The fast and dirty writing academy

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The fast and dirty writing academy - Presentation Transcript

  1. This ain’t no English lesson The fast and dirty writing academy
  2. a b c d e f g h i j k l m n o p q r s t u v w x yz , . : ; ! ? ( ) ' “
  3. 200 = 80%
  4. the of and a to in he have it that for they I with as not on she at by this we you do but from or which one would all will there say who make when can more if no man out other so what time up go about than into could state only new year some take come these know see use get like then first any work now may such give over think most even find day also after way many must look before great back through long where much should well people down own just because good each those feel seem how high too place little world very still nation hand old life tell write become here show house both between need mean call develop under last right move thing general school never same another begin while number part turn real leave might want point form off child few small since against ask late home interest large person end open public follow during present without again hold govern around possible head consider word programme problem however lead system set order eye plan run keep face fact group play stand increase early course change help line
  5. So how does that lead to this?
  6. By taking a strategic, disciplined, enterprise-wide approach to aligning, managing and measuring learning and development initiatives, organisations ensure that their people have the right skills and knowledge to perform at their best. XPROD* is the most comprehensive solution available to address the strategic mandates of the learning organisation – to deliver effective formal and informal learning that is tied to clear business outcomes and strategic human capital management initiatives. * Company name changed to protect the guilty
  7. Of course it can go too far the other way
  8. Starlight Lines. The official agency for the Starship Titanic. The exclusive agency. Showing you things you've never seen. Exclusive things. We're proud. Very proud. So proud we hired a PR company. To teach us how to write. Be lovely, they said. Be positive. Short sentences. Say nothing. This is what it's like. The writing. Positive. Lovely. Meaningless. Meaningless, because you're a success. You don't need us to tell you what to think. See for yourself. Enjoy. The ship. The cosmos. Life. Be happy. Love you. Miss you. Mean it. ‘Marketing’ copy from the release of the Starship Titanic computer game
  9. A bit of philosophy
  10. Meaning is not contained in words
  11. All communication is a conversation
  12. We communicate to persuade
  13. Three bits of good business writing
  14. Let’s take the concept of thin-slicing one step further. Imagine you work for an insurance company that sells doctors medical malpractice insurance. Your boss asks you to figure out for accounting reasons who, among all the physicians covered by the company, is most likely to be sued. Once again, you are given two choices. The first is to examine the physicians’ training and credentials and then analyse their records to see how many errors they’ve made over the past few years. The other option is to listen in on very brief snippets of conversation between each doctor and his or her patients. Malcolm Gladwell, Blink
  15. There are three basic flavours of incentive: economic, social and moral. Very often a single incentive scheme will include all three varieties. Think about the anti-smoking campaign of recent years. The addition of a $3-per-pack “sin tax” is a strong economic incentive against buying cigarettes. The banning of cigarettes in restaurants and bars is a powerful social incentive. And when the US government asserts that terrorists raise money buy selling black-market cigarettes, that acts as a rather jarring moral incentive. Steven Levitt and Stephen Dubner, Freakonomics
  16. Why do remote controls have more buttons than we ever use? The answer starts with the noble intentions of engineers. Most technology and product design projects must combat “feature creep,” the tendency for things to become incrementally more complex until they no longer perform their original functions very well. A VCR is a case in point. Chip and Dan Heath, Made to Stick
  17. Tips, tricks and techniques
  18. Understand your audience
  19. Be relevant
  20. Write plainly and simply
  21. Tell tales
  22. Start by starting (fix it later)
  23. The rule of three
  24. The dictionary rule
  25. The jargon rule
  26. Don’t repeat yourself Don’t repeat yourself
  27. Avoid the passive
  28. And and but
  29. Edit. Edit. Edit.
  30. Edit. Edit. Edit.
  31. Cut by a third
  32. ‘That’ isn’t needed
  33. Exclamation marks are like laughing at your own joke!
  34. Proofraed
  35. Proofread
  36. Enjoy what you write
  37. More stuff You can download the notes for this presentation (as well as a handy guide to proofreading) at our blog: b1blog.wordpress.com – simply click on the ‘downloads’ tab.

+ Jay BallJay Ball, 2 years ago

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