Exploring Creativity

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    Exploring Creativity - Presentation Transcript

    1. Exploring Creativity with a Reflexive Lens Jb Labrune - MIT Media Lab - 11172008 1
    2. Creativity Divergent, Different New, Meaningful, Convergent, Appropriate 2
    3. Paul Cox @ Pompidou 3
    4. Paul Cox @ Pompidou 4
    5. Paul Cox @ Pompidou 5
    6. (( Lego vs Linka )) 6
    7. 7
    8. Creative Epistemology Labrune’s Phd, INRIA, CNRS 2007 Peer-to-peer Data Collection Identify Point of Interest Co-exploration Tangicam, 2005 Sketchcam, 2006 Videocube, 2004 8
    9. Peer-to-peer Data Collection Tangicam: Tangible Camera 9
    10. Capturing Point-of-Interest Sketchcam 10
    11. Co-Exploration Tools Metalogue Exaptation Intersubjective, Joint Attention 11
    12. Exploring Creativity Manifesting a complex phenomenon Promote human metalogue Morphogenesis Celebrate subjectivity Identify Exaptations Schizogenesis Reflect on Adaptations Semiogenesis 12
    13. Agenda A. What is an Appropriate Scientific Framework to study Creativity ? B. Subjective Expressions C. Exaptation D. Creativity Research Tools 13
    14. A ( What Appropriate Scientific Framework to study Creativity ? 14
    15. Quantitative Qualitative Complexity Philosophy Metaphysics 15
    16. A. Scientific Framework ? ( Quantitative 16
    17. Descartes | Rationalism 17
    18. Descartes | Metrics 18
    19. Descartes | Anatomy of a Rainbow, 1637 19
    20. Flammarion Woodcut 20
    21. Young Albert Marie Curie + Henri Poincare 21
    22. A. Scientific Framework ? ( Qualitative 22
    23. Margaret Mead | Samoa 23
    24. Piaget & Inhelder D.W. Winicott 24
    25. A. Scientific Framework ? ( Complexity 25
    26. Bateson at Naropa, 1975 26
    27. Always, the process of representation will filter it out so that the mental world is only maps of maps, ad infinitum. Gregory Bateson 27
    28. Subjective Intersubjective Dialogue Metalogue Gregory Bateson 28
    29. A. Scientific Framework ? ( Philosophy 29
    30. Husserl talking to Heidegger 30
    31. A. Scientific Framework ? ( Metaphysics 31
    32. The Face of the Other 32
    33. Emmanuel Levinas 33
    34. Objective Subjective Intersubjective Metasubjective 34
    35. B ( Subjective Expressions 35
    36. B. Subjective Expressions ( Preliterate Scripts Invented Doodles Illegible Cave Paintings Primal Children’s Drawing 36
    37. Tetsuro Matsuzawa Steven R. Kutcher Child Chimp Insects 37
    38. B. Subjective Expressions ( Asemic Codexae Voynich Manuscript Aldaraia Codex Seraphinianus Codex Mendoza Tlön, Uqbar, Orbis Tertius 38
    39. Voynich Manuscript 39
    40. Voynich Manuscript 40
    41. Codex Seraphinianus 41
    42. Codex Seraphinianus 42
    43. Henri Michaux 43
    44. Marcel Duchamp 44
    45. B. Subjective Expressions ( Invention vs ) Discovery 45
    46. Osho 46
    47. C ( Exaptation 47
    48. M.C. Escher 48
    49. Marcel Duchamp 49
    50. Marcel Duchamp 50
    51. C.H. Waddington 51
    52. C.H. Waddington 52
    53. C. Exaptation ( Adaptation vs Exaptation 53
    54. C. Exaptation ( Co-opted Adaptations http://www.w3.org/Protocols/rfc822/ 54
    55. C. Exaptation ( Spandrels 55
    56. C. Exaptation ( Engineers vs Gardeners 56
    57. D ( Creativity Research Tools (CRT) 57
    58. D. Creativity Research Tools ( Dimensions Peer-to-peer Data Collection Identify Point of Interest Co-exploration Goal: Manifesting Exaptations 58
    59. CRT & the Media Lab Brainstorming 59
    60. CRT & the Media Lab Hiroshi Ishii at MIT WindTunnel 60
    61. CRT & the Media Lab 61
    62. Thank You! labrune@media.mit.edu http://web.media.mit.edu/~labrune/ http://www.media.mit.edu/events/eventpage.php?event=talk-639 62

    + Jean BaptisteJean Baptiste, 7 months ago

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