Jb Labrune - MIT Media Lab Conference, March 23rd, 2009, Cambridge, MA.
Visual Representations & Technology
Visual Representation is a necessary reduction
Its constraints invite authors to make choice and to reduce the complexity of the ideas and structures they want to manifest
Visual Representation is a lie , since it masks and destroy what is not evident or visible
Metaphor (transport, coherence, correspondence) vs Aletheia ( http://en.wikipedia.org/wiki/Aletheia )
Epistemological critique of visual representations: risk of pseudo-scientific drift when social scientist or artist relay on technological and scientific visual imaginary ( Fashionable NonSense )
Vision of an ‘Ideal City’ (Pierro della Francesca)
Uchronia, (1876)
Charles Renouvier
Apocryph History vs Religion
Fragments of Future History, (1896)
Gabriel Tarde, Underground Man , written from 1879 to 1884 but published in 1896 with a Postface in french from H.G. Wells (1905). Published in a Sociological Journal. Considered as a precursor of modern SF. http://classiques.uqac.ca/classiques/tarde_gabriel/fragment_histoire_future/fragment.html
Criminologist precursor of Modern Sociology
Critiqued in France to be a rip-off of Cournot (François Vatin - Thanks Manuel for the reference) Tarde, Cournot and the End of Times ( http://cat.inist.fr/?aModele=afficheN&cpsidt=1551067 ) This paper proposes a new interpretation of Gabriel Tarde's science fiction novel published in 1896 and titled A Fragment of Future History' (English translation published in 1905 as Underground Man). Influenced by the philosopher Augustin Cournot, Tarde imagined a world where the extinction of the sun forced a realization that time is finite. This realization of the possibility of collective death evoked in Tarde's novel may have influenced the emergence of sociology at the end of the nineteenth century
Anticipation
Translation
Nadar, 1876
Voyages Imaginaires H.G Wells Jules Verne Georges Melies
SCIENTIFIC Romance
Illustrations
Vannevar Bush, 1945
Popular MECHANIcs
Imaginary
Lacan, 1944
Fashionable NonSense, 1997-8
Sokal and Bricmont intellectual impostures and postmodernism critique
For ex, critique of Lacan, Deleuze, Latour usage of scientific concepts
Fashionable Nonsense examines two related topics:
the allegedly incompetent and pretentious usage of scientific concepts by a small group of influential philosophers and intellectuals
the problems of cognitive relativism, the idea that "modern science is nothing more than a 'myth', a 'narration' or a 'social construction' among many others as seen in the Strong Programme in the sociology of science.
http://en.wikipedia.org/wiki/Strong_Programme
Everything Digital
Ted Nelson, 1974
You can and MUST understand computers NOW
Uchronia to Althistory
NeoSurrealism
NeoFiction - UbiFiction
NON Fiction - Realisation | Realization
SEMI Fiction - Transition | Hybridization
SCIENCE Fiction - Exploration | Revolution
DESIGN Fiction - Aesthetics | Information
SOCIAL Fiction - Reflection | Influence
POLITICAL Fiction - Rethorics | Control (Power)
META Fiction - Transport, Translation | Revelation/Reception/Unveiling
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