Re-imagining collection spaces: zines in institutional and community spaces

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    Re-imagining collection spaces: zines in institutional and community spaces - Presentation Transcript

    1. Re-imagining collection spaces: zines in institutional and community spaces Jessie Lymn University of Technology, Sydney AERI 2009
      • Early-stages of PhD research project
      • Working with subcultural communities
        • Zine makers, consumers, collectors
        • Site of resistance, non-conformance
      • Opportunity for interdisciplinary research
        • Information and archive studies
        • Cultural studies
    2. Zines?
    3. A problem of definition
      • More than the material object
        • I use ‘zine’ as something more akin to a roughly held culture of literary productions and consumption, rather than a set object or a specific style of writing (Ware, 2004)
    4. Public collections
      • Public space
        • Not necessarily accessible
      • Two major Australian zine collections
        • State Library of Victoria collection
        • Octapod collection, Newcastle
    5. State Library of Victoria zine collection
    6. State Library of Victoria
      • Rare printed section
        • Approx 5,000 titles
        • Archival preservation standards
      • Collected since 2000
      • Sourced by standing order with bookshops
        • Polyester Books
        • Sticky Institute
      • Close connection with local zine community
    7. The Octapod zine collection
    8. Octapod collection, Newcastle
      • Developed as part of National Young Writers Festival in 1998
      • Grew from the festival and local zine collection
      • Nationally significant collection
      • Estimated 3000+ zines
      • Current stocktaking project
      • Connection with national zine community, little with local community
    9. Reflections
      • Both motivated by zine makers and consumers
      • Differences in
        • Preservation standards
        • Accessibility
        • Long term sustainability
      • Institutional collection vs community space
        • Octapod site for production (zine workshops) and consumption (browsing collection)
    10. Future directions
      • Exploring the idea of memory collection spaces as sites of production, consumption and collection
      • Moving away from institutional collections
        • Focus on community spaces
          • Infoshops, zine libraries, art spaces
        • Domestic space as a third space of collection
      • Bringing the self into research
      • Bartel, J. 2004, From A to Zine: Building a winning zine collection in your library, ALA Editions, Chicago.
      • Leventhal, A. 2007, 'Imperfect Bound: Zines, Materiality, and the question of Preserving Ephemera', Canadian Association for the Study of Book Culture, Saskatoon, Saskatchwan
      • Ware, I. 2004, 'An Introduction to Zines and their Definition', New Media Poetics, vol. 3.
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