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ArtsSpace - Inspiration, Cultural Diversity
and The Arts
Dr Janice K Jones
Senior Lecturer Arts Education
School of Linguistics, Adult and Specialist Education
USQ Applied Linguistics Group, Leadership Research International
Group
University of Southern Queensland Learning and
Teaching Grant Scheme December 2nd
2015 Showcase
Open Textbook Initiative
Acknowledgement of Country
I acknowledge the traditional
custodians of the lands where
USQ teaching and research is
conducted: the Gaibal,
Jarowair, Ugarapul and
Butchulla peoples of
Queensland. I honour the
wisdom of Elders past, present
and future, seeking to walk
together in the spirit of
reconciliation.
Image: Jada DENNISON/Untitled/2015/acrylic
monoprint/60 x 42 cm
The arts are…
 …foundational to historical, social, cultural and aesthetic
understandings and appreciation.
 …a vital means of human expression, inquiry and
meaning-making.
 …a way to self understanding, aesthetic awareness, and
sensitivity to other ways of seeing the world
 To effectively engage diverse learners teachers must
develop curriculum knowledge, skills, pedagogies and
practices.
BUT….
The Australian Curriculum for the Arts
 …all young Australians are entitled to engage with the
five Arts subjects and should be given an opportunity to
experience the special knowledge and skills base of
each.
 All students study dance, drama, media arts,
music and visual arts — from Foundation to the
end of primary school. Schools will be best placed
to determine how this will occur.
 Secondary (yr 7/ 8) ‘experience some’ subjects in
more depth. (yr 9–12, students will be able to
specialise in one or more Arts subjects as part of
their overall curriculum package.
Lines, boxes, borders, boundaries
 When pre-service educators begin their undergraduate
programs to become teachers, most have had minimal
experience of the arts since primary school.
 My research data captured over 3 years with future
primary school educators confirms the majority are
fearful of teaching the arts and most doubt their own
creativity.
 All want to know how to ‘tick the right box’ to get a HD
The challenge – supporting learning
 Primary: A single 10
week course with 2
week practicum –
students’ only
experience of 5 arts
strands
 Drama, Dance,
Media, Music, Visual
Arts
 Fully online
 Secondary/MOLT:
Single course to cater
for specialist teachers
years 7 – 10 and 11
– 12.
 Lower school – 5 arts
strands
 Upper school – art
subject specialist
 Fully online
Limits to my/our thinking
Storytelling – How we learn
 This is my story about learning in the creation of an
‘Open Book’
 I had not expected this to be such a dramatic, exciting
and transformative experience!
 But – it is also about institutional learning – and the
kinds of systems and supports that will be needed as
universities shift from a ‘one size’ paradigm to embrace
new ways of working.
In the beginning…
 A wordpress site with
OER resources for the
5 arts strands
 An emphasis upon
providing meaningful
and culturally varied
arts examples
 Invitations sent to
colleagues world wide
 Students curated CC
BY SA resources for
the five arts strands
as an assessment
task
 Peer reviewed and
improved
 Sites included useful
arts content for
teaching
Disappointments…
 You can make, create
and share – and
others will read and
perhaps comment
 BUT – none added
original content
 I knew how to create
a website or blogsite
but not how to make
it secure
 Masses of spam –
despite efforts to
adjust settings
 Student curated sites
were uninspiring. All
included useful items
but without any
cultural or connecting
narrative.
Gales of Creative Destruction?
Sleepless nights = new thinking
The ‘Dance’ - Shiva: Creator/Destroyer
 When things go VERY wrong, when they break badly –
this is a wonderful learning opportunity.
 My website was hacked by ‘Hard Hitter’.
 ICT could not help – this was not a university computer.
The site was not a university site.
 Expert friends could not help. Keychain made it
impossible to open up any programs or to do any work.
 Apple back up technicians forgot to guide me through
one important stage – so many settings and programs
were lost.
 I lost weeks of work and was further delayed by the
need to completely re-install the OS on my new
Macbook Air and buy a MS Office installation.
Beyond the ‘Book’
 By now I was in great anxiety. The panel advised against
creating a WikiBook. I am glad as this forced me back to
my earlier thinking but from a new angle.
 Akash Odedra is a dancer: he has always struggled to
express his ideas through the written word
 In Murmur he repositions the centuries old dance
vocabulary of the Kathak dance tradition in a modern
and digital performance context.
 Dance is another language: Odedra re-casts narratives
of dyslexia – not as a failure to comply with the rules of
order in telling of stories – but as a new language
 https://www.youtube.com/watch?v=T49IjKho5y8
 Metaphor – beyond the book - from 5.45
The OER project transformed –
 Why a book? Why
‘deliver’ Arts
Curriculum content?
 Disrupt boundaries
 Start from ancient
myths, mysteries,
narratives, difference
voices, ways of
seeing, disonnances
http://janicekjones.com
 A blogsite, pinterest,
site stimulus for work
by/with pre-service
teachers
 Linked Facebook site
for artists
 Starting from the
earth, the elements,
Indigenous peoples,
stories, mysteries
The flow…
http://janicekjones.com/
Where next?
 Continue to build the
WordPress site
 Engage Arts Council
Toowoomba to post
and share works
 Grow Facebook,
Twitter, and Pinterest
sites
 Physical and virtual
Art exhibition linked to
site in late 2016
 Create new page for
USQ Makerspace –
allowing sharing of
knowledge, skills,
videos
 Encourage sharing of
creative writing and
arts products and
research– from USQ
education courses
Thanks to colleagues
and students at the
University of Southern
Queensland for
supporting this journey -
we are all leaders in
learning.
Thank you –Helpers on the Journey
University of Southern Queensland Teaching Excellence and the expert
panel of USQ advisors
Professor Helen Partridge (PVC Scholarly Information and Learning Services)
Professor Ken Udas DVC (Academic Services) and Chief Information Officer
Adrian Stagg
Lisa Aurisch
Tim McCallum
David Jones
Kate Judith and team
Eric Kong
Janice Kann
Priya Jose and Ron Pauley
References
Odedra A. (2014).Murmur. TedGlobal 2014.
https://www.ted.com/talks/aakash_odedra_a_dance_in_a_hurricane_of_paper_wind_
and_light?language=en
"Fire close up texture" by Titus Tscharntke - http://www.public-domain-
image.com/public-domain-images-pictures-free-stock-
photos/miscellaneous-public-domain-images-pictures/fire-flames-
pictures/fire-close-up-texture.jpg. Licensed under Public Domain via
Wikimedia Commons -
https://commons.wikimedia.org/wiki/File:Fire_close_up_texture.jpg#/medi
a/File:Fire_close_up_texture.jpg
Vassil (2007) Shiva Nataragja. https://commons.wikimedia.org/wiki/File
%3AShiva_Nataraja_Mus%C3%A9e_Guimet_25971.jpg

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ArtsSpace: Inspiration, Cultural Diversity and the Arts

  • 1. ArtsSpace - Inspiration, Cultural Diversity and The Arts Dr Janice K Jones Senior Lecturer Arts Education School of Linguistics, Adult and Specialist Education USQ Applied Linguistics Group, Leadership Research International Group University of Southern Queensland Learning and Teaching Grant Scheme December 2nd 2015 Showcase Open Textbook Initiative
  • 2. Acknowledgement of Country I acknowledge the traditional custodians of the lands where USQ teaching and research is conducted: the Gaibal, Jarowair, Ugarapul and Butchulla peoples of Queensland. I honour the wisdom of Elders past, present and future, seeking to walk together in the spirit of reconciliation. Image: Jada DENNISON/Untitled/2015/acrylic monoprint/60 x 42 cm
  • 3. The arts are…  …foundational to historical, social, cultural and aesthetic understandings and appreciation.  …a vital means of human expression, inquiry and meaning-making.  …a way to self understanding, aesthetic awareness, and sensitivity to other ways of seeing the world  To effectively engage diverse learners teachers must develop curriculum knowledge, skills, pedagogies and practices. BUT….
  • 4. The Australian Curriculum for the Arts  …all young Australians are entitled to engage with the five Arts subjects and should be given an opportunity to experience the special knowledge and skills base of each.  All students study dance, drama, media arts, music and visual arts — from Foundation to the end of primary school. Schools will be best placed to determine how this will occur.  Secondary (yr 7/ 8) ‘experience some’ subjects in more depth. (yr 9–12, students will be able to specialise in one or more Arts subjects as part of their overall curriculum package.
  • 5. Lines, boxes, borders, boundaries  When pre-service educators begin their undergraduate programs to become teachers, most have had minimal experience of the arts since primary school.  My research data captured over 3 years with future primary school educators confirms the majority are fearful of teaching the arts and most doubt their own creativity.  All want to know how to ‘tick the right box’ to get a HD
  • 6. The challenge – supporting learning  Primary: A single 10 week course with 2 week practicum – students’ only experience of 5 arts strands  Drama, Dance, Media, Music, Visual Arts  Fully online  Secondary/MOLT: Single course to cater for specialist teachers years 7 – 10 and 11 – 12.  Lower school – 5 arts strands  Upper school – art subject specialist  Fully online
  • 7. Limits to my/our thinking
  • 8. Storytelling – How we learn  This is my story about learning in the creation of an ‘Open Book’  I had not expected this to be such a dramatic, exciting and transformative experience!  But – it is also about institutional learning – and the kinds of systems and supports that will be needed as universities shift from a ‘one size’ paradigm to embrace new ways of working.
  • 9. In the beginning…  A wordpress site with OER resources for the 5 arts strands  An emphasis upon providing meaningful and culturally varied arts examples  Invitations sent to colleagues world wide  Students curated CC BY SA resources for the five arts strands as an assessment task  Peer reviewed and improved  Sites included useful arts content for teaching
  • 10. Disappointments…  You can make, create and share – and others will read and perhaps comment  BUT – none added original content  I knew how to create a website or blogsite but not how to make it secure  Masses of spam – despite efforts to adjust settings  Student curated sites were uninspiring. All included useful items but without any cultural or connecting narrative.
  • 11. Gales of Creative Destruction?
  • 12. Sleepless nights = new thinking
  • 13. The ‘Dance’ - Shiva: Creator/Destroyer  When things go VERY wrong, when they break badly – this is a wonderful learning opportunity.  My website was hacked by ‘Hard Hitter’.  ICT could not help – this was not a university computer. The site was not a university site.  Expert friends could not help. Keychain made it impossible to open up any programs or to do any work.  Apple back up technicians forgot to guide me through one important stage – so many settings and programs were lost.  I lost weeks of work and was further delayed by the need to completely re-install the OS on my new Macbook Air and buy a MS Office installation.
  • 14. Beyond the ‘Book’  By now I was in great anxiety. The panel advised against creating a WikiBook. I am glad as this forced me back to my earlier thinking but from a new angle.  Akash Odedra is a dancer: he has always struggled to express his ideas through the written word  In Murmur he repositions the centuries old dance vocabulary of the Kathak dance tradition in a modern and digital performance context.  Dance is another language: Odedra re-casts narratives of dyslexia – not as a failure to comply with the rules of order in telling of stories – but as a new language  https://www.youtube.com/watch?v=T49IjKho5y8  Metaphor – beyond the book - from 5.45
  • 15. The OER project transformed –  Why a book? Why ‘deliver’ Arts Curriculum content?  Disrupt boundaries  Start from ancient myths, mysteries, narratives, difference voices, ways of seeing, disonnances http://janicekjones.com  A blogsite, pinterest, site stimulus for work by/with pre-service teachers  Linked Facebook site for artists  Starting from the earth, the elements, Indigenous peoples, stories, mysteries
  • 17. Where next?  Continue to build the WordPress site  Engage Arts Council Toowoomba to post and share works  Grow Facebook, Twitter, and Pinterest sites  Physical and virtual Art exhibition linked to site in late 2016  Create new page for USQ Makerspace – allowing sharing of knowledge, skills, videos  Encourage sharing of creative writing and arts products and research– from USQ education courses
  • 18. Thanks to colleagues and students at the University of Southern Queensland for supporting this journey - we are all leaders in learning.
  • 19. Thank you –Helpers on the Journey University of Southern Queensland Teaching Excellence and the expert panel of USQ advisors Professor Helen Partridge (PVC Scholarly Information and Learning Services) Professor Ken Udas DVC (Academic Services) and Chief Information Officer Adrian Stagg Lisa Aurisch Tim McCallum David Jones Kate Judith and team Eric Kong Janice Kann Priya Jose and Ron Pauley
  • 20. References Odedra A. (2014).Murmur. TedGlobal 2014. https://www.ted.com/talks/aakash_odedra_a_dance_in_a_hurricane_of_paper_wind_ and_light?language=en "Fire close up texture" by Titus Tscharntke - http://www.public-domain- image.com/public-domain-images-pictures-free-stock- photos/miscellaneous-public-domain-images-pictures/fire-flames- pictures/fire-close-up-texture.jpg. Licensed under Public Domain via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Fire_close_up_texture.jpg#/medi a/File:Fire_close_up_texture.jpg Vassil (2007) Shiva Nataragja. https://commons.wikimedia.org/wiki/File %3AShiva_Nataraja_Mus%C3%A9e_Guimet_25971.jpg

Editor's Notes

  1. ArtsSpace - Inspiration, Cultural Diversity and The Arts ArtsSpace is a site where creative artists and students can share their work and be inspired by the work of others.  All images and recordings on the site are shared under Creative Commons CC BY-SA and may be used, re-purposed and resubmitted – as long as the work of the contributing artist or writer is acknowledged.
  2. Sometimes the picture adds an extra strain. Its fine I can hear you.
  3. The Australian Curriculum for the Arts will be based on the assumption that all young Australians are entitled to engage with the five Arts subjects and should be given an opportunity to experience the special knowledge and skills base of each. All students will study the five Arts subjects — dance, drama, media arts, music and visual arts — from Foundation to the end of primary school. Schools will be best placed to determine how this will occur. From the first year of secondary school (Year 7 or 8), students will have an opportunity to experience some Arts subjects in greater depth and to specialise in one or more Arts subjects. Schools may continue to offer all Arts subjects. This will be determined by their state/territory jurisdiction and/or the school. In Years 9–12, students will be able to specialise in one or more Arts subjects as part of their overall curriculum package.