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Turning Heads: Audubon's Mature Style - Braddock
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Turning Heads: Audubon's Mature Style - Braddock

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  • 1. Turning Heads: Audubon’s Mature Style Alan C. Braddock Robert Havell after John James Audubon, Carolina Parakeet , 1832, detail Hand-colored engraving, 33 ¼ x 23 ½ in., from The Birds of America , pl. 26
  • 2. John James Audubon, Le Traquet de Buffon (European Stonechat) , 1806 Pastel, graphite, and ink on paper, 24 x 31 cm., Houghton Library, Harvard University
  • 3. Lawson after Wilson, Mississippi Kite (and other birds) , from American Ornithology (1808-14), pl. 25 Havell after Audubon, Mississippi Kite , 1832 Hand-colored engraving, 25 ¾ x 20 ¾ in., from The Birds of America , pl. 117
  • 4. Lawson after Alexander Wilson, Carolina Parrot , from American Ornithology (1808-14), pl. 26 Havell after Audubon, Carolina Parakeet , 1832 Hand-colored engraving, 33 ¼ x 23 ½ in., from The Birds of America , pl. 26
  • 5. Lawson after Alexander Wilson, Carolina Parrot , from American Ornithology (1808-14), pl. 26 Havell after Audubon, Carolina Parakeet , 1832 Hand-colored engraving, 33 ¼ x 23 ½ in., from The Birds of America , pl. 26
  • 6. John James Audubon, Barn Owl , 1833 Hand-colored engraving, 37 ½ x 25 in., from The Birds of America , pl. 171
  • 7. John James Audubon, Barn Owl , 1833 Watercolor, graphite on paper, 37 ½ x 25 in., New-York Historical Society Thomas Cole, View from Mt. Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow , 1836 Oil on canvas, 51 ½ x 76 in., Metropolitan Museum of Art, New York
  • 8. John James Audubon, Barn Owl , 1833 Watercolor, graphite on paper, 37 ½ x 25 in., New-York Historical Society Thomas Cole, View from Mt. Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow , 1836 Oil on canvas, 51 ½ x 76 in., Metropolitan Museum of Art, New York
  • 9. John James Audubon, Golden Eagle , 1833 Watercolor, graphite on paper, 38 x 25 ½ in., New-York Historical Society Thomas Cole, View from Mt. Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow , 1836 Oil on canvas, 51 ½ x 76 in., Metropolitan Museum of Art, New York
  • 10. John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and glazing on paper, 38 x 25 ½ in., New-York Historical Society Jacques-Louis David, Napoleon Crossing the Alps , 1800 Oil on canvas, 102 x 87 in., Château de Malmaison, Rueil-Malmaison
  • 11. John James Audubon, Black Vulture , 1829 Pastel, watercolor, graphite, collage on paper, 23 3/8 x 36 1/8 in., New-York Historical Society
  • 12. Théodore Géricault, Severed Heads , 1818 Oil on canvas, 50 x 61 cm., Nationalmuseum, Stockholm John James Audubon, Black Vulture , 1829 Pastel, watercolor, graphite, collage on paper, 23 3/8 x 36 1/8 in., New-York Historical Society
  • 13. The Execution of King Louis XVI, January 21, 1793
  • 14. Théodore Géricault, Severed Heads , 1818 Oil on canvas, 50 x 61 cm., Nationalmuseum, Stockholm John James Audubon, White-headed Eagle , 1828 Hand-colored engraving, 37 x 25 ¼ in., from The Birds of America , plate 31
  • 15. John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and glazing on paper, 38 x 25 ½ in., New-York Historical Society
  • 16. John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and glazing on paper, 38 x 25 ½ in., New-York Historical Society John James Audubon, Self-Portrait , 1826 Pencil on paper, private collection, London
  • 17. John James Audubon, Self-Portrait , 1826 Pencil on paper, private collection, London C.N. Cochin, Benjamin Franklin , 1777 Engraving
  • 18. John James Audubon, Self-Portrait , 1826 Pencil on paper, private collection, London John Gadsby Chapman, Col. David Crockett , 1835 Oil on canvas, Alamo Museum, San Antonio, TX
  • 19. George Caleb Bingham ,Daniel Boone Escorting Settlers through the Cumberland Gap, 1851-52 Oil on canvas, 36 ½ x 50 ¼ in., Washington University Art Gallery, St. Louis John James Audubon, Self-Portrait , 1826 Pencil on paper, private collection, London
  • 20. George Catlin, “The Author Painting a Chief at the Base of the Rocky Mountains,” frontispiece to Catlin, Letters and Notes, 1841 John James Audubon, Self-Portrait , 1826 Pencil on paper, private collection, London
  • 21. George Catlin, Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins , 1848 Oil on canvas, 20 x 27 ¼ in., Smithsonian American Art Museum, Washington, D.C.
  • 22. George Catlin, Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins , 1848 Oil on canvas, 20 x 27 ¼ in., Smithsonian American Art Museum, Washington, D.C.
  • 23. George Catlin, Dying Buffalo, Shot with an Arrow , 1832-33 Oil on canvas, Smithsonian American Art Museum, Washington, D.C.
  • 24. John Syme, John James Audubon , 1826 Oil on canvas, 35 x 27 in., White House Collection, Washington, D.C. William Fisk, George Catlin , 1849 Oil on canvas, 62 x 52 in., National Portrait Gallery, Washington, D.C.
  • 25. John Syme, John James Audubon , 1826 Oil on canvas, 35 x 27 in., White House Collection, Washington, D.C. John James Audubon, Self-Portrait , 1826 Pencil and charcoal on paper, 5 5/8 x 4 ¼ in., Collection of Richard Rathbone, Green Bank, Liverpool, UK
  • 26. G. P. A. Healy, John James Audubon , 1838 Oil on canvas, 35 x 27 in., Museum of Science, Boston
  • 27. Victor Gifford and John Woodhouse Audubon, John James Audubon , 1841 Oil on canvas, 44 x 60 in., American Museum of Natural History, New York
  • 28. John W. Audubon, John James Audubon , 1843 Oil on canvas, 45 x 35 in., American Museum of Natural History, N. Y. Mathew Brady, John James Audubon , c.1847-48 Daguerreotype, 4 ¼ x 3 ½ in., Cincinnati Art Museum
  • 29. Audubon memorabilia (hat, parfleched, gun, pistol, war club, pipe/tomahawk, axe) American Museum of Natural History, New York

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