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Color theory2010
 

Color theory2010

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  • www.http://warhol.org/interactive/silkscreen/main.html

Color theory2010 Color theory2010 Presentation Transcript

  • * Color TheoryThe art and science of color interaction and effects.
  • RGB ADDITIVE COLORColor created from beams of light.
  • RGB Red Green BlueADDITIVE COLOR
  • RGB Red Green Blue ADDITIVE COLORColor created from beams of light.
  • RGB Red Green Blue ADDITIVE COLORColor created from beams of light. This system applies only to devices employing light – computer monitors – television sets – theater stage lighting
  • RGB Red Green Blue ADDITIVE COLORColor created from beams of light. This system applies only to devices employing light – computer monitors – television sets – theater stage lighting
  • RGB Red Green Blue ADDITIVE COLORColor created from beams of light. This system applies only to devices employing light – computer monitors – television sets – theater stage lighting
  • RGB Red Green Blue ADDITIVE COLORColor created from beams of light. This system applies only to devices employing light – computer monitors – television sets – theater stage lighting
  • RGB Red Green Blue ADDITIVE COLOR WE ADD COLORS IN ORDER TO GET WHITEColor created from beams of light. This system applies only to devices employing light – computer monitors – television sets – theater stage lighting
  • Primary Color – ADDITIVE RGB Light!This is how a computer translates color to a monitor.
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MEGENTARED + GREEN + BLUE =WHITE
  • Primary Color – ADDITIVE RGB Light!This is how a computer translates color to a monitor.
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MEGENTARED + GREEN + BLUE =WHITE
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MEGENTARED + GREEN + BLUE =WHITE
  • Primary Color – ADDITIVE RGB Light!This is how a computer translates color to a monitor.
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MEGENTARED + GREEN + BLUE =WHITE
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MEGENTARED + GREEN + BLUE =WHITE
  • Primary Color – ADDITIVE RGB Light!This is how a computer translates color to a monitor.
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MAGENTARED + GREEN + BLUE =WHITE
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MAGENTARED + GREEN + BLUE = WHITE
  • Primary Color – ADDITIVE RGB Light!This is how a computer translates color to a monitor.
  • RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MAGENTARED + GREEN + BLUE = WHITE
  • RGB LIGHTFINAL QUESTION:
  • RGB LIGHT FINAL QUESTION:HOW DO YOU GET BLACK?
  • RGB LIGHT FINAL QUESTION:HOW DO YOU GET BLACK? In LIGHTblack is the absence of color!
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing.
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing.
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE MAGENTA + YELLOW = RED
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing.
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE MAGENTA + YELLOW = RED
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE MAGENTA + YELLOW = RED CYAN + YELLOW = GREEN
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing.
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. CYAN + MAGENTA = BLUE MAGENTA + YELLOW = RED CYAN + YELLOW = GREEN
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. FINAL QUESTIONS: How do we get BLACK?
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. FINAL QUESTIONS: How do we get BLACK?BLACK IS THE PRESNENCE OF ALL COLORS How do we get WHITE?
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. FINAL QUESTIONS: How do we get BLACK?BLACK IS THE PRESNENCE OF ALL COLORS How do we get WHITE?
  • CMYKCyan Magenta Yellow Black SUBTRACTIVE COLOR Used in printing. FINAL QUESTIONS: How do we get BLACK?BLACK IS THE PRESNENCE OF ALL COLORS How do we get WHITE? WHITE IS THE ABSENCE OF ALL COLORS
  • The CMYK Color SystemIf you look at a printed page with a magnifyingglass you might see something like theillustration. Our eye mixes the colors
  • ANDY WARHOL
  • * PRIMARY COLORColors that all other colors can be made from. SUBTRACTIVE COLOR We subtract colors from black to get whiteThis is what we do in the art room on a regular basis!
  • * PRIMARY COLORColors that all other colors can be made from. RYB Red Yellow Blue SUBTRACTIVE COLOR We subtract colors from black to get whiteThis is what we do in the art room on a regular basis!
  • Primary Color – SUBTRACTIVE RYB Paint, crayons, colored pencils, pastels etc.This is how we mix colors with pigments and dyes.
  • * SECONDARY COLOR Colors made by mixing two primaries. VGO Violet Green Orange SUBTRACTIVE COLOR We subtract colors from black to get whiteThis is what we do in the art room on a regular basis!
  • Secondary color- Hues mixed fromadjacent primaries; violet, green and orange
  • * Tertiary color- A hue that is mixed from aprimary color and the adjacent secondary color.
  • Color Wheel
  • How many colors are there? Older computer systems may be limited to 216A high quality printer is only capable of producing thousands A monitor can display millions How many colors could you make in paint?
  • G’Day…1. Get out your Strips from last class and your Direction Packet please2. Ticket #13: What are the Tertiary colors?3. Tickets 1 – 5 weeks:Due: FRIDAY 3/3 (after we get back)
  • HELLO!!PLEASE GET OUT 1. Pencil 2. Color Theory PacketTicket # 1:What is Color Theory?
  • Pablo Picasso Joseph Albers
  • Pablo Picasso
  • Can any other color set the same mood as the blue monochromatic version?
  • Can any other color set the same mood as the blue monochromatic version?
  • Can any other color set the same mood as the blue monochromatic version?
  • Can any other color set the same mood as the blue monochromatic version?
  • Warm CoolTemperature – Refers to the heat that a colorgenerates, both physically and psychologically.
  • Color Wheel * Hue – Is the name of a specific color. Value – The lightness or darkness of a hue.Intensity – The brightness or dullness of a color.
  • Color Wheel* Hue – Is the name of a specific color. The lightness or darkness of a hue.
  • Color Wheel * Hue – Is the name of a specific color.* Value – The lightness or darkness of a hue.
  • Color Wheel * Hue – Is the name of a specific color.* Value – The lightness or darkness of a hue.
  • A: COLOR MIXING & EXPERIMENTATION Value1. We add black and white to a color to get tints and shades. Tone and Intensity1. We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.
  • A: COLOR MIXING & EXPERIMENTATION Value1. We add black and white to a color to get tints and shades. Tone and Intensity1. We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.
  • There are two ways to lower the value of a color. Value - The relative lightness ordarkness of a color. Which creates…
  • * Tint – A hue that has been mixed with white.* Shade – A hue that has been mixed with
  • Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue.* Intensity – The brightness or dullness of a color.
  • Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue.* Intensity – The brightness or dullness of a color.
  • A: COLOR MIXING & EXPERIMENTATION Value1. We add black and white to a color to get tints and shades. Tone and Intensity1. We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.
  • From color mixing experimentation. Value1. We add black and white to a color to get tints and shades. Tone and Intensity1. We add compliments to each other to get muddy colors2. We can mix more and less of other colors to get millions of color variations.
  • Mixing a color with it’s compliment to creates different tones.
  • 1. From color mixing experimentation. Value1. We add black and white to a color to get tints and shades. Tone and Intensity1. We add compliments to each other to get muddy colors2. We can mix more and less of other colors to get millions of color variations.
  • Warm GET OUT your color theory packet please! – Here are the warm and cool colors againCool – Write them in the outer circle of your warm/cool page if you have not completed this page yet.
  • * Monochromatic – Color scheme based on variations of a single hue.
  • * Analogous – A color scheme based on hues that are adjacent to each other on the color wheel.
  • Mark Ryden
  • * Complimentary – Hues that oppose one another on the color wheel. When paired in a composition, complimentary colors create contrast; when mixed, complimentary colors produce a wide range of browns.
  • Marshall Arisman Maxfield Parrish
  • * Triadic harmony – A color scheme based on three colors which are equidistant on a color wheel.
  • Piet Mondrian
  • ON A TICKET:Based on the colors below what do you think the definition of an ANALOGOUS color scheme is? PLEASE GET OUT: Vocabulary Inventory PLEASE PICK UP: 1 of EACH handout on the back counter
  • FRANK LLOYD WRIGHT
  • Early – Mid 1900’s
  • Today is a FULL workday GET TO WORKI WILL BE INTERRUPTING YOU SHORTLY FOR SOME QUICK ANNOUNCEMENTS
  • G’Day…1. LAST DAY to catch up!2. Please get out your vocabulary inventory3. No ticket today4. First Half of class – WORKDAY5. GET STARTED!!