(amateur)<br /><br /><br />
  41. 41.
  42. 42.
  43. 43.
  44. 44. Vrienden<br />Vrienden<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
  45. 45.
  46. 46.
  47. 47.
  48. 48. Kunst<br />Kunst<br /><br /><br /><br /><br /><br /><br />
  49. 49. This is the Gesamtkunst of the future.<br />— Financial Times<br />
  50. 50.
  51. 51.
  52. 52.
  53. 53.
  54. 54.
  55. 55.
  56. 56. Plaatsgebonden<br />Alomtegenwoordig<br /><br /><br />
  57. 57.
  58. 58.
  59. 59.
  60. 60. Organisatie<br />Organisatie<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
  61. 61.
  62. 62.
  63. 63.
  64. 64. Watch and listen<br />Do it yourself<br />    <br />    <br />      <br />      <br />    <br />    <br />   <br />    <br /><br /><br />    <br />    <br /><br /><br />      <br />      <br /><br /><br />    <br />    <br />   <br />    <br />
  65. 65.
  66. 66.
  67. 67.
  68. 68.
  69. 69. Moreel<br />Sociaal<br /><br /><br />
  70. 70.
  71. 71.
  72. 72.
  73. 73. Eendimensionaal<br />Multidimensionaal<br /><br /><br />
  74. 74. Acties<br />Wees vindbaar en bereikbaar<br />Denk en handel vanuit aanvragers<br />Sluit allianties met andere fondsen en relevante partners<br />Specialiseer in niches en kansen<br />Niet alleen geld, maar ook kennis<br />Creeer R&D team<br />Lessen<br />Stel jezelf open<br />Wees menselijk<br />Werk samen en verbind<br />Maak keuzes<br />Stimuleer<br />Kijk vooruit<br />
  75. 75. Websites<br />p. 6: http://www.uitzendinggemist.nl<br />p. 7: http://www.metoperafamily.org/metopera/broadcast/on_air.aspx<br />p. 8: http://www.rijksmuseum.nl/tentoonstellingen/schiphol/algemeen?lang=nl<br />p.10: http://dashboard.imamuseum.org<br />p.11: http://w1.siemens.com/entry/cc/en/festivalnight.htm<br />p.12: http://www.moma.org/interactives/exhibitions/2007/aitken/flash.html<br />p.13: http://www.youtube.com/watch?v=PGu0N3eL2D0<br />p.16: http://www.mediamatic.net/page/39326/en<br />p.17: http://www.culture24.org.uk/art/new+media/art56595<br />p.18: http://www.thegrandtour.org.uk<br />p.19: http://www.youtube.com/user/symphony<br />p.22: http://nikeid.nike.com/nikeid/index.jsp<br />p.23: http://ldd.lego.com<br />p.24: http://www.opensourceamsterdam.nl<br />p.26: http://www.icinema.unsw.edu.au/projects/prj_tvis_II.html<br />p.27: http://www.google.com/intl/en/landing/prado<br />p.28: http://www.qigame.nl<br />p.29: http://www.wiimusic.com<br />p.32: http://non-fiction.nl/2010/01/03/contribution-to-time-out-magazine-out-now<br />p.33: http://www.brooklynmuseum.org/exhibitions/click<br />p.34: http://modblog.tate.org.uk<br />p.36: http://www.myspace.com/arcticmonkeys<br />p.37: http://www.wired.com/geekdad<br />p.38: http://www.nalden.net<br />p.40: http://www.apple.com/itunes<br />p.41: http://www.sellaband.com<br />p.42: http://www.queensmuseum.org/visi/adopt-a-building<br />p.44: http://n8.nl/musea<br />p.45: http://www.powerhousemuseum.com/collection/database<br />p.46: http://www.muziekdriedaagse.nl/nl<br />p.48: http://twitter.com/vanderaanet<br />p.49: http://www.facebook.com/MuseumofModernArt?ref=ts<br />p.50: http://www.brooklynmuseum.org/community/foursquare<br />p.52: http://vanderaa.net/afterlife<br />p.53: http://www.olafureliasson.net/works/your_mobile_expectations.html<br />p.54: http://www.blauwehuis.org/blauwehuisv2/<br />p.55: http://twitter.com/jennyholzer<br />p.56: http://www.spots-berlin.de<br />p.57: http://www.streetlab.nl<br />p.58: http://www.aaronkoblin.com/work/flightpatterns<br />p.61: http://www.guardian.co.uk/iphone<br />p.62: http://www.ushmm.org/maps/projects/darfur<br />p.63: http://en.nai.nl/sara<br />p.65: http://www.ireport.com<br />p.66: http://www.stedelijkindestad.nl/projects/blikopeners<br />p.67: http://www.foam.nl/index.php?pageId=563<br />p.70: http://www.n8.nl/2009/nachtshots<br />p.71: http://educatie.beeldengeluid.nl/index.aspx?ChapterID=7873<br />p.72: http://www.verbeterdebuurt.nl<br />p.75: http://www.concertgebouwtracks.nl<br />p.76: http://n8.nl/salon<br />p.79: http://non-fiction.nl<br />
  76. 76. Dank.<br />“Ikvind de volgende<br />keertochleuker...”<br />??<br />Non-fiction | Office for CulturalInnovation<br />

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